Maeve Gutierrez: Difference between revisions

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'''Maeve Gutierrez''' is a producer of [[microtonal]] hyperpop, ambient and other experimental electronic music. In her music, she has explored [[27edo]], [[31edo]] and various [[just intonation]] scales among other tunings. She is also a music theorist who extensively uses [[Scale Workshop]].
'''Maeve Gutierrez''' is a producer of [[microtonal]] hyperpop, ambient and other experimental electronic music. In her music, she has explored [[27edo]], [[31edo]], [[36edo]] and various [[just intonation]] scales among other tunings. She is also a music theorist who extensively uses [[Scale Workshop]]. She is the number one fan of the 7/6 subminor third.


== Discography and socials ==
== Discography and socials ==
* [https://www.instagram.com/m43v3.wav/ Maeve Gutierrez on Instagram]
* [https://www.instagram.com/m43v3.wav/ Maeve Gutierrez on Instagram]
* [https://music.apple.com/sa/artist/maeve-gutierrez/1754562060 Maeve Gutierrez on Apple Music]
* [https://music.apple.com/sa/artist/maeve-gutierrez/1754562060 Maeve Gutierrez on Apple Music]
* [https://open.spotify.com/artist/2Db6qdVgx5XP4BHsFndAtA Maeve Gutierrez on Spotify]


== Invented scales and chords (named) ==
== Invented scales and chords (named) ==
'''septimal subphrygian d4 d5'''
<small>subminor-coloured scales often use subminor 3rds, 6ths, and 7ths. i realized through experimentation that flattening the 2nds, 4ths, and 5ths by a similar amount that the minor 3rd, 6th, and 7th are flattened creates really pretty scales!! i have made a few submajor, subminor, and subdorian scales using this method, but this septimal scale is my favourite so far:</small>
<small>[[21/20]] subminor 2nd (84.467 cents)</small>
<small>[[7/6]] subminor 2nd (266.871 cents)</small>
<small>[[21/16]] sub 4th (470.781 cents)</small>
<small>[[28/19]] sub 5th/🐺(671.313 cents)</small>
<small>[[14/9]] subminor 6th (764.916 cents)</small>
<small>[[7/4]] subminor/harmonic 7th (968.826)</small>
<small>[[2/1]] octave (1200c)</small>
'''Lavender hexatonic scale'''
<small>i designed this scale to have a soft, dreamlike sound! it is very xenharmonic, but not very dissonant. it is used in my song "lavender".</small>
[[12/11]] neutral 2nd (150.637 cents)
[[7/6]] subminor 3rd (266.871 cents)
[[21/16]] sub4th (470.781 cents)
[[105/64]] neutral 6th (857.09 cents)
[[44/25]] subminor 7th (978.691 cents)
[[2/1]] octave/unison


=== 6ed7/3''+''7edo scale ===
=== 6ed7/3''+''7edo scale ===
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=== Gutierrez Moonglade scale ===
=== Gutierrez Moonglade scale ===
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the 24-tone scale she used in her piece 'Moonglade'.  
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the 24-tone scale she used in her pieces 'moonglade' and "la helada".  


This was the post:
This was the post:
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* {{EDOs|64, 72, 78, 80, 84, 90, 107, 120, 144, 162, 186, 258, 270...}}
* {{EDOs|64, 72, 78, 80, 84, 90, 107, 120, 144, 162, 186, 258, 270...}}


[[Detempering]] in [[19-limit]] just intonation:
[[Detempering]] in [[23-limit]] just intonation:
* 121/120 — 20/19 — 10/9 — 9/8 — 13/11 — 6/5 — 5/4 — 4/3 — 23/17 — 7/5 — 40/27 — 3/2 — 50/33 — 11/7 — 33/20 — 5/3 — 7/4 — 23/13 — 9/5 — 224/121 — 13/7 — 17/9 — 65/33 — 2/1
* 121/120 — 20/19 — 10/9 — 9/8 — 13/11 — 6/5 — 5/4 — 4/3 — 23/17 — 7/5 — 40/27 — 3/2 — 50/33 — 11/7 — 33/20 — 5/3 — 7/4 — 23/13 — 9/5 — 224/121 — 13/7 — 17/9 — 65/33 — 2/1
* (identical to original scale within 5{{c}})
* (identical to original scale within 5{{c}})
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</pre>
</pre>


=== Gutierrez 11/1-period heptachord ===
=== Generator sequence 200, 171.429 (2/1 period) with pure 7/4 added ===
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the following [[nonoctave]], 7-tone [[just intonation]] chord:
Gutierrez described this scale in April 2026:
* 11/9 — 19/7 — 3/1 — 19/4 — 7/1 — 9/1 — 11/1
 
It is a [[19-limit]] chord.
<pre>
200.000
371.429
571.429
742.858
942.858
968.892
1114.287
1200.000
</pre>
 
[https://scaleworkshop.plainsound.org/scale/d4y1I100G (Scale Workshop url)]
 
Budjarn Lambeth tested this scale in all [[afdo]]s and [[edo]]s up to 100, and he believes it sounds best in: [[72afdo]], [[84afdo]], [[52edo]], [[67edo]] and [[84edo]].
 
==== Gutierrez-Lambeth otonal neutral hexatonic ====
[[Budjarn Lambeth]] made a variant of Maeve's scale by taking a 6-tone subset and then moving individual intervals around by a [[chroma]] until he could 'play the melody he was hearing in his head':
 
<pre>
371.429
571.429
685.718
857.148
968.892
1200.000
</pre>
 
Budjarn Lambeth tested this scale in all [[afdo]]s and [[edo]]s up to 100, and he believes it sounds best in: '''[[25afdo]]''', [[72afdo]], [[84afdo]], [[52edo]], [[67edo]] and [[84edo]].
 
<pre>31/25
35/25
37/25
41/25
44/25
50/25
 
89/72
100/72
107/72
118/72
126/72
144/72
 
104/84
117/84
125/84
138/84
147/84
168/84


[[Budjarn Lambeth]] was inspired by this chord to create the [[moon dust]] scale, in which Gutierrez's chord and subsets thereof is the most foundational consonance.
16\52
25\52
30\52
37\52
42\52
52\52


[[EDO]]s that approximate the chord well for their size include:
21\67
* {{EDOs|31, 41, 48, 72, 89, 104...}}
32\67
38\67
48\67
54\67
67\67


[[EDT]]s that approximate the chord better than any smaller EDT include:
26\84
* {{EDTs|22, 34, 43, 65, 88, 110...}}
40\84
[[65edt]] also includes the [[Bohlen-Pierce scale]] allowing this chord to be used above any degree of that scale.
48\84
60\84
68\84
84\84


The chord is closely approximated in [[63afdo|63]][[afdo]], as the JI chord:
27\88
* 63:77:171:189:299:441:567:693
42\88
[[Category:7-tone scales]]
50\88
[[Category:Just intonation scales]]
63\88
[[Category:Nonoctave]]
71\88
88\88</pre>


=== Gutierrez 7/6s-and-4/3s scale ===
=== Gutierrez 7/6s-and-4/3s scale ===
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[[Category:8-tone scales]]
[[Category:8-tone scales]]
[[Category:Just intonation scales]]
[[Category:Just intonation scales]]
=== Gutierrez 11/1-period heptachord ===
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the following [[nonoctave]], 7-tone [[just intonation]] chord:
* 11/9 — 19/7 — 3/1 — 19/4 — 7/1 — 9/1 — 11/1
It is a [[19-limit]] chord.
[[Budjarn Lambeth]] was inspired by this chord to create the [[moon dust]] scale, in which Gutierrez's chord and subsets thereof is the most foundational consonance.
[[EDO]]s that approximate the chord well for their size include:
* {{EDOs|31, 41, 48, 72, 89, 104...}}
[[EDT]]s that approximate the chord better than any smaller EDT include:
* {{EDTs|22, 34, 43, 65, 88, 110...}}
[[65edt]] also includes the [[Bohlen-Pierce scale]] allowing this chord to be used above any degree of that scale.
The chord is closely approximated in [[63afdo|63]][[afdo]], as the JI chord:
* 63:77:171:189:299:441:567:693
[[Category:7-tone scales]]
[[Category:Just intonation scales]]
[[Category:Nonoctave]]


=== Gutierrez Dec 2025 6-tone 12afdo subset ===
=== Gutierrez Dec 2025 6-tone 12afdo subset ===
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7/4
7/4
2/1
2/1
</pre>
=== Gutierrez double primodal scales ===
These are to [[primodal]] scales what [[bihexany]]s are to [[hexany]]s (two copies of the scale offset by some [[just]] interval).
==== 17 Feb 2026 ====
<pre>
a fun subminor double primodal scale (6th mode of harmonics 7-14, scale duplicated at 78/77 comma around 22 cents)
fraction      ~cents      name             
1/1(2/1)      0 (1200)  unison/octave
78/77          22              comma         
13/12          139            small neu2
169/154      161            big neu2
7/6                267            sin7
13/11          289            min3
4/3                498            perf4
104/77        520            super4
3/2                702            perf5
117/77        724            semiaug 5
5/3                884            small maj6
130/77        907            big maj6
11/6            1049          neu7
13/7            1072          submaj7
</pre>
==== 19 Feb 2026 ====
<pre>
<pre>
a fun subminor double primodal scale (6th mode of harmonics 7-14, scale duplicated at 78/77 comma around 22 cents)
fraction      ~cents      name             
1/1(2/1)      0 (1200)  unison/octave
78/77          22              comma         
13/12          139            small neu2
169/154      161            big neu2
7/6                267            sin7
13/11          289            min3
4/3                498            perf4
104/77        520            super4
3/2                702            perf5
117/77        724            semiaug 5
5/3                884            small maj6
130/77        907            big maj6
11/6            1049          neu7
13/7            1072          submaj7
</pre>


=== Gutierrez-Lambeth quasi-subharmonic pentatonic ===
=== Gutierrez-Lambeth quasi-subharmonic pentatonic ===
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If you take all the intervals of [[3ed7/3]] up to its sharp [[tritave]] and octave-reduce them, you get a scale almost exactly the same (within 0.25{{c}}) as the superpyth[5] [[MOS scale]] in 27edo. This scale sounds somewhere in between [[12edo]] pentatonic and [[5edo]] equipentatonic.
If you take all the intervals of [[3ed7/3]] up to its sharp [[tritave]] and octave-reduce them, you get a scale almost exactly the same (within 0.25{{c}}) as the superpyth[5] [[MOS scale]] in 27edo. This scale sounds somewhere in between [[12edo]] pentatonic and [[5edo]] equipentatonic.
* Step pattern: 6 5 6 5 5 ([[2L 3s]])
* Step pattern: 6 5 6 5 5 ([[2L 3s]])
{{Navbox scale gallery}}


[[Category:People]]
[[Category:People]]
[[Category:Composers]]
[[Category:Composers]]
[[Category:Theorists]]
[[Category:Theorists]]