Munit: Difference between revisions

Line 91:

* 7/6: LL

* 11/9: LLs

* 9/7: LLL

* 14/11: LLL

* 4/3: LLsL

* 3/2: LLsLLs

So right off the bat we have some very interesting stuff! In the POTE tuning, our large step is 138.674 cents and our small step is 76.427 cents. So we have to learn that, again, 9/8 is not one step, but that there is a passing tone in between. Similarly, we must learn that 7/6 is subdivided into two large steps, and that 11/9 is subdivided into two ~~large and one small step. Perhaps strangely, if we are used to superpyth, 9/7 is now subdivided into three equal parts rather than two, and 4/3 into three~~ large and one small step. 3/2 is now a type of "seventh" rather than a "fifth", and so on. Learning to internalize these munits is an important part of forming the correct expectations regarding what harmonic properties to expect upon hearing a certain pattern of scale steps.

So right off the bat we have some very interesting stuff! In the POTE tuning, our large step is 138.674 cents and our small step is 76.427 cents. So we have to learn that, again, 9/8 is not one step, but that there is a passing tone in between. Similarly, we must learn that 7/6 is subdivided into two large steps, and that 11/9 is subdivided into two large and one small step. 3/2 is now a type of "seventh" rather than a "fifth", and so on. Learning to internalize these munits is an important part of forming the correct expectations regarding what harmonic properties to expect upon hearing a certain pattern of scale steps.

=== Neutral[7] ===

@@ Line 91: / Line 91: @@
 * 7/6: LL
 * 11/9: LLs
-* 9/7: LLL
+* 14/11: LLL
 * 4/3: LLsL
 * 3/2: LLsLLs
-So right off the bat we have some very interesting stuff! In the POTE tuning, our large step is 138.674 cents and our small step is 76.427 cents. So we have to learn that, again, 9/8 is not one step, but that there is a passing tone in between. Similarly, we must learn that 7/6 is subdivided into two large steps, and that 11/9 is subdivided into two large and one small step. Perhaps strangely, if we are used to superpyth, 9/7 is now subdivided into three equal parts rather than two, and 4/3 into three large and one small step. 3/2 is now a type of "seventh" rather than a "fifth", and so on. Learning to internalize these munits is an important part of forming the correct expectations regarding what harmonic properties to expect upon hearing a certain pattern of scale steps.
+So right off the bat we have some very interesting stuff! In the POTE tuning, our large step is 138.674 cents and our small step is 76.427 cents. So we have to learn that, again, 9/8 is not one step, but that there is a passing tone in between. Similarly, we must learn that 7/6 is subdivided into two large steps, and that 11/9 is subdivided into two large and one small step. 3/2 is now a type of "seventh" rather than a "fifth", and so on. Learning to internalize these munits is an important part of forming the correct expectations regarding what harmonic properties to expect upon hearing a certain pattern of scale steps.
 === Neutral[7] ===