Lumatone mapping for 14edo: Difference between revisions
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The | {{Lumatone mapping intro}} Only two generators work at all to produce single period mos scales. | ||
== Whitewood == | |||
The closest thing to a diatonic scale is the whitewood mapping, which puts the naturals in a straight line and the second unconnected circle of fifths above and below. [[Bryan Deister]] demonstrates this mapping in [https://www.youtube.com/shorts/7rIthSC8zfY ''<nowiki>Casting Shadows On My Mantle - 14edo [short]</nowiki>''] (2026). | |||
{{Lumatone EDO mapping|n=14|start=0|xstep=2|ystep=-1}} | {{Lumatone EDO mapping|n=14|start=0|xstep=2|ystep=-1}} | ||
== Beep == | |||
In terms of approximating simple consonant intervals and giving them comfortable fingerings, the [[Beep]] mapping is the most efficient, although they still sound quite dissonant compared to 12edo. | |||
{{Lumatone EDO mapping|n=14|start=11|xstep=3|ystep=-1}} | |||
== Smate == | |||
The [[smate]] mapping is most effective if you want to maximise range, although you should still probably expand it from [[1L 1s]] to [[2L 1s]] to make chords easier to play, as 11 octaves is still beyond the range of human hearing. | |||
{{Lumatone EDO mapping|n=14|start=11|xstep=5|ystep=-1}} | |||
{{Navbox Lumatone}} | {{Navbox Lumatone}} | ||