|
|
| (24 intermediate revisions by 7 users not shown) |
| Line 1: |
Line 1: |
| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | {{See also|User:TallKite}} |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | '''Kite Giedraitis''', also known as '''Tall Kite''', is a musician, author, theorist, instrument builder and software developer. |
| : This revision was by author [[User:TallKite|TallKite]] and made on <tt>2018-03-25 05:48:35 UTC</tt>.<br>
| |
| : The original revision id was <tt>627987113</tt>.<br>
| |
| : The revision comment was: <tt></tt><br>
| |
| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
| |
| <h4>Original Wikitext content:</h4>
| |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Kite Giedraitis is a musician, author, theorist, instrument builder and software developer.
| |
|
| |
|
| Latest track: [[http://tallkite.com/music/IHearNumbers.html|I Hear Numbers]]
| | Popular tracks: [https://www.youtube.com/watch?v=eAPzZ9oJYyY Evening Rondo], [http://tallkite.com/music/IHearNumbers.html I Hear Numbers] |
| | |
| | He has invented the [[The Kite Guitar|Kite Guitar]], which makes a 41-edo guitar about as playable as 19-edo or 22-edo. |
| | |
| | He has written [http://www.tallkite.com/alt-tuner.html alt-tuner], unique from other microtonal software in several ways: |
|
| |
|
| He has written [[@http://www.tallkite.com/alt-tuner.html|alt-tuner]], unique from other microtonal software in several ways:
| |
| It allows dynamic retuning via midi input from the musician, in the form of keyswitches and/or foot pedals. This in turn allows the "holy grail" of retuning: adaptive just intonation. | | It allows dynamic retuning via midi input from the musician, in the form of keyswitches and/or foot pedals. This in turn allows the "holy grail" of retuning: adaptive just intonation. |
| | |
| It features a color-coded lattice and a graph of all intervals up to an octave, both of which respond instantly to tuning changes. | | It features a color-coded lattice and a graph of all intervals up to an octave, both of which respond instantly to tuning changes. |
|
| |
|
| With others such as Robert Walker and Ozan Yarman, he has developed a [[New Tuning Method|new tuning method]] that uses very high keyswitches (midi notes 122-127) to "smuggle" tuning information through DAWs that won't transmit sysex messages. This method has been used to retune Kontakt instruments to allow complete retuning freedom -- any note can take on any pitch in the 10-octave midi range, and can even glide to any pitch while sounding, all using only one instrument instance, one midi channel, and one DAW track. | | With others such as Robert Walker and Ozan Yarman, he has developed a [[New_Tuning_Method|new tuning method]] that uses very high keyswitches (midi notes 122-127) to "smuggle" tuning information through DAWs that won't transmit sysex messages. This method has been used to retune Kontakt instruments to allow complete retuning freedom -- any note can take on any pitch in the 10-octave midi range, and can even glide to any pitch while sounding, all using only one instrument instance, one midi channel, and one DAW track. |
| | |
| | He has written the EDOstrobetuner, a free strobe tuner for microtonal guitars. |
|
| |
|
| He has developed several notation systems, not only typable and staff notation but also spoken and sung notation: | | He has developed several notation systems, not only typable and staff notation but also spoken and sung notation: |
|
| |
|
| His [[Kite's color notation|color notation]] represents each prime up to 19-limit via 1 or 2 colors (2 = clear, 3 = white, 5 = yellow for otonal and green for utonal, 7 = blue and red, etc.). Combined with standard diatonic notation, any ratio can be expressed as a color plus a degree, e.g. "blue third" for 7/6. There is a rigorous one-to-one correspondence between ratios and color notation, making it ideal for JI. But it can also be applied to temperaments and EDOs, since ratios are often used to refer to intervals in such tunings. | | His [[Kite's_color_notation|color notation]] represents each prime via 1 or 2 colors (2 = clear, 3 = wa, 5 = yo for 5-over and gu for 5-under, 7 = zo and ru, etc.). Combined with standard diatonic notation, any ratio can be expressed as a color plus a degree, e.g. "zo third" for 7/6. There is a rigorous one-to-one correspondence between ratios and color notation, making it ideal for JI. But it can also be applied to temperaments and EDOs, since ratios are often used to refer to intervals in such tunings. |
| | |
| His da-ro-mu is a form of solfege that uses the traditional consonants of do-re-mi but replaces the vowels with "color vowels" (a = white, e = red, i = green, o = yellow and u = blue). Thus 5/3 - 14/9 - 3/2 is "Lo Lu Sa".
| |
|
| |
|
| His [[Ups and Downs Notation|ups and downs notation]] represents every key in an EDO. The standard seven letters and the standard sharp and flat is used to represent the chain of fifths. For EDOs in which 7 fifths octave-reduce to one EDOstep (12edo, 19edo, etc.) this is sufficient. For other EDOs, the up symbol "^" and the down symbol "v" represent raising and lowering the pitch by one EDOstep. For example, in 22-edo, 7 fifths = 3 EDOsteps, and 22edo would be written:
| | [[Ups and downs notation|Ups and downs notation]] can notate every EDO with only 2 new accidentals. The standard seven letters and the standard sharp and flat is used to represent the chain of fifths. For EDOs in which 7 fifths octave-reduce to one EDOstep (12edo, 19edo, etc.) this is sufficient. For other EDOs, the up symbol "^" and the down symbol "v" represent raising and lowering the pitch by one EDOstep. |
| C-Db-Db^-Dv-D-Eb-Eb^-Ev-E-F-Gb-Gb^-Gv-G-Ab-Ab^-Av-A-Bb-Bb^-Bv-B-C
| |
| P1-m2-^m2-vM2-M2-m3-^m3-vM3-M3-P4-d5-^d5-vP5-P5-m6-^m6-vM6-M6-m7-^m7-vM7-M7-P8
| |
| Just as each black key has two names in standard notation, each key and each interval has multiple names: Db^ = C#v and ^d5 = vA4.
| |
|
| |
|
| Along with Praveen Venkataramana, he has developed the concept of a [[pergen]], which categorizes rank-2 and rank-3 temperaments. | | Along with Praveen Venkataramana, he has developed the concept of a [[pergen|pergen]], which categorizes rank-2 and rank-3 temperaments. The pergen article also exhaustively covers how to notate them. |
|
| |
|
| Kite has called for xenharmonic terminology that requires less memorization. His manifesto: | | Unlike Sagittal, Johnston, HEWM and Sabat, Kite's color notation, ups/downs notation and pergen notation include <u>relative notation</u>. This makes naming not only intervals but also chords possible. Kite has listed hundreds of JI chords and EDO chords with their names. |
|
| |
|
| Things I refuse to memorize:
| | == See also == |
| * I refuse to memorize any ratio with numbers of more than 2 digits | | * [[Color notation]] |
| * I refuse to memorize any extended ratio with numbers higher than 20 | | * [[Ups and downs notation]] |
| * I refuse to memorize the difference between a limna, a kleisma, a schisma, a diaschisma, and a diesis | | * [[Pergen]] |
| * I refuse to memorize the 62 sagittal accidentals | | * [[Kite Guitar]] |
| * I refuse to memorize the 750 temperament names | | ** [[Kite Guitar Exercises and Techniques by Kite Giedraitis]] |
| | ** [[Kite Guitar Originals by Kite Giedraitis]] |
| | ** [[Kite Guitar Translations by Kite Giedraitis]] |
| | * [[41edo]] |
| | ** [[Kite Giedraitis's Categorizations of 41edo Scales]] |
| | ** [[Kite's Thoughts on 41edo Note Names and Key Signatures]] |
| | * [[New Tuning Method]] |
| | * [[Naming Rank-2 Scales using Mode Numbers]] |
| | * [[Stern-Brocot ancestors and rank 2 temperaments]] (''unfinished'') |
| | * [[Kite Giedraitis's thoughts on enharmonic unisons]] |
|
| |
|
| Homepages:
| | == External links == |
| [[@http://www.tallkite.com|www.tallkite.com]] (Kite's microtonal software, writings and music) | | * [http://www.tallkite.com TallKite.com] (Kite's microtonal software, writings and music) |
| [[@http://www.FoolsInParadise.com|www.FoolsInParadise.com]] (Kite's marimba/mbira band) | | * [https://KiteGuitar.com KiteGuitar.com] |
| [[@http://www.PortlandMarimba.com|www.PortlandMarimba.com]] (group classes in African marimba) | | * [http://www.FoolsInParadise.com FoolsInParadise.com] (Kite's marimba/mbira band) |
| | * [http://www.PortlandMarimba.com PortlandMarimba.com] (group classes in African marimba) |
|
| |
|
| xenwiki pages:
| | {{DEFAULTSORT:Giedraitis, Kite}} |
| [[Kite's color notation]]
| | [[Category:People]] |
| [[Ups and Downs Notation|xenharmonic.wikispaces.com/Ups+and+Downs+Notation]] | | [[Category:Developers]] |
| [[xenharmonic/pergen|http://xenharmonic.wikispaces.com/pergen]] | | [[Category:Instrument makers]] |
| [[New Tuning Method|xenharmonic.wikispaces.com/New+Tuning+Method]] | | [[Category:Musicians]] |
| [[Naming Rank-2 Scales using Mode Numbers]] (unfinished) | | [[Category:Theorists]] |
| [[Stern-Brocot ancestors and rank 2 temperaments|xenharmonic.wikispaces.com/Stern-Brocot+ancestors+and+rank+2+temperaments]] (unfinished)</pre></div> | |
| <h4>Original HTML content:</h4>
| |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>KiteGiedraitis</title></head><body>Kite Giedraitis is a musician, author, theorist, instrument builder and software developer.<br />
| |
| <br />
| |
| Latest track: <a class="wiki_link_ext" href="http://tallkite.com/music/IHearNumbers.html" rel="nofollow">I Hear Numbers</a><br />
| |
| <br />
| |
| He has written <a class="wiki_link_ext" href="http://www.tallkite.com/alt-tuner.html" rel="nofollow" target="_blank">alt-tuner</a>, unique from other microtonal software in several ways:<br />
| |
| It allows dynamic retuning via midi input from the musician, in the form of keyswitches and/or foot pedals. This in turn allows the &quot;holy grail&quot; of retuning: adaptive just intonation.<br />
| |
| It features a color-coded lattice and a graph of all intervals up to an octave, both of which respond instantly to tuning changes.<br />
| |
| <br />
| |
| With others such as Robert Walker and Ozan Yarman, he has developed a <a class="wiki_link" href="/New%20Tuning%20Method">new tuning method</a> that uses very high keyswitches (midi notes 122-127) to &quot;smuggle&quot; tuning information through DAWs that won't transmit sysex messages. This method has been used to retune Kontakt instruments to allow complete retuning freedom -- any note can take on any pitch in the 10-octave midi range, and can even glide to any pitch while sounding, all using only one instrument instance, one midi channel, and one DAW track.<br />
| |
| <br />
| |
| He has developed several notation systems, not only typable and staff notation but also spoken and sung notation:<br />
| |
| <br />
| |
| His <a class="wiki_link" href="/Kite%27s%20color%20notation">color notation</a> represents each prime up to 19-limit via 1 or 2 colors (2 = clear, 3 = white, 5 = yellow for otonal and green for utonal, 7 = blue and red, etc.). Combined with standard diatonic notation, any ratio can be expressed as a color plus a degree, e.g. &quot;blue third&quot; for 7/6. There is a rigorous one-to-one correspondence between ratios and color notation, making it ideal for JI. But it can also be applied to temperaments and EDOs, since ratios are often used to refer to intervals in such tunings.<br />
| |
| <br />
| |
| His da-ro-mu is a form of solfege that uses the traditional consonants of do-re-mi but replaces the vowels with &quot;color vowels&quot; (a = white, e = red, i = green, o = yellow and u = blue). Thus 5/3 - 14/9 - 3/2 is &quot;Lo Lu Sa&quot;.<br />
| |
| <br />
| |
| His <a class="wiki_link" href="/Ups%20and%20Downs%20Notation">ups and downs notation</a> represents every key in an EDO. The standard seven letters and the standard sharp and flat is used to represent the chain of fifths. For EDOs in which 7 fifths octave-reduce to one EDOstep (12edo, 19edo, etc.) this is sufficient. For other EDOs, the up symbol &quot;^&quot; and the down symbol &quot;v&quot; represent raising and lowering the pitch by one EDOstep. For example, in 22-edo, 7 fifths = 3 EDOsteps, and 22edo would be written:<br />
| |
| C-Db-Db^-Dv-D-Eb-Eb^-Ev-E-F-Gb-Gb^-Gv-G-Ab-Ab^-Av-A-Bb-Bb^-Bv-B-C<br />
| |
| P1-m2-^m2-vM2-M2-m3-^m3-vM3-M3-P4-d5-^d5-vP5-P5-m6-^m6-vM6-M6-m7-^m7-vM7-M7-P8<br />
| |
| Just as each black key has two names in standard notation, each key and each interval has multiple names: Db^ = C#v and ^d5 = vA4.<br />
| |
| <br />
| |
| Along with Praveen Venkataramana, he has developed the concept of a <a class="wiki_link" href="/pergen">pergen</a>, which categorizes rank-2 and rank-3 temperaments.<br />
| |
| <br />
| |
| Kite has called for xenharmonic terminology that requires less memorization. His manifesto:<br />
| |
| <br />
| |
| Things I refuse to memorize:<br />
| |
| <ul><li>I refuse to memorize any ratio with numbers of more than 2 digits</li><li>I refuse to memorize any extended ratio with numbers higher than 20</li><li>I refuse to memorize the difference between a limna, a kleisma, a schisma, a diaschisma, and a diesis</li><li>I refuse to memorize the 62 sagittal accidentals</li><li>I refuse to memorize the 750 temperament names</li></ul><br />
| |
| Homepages:<br />
| |
| <a class="wiki_link_ext" href="http://www.tallkite.com" rel="nofollow" target="_blank">www.tallkite.com</a> (Kite's microtonal software, writings and music)<br />
| |
| <a class="wiki_link_ext" href="http://www.FoolsInParadise.com" rel="nofollow" target="_blank">www.FoolsInParadise.com</a> (Kite's marimba/mbira band)<br />
| |
| <a class="wiki_link_ext" href="http://www.PortlandMarimba.com" rel="nofollow" target="_blank">www.PortlandMarimba.com</a> (group classes in African marimba)<br />
| |
| <br />
| |
| xenwiki pages:<br />
| |
| <a class="wiki_link" href="/Kite%27s%20color%20notation">Kite's color notation</a><br />
| |
| <a class="wiki_link" href="/Ups%20and%20Downs%20Notation">xenharmonic.wikispaces.com/Ups+and+Downs+Notation</a><br />
| |
| <a class="wiki_link" href="http://xenharmonic.wikispaces.com/pergen">http://xenharmonic.wikispaces.com/pergen</a><br />
| |
| <a class="wiki_link" href="/New%20Tuning%20Method">xenharmonic.wikispaces.com/New+Tuning+Method</a><br />
| |
| <a class="wiki_link" href="/Naming%20Rank-2%20Scales%20using%20Mode%20Numbers">Naming Rank-2 Scales using Mode Numbers</a> (unfinished)<br />
| |
| <a class="wiki_link" href="/Stern-Brocot%20ancestors%20and%20rank%202%20temperaments">xenharmonic.wikispaces.com/Stern-Brocot+ancestors+and+rank+2+temperaments</a> (unfinished)</body></html></pre></div>
| |
Kite Giedraitis, also known as Tall Kite, is a musician, author, theorist, instrument builder and software developer.
Popular tracks: Evening Rondo, I Hear Numbers
He has invented the Kite Guitar, which makes a 41-edo guitar about as playable as 19-edo or 22-edo.
He has written alt-tuner, unique from other microtonal software in several ways:
It allows dynamic retuning via midi input from the musician, in the form of keyswitches and/or foot pedals. This in turn allows the "holy grail" of retuning: adaptive just intonation.
It features a color-coded lattice and a graph of all intervals up to an octave, both of which respond instantly to tuning changes.
With others such as Robert Walker and Ozan Yarman, he has developed a new tuning method that uses very high keyswitches (midi notes 122-127) to "smuggle" tuning information through DAWs that won't transmit sysex messages. This method has been used to retune Kontakt instruments to allow complete retuning freedom -- any note can take on any pitch in the 10-octave midi range, and can even glide to any pitch while sounding, all using only one instrument instance, one midi channel, and one DAW track.
He has written the EDOstrobetuner, a free strobe tuner for microtonal guitars.
He has developed several notation systems, not only typable and staff notation but also spoken and sung notation:
His color notation represents each prime via 1 or 2 colors (2 = clear, 3 = wa, 5 = yo for 5-over and gu for 5-under, 7 = zo and ru, etc.). Combined with standard diatonic notation, any ratio can be expressed as a color plus a degree, e.g. "zo third" for 7/6. There is a rigorous one-to-one correspondence between ratios and color notation, making it ideal for JI. But it can also be applied to temperaments and EDOs, since ratios are often used to refer to intervals in such tunings.
Ups and downs notation can notate every EDO with only 2 new accidentals. The standard seven letters and the standard sharp and flat is used to represent the chain of fifths. For EDOs in which 7 fifths octave-reduce to one EDOstep (12edo, 19edo, etc.) this is sufficient. For other EDOs, the up symbol "^" and the down symbol "v" represent raising and lowering the pitch by one EDOstep.
Along with Praveen Venkataramana, he has developed the concept of a pergen, which categorizes rank-2 and rank-3 temperaments. The pergen article also exhaustively covers how to notate them.
Unlike Sagittal, Johnston, HEWM and Sabat, Kite's color notation, ups/downs notation and pergen notation include relative notation. This makes naming not only intervals but also chords possible. Kite has listed hundreds of JI chords and EDO chords with their names.
See also
External links