4:6:7:9: Difference between revisions

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{{Infobox Chord|ColorName=zo-9 no-3 or z9no3, har-9 no-3 or h9no3, sus-2 zo-7 or 2,z7}}
{{Infobox Chord|ColorName=zo-9 no-3 or z9no3, har-9 no-3 or h9no3, sus-2 zo-7 or 2,z7}}
'''4:6:7:9''' can be thought of as either a thirdless ''dom ninth chord'' or a sus-2 ''dom seventh chord'', especially if voiced 8:9:12:14.
'''4:6:7:9''' can be thought of as either a thirdless ''dom ninth chord'' or a sus-2 ''dom seventh chord'', especially if voiced 8:9:12:14.
== See also ==
* [[4:5:6:9]]
* [[4:5:7:9]]


{{stub}}
{{stub}}

Latest revision as of 05:58, 4 December 2024

Chord information
Harmonics 4:6:7:9
Subharmonics 1/(63:42:36:28)
Intervals from root 1/1 – 3/2 – 7/4 – 9/4
Cents from root 0¢ 702¢ 969¢ 1404¢
Step intervals 3/2, 7/6, 9/7
Step cents 702¢, 267¢, 435¢
Color names zo-9 no-3 or z9no3
har-9 no-3 or h9no3
sus-2 zo-7 or 2,z7
Prime limit 7
Genus 32 ⋅ 7 (63)
Intervallic odd limit 9
Otonal odd limit 9
Utonal odd limit 63
Consistent edos (d ≥ 2) 5edo*, 36edo**, 41edo*, 53edo*, …

4:6:7:9 can be thought of as either a thirdless dom ninth chord or a sus-2 dom seventh chord, especially if voiced 8:9:12:14.

See also

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