41edo chord names: Difference between revisions
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Various [[41edo]] triads, 6th and 7th chords, named via [[ | Various [[41edo]] triads, 6th and 7th chords, named via [[ups and downs notation]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. | ||
Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. {{nowrap|0–17–28 = C4(♯5)}} becomes {{nowrap|17–28–41 {{=}} F^m}}, where "a" stands for augmented and "d" stands for diminished. | |||
{| class="wikitable" | {| class="wikitable" | ||
| | |- | ||
! | ! colspan="2" | Thirds → | ||
! vm3 | ! vm3 | ||
! m3 | ! m3 | ||
| Line 16: | Line 18: | ||
! ~4 | ! ~4 | ||
|- | |- | ||
! | ! colspan="2" | Triads with P5 | ||
| Cvm | | Cvm | ||
| Cm | | Cm | ||
| Line 29: | Line 31: | ||
| C~4 | | C~4 | ||
|- | |- | ||
! rowspan="6" | Other<br />triads | |||
! vv5 | |||
| Cvm(vv5) | |||
| Cm(vv5) | |||
| C^m(vv5) | |||
| C~(vv5) | |||
| Cv(vv5) | |||
| C(vv5) | |||
| C^(vv5) | |||
| Cv4(vv5) | |||
| C4(vv5) | |||
| C^4(vv5) | |||
| C~4(vv5) | |||
|- | |||
! ^b5 | |||
| Cvd(^5) | |||
| Cd(^5) | |||
| C^d(^5) | |||
| C~d(^5) | |||
| Cv(^b5) | |||
| C(^b5) | |||
| C^(^b5) | |||
| Cv4(^b5) | |||
| C4(^b5) | |||
| C^4(^b5) | |||
| C~4(^b5) | |||
|- | |||
! b5 | |||
| Cvd | |||
| Cd | |||
| C^d | |||
| C~d | |||
| Cv(b5) | |||
| C(b5) | |||
| C^(b5) | |||
| Cv4(b5) | |||
| C4(b5) | |||
| C^4(b5) | |||
| C~4(b5) | |||
|- | |||
! ^^5 | |||
| ''(vAb^)'' | |||
| Cm(^^5) | |||
| C^m(^^5) | |||
| C~(^^5) | |||
| Cv(^^5) | |||
| C(^^5) | |||
| C^(^^5) | |||
| Cv4(^^5) | |||
| ''(Fvm)'' | |||
| C^4(^^5) | |||
| C~4(^^5) | |||
|- | |||
! va5 | |||
| Cvm(v#5) | |||
| ''(Ab)'' | |||
| C^m(v#5) | |||
| C~a(v5) | |||
| ''(vEa)'' | |||
| Ca(v5) | |||
| C^a(v5) | |||
| Cv4(v#5) | |||
| ''(Fm)'' | |||
| C^4(v#5) | |||
| C~4(v#5) | |||
|- | |||
! a5 | |||
| Cvm(#5) | |||
| Cm(#5) | |||
| ''(^Abv)'' | |||
| C~a | |||
| Cva | |||
| Ca | |||
| C^a | |||
| Cv4(#5) | |||
| ''(F^m)'' | |||
| C^4(#5) | |||
| C~4(#5) | |||
|- | |||
! rowspan="11" | Tetrads<br />with P5 | |||
! ~6 | ! ~6 | ||
| Cvm~6 | | Cvm~6 | ||
| Line 173: | Line 255: | ||
|} | |} | ||
A comma ( | A punctuation comma (",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. | ||
P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7. | P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7. | ||
See also | == See also == | ||
* [[15edo chord names]] | |||
* [[19edo chord names]] | |||
* [[22edo chord names]] | |||
* [[24edo chord names]] | |||
* [[31edo chord names]] | |||
* [[Kite Guitar chord shapes (downmajor tuning)]] | |||
The last link is fairly exhaustive, and covers augmented and diminished chords. | The last link is fairly exhaustive, and covers augmented and diminished chords. | ||
| Line 189: | Line 272: | ||
[[Category:41edo]] | [[Category:41edo]] | ||
[[Category:Chords]] | [[Category:Chords]] | ||
[[Category:Ups and downs notation]] | |||
[[Category:Notation]] | |||