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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | {{interwiki |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | | de = |
| : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2014-09-19 04:38:21 UTC</tt>.<br>
| | | en = 17edo tetrachords |
| : The original revision id was <tt>522926090</tt>.<br>
| | | es = |
| : The revision comment was: <tt></tt><br>
| | | ja = 17平均律テトラコード |
| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
| | }} |
| <h4>Original Wikitext content:</h4>
| | Let a "17edo primary [[tetrachord]]" mean a set of four pitches in [[17edo]] that span a [[perfect fourth]] (seven degrees) and include one of each of the following: |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Let a "17edo primary [[tetrachord]]" mean a set of four pitches in [[17edo]] that span a [[perfect fourth]] (seven degrees) and include one of each of the following:
| |
|
| |
|
| # the unison - 0 (degrees of 17edo) - solfege name 'do'.
| | * the unison - 0 (degrees of 17edo) - solfege name 'do'. |
| # a second - includes 1 (ra, a minor second), 2 (ru, a neutral second), and 3 (re, a major second).
| | * a second - includes 1 (ra, a minor second), 2 (ru, a neutral second), and 3 (re, a major second). |
| # a third - includes 4 (me, a minor third), 5 (mu, a neutral third), and 6 (mi, a major third).
| | * a third - includes 4 (me, a minor third), 5 (mu, a neutral third), and 6 (mi, a major third). |
| # the perfect fourth - 7 (fa).
| | * the perfect fourth - 7 (fa). |
|
| |
|
| ===correspondance:=== | | ===correspondance:=== |
| || degrees || cents || name || solfege ||
| |
| || 0 || 0 || unison || do ||
| |
| || 1 || 71 || minor second (a.k.a third-tone) || ra ||
| |
| || 2 || 141 || neutral second (a.k.a. two-thirds-tone) || ru ||
| |
| || 3 || 212 || major second (a.k.a. tone) || re ||
| |
| || 4 || 282 || minor third (a.k.a. subminor third) || me ||
| |
| || 5 || 353 || neutral third || mu ||
| |
| || 6 || 424 || major third (a.k.a. supermajor third) || mi ||
| |
| || 7 || 494 || perfect fourth || fa ||
| |
|
| |
|
| ===tetrachord notation=== | | {| class="wikitable" |
| | |- |
| | ! degrees |
| | ! cents |
| | ! name |
| | ! solfege |
| | |- |
| | | 0 |
| | | 0 |
| | | unison |
| | | do |
| | |- |
| | | 1 |
| | | 71 |
| | | minor second (a.k.a third-tone) |
| | | ra |
| | |- |
| | | 2 |
| | | 141 |
| | | neutral second (a.k.a. two-thirds-tone) |
| | | ru |
| | |- |
| | | 3 |
| | | 212 |
| | | major second (a.k.a. tone) |
| | | re |
| | |- |
| | | 4 |
| | | 282 |
| | | minor third (a.k.a. subminor third) |
| | | me |
| | |- |
| | | 5 |
| | | 353 |
| | | neutral third |
| | | mu |
| | |- |
| | | 6 |
| | | 424 |
| | | major third (a.k.a. supermajor third) |
| | | mi |
| | |- |
| | | 7 |
| | | 494 |
| | | perfect fourth |
| | | fa |
| | |} |
| | |
| | ===tetrachord notation=== |
|
| |
|
| Tetrachord notation will show three scalar steps (as degrees of 17edo) separated by hyphens. | | Tetrachord notation will show three scalar steps (as degrees of 17edo) separated by hyphens. |
|
| |
|
| For instance, tetrachord 3-3-1 consists of | | For instance, tetrachord 3-3-1 consists of |
| | |
| 0 (do), the unison; | | 0 (do), the unison; |
| | |
| 3 (re), a major second, 3 degrees up from 0; | | 3 (re), a major second, 3 degrees up from 0; |
| | |
| 6 (mi), a major third, 3 degrees up from 3; and | | 6 (mi), a major third, 3 degrees up from 3; and |
| | |
| 7 (fa), the perfect fourth, 1 degree up from 6. | | 7 (fa), the perfect fourth, 1 degree up from 6. |
|
| |
|
| The numbers in a tetrachord name will always add to 7. | | The numbers in a tetrachord name will always add to 7. |
|
| |
|
| ===17edo primary tetrachords=== | | ===17edo primary tetrachords=== |
|
| |
|
| We have 9 primary tetrachords in 17edo. | | We have 9 primary tetrachords in 17edo. |
|
| |
|
| || tetrachord notation || solfege || name (suggestions?) || used in || | | {| class="wikitable" |
| || 1-3-3 || do ra me fa || phrygian || diatonic (phrygian) ||
| | |- |
| || 1-4-2 || do ra mu fa || || ||
| | ! tetrachord notation |
| || 1-5-1 || do ra mi fa || balkan, Hijaz (arabic) || ||
| | ! solfege |
| || 2-2-3 || do ru me fa || Bayyati (arabic) || [[17edo neutral scale]] (led) ||
| | ! name (suggestions?) |
| || 2-3-2 || do ru mu fa || Iraq (arabic) || [[17edo neutral scale]] (bish, fish, jwl) ||
| | ! used in |
| || 2-4-1 || do ru mi fa || || ||
| | |- |
| || 3-1-3 || do re me fa || aeolian || diatonic (aolian, dorian) ; [[scorp]] (mode 3) ||
| | | 1-3-3 |
| || 3-2-2 || do re mu fa || Rast (arabic) || [[17edo neutral scale]] (dril, gil, kleeth) ||
| | | do ra me fa |
| || 3-3-1 || do re mi fa || ionian || diatonic (ionian, mixolydian) ||
| | | phrygian (jins Kurd) |
| | | diatonic (phrygian) |
| | |- |
| | | 1-4-2 |
| | | do ra mu fa |
| | | |
| | | |
| | |- |
| | | 1-5-1 |
| | | do ra mi fa |
| | | balkan, jins Hijaz |
| | | |
| | |- |
| | | 2-2-3 |
| | | do ru me fa |
| | | jins Bayyati |
| | | [[17edo neutral scale]] (led) |
| | |- |
| | | 2-3-2 |
| | | do ru mu fa |
| | | "ʻIraq" tetrachord |
| | | [[17edo neutral scale]] (bish, fish, jwl) |
| | |- |
| | | 2-4-1 |
| | | do ru mi fa |
| | | |
| | | |
| | |- |
| | | 3-1-3 |
| | | do re me fa |
| | | aeolian (jins Nahawand) |
| | | diatonic (aolian, dorian) ; [[scorp]] (mode 3) |
| | |- |
| | | 3-2-2 |
| | | do re mu fa |
| | | jins Rast |
| | | [[17edo neutral scale]] (dril, gil, kleeth) |
| | |- |
| | | 3-3-1 |
| | | do re mi fa |
| | | ionian (jins ʻAjam) |
| | | diatonic (ionian, mixolydian) |
| | |} |
| | |
| | Notes on the above: |
| | * Many references say that the semitones in Hijaz should be greater than 100 cents, but in 17edo they are significantly smaller (about 70 cents). |
| | * The "ʻIraq" tetrachord is similar to the first four notes of Maqam ʻIraq, but those are not usually considered a jins because the fourth note is not a place of rest (in particular it is not the ''ghammaz''). This tetrachord is jins Sikah with an extra note on top making a perfect fourth with the tonic. |
|
| |
|
| Another way of showing them: | | Another way of showing them: |
| || || ra || ru || re ||
| |
| || me || 1-3-3 || 2-2-3 || 3-1-3 ||
| |
| || mu || 1-4-2 || 2-3-2 || 3-2-2 ||
| |
| || mi || 1-5-1 || 2-4-1 || 3-3-1 ||
| |
|
| |
|
| ===17edo tetrachords complete=== | | {| class="wikitable" |
| | |- |
| | ! |
| | ! ra |
| | ! ru |
| | ! re |
| | |- |
| | | me |
| | | 1-3-3 |
| | | 2-2-3 |
| | | 3-1-3 |
| | |- |
| | | mu |
| | | 1-4-2 |
| | | 2-3-2 |
| | | 3-2-2 |
| | |- |
| | | mi |
| | | 1-5-1 |
| | | 2-4-1 |
| | | 3-3-1 |
| | |} |
| | |
| | ===17edo tetrachords complete=== |
| A more generalized tetrachord system would allow multiple seconds or multiple thirds: for instance, 1-1-5 or 5-1-1. Thus, a complete chart of 17edo tetrachords looks like this (with primary tetrachords in bold): | | A more generalized tetrachord system would allow multiple seconds or multiple thirds: for instance, 1-1-5 or 5-1-1. Thus, a complete chart of 17edo tetrachords looks like this (with primary tetrachords in bold): |
|
| |
|
| || 1-1-5 || 2-1-4 || **3-1-3** || 4-1-2 || 5-1-1 || | | {| class="wikitable" |
| || 1-2-4 || **2-2-3** || **3-2-2** || 4-2-1 || ||
| | |- |
| || **1-3-3** || **2-3-2** || **3-3-1** || || || | | | 1-1-5 |
| || **1-4-2** || **2-4-1** || || || || | | | 2-1-4 |
| || **1-5-1** || || || || || | | | '''3-1-3''' |
| | | 4-1-2 |
| | | 5-1-1 |
| | |- |
| | | 1-2-4 |
| | | '''2-2-3''' |
| | | '''3-2-2''' |
| | | 4-2-1 |
| | | |
| | |- |
| | | '''1-3-3''' |
| | | '''2-3-2''' |
| | | '''3-3-1''' |
| | | |
| | | |
| | |- |
| | | '''1-4-2''' |
| | | '''2-4-1''' |
| | | |
| | | |
| | | |
| | |- |
| | | '''1-5-1''' |
| | | |
| | | |
| | | |
| | | |
| | |} |
| Thus, by allowing multiples seconds or multiple thirds, we add 6 new tetrachords to our 9 primary tetrachords, for a total of 15. Our new ones: | | Thus, by allowing multiples seconds or multiple thirds, we add 6 new tetrachords to our 9 primary tetrachords, for a total of 15. Our new ones: |
|
| |
|
| || tetrachord notation || solfege || name (suggestions?) || used in || | | {| class="wikitable" |
| || 1-1-5 || do ra ru fa || || ||
| | |- |
| || 1-2-4 || do ra re fa || || ||
| | ! tetrachord notation |
| || 2-1-4 || do ru re fa || || ||
| | ! solfege |
| || 4-1-2 || do me mu fa || || ||
| | ! name (suggestions?) |
| || 4-2-1 || do me mi fa || || ||
| | ! used in |
| || 5-1-1 || do mu mi fa || || || | | |- |
| | | | 1-1-5 |
| See also: [[tetrachord]], [[22edo tetrachords]], [[Tricesimoprimal Tetrachordal Tesseract]].</pre></div>
| | | do ra ru fa |
| <h4>Original HTML content:</h4>
| | | |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17edo tetrachords</title></head><body>Let a &quot;17edo primary <a class="wiki_link" href="/tetrachord">tetrachord</a>&quot; mean a set of four pitches in <a class="wiki_link" href="/17edo">17edo</a> that span a <a class="wiki_link" href="/perfect%20fourth">perfect fourth</a> (seven degrees) and include one of each of the following:<br />
| | | |
| <br />
| | |- |
| <ol><li>the unison - 0 (degrees of 17edo) - solfege name 'do'.</li><li>a second - includes 1 (ra, a minor second), 2 (ru, a neutral second), and 3 (re, a major second).</li><li>a third - includes 4 (me, a minor third), 5 (mu, a neutral third), and 6 (mi, a major third).</li><li>the perfect fourth - 7 (fa).</li></ol><br />
| | | 1-2-4 |
| <!-- ws:start:WikiTextHeadingRule:0:&lt;h3&gt; --><h3 id="toc0"><a name="x--correspondance:"></a><!-- ws:end:WikiTextHeadingRule:0 -->correspondance:</h3>
| | | do ra re fa |
|
| | | |
| | | | |
| <table class="wiki_table">
| | |- |
| <tr>
| | | 2-1-4 |
| <td>degrees<br />
| | | do ru re fa |
| </td>
| | | |
| <td>cents<br />
| | | |
| </td>
| | |- |
| <td>name<br />
| | | 4-1-2 |
| </td>
| | | do me mu fa |
| <td>solfege<br />
| | | |
| </td>
| | | |
| </tr>
| | |- |
| <tr>
| | | 4-2-1 |
| <td>0<br />
| | | do me mi fa |
| </td>
| | | |
| <td>0<br />
| | | |
| </td>
| | |- |
| <td>unison<br />
| | | 5-1-1 |
| </td>
| | | do mu mi fa |
| <td>do<br />
| | | |
| </td>
| | | |
| </tr>
| | |} |
| <tr>
| |
| <td>1<br />
| |
| </td>
| |
| <td>71<br />
| |
| </td>
| |
| <td>minor second (a.k.a third-tone)<br />
| |
| </td>
| |
| <td>ra<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>2<br />
| |
| </td>
| |
| <td>141<br />
| |
| </td>
| |
| <td>neutral second (a.k.a. two-thirds-tone)<br />
| |
| </td>
| |
| <td>ru<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>3<br />
| |
| </td>
| |
| <td>212<br />
| |
| </td>
| |
| <td>major second (a.k.a. tone)<br />
| |
| </td>
| |
| <td>re<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>4<br />
| |
| </td>
| |
| <td>282<br />
| |
| </td>
| |
| <td>minor third (a.k.a. subminor third)<br />
| |
| </td>
| |
| <td>me<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>5<br />
| |
| </td>
| |
| <td>353<br />
| |
| </td>
| |
| <td>neutral third<br />
| |
| </td>
| |
| <td>mu<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>6<br />
| |
| </td>
| |
| <td>424<br />
| |
| </td>
| |
| <td>major third (a.k.a. supermajor third)<br />
| |
| </td>
| |
| <td>mi<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>7<br />
| |
| </td>
| |
| <td>494<br />
| |
| </td>
| |
| <td>perfect fourth<br />
| |
| </td>
| |
| <td>fa<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
| | |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:2:&lt;h3&gt; --><h3 id="toc1"><a name="x--tetrachord notation"></a><!-- ws:end:WikiTextHeadingRule:2 -->tetrachord notation</h3>
| |
| <br />
| |
| Tetrachord notation will show three scalar steps (as degrees of 17edo) separated by hyphens.<br />
| |
| <br />
| |
| For instance, tetrachord 3-3-1 consists of<br />
| |
| 0 (do), the unison;<br />
| |
| 3 (re), a major second, 3 degrees up from 0;<br />
| |
| 6 (mi), a major third, 3 degrees up from 3; and<br />
| |
| 7 (fa), the perfect fourth, 1 degree up from 6.<br />
| |
| <br />
| |
| The numbers in a tetrachord name will always add to 7.<br />
| |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:4:&lt;h3&gt; --><h3 id="toc2"><a name="x--17edo primary tetrachords"></a><!-- ws:end:WikiTextHeadingRule:4 -->17edo primary tetrachords</h3>
| |
| <br />
| |
| We have 9 primary tetrachords in 17edo.<br />
| |
| <br />
| |
| | |
| | |
| <table class="wiki_table">
| |
| <tr>
| |
| <td>tetrachord notation<br />
| |
| </td>
| |
| <td>solfege<br />
| |
| </td>
| |
| <td>name (suggestions?)<br />
| |
| </td>
| |
| <td>used in<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>1-3-3<br />
| |
| </td>
| |
| <td>do ra me fa<br />
| |
| </td>
| |
| <td>phrygian<br />
| |
| </td>
| |
| <td>diatonic (phrygian)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>1-4-2<br />
| |
| </td>
| |
| <td>do ra mu fa<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>1-5-1<br />
| |
| </td>
| |
| <td>do ra mi fa<br />
| |
| </td>
| |
| <td>balkan, Hijaz (arabic)<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>2-2-3<br />
| |
| </td>
| |
| <td>do ru me fa<br />
| |
| </td>
| |
| <td>Bayyati (arabic)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/17edo%20neutral%20scale">17edo neutral scale</a> (led)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>2-3-2<br />
| |
| </td>
| |
| <td>do ru mu fa<br />
| |
| </td>
| |
| <td>Iraq (arabic)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/17edo%20neutral%20scale">17edo neutral scale</a> (bish, fish, jwl)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>2-4-1<br />
| |
| </td>
| |
| <td>do ru mi fa<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>3-1-3<br />
| |
| </td>
| |
| <td>do re me fa<br />
| |
| </td>
| |
| <td>aeolian<br />
| |
| </td>
| |
| <td>diatonic (aolian, dorian) ; <a class="wiki_link" href="/scorp">scorp</a> (mode 3)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>3-2-2<br />
| |
| </td>
| |
| <td>do re mu fa<br />
| |
| </td>
| |
| <td>Rast (arabic)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/17edo%20neutral%20scale">17edo neutral scale</a> (dril, gil, kleeth)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>3-3-1<br />
| |
| </td>
| |
| <td>do re mi fa<br />
| |
| </td>
| |
| <td>ionian<br />
| |
| </td>
| |
| <td>diatonic (ionian, mixolydian)<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
| | |
| <br />
| |
| Another way of showing them:<br />
| |
| | |
| | |
| <table class="wiki_table">
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td>ra<br />
| |
| </td>
| |
| <td>ru<br />
| |
| </td>
| |
| <td>re<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>me<br />
| |
| </td>
| |
| <td>1-3-3<br />
| |
| </td>
| |
| <td>2-2-3<br />
| |
| </td>
| |
| <td>3-1-3<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>mu<br />
| |
| </td>
| |
| <td>1-4-2<br />
| |
| </td>
| |
| <td>2-3-2<br />
| |
| </td>
| |
| <td>3-2-2<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>mi<br />
| |
| </td>
| |
| <td>1-5-1<br />
| |
| </td>
| |
| <td>2-4-1<br />
| |
| </td>
| |
| <td>3-3-1<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
| | |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:6:&lt;h3&gt; --><h3 id="toc3"><a name="x--17edo tetrachords complete"></a><!-- ws:end:WikiTextHeadingRule:6 -->17edo tetrachords complete</h3>
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| A more generalized tetrachord system would allow multiple seconds or multiple thirds: for instance, 1-1-5 or 5-1-1. Thus, a complete chart of 17edo tetrachords looks like this (with primary tetrachords in bold):<br />
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| <br />
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| <table class="wiki_table">
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| <tr>
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| <td>1-1-5<br />
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| </td>
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| <td>2-1-4<br />
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| </td>
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| <td><strong>3-1-3</strong><br />
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| </td>
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| <td>4-1-2<br />
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| </td>
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| <td>5-1-1<br />
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| </td>
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| </tr>
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| <tr>
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| <td>1-2-4<br />
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| </td>
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| <td><strong>2-2-3</strong><br />
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| </td>
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| <td><strong>3-2-2</strong><br />
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| </td>
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| <td>4-2-1<br />
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| </td>
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| <td><br />
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| </td>
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| </tr>
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| <tr>
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| <td><strong>1-3-3</strong><br />
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| </td>
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| <td><strong>2-3-2</strong><br />
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| </td>
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| <td><strong>3-3-1</strong><br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| </tr>
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| <tr>
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| <td><strong>1-4-2</strong><br />
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| </td>
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| <td><strong>2-4-1</strong><br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| </tr>
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| <tr>
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| <td><strong>1-5-1</strong><br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| </tr>
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| </table>
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| Thus, by allowing multiples seconds or multiple thirds, we add 6 new tetrachords to our 9 primary tetrachords, for a total of 15. Our new ones:<br />
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| <table class="wiki_table">
| | See also: [[tetrachord]], [[22edo tetrachords]], [[Tricesimoprimal Tetrachordal Tesseract]]. |
| <tr>
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| <td>tetrachord notation<br />
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| </td>
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| <td>solfege<br />
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| </td>
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| <td>name (suggestions?)<br />
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| </td>
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| <td>used in<br />
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| </td>
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| </tr>
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| <tr>
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| <td>1-1-5<br />
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| </td>
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| <td>do ra ru fa<br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| </tr>
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| <tr>
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| <td>1-2-4<br />
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| </td>
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| <td>do ra re fa<br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| </tr>
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| <tr>
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| <td>2-1-4<br />
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| </td>
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| <td>do ru re fa<br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| </tr>
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| <tr>
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| <td>4-1-2<br />
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| </td>
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| <td>do me mu fa<br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| </tr>
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| <tr>
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| <td>4-2-1<br />
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| </td>
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| <td>do me mi fa<br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| </tr>
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| <tr>
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| <td>5-1-1<br />
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| </td>
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| <td>do mu mi fa<br />
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| </td>
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| <td><br />
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| </td>
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| <td><br />
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| </td>
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| </tr>
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| </table>
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| <br />
| | [[Category:17edo]] |
| See also: <a class="wiki_link" href="/tetrachord">tetrachord</a>, <a class="wiki_link" href="/22edo%20tetrachords">22edo tetrachords</a>, <a class="wiki_link" href="/Tricesimoprimal%20Tetrachordal%20Tesseract">Tricesimoprimal Tetrachordal Tesseract</a>.</body></html></pre></div>
| | [[Category:Tetrachords]] |