Reversed meantone: Difference between revisions
KingHyperio (talk | contribs) Tags: Mobile edit Mobile web edit |
KingHyperio (talk | contribs) Tags: Mobile edit Mobile web edit |
||
Line 2: | Line 2: | ||
== Properties == | == Properties == | ||
As [[meantone]] is based on the syntonic comma, 81/80, tempering the fifth flat, tempering [[82/81]] instead results in a sharper fifth, and a major third equivalent to the 41st harmonic instead of the 5th, so it might as well be called reverse meantone. As a very high limit interval, however, that 41/32 is far less recognizable as an interval than meantone’s 5/4, and would more likely be heard as a flat 9/7. Additionally, the 41st is very delicate, and mistuning by several cents destroys it, so if its use is intended as more than a joke exact quarter comma tempering is best, although [[39edo]] does a fair job. | As [[meantone]] is based on the syntonic comma, 81/80, tempering the fifth flat, tempering [[82/81]] instead results in a sharper fifth, and a major third equivalent to the 41st harmonic instead of the 5th, so it might as well be called reverse meantone. As a very high limit interval, however, that [[41/32]] is far less recognizable as an interval than meantone’s 5/4, and would more likely be heard as a flat 9/7. Additionally, the 41st is very delicate, and mistuning by several cents destroys it, so if its use is intended as more than a joke exact quarter comma tempering is best, although [[39edo]] does a fair job. | ||
Related to this idea, [[162/161]] is a 23-limit comma (specifically 161 = 7 × 23), and [[163/162]] being prime would indeed be ridiculous. | Related to this idea, [[162/161]] is a 23-limit comma (specifically 161 = 7 × 23), and [[163/162]] being prime would indeed be ridiculous. |