Quark: Difference between revisions
Wikispaces>MasonGreen1 **Imported revision 579668463 - Original comment: ** |
Wikispaces>MasonGreen1 **Imported revision 579668485 - Original comment: ** |
||
Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2016-04-10 23:23: | : This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2016-04-10 23:23:53 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>579668485</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
Line 10: | Line 10: | ||
Equal temperaments with quark-sized steps include [[26edo]], [[31edo]], [[36edo]] (the "standard" quark or sixth-tone), [[41edo]], and [[46edo]]. | Equal temperaments with quark-sized steps include [[26edo]], [[31edo]], [[36edo]] (the "standard" quark or sixth-tone), [[41edo]], and [[46edo]]. | ||
One could argue that these tunings are much less overtly xenharmonic than those based on quarter-tones or third-tones. In 36edo, for example, all intervals are either equivalent to a 12edo interval, or are 33.3 cents higher or lower. As such, all "new" intervals are variations on | One could argue that these tunings are much less overtly xenharmonic than those based on quarter-tones or third-tones. In 36edo, for example, all intervals are either equivalent to a 12edo interval, or are 33.3 cents higher or lower. As such, all "new" intervals are variations on familiar ones ("red notes" and "blue notes"), rather than representing entirely new categories; this is quite a different situation from what occurs in 24edo. 41edo is similar to 36edo in this respect and may be notated similarly, although it does contain neutral intervals. | ||
Furthermore, the quark is usually small enough that it is typically perceived as a consonance (i. e., an "out-of-tune" but pleasant-sounding unison) rather than a dissonance. 31edo may be considered a transitional case in that its diesis may or may not be perceived this way depending on timbre. | Furthermore, the quark is usually small enough that it is typically perceived as a consonance (i. e., an "out-of-tune" but pleasant-sounding unison) rather than a dissonance. 31edo may be considered a transitional case in that its diesis may or may not be perceived this way depending on timbre. | ||
Line 20: | Line 20: | ||
Equal temperaments with quark-sized steps include <a class="wiki_link" href="/26edo">26edo</a>, <a class="wiki_link" href="/31edo">31edo</a>, <a class="wiki_link" href="/36edo">36edo</a> (the &quot;standard&quot; quark or sixth-tone), <a class="wiki_link" href="/41edo">41edo</a>, and <a class="wiki_link" href="/46edo">46edo</a>.<br /> | Equal temperaments with quark-sized steps include <a class="wiki_link" href="/26edo">26edo</a>, <a class="wiki_link" href="/31edo">31edo</a>, <a class="wiki_link" href="/36edo">36edo</a> (the &quot;standard&quot; quark or sixth-tone), <a class="wiki_link" href="/41edo">41edo</a>, and <a class="wiki_link" href="/46edo">46edo</a>.<br /> | ||
<br /> | <br /> | ||
One could argue that these tunings are much less overtly xenharmonic than those based on quarter-tones or third-tones. In 36edo, for example, all intervals are either equivalent to a 12edo interval, or are 33.3 cents higher or lower. As such, all &quot;new&quot; intervals are variations on | One could argue that these tunings are much less overtly xenharmonic than those based on quarter-tones or third-tones. In 36edo, for example, all intervals are either equivalent to a 12edo interval, or are 33.3 cents higher or lower. As such, all &quot;new&quot; intervals are variations on familiar ones (&quot;red notes&quot; and &quot;blue notes&quot;), rather than representing entirely new categories; this is quite a different situation from what occurs in 24edo. 41edo is similar to 36edo in this respect and may be notated similarly, although it does contain neutral intervals.<br /> | ||
<br /> | <br /> | ||
Furthermore, the quark is usually small enough that it is typically perceived as a consonance (i. e., an &quot;out-of-tune&quot; but pleasant-sounding unison) rather than a dissonance. 31edo may be considered a transitional case in that its diesis may or may not be perceived this way depending on timbre.<br /> | Furthermore, the quark is usually small enough that it is typically perceived as a consonance (i. e., an &quot;out-of-tune&quot; but pleasant-sounding unison) rather than a dissonance. 31edo may be considered a transitional case in that its diesis may or may not be perceived this way depending on timbre.<br /> | ||
<br /> | <br /> | ||
Of course, the main drawback to using quark-based scales as opposed to simpler ones, is that the step size is smaller and there are more pitches.</body></html></pre></div> | Of course, the main drawback to using quark-based scales as opposed to simpler ones, is that the step size is smaller and there are more pitches.</body></html></pre></div> |