User:Xenjacob/Academia: Difference between revisions
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Just as the practice and theory of microtonal music—that is, music made with conscious choices about the tuning and tuning systems used—have roots in obscurity and invisibility, so also are their fingerprints within the larger of institutions, including higher education. | Just as the practice and theory of microtonal music—that is, music made with conscious choices about the tuning and tuning systems used—have roots in obscurity and invisibility, so also are their fingerprints within the larger of institutions, including higher education. | ||
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== Microtonal artists working in academia == | == Microtonal artists working in academia == | ||
=== Within music departments === | |||
[[Lydia Ayers]], Hong Kong University of Science and Technology | [[Lydia Ayers]], Hong Kong University of Science and Technology | ||
[[Reginald Bain]], Professor, Composition and Theory; Director of the Experimental Computer Music Studio (xMUSE) | |||
* [https://reginaldbain.com/vc/musc726t/ Tuning Theory class] | |||
[[Bruce Hamilton]], Professor in Theory, Electroacoustic Music, and Composition, Western Washington University | [[Bruce Hamilton]], Professor in Theory, Electroacoustic Music, and Composition, Western Washington University | ||
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[[Elaine Walker]], various, archive documented [https://ziaspace.com/academic/page/ on Elaine Walker's website] | [[Elaine Walker]], various, archive documented [https://ziaspace.com/academic/page/ on Elaine Walker's website] | ||
=== Within other departments === | |||
== Academic press publications == | == Academic press publications == | ||
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''[https://www.dbdoty.com/Words/One_One.html 1/1: The Quarterly Journal of the Just Intonation Network]'' | ''[https://www.dbdoty.com/Words/One_One.html 1/1: The Quarterly Journal of the Just Intonation Network]'' | ||
[[Xenharmonikôn]] | |||
[https://pitch.xentonic.org/ Pitch for the International Microtonalist] | [https://pitch.xentonic.org/ Pitch for the International Microtonalist] | ||