User:Lucius Chiaraviglio/Keyboard Layout Lab/Various other Lumatone mappings: Difference between revisions
→Diminished + Gorgo + Magic (Muggles/Sephiroth) + Semaja Lumatone mappings: Insert Diminished + Pseudo-Pentacircle Lumatone mappings after this, starting with Bryan Deister's Lumatone mapping for 52edo, moved here from Unnamed temperament Lumatone mappings |
→Tritikleismic-related 2.3.25.7 subgroup temperament Lumatone mappings: →Sensei Lumatone mappings: Move these to their proper places |
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Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:44, 23 July 2025 (UTC) | Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:44, 23 July 2025 (UTC) | ||
== Archipelago + Catalan Lumatone mappings == | |||
=== 49edo (2 mappings demonstrated to work) === | |||
The most efficient mapping for [[49edo]], having a range of 5¼ octaves (which slope down moderately) with no missed notes and no repeated notes, is [[Bryan Deister]]'s [[4L 3s]] (10:3 step ratio) mapping that functions for both a rank-2 or rank-3 [[archipelago]]-related temperament and [[catalan]] temperament, demonstrated in [https://www.youtube.com/shorts/34w7euOF-Ss ''49edo improv''] (2026). The rank-2 archipelago-related temperament (which is not currently on the archipelago page) uses one key right (10\49) as a slightly sharp tridecimal semifourth ~[[15/13]] (in the 49f val) for its generator; two of them make the fairly flat fourth ~[[4/3]]; four of them make the sharp septimal minor seventh ~[[7/4]]; six of them (after octave reduction) make a slightly sharp septimal minor third ~[[7/6]]; thirteen of them (after more octave reduction) make a near-just undecimal minor sixth ~[[11/7]]; and fourteen of them make a sharp classic minor seventh ~[[9/5]]. Although this is a respectable list of intervals, the unmodified rank-2 version of the temperament does not make a very good [[MOS]] scale — instead it makes for scales in which the small interval is only 1\49. Therefore, for facility in making scales, including the aforementioned 4L 3s, a second generator is needed (thus elevating this to a rank-3 temperament that tempers out [[364/363]], [[540/539]], and [[847/845]]); that generator uses one key down-right (3\49) as the slightly sharp classic chromatic semitone ~[[25/24]], which 49edo uses here more like a diatonic semitone (although the actual 49edo diatonic semitone is only 2\49). Catalan uses one key right plus one key down-right (13\49) as a slightly sharp classic minor third for its generator; two of them make a very flat Axirabian paraminor fifth ~[[16/11]]; four of them (after octave reduction) make a slightly sharp classic chromatic semitone ~[[25/24]]; five of them make a mildly sharp classic major third ~[[5/4]]; six of them make a sharp fifth ~[[3/2]]; seven of them make a sharp classic minor seventh ~[[9/5]]; eight of them (after more octave-reduction) make a mildly flat undecimal neutral second ~[[12/11]]; and ten of them make a near-just undecimal minor sixth ~[[11/7]]. Catalan does not need a second generator to produce usable MOS scales, including the aforementioned 4L 3s. | |||
{{Lumatone EDO mapping|n=49|start=4|xstep=10|ystep=-7}} | |||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:34, 7 April 2026 (UTC)<br> | |||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:57, 10 April 2026 (UTC) | |||
==== Reverse chroma version ==== | |||
It is possible to make a reverse chroma version of the above mapping. The range is considerably less, at a bit over 3⅓ octaves, with considerable regions of non-contiguous notes in the upper left and lower right corners, and the octaves slope down, incurring a vertical wraparound; on the other hand, a considerable number of repeated notes are available in each complete octave to mitigate vertical wraparounds. [[Bryan Deister]] has demonstrated this in [https://www.youtube.com/shorts/VmUIxWb8NCY ''49edo prelude''] (2026), although with note 0 set to where note 38 is here. | |||
{{Lumatone EDO mapping|n=49|start=6|xstep=3|ystep=7}} | |||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 11:38, 18 April 2026 (UTC)<br> | |||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 03:12, 21 April 2026 (UTC) | |||
== Aureus Pseudo-Meantone Lumatone mappings == | == Aureus Pseudo-Meantone Lumatone mappings == | ||
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=== 87edo (demonstrated to work) === | === 87edo (demonstrated to work) === | ||
[[Bryan Deister]] has demonstrated a [[11L 5s]] (7:2 step ratio) mapping for [[87edo]] in | [[Bryan Deister]] has demonstrated a [[11L 5s]] (7:2 step ratio) mapping for [[87edo]] in [https://www.youtube.com/shorts/rINJKiMQE78 ''Circuit Bent - Stomach Book (microtonal cover in 87edo)''] (2025). The generator 14\87, which is two keys right from the root note, is the quasi-meantone ~[[19/17]], which is composed of highly inaccurate harmonics whose errors nearly cancel out, rendering it near-just; two of them make an essentially just classic major third ~[[5/4]]. (In contrast to actual [[meantone]] temperament, 87edo represents ~19/17, ~[[10/9]], and ~[[9/8]] as distinct intervals — the syntonic comma [[81/80]] is not tempered out, and instead the aureusma [[1445/1444]] equates two quasi-meantones to a classic major third.) Since this interval is two keys right instead of just one (as needed to avoid missing notes), this version of the temperament can be viewed as a split generator version, in which each ~19/17 is split into two equal intervals that function as both a small septendecimal semitone ~[[18/17]] and a large undevicesimal semitone ~[[19/18]], both being close to just (and the photisma [[324/323]] is tempered out). Although no second generator is needed to reach all of the notes, for convenience, down-right by one key (2\87) can be used for convenience as a second generator that functions as ~[[49/48]] (inconsistently mapped), ~[[55/54]], ~[[64/63]], ~[[65/64]], and ~[[81/80]], of which the septimal chroma ~64/63 is near-just, and four of these make a near-just classic diatonic semitone ~[[16/15]] (the currently unnamed unnoticeable comma [[5250987/5242880]] is tempered out). The range is somewhat over two octaves (which slant very slightly downwards) with no missed notes and some repeated notes to mitigate vertical wraparounds. | ||
{{Lumatone EDO mapping|n=87|start=6|xstep=7|ystep=-5}} | {{Lumatone EDO mapping|n=87|start=6|xstep=7|ystep=-5}} | ||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 09:39, 15 November 2025 (UTC)<br> | Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 09:39, 15 November 2025 (UTC)<br> | ||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 10: | Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 00:07, 4 May 2026 (UTC) | ||
== Aureus Pseudo-Meantone + Mediantone + Roulette + Hemiwürschmidt + Hemiwur Lumatone mappings == | |||
=== 37edo (demonstrated to work) === | |||
[[Bryan Deister]] has demonstrated a [[6L 1s]] (6:1 step ratio) mapping for [[37edo]] in [https://www.youtube.com/shorts/Jt6_r6r3lGY ''37edo improv''] (2026). This mapping functions as an aureus pseudo-meantone mapping; this functions for temperaments [[mediantone]], [[roulette]], [[hemiwürschmidt]], and [[hemiwur]]; it has a generator 6\37 that functions as both a slightly sharp quasi-meantone ~[[19/17]] and a slightly flat septimal middle whole tone ~[[28/25]]. (In contrast to actual [[meantone]] temperament, 37edo represents ~19/17 (or 28/25), ~[[10/9]], and ~[[9/8]] as distinct intervals — the syntonic comma [[81/80]] is not tempered out, but inflated to 2\37, and instead the aureusma [[1445/1444]] equates two quasi-meantones to a classic major third.) The range is a bit under 4½ octaves, and the octaves slope upwards moderately. | |||
{{Lumatone EDO mapping|n=37|start=12|xstep=6|ystep=-5}} | |||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 00:07, 4 May 2026 (UTC)<br> | |||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:29, 6 May 2026 (UTC) | |||
== Baldy Lumatone mappings == | == Baldy Lumatone mappings == | ||
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Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:56, 15 November 2025 (UTC) | Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:56, 15 November 2025 (UTC) | ||
== Diminished + Pseudo-Mothra Lumatone mappings == | |||
=== 52edo (demonstrated to work) === | |||
[[Bryan Deister]] has used a layout for [[52edo]] in which the generator is 10\52, as the near-just septimal major second ~[[8/7]] (and three of these yielding the fifth ~[[3/2]]), making this a [[gamelismic clan]] mapping similar to [[Gamelismic_clan#mothra|mothra]], but much simpler in obtaining the classic major third ~[[5/4]] at 4 generators instead of 12 (which would be the case in real mothra), and with the [[4L 4s]] scale (10:3 step ratio) and the fact that 52edo tempers out the greater diesis [[648/625]], thereby using a quarter-octave period as in [[Diminished_(temperament)|diminished]] temperament, without which the temperament would otherwise be [[Saturation, torsion, and contorsion|contorted]] (the quarter-octave period is required to wrap the generator stack properly). Octaves slant downwards (incurring a vertical wraparound), and the compass is 5⅛ octaves, with no missed notes and no repeated notes. This layout is demonstrated in [https://www.youtube.com/shorts/ovA5-YkjxWk ''52edo groove''] (2026); in the video, some notes are cut off at the left and right edges due to the use of only 2 MIDI channels. | |||
{{Lumatone EDO mapping|n=52|start=4|xstep=10|ystep=-7}} | |||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 12:39, 28 March 2026 (UTC)<br> | |||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 22:44, 31 March 2026 (UTC) | |||
== Diminished + Pseudo-Pentacircle Lumatone mappings == | == Diminished + Pseudo-Pentacircle Lumatone mappings == | ||
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== Infraorwell Lumatone mappings == | == Infraorwell Lumatone mappings == | ||
=== 49edo ( | === 49edo (demonstrated to work) === | ||
The septimal minor third ~[[7/6]] (11\49) of [[49edo]] is near-just, which suggests its use as a generator, as in [[Orwell]]; however, it is too close to just for actual Orwell eemperament, and so a stack of it manages to miss all of the intervals characteristic of Orwell, other than a fairly flat classic minor sixth ~[[8/5]] — hence [[Orwellismic_temperaments#Infraorwell|infraorwell]]. It is possible to produce a forward chroma [[4L 5s]] (gramitonic, 6:5 step ratio) infraorwell mapping for 49edo, as demonstrated in [[Bryan Deister]]'s [https://www.youtube.com/watch?v=7pK-JcIrd18 Deltarune – ''Man'' (cover)] (2023) and (very differently) in [https://www.youtube.com/shorts/V8t7MyP2Nuo ''microtonal improv in 49edo''] (2024). This mapping gets all notes in each octave and has a range of a bit over 4 octaves with repeated notes to mitigate vertical wraparounds; the octaves alternate between near/far and middle, with double octaves sloping slightly upwards. | |||
{{Lumatone EDO mapping|n=49|start= | {{Lumatone EDO mapping|n=49|start=33|xstep=6|ystep=-1}} | ||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:58, 8 November 2025 (UTC)<br> | Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:58, 8 November 2025 (UTC)<br> | ||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) | Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 03:40, 21 April 2026 (UTC) | ||
=== 67edo (2 mappings demonstrated to work) === | === 67edo (2 mappings demonstrated to work) === | ||
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Last Modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:39, 29 March 2025 (UTC) | Last Modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:39, 29 March 2025 (UTC) | ||
Moved here from Various Kit-Bashed Lumatone mappings: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:35, 23 July 2025 (UTC) | Moved here from Various Kit-Bashed Lumatone mappings: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:35, 23 July 2025 (UTC) | ||
=== 49edo (demonstrated to work) === | |||
It is possible to get closer to level octaves for [[49edo]] with a slight gain in practical efficiency (having three repeated notes in each octave, but no non-contiguous notes in the lower left and upper right corners compared to the the archipelago + catalan mapping) with a machine scale ([[5L 1s]], with a 9:4 step ratio). [[Bryan Deister]] has demonstrated this in [[Bryan Deister]]'s [https://www.youtube.com/shorts/_yNrDI6nS1I ''49edo riff''] (2026). This mapping has a contiguous range of 5⅓ octaves; and the repeated notes may provide a bit of assistance with mitigation of vertical wraparounds. This mapping uses 9\49 (one key right) as its generator, which functions as a very flat septimal major second ~[[8/7]], a very sharp (and inconsistently-mapped) Pythagorean major second ~[[9/8]], and (much more accurately) a near-just undecimal acute whole tone ~[[25/22]] (both the Archytas comma [[64/63]] and the valinorsma [[176/175]] are tempered out). Two of them make a somewhat sharp septimal major third ~[[9/7]]; four of them make a slightly sharp classic major sixth ~[[5/3]]; seven of them (after octave reduction) make a somewhat flat undecimal neutral third ~[[11/9]]; eight of them make a very sharp undecimal major fourth ~[[11/8]]; and nine of them make a near-just undecimal minor sixth ~[[11/7]]. Thus, this mapping favors mostly xenharmonic intervals. | |||
{{Lumatone EDO mapping|n=49|start=4|xstep=9|ystep=-5}} | |||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:56, 10 April 2026 (UTC) | |||
== Neutral Thirds (Compressed) Lumatone mappings == | == Neutral Thirds (Compressed) Lumatone mappings == | ||
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Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:30, 17 July 2025 (UTC)<br> | Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:30, 17 July 2025 (UTC)<br> | ||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 20:35, 21 July 2025 (UTC) | Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 20:35, 21 July 2025 (UTC) | ||
== Sensei Lumatone mappings == | |||
=== 84edo (demonstrated to work) === | |||
It is possible to map [[84edo]] using a supermajor third as a generator, as in [[sensei]] temperament. The generator 31\84 is two keys right plus one key down-right, and it functions as a flat ~[[162/125]] in the 5-limit, as a near-just ~[[84/65]] in the 13-limit, as a somewhat flat septendecimal ultramajor third ~[[22/17]] in the 17-limit (requires use of the 84e val to map correctly), and as a slightly sharp ~[[49/38]] in the 19-limit. Two of these generators make a near-just classic major sixth ~[[5/3]]; five of them make a somewhat flat classic minor seventh ~[[9/5]]; seven of them make a near-just (slightly flat) fifth ~[[3/2]]; and nine of them make a near-just classic major third ~[[5/4]]. Unfortunately, the [[3L 5s]] scale (13:9 step ratio) mapping tries to get too many octaves (four) for mapping a tuning system this large on the currently available version of the Lumatone, so it misses some notes in each octave; furthermore, the octaves slope down mildly. Despite the missing notes [[Bryan Deister]] has used this mapping in [https://www.youtube.com/shorts/Qu6UIA2NmmQ ''84edo groove''] (2026). | |||
{{Lumatone EDO mapping|n=84|start=67|xstep=9|ystep=4}} | |||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 04:04, 10 May 2026 (UTC)<br> | |||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:02, 28 May 2026 (UTC) | |||
== Sephiroth + Variant Orwell + Meansquared Lumatone mappings == | == Sephiroth + Variant Orwell + Meansquared Lumatone mappings == | ||
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Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 20:32, 27 August 2025 (UTC)<br> | Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 20:32, 27 August 2025 (UTC)<br> | ||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:24, 29 August 2025 (UTC) | Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:24, 29 August 2025 (UTC) | ||
== Tritikleismic-related 2.3.25.7 subgroup temperament Lumatone mappings == | |||
=== 51edo (demonstrated to work) === | |||
One way of treating [[51edo]] is as three versions of [[17edo]], rearranged so as to divide the fifth and the octave also into three parts each, as demonstrated by [[Bryan Deister]] in [https://www.youtube.com/watch?v=k3NOBYbiqpo ''51edo improv''] (2026-04-22). This is very much like [[landscape]] temperament in equating the octave with a stack of three near-just quasi-tempered major thirds (~[[63/50]], as 17\51), but requires use of the 2.3.25.7 subgroup; division of the fifth (~[[3/2]], as 30\51) into three parts (slightly sharp septimal major seconds ~[[8/7]], as 10\51) also puts this temperament in the [[gamelismic clan]] (thus related to [[tritikleismic]], but again using the 2.3.25.7 subgroup). The obvious scale moving up and right is [[3L 3s]] (10:7 step ratio); the obvious scale moving right and down-right is [[9L 4s (4/1-equivalent)]] (10:3 step ratio); the upward and downward movements in the latter scale nearly cancel out so that while octaves alternate between far and near, double octaves just barely slope down. The range is 5¼ octaves with no missed notes and no repeated notes. | |||
{{Lumatone EDO mapping|n=51|start=4|xstep=10|ystep=-7}} | |||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:02, 28 May 2026 (UTC)<br> | |||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 02:05, 30 May 2026 (UTC) | |||
== Whitewood + Bohpier Lumatone mappings == | |||
=== 49edo (demonstrated to work) === | |||
Since [[49edo]] is a multiple of [[7edo]], and not too far beyond the highest non-diatonic multiple thereof, [[whitewood]] mappings are legitimate, as [[Bryan Deister]] demonstrates in [https://www.youtube.com/shorts/BcBtD3nuEQs ''49edo groove''] (2026). The sevenths of octaves proceed right, and therefore the octaves slope upwards with this, yielding a range a bit over 4½ octaves. The generator apart from the octave division proceeds down-right; as 6\42, it functions as a somewhat flat Alpharabian tendoneutral second ~[[12/11]] (and if the 49f val is used, also as a rather sharp but still consistent tridecimal neutral second ~[[13/12]]), thus making this also a [[bohpier]] mapping, with a rotated [[1L 7s]] scale having a 7:6 step ratio. Three of these generators make a somewhat sharp septimal major third ~[[9/7]]; four of them make a somewhat sharp lesser septimal tritone ~[[7/5]]; six of them make a slightly flat classic major sixth ~[[5/3]]; and seven of them make a very sharp classic major seventh ~[[9/5]]. | |||
{{Lumatone EDO mapping|n=49|start=34|xstep=7|ystep=-1}} | |||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:57, 11 April 2026 (UTC)<br> | |||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 00:40, 14 April 2026 (UTC) | |||
== Whitewood + Qeema/Tritikleismic Lumatone mappings == | == Whitewood + Qeema/Tritikleismic Lumatone mappings == | ||