22edo: Difference between revisions
→Theory: 22edo is close to 24edo |
→Instruments: Add scordatura piano |
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== Notation == | == Notation == | ||
=== | === Stein–Zimmermann–Gould notation === | ||
Since a sharp raises by three steps, 22edo is a good candidate for [[Stein–Zimmermann–Gould notation]], using sharps and flats with arrows similar to 29edo: | |||
{{Sharpness-sharp3-szg}} | |||
If arrows are taken to have their own layer of enharmonic spellings, then in some cases certain notes may be best spelled with double arrows. | |||
=== Kite's ups and downs notation === | |||
Spoken as up, downsharp, sharp, upsharp, etc. Note that downsharp can be respelled as dup (double-up), and upflat as dud. | Spoken as up, downsharp, sharp, upsharp, etc. Note that downsharp can be respelled as dup (double-up), and upflat as dud. | ||
{{sharpness-sharp3a}} | {{sharpness-sharp3a}} | ||
Standard Pythagorean [[chain-of-fifths notation]] can be used alongside ups (^) and downs (v), where a single up or down alters the pitch of a note by 1 | Standard Pythagorean [[chain-of-fifths notation]] can be used alongside ups (^) and downs (v), where a single up or down alters the pitch of a note by 1 edostep (1\22). Note that E♭ and D♯ are different notes and that E♭ is significantly lower in pitch than D♯. | ||
{| class="wikitable right-1 right-2 center-3 center-4" | {| class="wikitable right-1 right-2 center-3 center-4" | ||
|+ style="font-size: 105%;" | Notation of 22edo | |+ style="font-size: 105%;" | Notation of 22edo | ||
|- | |- | ||
! rowspan="2" | [[Degree]] | ! rowspan="2" | [[Degree|#]] | ||
! rowspan="2" | [[Cent]]s | ! rowspan="2" | [[Cent]]s | ||
! colspan="2" | [[ | ! colspan="2" | [[Kite's ups and downs notation]] | ||
|- | |- | ||
! [[5L 2s|Diatonic | ! [[5L 2s|Diatonic interval names]] | ||
! Note | ! Note names | ||
|- | |- | ||
| 0 | | 0 | ||
| Line 354: | Line 360: | ||
| 1 | | 1 | ||
| 54.5 | | 54.5 | ||
| Minor second (m2)<br | | Minor second (m2)<br>Up unison (^1) | ||
| Eb<br | | Eb<br>^D | ||
|- | |- | ||
| 2 | | 2 | ||
| 109.1 | | 109.1 | ||
| Upminor second (^m2)<br | | Upminor second (^m2)<br>Downaugmented unison (vA1)<br>Diminished third (d3) | ||
| ^Eb<br | | ^Eb<br>vD#<br>Fb | ||
|- | |- | ||
| 3 | | 3 | ||
| 163.6 | | 163.6 | ||
| Downmajor second (vM2)<br | | Downmajor second (vM2)<br>Augmented unison (A1) | ||
| vE<br | | vE<br>D# | ||
|- | |- | ||
| 4 | | 4 | ||
| 218.2 | | 218.2 | ||
| '''Major second (M2)'''<br | | '''Major second (M2)'''<br>Upaugmented unison (^A1)<br>Downminor third (vm3) | ||
| '''E'''<br | | '''E'''<br>^D#<br />vF | ||
|- | |- | ||
| 5 | | 5 | ||
| 272.7 | | 272.7 | ||
| Upmajor second (^M2)<br | | Upmajor second (^M2)<br>'''Minor third (m3)''' | ||
| ^E<br | | ^E<br>'''F''' | ||
|- | |- | ||
| 6 | | 6 | ||
| 327.3 | | 327.3 | ||
| '''Upminor third (^m3)'''<br | | '''Upminor third (^m3)'''<br>Diminished fourth (d4) | ||
| '''^F'''<br | | '''^F'''<br>Gb | ||
|- | |- | ||
| 7 | | 7 | ||
| 381.8 | | 381.8 | ||
| '''Downmajor third (vM3)'''<br | | '''Downmajor third (vM3)'''<br>Augmented second (A2)<br>Updiminished fourth (^d4) | ||
| '''vF#'''<br | | '''vF#'''<br>E#<br>^Gb | ||
|- | |- | ||
| 8 | | 8 | ||
| 436.4 | | 436.4 | ||
| '''Major third (M3)'''<br | | '''Major third (M3)'''<br>Upaugmented second (^A2)<br>Down fourth (v4) | ||
| '''F#'''<br | | '''F#'''<br>^E#<br>vG | ||
|- | |- | ||
| 9 | | 9 | ||
| Line 399: | Line 405: | ||
| 10 | | 10 | ||
| 545.5 | | 545.5 | ||
| Up fourth (^4)<br | | Up fourth (^4)<br>Diminished fifth (d5) | ||
| ^G<br | | ^G<br>Ab | ||
|- | |- | ||
| 11 | | 11 | ||
| 600.0 | | 600.0 | ||
| Downaugmented fourth (vA4)<br | | Downaugmented fourth (vA4)<br>Updiminished fifth (^d5) | ||
| vG#<br | | vG#<br>^Ab | ||
|- | |- | ||
| 12 | | 12 | ||
| 654.5 | | 654.5 | ||
| Augmented fourth (A4)<br | | Augmented fourth (A4)<br>Down fifth (v5) | ||
| G#<br | | G#<br>vA | ||
|- | |- | ||
| 13 | | 13 | ||
| Line 419: | Line 425: | ||
| 14 | | 14 | ||
| 763.6 | | 763.6 | ||
| Up fifth (^5)<br | | Up fifth (^5)<br>Minor sixth (m6) | ||
| ^A<br | | ^A<br>Bb | ||
|- | |- | ||
| 15 | | 15 | ||
| 818.2 | | 818.2 | ||
| Downaugmented fifth (vA5)<br | | Downaugmented fifth (vA5)<br>Upminor sixth (^m6) | ||
| vA#<br | | vA#<br>^Bb | ||
|- | |- | ||
| 16 | | 16 | ||
| 872.7 | | 872.7 | ||
| Augmented fifth (A5)<br | | Augmented fifth (A5)<br>'''Downmajor sixth (vM6)''' | ||
| A#<br | | A#<br>'''vB''' | ||
|- | |- | ||
| 17 | | 17 | ||
| 927.3 | | 927.3 | ||
| '''Major sixth (M6)'''<br | | '''Major sixth (M6)'''<br>Upaugmented fifth (^A5)<br>Downminor seventh (vm7) | ||
| '''B'''<br | | '''B'''<br>^A#<br />vC | ||
|- | |- | ||
| 18 | | 18 | ||
| 981.8 | | 981.8 | ||
| '''Minor seventh (m7)'''<br | | '''Minor seventh (m7)'''<br>Upmajor sixth (^M6)<br>Downdiminished octave (vd8) | ||
| '''C'''<br | | '''C'''<br>^B<br>vDb | ||
|- | |- | ||
| 19 | | 19 | ||
| 1036.4 | | 1036.4 | ||
| '''Upminor seventh (^m7)'''<br | | '''Upminor seventh (^m7)'''<br>Diminished octave (d8) | ||
| '''^C'''<br | | '''^C'''<br>Db | ||
|- | |- | ||
| 20 | | 20 | ||
| 1090.9 | | 1090.9 | ||
| Downmajor seventh (vM7)<br | | Downmajor seventh (vM7)<br>Updiminished octave (^d8)<br>Augmented sixth (A6) | ||
| vC#<br | | vC#<br>^Db<br>B# | ||
|- | |- | ||
| 21 | | 21 | ||
| 1145.5 | | 1145.5 | ||
| Major seventh (M7)<br | | Major seventh (M7)<br>Down octave (v8) | ||
| C#<br | | C#<br>vD | ||
|- | |- | ||
| 22 | | 22 | ||
| Line 463: | Line 469: | ||
|} | |} | ||
Treating | Treating ups and downs as "fused" with sharps and flats, and never appearing separately: | ||
[[File:Tibia_22edo_ups_and_downs_guide_1.png|alt=Tibia 22edo ups and downs guide 1.png|800x147px|Tibia 22edo ups and downs guide 1.png]] | [[File:Tibia_22edo_ups_and_downs_guide_1.png|alt=Tibia 22edo ups and downs guide 1.png|800x147px|Tibia 22edo ups and downs guide 1.png]] | ||
| Line 474: | Line 480: | ||
[[File:Tibia_22edo_guide_D_major.png|alt=Tibia 22edo guide D major.png|800x68px|Tibia 22edo guide D major.png]] | [[File:Tibia_22edo_guide_D_major.png|alt=Tibia 22edo guide D major.png|800x68px|Tibia 22edo guide D major.png]] | ||
Shown below is [[Paul Erlich]]'s "Tibia" in G, with independent ups and downs. | Shown below is [[Paul Erlich]]'s "Tibia" in G, with independent ups and downs. | ||
| Line 489: | Line 489: | ||
=== Sagittal notation === | === Sagittal notation === | ||
This notation uses the same sagittal sequence as | This notation uses the same sagittal sequence as edos [[15edo #Sagittal notation|15]] and [[29edo #Sagittal notation|29]], is a subset of the notations for edos [[44edo #Sagittal notation|44]] and [[66edo #Sagittal notation|66]], and is a superset of the notation for [[11edo #Sagittal notation|11edo]]. | ||
==== Evo flavor ==== | ==== Evo flavor ==== | ||
| Line 509: | Line 509: | ||
[[File:22edo Sagittal.png|800px]] | [[File:22edo Sagittal.png|800px]] | ||
=== Superpyth/ | === Superpyth/porcupine notation === | ||
Superpyth/ | Superpyth/porcupine notation is a system arising from both superpyth and porcupine temperament. It categorizes each 22edo interval as major and minor of one or both of those temperaments. s indicates superpyth and p indicates porcupine. Because p now represents porcupine and not perfect, P in perfect intervals is no longer used in this system. Instead the number is used without P and is read as either just the number or "Natural". Example: P5 becomes 5 or N5 = Perfect fifth becomes Natural fifth. | ||
=== Porcupine notation === | === Porcupine notation === | ||
| Line 540: | Line 540: | ||
! [[Degree]] | ! [[Degree]] | ||
! [[Cent]]s | ! [[Cent]]s | ||
! colspan="2" | Superpyth/ | ! colspan="2" | Superpyth/porcupine | ||
! colspan="3" | Porcupine (Onyx) | ! colspan="3" | Porcupine (Onyx) | ||
! colspan="3" |Porcupine (Zarlino) | ! colspan="3" | Porcupine (Zarlino) | ||
! colspan="3" | Pentatonic | ! colspan="3" | Pentatonic | ||
! colspan="3" | Decatonic | ! colspan="3" | Decatonic | ||
! colspan="3" | [[Ups and downs notation|Ups and | ! colspan="3" | [[Ups and downs notation|Ups and downs]] | ||
! colspan="3" | [[SKULO interval names]] | ! colspan="3" | [[SKULO interval names]] | ||
|- | |- | ||
| 0 | | 0 | ||
| 0 | | 0 | ||
| Natural | | Natural unison | ||
| 1 | | 1 | ||
| perfect unison | | perfect unison | ||
| P1 | | P1 | ||
| D | | D | ||
|perfect unison | | perfect unison | ||
|P1 | | P1 | ||
|C | | C | ||
| perfect unison | | perfect unison | ||
| P1 | | P1 | ||
| Line 578: | Line 578: | ||
| A1 | | A1 | ||
| D# | | D# | ||
|augmented unison | | augmented unison | ||
|A1 | | A1 | ||
|C# | | C# | ||
| aug unison | | aug unison | ||
| A1 | | A1 | ||
| Line 601: | Line 601: | ||
| d2 | | d2 | ||
| Eb | | Eb | ||
|minor second | | minor second | ||
|m2 | | m2 | ||
|Db | | Db | ||
| double-aug unison,<br | | double-aug unison,<br>double-dim sub3rd | ||
| AA1,<br | | AA1,<br>dds3 | ||
| Dx,<br | | Dx,<br>Fb<span style="vertical-align: super;">3</span> | ||
| natural 2nd | | natural 2nd | ||
| N2 | | N2 | ||
| Line 624: | Line 624: | ||
| P2 | | P2 | ||
| E | | E | ||
|narrow major second | | narrow major second | ||
|nM2 | | nM2 | ||
|D | | D | ||
| dim sub3rd | | dim sub3rd | ||
| ds3 | | ds3 | ||
| Line 642: | Line 642: | ||
| 4 | | 4 | ||
| 218 | | 218 | ||
| (s/p) | | (s/p) major second | ||
| M2 | | M2 | ||
| aug 2nd | | aug 2nd | ||
| A2 | | A2 | ||
| E# | | E# | ||
|wide major second | | wide major second | ||
|WM2 | | WM2 | ||
|D# | | D# | ||
| minor sub3rd | | minor sub3rd | ||
| ms3 | | ms3 | ||
| Line 670: | Line 670: | ||
| d3 | | d3 | ||
| Fb | | Fb | ||
|wolf third | | wolf third | ||
|w3 | | w3 | ||
|Ebb | | Ebb | ||
| major sub3rd | | major sub3rd | ||
| Ms3 | | Ms3 | ||
| Line 693: | Line 693: | ||
| m3 | | m3 | ||
| F | | F | ||
|minor third | | minor third | ||
|m3 | | m3 | ||
|Eb | | Eb | ||
| aug sub3rd | | aug sub3rd | ||
| As3 | | As3 | ||
| Line 711: | Line 711: | ||
| 7 | | 7 | ||
| 382 | | 382 | ||
| p- | | p-major third | ||
| pM3 | | pM3 | ||
| major 3rd | | major 3rd | ||
| M3 | | M3 | ||
| F# | | F# | ||
|major third | | major third | ||
|M3 | | M3 | ||
|E | | E | ||
| double-aug sub3rd,<br | | double-aug sub3rd,<br>double-dim 4thoid | ||
| AAs3,<br | | AAs3,<br>dd4d | ||
| Fx,<br | | Fx,<br>Gbb | ||
| natural 4th | | natural 4th | ||
| N4 | | N4 | ||
| Line 734: | Line 734: | ||
| 8 | | 8 | ||
| 436 | | 436 | ||
| s- | | s-major third | ||
| sM3 | | sM3 | ||
| aug 3rd, dim 4th | | aug 3rd, dim 4th | ||
| A3, d4 | | A3, d4 | ||
| Fx, Gb | | Fx, Gb | ||
|augmented third | | augmented third | ||
|A3 | | A3 | ||
|E# | | E# | ||
| dim 4thoid | | dim 4thoid | ||
| d4d | | d4d | ||
| Line 757: | Line 757: | ||
| 9 | | 9 | ||
| 491 | | 491 | ||
| Natural | | Natural fourth | ||
| 4, N4 | | 4, N4 | ||
| minor 4th | | minor 4th | ||
| m4 | | m4 | ||
| G | | G | ||
|perfect fourth | | perfect fourth | ||
|P4 | | P4 | ||
|F | | F | ||
| perfect 4thoid | | perfect 4thoid | ||
| P4d | | P4d | ||
| Line 780: | Line 780: | ||
| 10 | | 10 | ||
| 545 | | 545 | ||
| p- | | p-major fourth, s-dim fifth | ||
| pM4, sd5 | | pM4, sd5 | ||
| major 4th | | major 4th | ||
| M4 | | M4 | ||
| G# | | G# | ||
|wolf fourth | | wolf fourth | ||
|w4 | | w4 | ||
|F# | | F# | ||
| aug 4thoid | | aug 4thoid | ||
| A4d | | A4d | ||
| Line 803: | Line 803: | ||
| 11 | | 11 | ||
| 600 | | 600 | ||
| p- | | p-augmented fourth,<br>p-diminished fifth,<br>half-octave | ||
| A4, HO | | A4, HO | ||
| aug 4th, <br | | aug 4th, <br>dim 5th | ||
| A4, d5 | | A4, d5 | ||
| Gx, <br | | Gx, <br>Abb | ||
|augmented fourth, diminished fifth | | augmented fourth, diminished fifth | ||
|A4, d5 | | A4, d5 | ||
|F##, Gbb | | F##, Gbb | ||
| double-aug 4thoid,<br | | double-aug 4thoid,<br>double-dim 5thoid | ||
| AA4d, <br | | AA4d, <br>dd5d | ||
| Gx, <br | | Gx, <br>Abb | ||
| natural 6th | | natural 6th | ||
| N6 | | N6 | ||
| Line 820: | Line 820: | ||
| vA4, ^d5 | | vA4, ^d5 | ||
| vG#, ^Ab | | vG#, ^Ab | ||
| comma-narrow augmented 4th<br | | comma-narrow augmented 4th<br>comma-wide diminished 5th | ||
| kA4<br | | kA4<br>Kd5 | ||
| kG#, KAb | | kG#, KAb | ||
|- | |- | ||
| 12 | | 12 | ||
| 655 | | 655 | ||
| p-minor | | p-minor fifth, s-aug fourth | ||
| pm5, sA4 | | pm5, sA4 | ||
| minor 5th | | minor 5th | ||
| m5 | | m5 | ||
| Ab | | Ab | ||
|wolf fifth | | wolf fifth | ||
|w5 | | w5 | ||
|Gb | | Gb | ||
| dim 5thoid | | dim 5thoid | ||
| d5d | | d5d | ||
| Line 849: | Line 849: | ||
| 13 | | 13 | ||
| 709 | | 709 | ||
| Natural | | Natural fifth | ||
| 5, N5 | | 5, N5 | ||
| major 5th | | major 5th | ||
| M5 | | M5 | ||
| A | | A | ||
|perfect fifth | | perfect fifth | ||
|P5 | | P5 | ||
|G | | G | ||
| perfect 5thoid | | perfect 5thoid | ||
| P5d | | P5d | ||
| Line 877: | Line 877: | ||
| A5, d6 | | A5, d6 | ||
| A#, Bbb | | A#, Bbb | ||
|diminished sixth | | diminished sixth | ||
|d6 | | d6 | ||
|Abb | | Abb | ||
| aug 5thoid | | aug 5thoid | ||
| A5d | | A5d | ||
| Line 900: | Line 900: | ||
| m6 | | m6 | ||
| Bb | | Bb | ||
|minor sixth | | minor sixth | ||
|m6 | | m6 | ||
|Ab | | Ab | ||
| double-aug 5thoid,<br | | double-aug 5thoid,<br>double-dim sub7th | ||
| AA5d,<br | | AA5d,<br>dds7 | ||
| Ax,<br | | Ax,<br>Cb<span style="vertical-align: super;">3</span> | ||
| flat 8th | | flat 8th | ||
| f8 | | f8 | ||
| Line 918: | Line 918: | ||
| 16 | | 16 | ||
| 873 | | 873 | ||
| p- | | p-major sixth | ||
| pM6 | | pM6 | ||
| major 6th | | major 6th | ||
| M6 | | M6 | ||
| B | | B | ||
|major sixth | | major sixth | ||
|M6 | | M6 | ||
|A | | A | ||
| dim sub7th | | dim sub7th | ||
| ds7 | | ds7 | ||
| Line 941: | Line 941: | ||
| 17 | | 17 | ||
| 927 | | 927 | ||
| s- | | s-major sixth | ||
| sM6 | | sM6 | ||
| aug 6th | | aug 6th | ||
| A6 | | A6 | ||
| B# | | B# | ||
|wolf sixth | | wolf sixth | ||
|w6 | | w6 | ||
|A# | | A# | ||
| minor sub7th | | minor sub7th | ||
| ms7 | | ms7 | ||
| Line 969: | Line 969: | ||
| d7 | | d7 | ||
| Cb | | Cb | ||
|narrow minor seventh | | narrow minor seventh | ||
|nm7 | | nm7 | ||
|Bbb | | Bbb | ||
| major sub7th | | major sub7th | ||
| Ms7 | | Ms7 | ||
| Line 987: | Line 987: | ||
| 19 | | 19 | ||
| 1036 | | 1036 | ||
| p- | | p-major seventh | ||
| pM7 | | pM7 | ||
| perfect 7th | | perfect 7th | ||
| P7 | | P7 | ||
| C | | C | ||
|wide minor seventh | | wide minor seventh | ||
|Wm7 | | Wm7 | ||
|Bb | | Bb | ||
| aug sub7th | | aug sub7th | ||
| As7 | | As7 | ||
| Line 1,010: | Line 1,010: | ||
| 20 | | 20 | ||
| 1091 | | 1091 | ||
| p- | | p-augmented seventh | ||
| pA7 | | pA7 | ||
| aug 7th | | aug 7th | ||
| A7 | | A7 | ||
| C# | | C# | ||
|major seventh | | major seventh | ||
|M7 | | M7 | ||
|B | | B | ||
| double-aug sub7th,<br | | double-aug sub7th,<br>double-dim octave | ||
| AAs7,<br | | AAs7,<br>dd8 | ||
| Cx,<br | | Cx,<br>Dbb | ||
| natural 10th | | natural 10th | ||
| N10 | | N10 | ||
| Line 1,033: | Line 1,033: | ||
| 21 | | 21 | ||
| 1145 | | 1145 | ||
| s- | | s-major seventh | ||
| sM7 | | sM7 | ||
| dim 8ve | | dim 8ve | ||
| d8 | | d8 | ||
| Db | | Db | ||
|diminished octave | | diminished octave | ||
|d8 | | d8 | ||
|Cb | | Cb | ||
| dim octave | | dim octave | ||
| d8 | | d8 | ||
| Line 1,061: | Line 1,061: | ||
| P8 | | P8 | ||
| D | | D | ||
|perfect octave | | perfect octave | ||
|P8 | | P8 | ||
|C | | C | ||
| perfect octave | | perfect octave | ||
| P8 | | P8 | ||
| Line 1,547: | Line 1,547: | ||
== Instruments == | == Instruments == | ||
== Scordatura piano == | |||
Although it does not allow for much in the way of modulation, it is possible to make some music using a piano tuned to a 12 note subset of 22edo, as shown by [[Juhani Nuorvala]]'s [https://www.youtube.com/watch?v=raRiTvogBBA ''Improvisations on a piano tuned to 22edo''] (2026). | |||
=== Keyboards === | === Keyboards === | ||
[[File:22-tone halberstadt layout.png|alt=|frameless]] | [[File:22-tone halberstadt layout.png|alt=|frameless]] | ||