38edo: Difference between revisions

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== Theory ==
== Theory ==
Since {{nowrap|38 {{=}} 2 × 19}}, it can be thought of as two parallel [[19edo]]s. While the halving of the step size lowers [[consistency]] and leaves it only mediocre in terms of overall [[relative interval error|relative error]], the fact that the 3rd and 5th harmonics are flat by almost exactly the same amount, while the 11th is double that means there are quite a few near perfect composite ratios, such as the the [[6/5]] it shares with 19edo, plus [[11/9]], [[15/11]] & [[25/22]], (and their inversions) while a single step nears [[55/54]]; the approximation to [[11/9]] in particular should be noted for forming a 10-strong [[consistent circle]]. This gives several interesting possibilities for unusual near-just chords such as 15:18:22:25:30.  
Since 38 factors as {{nowrap|2 × 19}}, 38edo can be thought of as two parallel chains of [[19edo]]. It provides a possible correction to the [[11/1|11th harmonic]] of 19edo, which works well with 19edo's flat approximations of the [[3/1|3rd]] and [[5/1|5th]] harmonics, making it a decent [[2.3.5.11 subgroup|2.3.5.11-subgroup]] system. Compared to 19edo, the halving of the step size lowers [[consistency]], and leaves it only mediocre in terms of overall [[relative interval error|relative error]]. However, the fact that the 3rd and 5th harmonics are flat by almost exactly the same amount, while the 11th is close to double that, means there are quite a few near-perfect composite ratios, such as the the [[6/5]] it shares with 19edo, plus [[11/9]], [[15/11]], [[25/22]], and their [[octave complement]]s, while a single step nears [[55/54]]. The approximation to [[11/9]] in particular should be noted for forming a 10-strong [[consistent circle]]. This gives several interesting possibilities for unusual near-just chords such as 15:18:22:25:30.  


It [[tempering out|tempers out]] the same [[5-limit]] commas as 19edo, namely [[81/80]], [[3125/3072]] and [[15625/15552]]. In the [[7-limit]], we can add [[50/49]], and tempering out 81/80 and 50/49 gives [[injera]] temperament, for which 38 is the [[optimal patent val]]. In the [[11-limit]], we can add 121/120 and 176/175.  
Using the [[patent val]], it [[tempering out|tempers out]] the same [[5-limit]] commas as 19edo, namely [[81/80]], [[3125/3072]] and [[15625/15552]]. In the [[7-limit]], we can add [[50/49]], and tempering out 81/80 and 50/49 gives [[injera]] temperament, for which 38 is the [[optimal patent val]] in the 7-limit. In the [[11-limit]], we can add [[121/120]] and [[176/175]], and in the [[13-limit]] we can add [[66/65]] and [[144/143]]. 38edo patently supports [[mohajira]] up to the 13-limit. While the [[7/1|7th]] and [[13/1|13th]] harmonics themselves are improved compared to 19edo, many other intervals involving these harmonics become less accurate, so whether 38edo actually corrects them is debatable.


Using the [[Warts|38df]] mapping, every [[prime interval]] from 3 to 19 is characterized by a flat intonation. Furthermore, the [[mapping]] of all [[19-odd-limit]] intervals in 38df aligns with their closest approximations in 38edo, excepting for 7/4 and 13/8, along with their octave complements 8/7 and 16/13, which are by definition mapped to their secondary optimal steps within 38df. In other words, all 19-odd-limit intervals are [[consistency|consistent]] within the 38df [[val]] {{val| 38 60 88 106 131 140 155 161 }}.  
Instead, the [[val]] {{val| 38 60 88 '''106''' 131 '''140''' 155 161 }} (38df in [[wart notation]]) can be used, where the [[2.3.5.7.13 subgroup|2.3.5.13-subgroup]] mapping of 19edo is preserved, while harmonics [[11/1|11]], [[17/1|17]], and [[19/1|19]] are corrected. In 38df, every [[odd harmonic]] from 3 to 19 is characterized by a flat intonation. Furthermore, the [[mapping]]s of all [[19-odd-limit]] intervals in 38df align with their closest approximations in 38edo, except for 7/4, 13/8, and their octave complements 8/7 and 16/13, which are by definition mapped to their second-closest steps within 38df. The 38df mapping thus creates a natural full [[19-limit]] extension to the 2.3.5.7.13-subgroup mapping of 19edo.


The harmonic series from 1 to 20 is approximated within 38df by the sequence: {{nowrap| 38 22 16 12 10 8 8 6 6 5 5 4 4 4 4 3 3 3 3 }}
The harmonic series from 1 to 20 is approximated within 38df by the step sequence: {{nowrap| 38 22 16 12 10 8 8 6 6 5 5 4 4 4 4 3 3 3 3 }}


[[File:Harmonic_series_38df.mp3]] [[:File:Harmonic_series_38df.mp3|[Harmonic series 2-20 in 38df]]]
[[File:Harmonic_series_38df.mp3]] [[:File:Harmonic_series_38df.mp3|[Harmonic series 2-20 in 38df]]]
Line 19: Line 19:
{| class="wikitable center-1 right-2"
{| class="wikitable center-1 right-2"
|-
|-
! Step
! rowspan="3" | Step
! Cents
! rowspan="3" | Cents
! 19-odd-limit ratios,<br>in 38df val
! colspan="3" | Approximated ratios
! colspan="3" | [[Ups and downs notation]]*
! rowspan="3" colspan="3" | [[Ups and downs notation]]*<br>([[Enharmonic unisons in ups and downs notation|EUs]]: vvA1 and vvd2)
([[Enharmonic unisons in ups and downs notation|EUs]]: vvA1 and vvd2)
|-
! rowspan="2" | Ratios of the <br>2.3.5.11.17.19 subgroup
! colspan="2" | Ratios of 7 and 13
|-
! Patent val
! 38df val
|-
|-
| 0
| 0
| 0.0
| 0.0
|
| [[1/1]]
|
|  
| Perfect 1sn
| Perfect 1sn
| P1
| P1
Line 34: Line 41:
| 1
| 1
| 31.6
| 31.6
|
|
|
|  
| Up 1sn
| Up 1sn
| ^1
| ^1
Line 41: Line 50:
| 2
| 2
| 63.2
| 63.2
|
|
|
|  
| Aug 1sn, dim 2nd
| Aug 1sn, dim 2nd
| A1, d2
| A1, d2
Line 49: Line 60:
| 94.7
| 94.7
| [[20/19]], [[19/18]], [[18/17]], [[17/16]]
| [[20/19]], [[19/18]], [[18/17]], [[17/16]]
| ''[[15/14]]''
|
| Upaug 1sn, downminor 2nd
| Upaug 1sn, downminor 2nd
| ^A1, vm2
| ^A1, vm2
Line 55: Line 68:
| 4
| 4
| 126.3
| 126.3
| [[16/15]], [[15/14]], [[14/13]], [[13/12]]
| [[16/15]]
| [[14/13]]
| [[15/14]], [[14/13]], [[13/12]]
| Minor 2nd
| Minor 2nd
| m2
| m2
Line 63: Line 78:
| 157.9
| 157.9
| [[12/11]], [[11/10]]
| [[12/11]], [[11/10]]
| ''[[13/12]]''
|
| Mid 2nd
| Mid 2nd
| ~2
| ~2
Line 70: Line 87:
| 189.5
| 189.5
| [[10/9]], [[19/17]], [[9/8]]
| [[10/9]], [[19/17]], [[9/8]]
|
|
| Major 2nd
| Major 2nd
| M2
| M2
Line 77: Line 96:
| 221.1
| 221.1
| [[17/15]]
| [[17/15]]
| [[8/7]], ''[[15/13]]''
|
| Upmajor 2nd
| Upmajor 2nd
| ^M2
| ^M2
Line 83: Line 104:
| 8
| 8
| 252.6
| 252.6
| [[8/7]], [[15/13]], [[22/19]], [[7/6]]
| [[22/19]]
|
| ''[[8/7]]'', [[15/13]], [[7/6]]
| Aug 2nd, Dim 3rd
| Aug 2nd, Dim 3rd
| A2, d3
| A2, d3
Line 90: Line 113:
| 9
| 9
| 284.2
| 284.2
| [[20/17]], [[13/11]], [[19/16]]
| [[20/17]], [[19/16]]
| ''[[7/6]]''
| [[13/11]]
| Downminor 3rd
| Downminor 3rd
| vm3
| vm3
Line 98: Line 123:
| 315.8
| 315.8
| [[6/5]]
| [[6/5]]
| ''[[13/11]]'', ''[[17/14]]''
|
| Minor 3rd
| Minor 3rd
| m3
| m3
Line 104: Line 131:
| 11
| 11
| 347.4
| 347.4
| [[17/14]], [[11/9]]
| [[11/9]]
| [[16/13]]
| [[17/14]]
| Mid 3rd
| Mid 3rd
| ~3
| ~3
Line 111: Line 140:
| 12
| 12
| 378.9
| 378.9
| [[16/13]], [[5/4]]
| [[5/4]]
|
| ''[[16/13]]''
| Major 3rd
| Major 3rd
| M3
| M3
Line 118: Line 149:
| 13
| 13
| 410.5
| 410.5
| [[24/19]], [[19/15]], [[14/11]]
| [[24/19]], [[19/15]]
| ''[[9/7]]''
| [[14/11]]
| Upmajor 3rd, Downdim 4th
| Upmajor 3rd, Downdim 4th
| ^M3, vd4
| ^M3, vd4
Line 125: Line 158:
| 14
| 14
| 442.1
| 442.1
| [[9/7]], [[22/17]], [[13/10]]
| [[22/17]]
| ''[[14/11]]'', ''[[17/13]]''
| [[9/7]], [[13/10]]
| Aug 3rd, dim 4th
| Aug 3rd, dim 4th
| A3, d4
| A3, d4
Line 132: Line 167:
| 15
| 15
| 473.7
| 473.7
|
| ''[[13/10]]''
| [[17/13]]
| [[17/13]]
| Down 4th
| Down 4th
Line 140: Line 177:
| 505.3
| 505.3
| [[4/3]]
| [[4/3]]
| ''[[19/14]]''
|
| Perfect 4th
| Perfect 4th
| P4
| P4
Line 146: Line 185:
| 17
| 17
| 536.8
| 536.8
| [[19/14]], [[15/11]], [[26/19]], [[11/8]]
| [[15/11]], [[11/8]]
| ''[[18/13]]''
| [[19/14]], [[26/19]]
| Up 4th
| Up 4th
| ^4
| ^4
Line 153: Line 194:
| 18
| 18
| 568.4
| 568.4
|
| ''[[26/19]]''
| [[18/13]], [[7/5]]
| [[18/13]], [[7/5]]
| Aug 4th
| Aug 4th
Line 161: Line 204:
| 600.0
| 600.0
| [[24/17]], [[17/12]]
| [[24/17]], [[17/12]]
| [[7/5]], [[10/7]]
|
| Upaug 4th, downdim 5th
| Upaug 4th, downdim 5th
| ^A4, vd5
| ^A4, vd5
Line 167: Line 212:
| 20
| 20
| 631.6
| 631.6
|
| ''[[19/13]]''
| [[10/7]], [[13/9]]
| [[10/7]], [[13/9]]
| Dim 5th
| Dim 5th
Line 174: Line 221:
| 21
| 21
| 663.2
| 663.2
| [[16/11]], [[19/13]], [[22/15]], [[28/19]]
| [[16/11]], [[22/15]]
| ''[[13/9]]''
| [[19/13]], [[28/19]]
| Down 5th
| Down 5th
| v5
| v5
Line 182: Line 231:
| 694.7
| 694.7
| [[3/2]]
| [[3/2]]
| ''[[28/19]]''
|
| Perfect 5th
| Perfect 5th
| P5
| P5
Line 188: Line 239:
| 23
| 23
| 726.3
| 726.3
|
| ''[[20/13]]''
| [[26/17]]
| [[26/17]]
| Up 5th
| Up 5th
Line 195: Line 248:
| 24
| 24
| 757.9
| 757.9
| [[20/13]], [[17/11]], [[14/9]]
| [[17/11]]
| ''[[26/17]]'', ''[[11/7]]''
|
| Aug 5th, dim 6th
| Aug 5th, dim 6th
| A5, d6
| A5, d6
Line 202: Line 257:
| 25
| 25
| 789.5
| 789.5
| [[11/7]], [[30/19]], [[19/12]]
| [[30/19]], [[19/12]]
| ''[[14/9]]''
| [[11/7]]
| Upaug 5th, downminor 6th
| Upaug 5th, downminor 6th
| ^A5, vm6
| ^A5, vm6
Line 209: Line 266:
| 26
| 26
| 821.1
| 821.1
| [[8/5]], [[13/8]]
| [[8/5]]
|
| ''[[13/8]]''
| Minor 6th
| Minor 6th
| m6
| m6
Line 216: Line 275:
| 27
| 27
| 852.6
| 852.6
| [[18/11]], [[28/17]]
| [[18/11]]
| [[13/8]]
| [[28/17]]
| Mid 6th
| Mid 6th
| ~6
| ~6
Line 224: Line 285:
| 884.2
| 884.2
| [[5/3]]
| [[5/3]]
| ''[[28/17]]'', ''[[22/13]]''
|
| Major 6th
| Major 6th
| M6
| M6
Line 230: Line 293:
| 29
| 29
| 915.8
| 915.8
| [[32/19]], [[22/13]], [[17/10]]
| [[32/19]], [[17/10]]
|
|
| Upmajor 6th
| Upmajor 6th
| ^M6
| ^M6
Line 237: Line 302:
| 30
| 30
| 947.4
| 947.4
| [[12/7]], [[19/11]], [[26/15]], [[7/4]]
| [[19/11]]
|
| [[12/7]], [[26/15]], ''[[7/4]]''
| Aug 6th, dim 7th
| Aug 6th, dim 7th
| A6, d7
| A6, d7
Line 245: Line 312:
| 978.9
| 978.9
| [[30/17]]
| [[30/17]]
| ''[[26/15]]'', [[7/4]]
|
| Downminor 7th
| Downminor 7th
| vm7
| vm7
Line 252: Line 321:
| 1010.5
| 1010.5
| [[16/9]], [[34/19]], [[9/5]]
| [[16/9]], [[34/19]], [[9/5]]
|
|
| Minor 7th
| Minor 7th
| m7
| m7
Line 259: Line 330:
| 1042.1
| 1042.1
| [[20/11]], [[11/6]]
| [[20/11]], [[11/6]]
| ''[[24/13]]''
|
| Mid 7th
| Mid 7th
| ~7
| ~7
Line 265: Line 338:
| 34
| 34
| 1073.7
| 1073.7
| [[24/13]], [[13/7]], [[28/15]], [[15/8]]
| [[15/8]]
| [[13/7]]
| [[24/13]], [[13/7]], [[28/15]]
| Major 7th
| Major 7th
| M7
| M7
Line 273: Line 348:
| 1105.3
| 1105.3
| [[32/17]], [[17/9]], [[36/19]], [[19/10]]
| [[32/17]], [[17/9]], [[36/19]], [[19/10]]
| ''[[28/15]]''
|
| Upmajor 7th, Downdim 8ve
| Upmajor 7th, Downdim 8ve
| ^M7, vd8
| ^M7, vd8
Line 279: Line 356:
| 36
| 36
| 1136.8
| 1136.8
|
|
|
|  
| Aug 7th, dim 8ve
| Aug 7th, dim 8ve
| A7, d8
| A7, d8
Line 287: Line 366:
| 1168.4
| 1168.4
|
|
|
|
| Down 8ve
| Down 8ve
| v8
| v8
Line 293: Line 374:
| 38
| 38
| 1200.0
| 1200.0
|
| [[2/1]]
|
|  
| Perfect 8ve
| Perfect 8ve
| P8
| P8
Line 303: Line 386:
=== Ups and downs notation ===
=== Ups and downs notation ===
Spoken as up, sharp, upsharp, etc. Note that up can be respelled as downsharp.
Spoken as up, sharp, upsharp, etc. Note that up can be respelled as downsharp.
{{sharpness-sharp2a}}
{{Ups and downs sharpness}}


=== Quarter-tone notation ===
=== Quarter-tone notation ===
Line 347: Line 430:
=== Interval mappings ===
=== Interval mappings ===
{{Q-odd-limit intervals}}
{{Q-odd-limit intervals}}
{{Q-odd-limit intervals|37.9|apx=val|header=none|tag=none|title=15-odd-limit intervals by 38df val mapping}}


== Rank-2 temperaments ==
== Rank-2 temperaments ==
Line 358: Line 442:
| [[Hemisensi]] || 7\38 || 1
| [[Hemisensi]] || 7\38 || 1
|-
|-
| [[Delorean]] / [[Subkla]] || 9\38 || 1
| [[Delorean]] / [[subkla]] || 9\38 || 1
|-
|-
| [[Migration]] / [[Mohajira]] / [[Nethertone]] / [[Ptolemy]] / [[Subklei]] || 11\38 || 1
| [[Migration]] / [[mohajira]] / [[nethertone]] / [[ptolemy]] / [[subklei]] || 11\38 || 1
|-
|-
| [[Hocus]] || 13\38 || 1
| [[Hocus]] || 13\38 || 1
Line 366: Line 450:
| [[Buzzard]] || 15\38 || 1
| [[Buzzard]] || 15\38 || 1
|-
|-
| [[Maquila]] / [[Wilsec]] || 17\38 || 1
| [[Maquila]] / [[wilsec]] || 17\38 || 1
|-
|-
| [[Bimeantone]] / [[Injera]] || 3\38 || 2
| [[Bimeantone]] / [[injera]] || 3\38 || 2
|-
|-
| [[Bison]] / [[Hemikleismic]] || 5\38 || 2
| [[Bison]] / [[hemikleismic]] || 5\38 || 2
|-
|-
| [[Astrology]] / [[Divination]] / [[Horoscope]] || 7\38 || 2
| [[Astrology]] / [[divination]] / [[horoscope]] || 7\38 || 2
|-
|-
| [[Decimal]] || 8\38 || 2
| [[Decimal]] || 8\38 || 2
Line 378: Line 462:


== Octave stretch or compression ==
== Octave stretch or compression ==
38edo's approximation of [[JI]] can be improved by slightly [[octave stretch|stretching the octave]].
38edo's approximation of [[JI]] can be improved by slightly [[octave stretch|stretching the octave]], as in [[ed5|88ed5]], [[zpi|166zpi]] or [[60edt]].
 
== Scales ==
; [[MOS scale]]s
* Astrology[22]: 2 1 2 2 2 1 2 2 2 1 2 2 1 2 2 2 1 2 2 2 1 2
* Buzzard[8]: 7 1 7 7 1 7 1 7
* Buzzard[13] 1 6 1 6 1 1 6 1 1 6 1 6 1
* Buzzard[18]: 1 5 1 1 1 5 1 1 1 5 1 1 5 1 1 1 5 1
* Buzzard[23]: 1 1 4 1 1 1 4 1 1 1 1 4 1 1 1 1 4 1 1 1 4 1 1
* Decimal[10]: 3 5 3 5 3 3 5 3 5 3
* Decimal[14]: 3 2 3 3 3 2 3 3 2 3 3 3 2 3
* Decimal[24]: 2 1 2 1 2 2 1 2 1 2 1 2 2 1 2 1 2 2 1 2 1 2 1 2
* Hocus[23]: 1 1 1 6 1 1 1 1 1 1 1 6 1 1 1 1 1 1 1 6 1 1 1
* Injera[6]: 3 13 3 3 13 3
* Injera[8]: 3 3 10 3 3 3 10 3
* Injera[10]: 3 3 7 3 3 3 3 7 3 3
* Injera[12]: 3 3 3 4 3 3 3 3 3 4 3 3
* Injera[14]: 3 3 3 1 3 3 3 3 3 3 1 3 3 3
* Injera[26]: 1 2 1 2 1 2 1 2 1 2 1 2 1 1 2 1 2 1 2 1 2 1 2 1 2 1
* Maquila[20]: 1 3 1 3 1 3 1 3 1 1 3 1 3 1 3 1 3 1 3 1
* Mohajira[7] (''a.k.a. quasi-[[equiheptatonic]]''): 5 6 5 6 5 6 5
* Mohajira[10]: 5 1 5 5 1 5 5 5 1 5
* Mohajira[17]: 1 4 1 4 1 1 4 1 4 1 4 1 1 4 1 4 1
* Mohajira[24]: 1 3 1 1 1 3 1 1 3 1 1 1 3 1 1 3 1 1 3 1 1 1 3 1
* Subkla[13]: 2 5 2 2 5 2 2 2 5 2 2 5 2
* Subkla[17]: 2 3 2 2 2 3 2 2 2 3 2 2 2 3 2 2
* Subkla[21]: 2 2 1 2 2 2 2 1 2 2 2 2 2 1 2 2 2 2 1 2 2


What follows is a comparison of stretched-octave 38edo tunings.
; MOS subsets
* ''of injera[12]''
** Quasi-major: 6 7 3 6 6 7 3
** Quasi-minor: 6 3 7 6 3 7 6


; 38edo
; [[MODMOS|MODMOS scales]]
* Step size: 31.579{{c}}, octave size: 1200.00{{c}}  
{{Idiosyncratic terms}}
Pure-octaves 38edo approximates all harmonics up to 16 within 14.6{{c}}.
* ''of bison[22]''
{{Harmonics in equal|38|2|1|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 38edo}}
** Tame bison: 3 1 1 1 1 3 3 1 1 1 3 3 1 1 1 3 3 1 1 1 1 3
{{Harmonics in equal|38|2|1|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 38edo (continued)}}


; [[WE|38et, 13-limit WE tuning]]  
* ''of hemisensi[11]''
* Step size: 31.599{{c}}, octave size: 1200.77{{c}}
** Hemisettled11: 3 3 3 4 3 6 3 3 3 4 3
Stretching the octave of 38edo by around 1{{c}} results in improved primes 3, 5, 11, 17 and 19, but worse primes 2, 7 and 13. This approximates all harmonics up to 16 within 14.9{{c}}. Its 13-limit WE tuning and 13-limit [[TE]] tuning both do this.
{{Harmonics in cet|31.599|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 38et, 13-limit WE tuning}}
{{Harmonics in cet|31.599|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 38et, 13-limit WE tuning (continued)}}


; [[ed5|88ed5]]  
* ''of hemisensi[16]''
* Step size: 31.663{{c}}, octave size: 1203.18{{c}}
** Hemisettled16: 5 1 3 3 1 3 1 1 3 1 5 1 3 3 1 3
Stretching the octave of 38edo by around 3{{c}} results in improved primes 3, 5, 11, 13, 17 and 19 but worse primes 2 and 7. This approximates all harmonics up to 16 within 12.7{{c}}. The tuning 88ed5 does this.
{{Harmonics in equal|88|5|1|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 88ed5}}
{{Harmonics in equal|88|5|1|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 88ed5 (continued)}}


; [[zpi|166zpi]]  
* ''of opossum[23]''
* Step size: 31.671{{c}}, octave size: 1203.48{{c}}
** Tame possum: 3 3 2 2 2 3 2 2 2 3 2 2 2 3 3
Stretching the octave of 38edo by around 3.5{{c}} results in improved primes 3, 5, 11, 13, 17 and 19, but worse primes 2 and 7. This approximates all harmonics up to 16 within 14.0{{c}}. This results in the same [[mapping]] as [[wart|38df]], which is the mapping used by most of 38edo's lowest-[[badness]] temperaments. The tuning 166zpi does this.
{{Harmonics in cet|31.671|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 166zpi}}
{{Harmonics in cet|31.671|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 166zpi (continued)}}


; [[60edt]]
; Others
* Step size: 31.699{{c}}, octave size: 1204.57{{c}}
{{Idiosyncratic terms}}
Stretching the octave of 38edo by around 4.5{{c}} results in improved primes 3, 5, 7, 11, 13, 17 and 19, but a much worse prime 2. This approximates all harmonics up to 16 within 13.7{{c}}. This results in the same [[mapping]] as [[wart|38df]], which is the mapping used by most of 38edo's lowest-[[badness]] temperaments. The tuning 60edt does this.
* [[Antipental blues]]: 9 7 2 4 9 7
{{Harmonics in equal|60|3|1|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 60edt}}
* Ninteenplus: 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 2 2 2
{{Harmonics in equal|60|3|1|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 60edt (continued)}}
* Quasi-[[equipentatonic]]: 8 8 6 8 8
* [[Well temperament|Well-tempered]] 19-in-38: 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 1 2 2 2


== Instruments ==
== Instruments ==
Line 419: Line 523:
; [[Bryan Deister]]
; [[Bryan Deister]]
* [https://www.youtube.com/shorts/rewy-32BfRs ''Spirit of the Night - Secret of Mana (microtonal cover in 38edo)''] (2025)
* [https://www.youtube.com/shorts/rewy-32BfRs ''Spirit of the Night - Secret of Mana (microtonal cover in 38edo)''] (2025)
* [https://www.youtube.com/shorts/QcFEW45uxHY ''38edo improv''] (2025)
* ''waltz in 38edo'' (2026)
** [https://www.youtube.com/shorts/Gdx4hk7FKU0 <nowiki>[short]</nowiki>] (demonstrates Lumatone mapping)
** [https://www.youtube.com/watch?v=amukQrZuseY <nowiki>[full version]</nowiki>]


; [[Claudi Meneghin]]
; [[Claudi Meneghin]]
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[[Category:Listen]]
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[[Category:Todo:add rank 2 temperaments table]]