26edt: Difference between revisions
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{{Infobox ET}} | {{Infobox ET}} | ||
{{ED intro}} | |||
A reason to double 13edt to 26edt is to approximate the 8th, 13th, 17th, 20th, and 22nd | == Theory == | ||
26edt corresponds to 16.404…[[edo]]. It is [[contorted]] in the 7-limit, tempering out the same commas, [[245/243]] and [[3125/3087]], as [[13edt]]. In the 11-limit it tempers out 125/121 and 3087/3025, in the 13-limit 175/169, 147/143, and 847/845, and in the 17-limit 119/117. It is the seventh [[The Riemann zeta function and tuning#Removing primes|zeta peak tritave division]]. | |||
A reason to double 13edt to 26edt is to approximate the [[8/1|8th]], [[13/1|13th]], [[17/1|17th]], [[20/1|20th]], and [[22/1|22nd]] [[harmonic]]s particularly well{{dubious}}. Moreover, it has an exaggerated [[5L 2s (3/1-equivalent)|triatonic]] scale with 11:16:21 supermajor triads, though only the 16:11 is particularly just due to its best 16 still being 28.04 cents sharp, or just about as bad as the 25 of 12edo (which is 27.373 cents sharp, an essentially just 100:63). | |||
While retaining 13edt's mapping of primes 3, 5, and 7, 26edt adds an accurate prime 17 to the mix, tempering out [[2025/2023]] to split the [[BPS]] generator of [[9/7]] into two intervals of [[17/15]]. This 17/15 generates [[Dubhe]] temperament and mos scales of {{mos scalesig|8L 1s<3/1>|link=1}} and {{mos scalesig|9L 8s<3/1>|link=1}} that can be used as a simple traversal of 26edt. Among the 3.5.7.17-[[subgroup]] intervals, the accuracy of [[21/17]] should be highlighted, forming a 21-strong [[consistent circle]] that traverses the edt. | |||
26 also supports the temperaments: [[mizar]] (generators ~1097.8c, ~49.7c) and [[bohlenic]] (1\13edt, ~11/1). | |||
Additionally, while still far from perfect, 26edt does slightly improve upon 13edt's approximation of harmonics 11 and 13, which turns out to be sufficient to allow 26edt to be [[consistent]] to the no-twos [[21-odd-limit]], and is in fact the first edt to achieve this. | |||
=== Harmonics === | |||
{{Harmonics in equal|26|3|1}} | |||
{{Harmonics in equal|26|3|1|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 26edt (continued)}} | |||
== Intervals == | == Intervals == | ||
{| class="wikitable center-all right-2 right-3" | |||
{| class="wikitable center- | |||
|- | |- | ||
! Steps | ! Steps | ||
! [[Cent]]s | ! [[Cent]]s | ||
! [[Hekt]]s | ! [[Hekt]]s | ||
! | ! [[4L 5s (3/1-equivalent)|Enneatonic]] degree | ||
! Corresponding<br>3.5.7.17 subgroup intervals | |||
! Corresponding | ! Dubhe<br>(LLLLLLLLs,<br />J = 1/1) | ||
! | ! [[Lambda ups and downs notation|Lambda]]<br>(sLsLsLsLs,<br />E = 1/1) | ||
! | |- | ||
| 0 | |||
| 0 | |||
| 0 | |||
| P1 | |||
| 1/1 | |||
| J | |||
| E | |||
|- | |- | ||
| 1 | | 1 | ||
| Line 21: | Line 40: | ||
| 50 | | 50 | ||
| Sa1/sd2 | | Sa1/sd2 | ||
| | | [[51/49]] (+3.9¢); [[85/81]] (−10.3¢) | ||
| J# | |||
| | | ^E, vF | ||
| | |||
|- | |- | ||
| 2 | | 2 | ||
| Line 30: | Line 48: | ||
| 100 | | 100 | ||
| A1/m2 | | A1/m2 | ||
| | | [[49/45]] (−1.1¢); [[27/25]] (+13.1¢) | ||
| Kb | |||
| | | F | ||
| | |||
|- | |- | ||
| 3 | | 3 | ||
| Line 39: | Line 56: | ||
| 150 | | 150 | ||
| N2 | | N2 | ||
| | | [[135/119]] (+1.1¢); [[17/15]] (+2.8¢) | ||
| K | |||
| | | ^F, vF#, vGb | ||
| | |||
|- | |- | ||
| 4 | | 4 | ||
| Line 48: | Line 64: | ||
| 200 | | 200 | ||
| M2/d3 | | M2/d3 | ||
| | | [[25/21]] (−9.2¢) | ||
| K# | |||
| | | F#, Gb | ||
| | |||
|- | |- | ||
| 5 | | 5 | ||
| Line 57: | Line 72: | ||
| 250 | | 250 | ||
| Sa2/sd3 | | Sa2/sd3 | ||
| | | [[21/17]] (−0.06¢) | ||
| | | Lb | ||
| vG, ^F#, ^Gb | |||
| | |||
|- | |- | ||
| 6 | | 6 | ||
| Line 66: | Line 80: | ||
| 300 | | 300 | ||
| A2/P3/d4 | | A2/P3/d4 | ||
| | | [[9/7]] (+3.8¢) | ||
| L | |||
| | | G | ||
| | |||
|- | |- | ||
| 7 | | 7 | ||
| Line 75: | Line 88: | ||
| 350 | | 350 | ||
| Sa3/sd4 | | Sa3/sd4 | ||
| | | [[85/63]] (−6.5¢) | ||
| L# | |||
| | | ^G, vH | ||
| | |||
|- | |- | ||
| 8 | | 8 | ||
| Line 84: | Line 96: | ||
| 400 | | 400 | ||
| A3/m4/d5 | | A3/m4/d5 | ||
| | | [[7/5]] (+2.7¢) | ||
| Mb | |||
| | | H | ||
| | |||
|- | |- | ||
| 9 | | 9 | ||
| Line 93: | Line 104: | ||
| 450 | | 450 | ||
| N4/sd5 | | N4/sd5 | ||
| | | [[51/35]] (+6.6¢); [[119/81]] (−7.6¢); [[25/17]] (−9.3¢) | ||
| M | |||
| | | ^H, vH#, vJb | ||
| | |||
|- | |- | ||
| 10 | | 10 | ||
| Line 102: | Line 112: | ||
| 500 | | 500 | ||
| M4/m5 | | M4/m5 | ||
| | | [[75/49]] (−5.4¢) | ||
| M# | |||
| | | H#, Jb | ||
| | |||
|- | |- | ||
| 11 | | 11 | ||
| Line 111: | Line 120: | ||
| 550 | | 550 | ||
| Sa4/N5 | | Sa4/N5 | ||
| | | [[119/75]] (+5.5¢); [[27/17]] (+3.8¢) | ||
| Nb | |||
| | | vJ, ^H#, ^Jb | ||
| | |||
|- | |- | ||
| 12 | | 12 | ||
| 877.8 | | 877.8 | ||
| 600 | | 600 | ||
| A4/M5 | | A4/M5 | ||
| [[5/3]] (−6.5¢) | |||
| 5/3 | | N | ||
| | | J | ||
| | |||
|- | |- | ||
| 13 | | 13 | ||
| Line 129: | Line 136: | ||
| 650 | | 650 | ||
| Sa5/sd6 | | Sa5/sd6 | ||
| | | [[85/49]] (−2.6¢), [[147/85]] (+2.6¢) | ||
| N# | |||
| | | ^J, vA | ||
| | |||
|- | |- | ||
| 14 | | 14 | ||
| Line 138: | Line 144: | ||
| 700 | | 700 | ||
| A5/m6/d7 | | A5/m6/d7 | ||
| | | [[9/5]] (+6.5¢) | ||
| Ob | |||
| | | A | ||
| | |||
|- | |- | ||
| 15 | | 15 | ||
| Line 147: | Line 152: | ||
| 750 | | 750 | ||
| N6/sd7 | | N6/sd7 | ||
| | | [[225/119]] (−5.5¢); [[17/9]] (−3.8¢) | ||
| O | |||
| | | ^A, vA#, vBb | ||
| | |||
|- | |- | ||
| 16 | | 16 | ||
| Line 156: | Line 160: | ||
| 800 | | 800 | ||
| M6/m7 | | M6/m7 | ||
| | | [[49/25]] (+5.4¢) | ||
| O# | |||
| | | A#, Bb | ||
| | |||
|- | |- | ||
| 17 | | 17 | ||
| Line 165: | Line 168: | ||
| 850 | | 850 | ||
| Sa6/N7 | | Sa6/N7 | ||
| | | [[35/17]] (−6.6¢); [[243/119]] (+7.6¢); [[51/25]] (+9.3¢) | ||
| Pb | |||
| | | vB, ^A#, ^Bb | ||
| | |||
|- | |- | ||
| 18 | | 18 | ||
| Line 174: | Line 176: | ||
| 900 | | 900 | ||
| A6/M7/d8 | | A6/M7/d8 | ||
| | | [[15/7]] (−2.7¢) | ||
| P | |||
| | | B | ||
| | |||
|- | |- | ||
| 19 | | 19 | ||
| Line 183: | Line 184: | ||
| 950 | | 950 | ||
| Sa7/sd8 | | Sa7/sd8 | ||
| | | [[189/85]] (+6.5¢) | ||
| P# | |||
| | | ^B, vC | ||
| | |||
|- | |- | ||
| 20 | | 20 | ||
| 1463.0 | | 1463.0 | ||
| 1000 | | 1000 | ||
| | | P8/d9 | ||
| | | [[7/3]] (−3.8¢) | ||
| Qb | |||
| | | C | ||
| | |||
|- | |- | ||
| 21 | | 21 | ||
| Line 201: | Line 200: | ||
| 1050 | | 1050 | ||
| Sa8/sd9 | | Sa8/sd9 | ||
| | | [[17/7]] (+0.06¢) | ||
| | | Q | ||
| ^C, vC#, vDb | |||
| | |||
|- | |- | ||
| 22 | | 22 | ||
| Line 210: | Line 208: | ||
| 1100 | | 1100 | ||
| A8/m9 | | A8/m9 | ||
| | | [[63/25]] (+9.2¢) | ||
| Q# | |||
| | | C#, Db | ||
| | |||
|- | |- | ||
| 23 | | 23 | ||
| Line 219: | Line 216: | ||
| 1150 | | 1150 | ||
| N9 | | N9 | ||
| | | [[119/45]] (−1.1¢); [[45/17]] (−2.8¢) | ||
| Rb | |||
| | | vD, ^C#, ^Db | ||
| | |||
|- | |- | ||
| 24 | | 24 | ||
| Line 228: | Line 224: | ||
| 1200 | | 1200 | ||
| M9/d10 | | M9/d10 | ||
| | | [[135/49]] (+1.1¢); [[25/9]] (−13.1¢) | ||
| R | |||
| | | D | ||
| | |||
|- | |- | ||
| 25 | | 25 | ||
| Line 237: | Line 232: | ||
| 1250 | | 1250 | ||
| Sa9/sd10 | | Sa9/sd10 | ||
| | | [[49/17]] (−3.9¢); [[243/85]] (+10.3¢) | ||
| R#, Jb | |||
| | | ^D, vE | ||
| | |||
|- | |- | ||
| 26 | | 26 | ||
| Line 246: | Line 240: | ||
| 1300 | | 1300 | ||
| A9/P10 | | A9/P10 | ||
| | | [[3/1]] | ||
| J | |||
| | | E | ||
| | |||
|} | |} | ||
It is a weird coincidence how 26edt intones | === Connection to 26edo === | ||
It is a weird coincidence{{dubious}} how 26edt intones many [[26edo]] intervals within ±6.5{{c}} when it is supposed to have nothing to do with this other tuning: | |||
{| class="wikitable right-all" | {| class="wikitable right-all" | ||
| Line 262: | Line 256: | ||
| 365.761 | | 365.761 | ||
| 369.231 | | 369.231 | ||
| | | −3.470 | ||
|- | |- | ||
| 512.065 | | 512.065 | ||
| Line 274: | Line 268: | ||
| 1243.586 | | 1243.586 | ||
| 1246.154 | | 1246.154 | ||
| | | −2.168 | ||
|- | |- | ||
| 1389.890 | | 1389.890 | ||
| Line 286: | Line 280: | ||
| 2121.411 | | 2121.411 | ||
| 2123.077 | | 2123.077 | ||
| | | −1.666 | ||
|- | |- | ||
| 2633.476 | | 2633.476 | ||
| Line 295: | Line 289: | ||
== Music == | == Music == | ||
; [[Omega9]] | |||
*''The Eel And Loach To Attack In Lasciviousness Are Insane'' | * ''The Eel And Loach To Attack In Lasciviousness Are Insane'' – [https://www.youtube.com/watch?v=AhWJ2yJsODs video] | [https://web.archive.org/web/20201127012842/http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20The%20Eel%20And%20Loach%20To%20Attack%20In%20Lasciviousness%20Are%20Insane.mp3 play] | ||