8edo: Difference between revisions

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=== Approximation to JI ===
=== Approximation to JI ===
8edo forms an odd and even pitch set of two diminished seventh chords, which when used in combination yield dissonance. The system has been described as a "barbaric" harmonic system, containing no good approximation of harmonics 3, 5, 7, 11, 13, and 17; even so, it does a good job representing the [[just intonation subgroup]]s 2.11/3.13/5, with good intervals of [[13/10]] and an excellent version of [[11/6]]. Stacking the 450-cent interval can result in some semi-consonant chords such as 0-3-6 degrees, although these still are quite dissonant compared to standard root-3rd-P5 triads, which are unavailable in 8edo.
8edo forms an odd and even pitch set of two diminished seventh chords, which when used in combination yield dissonance. The system has been described as a "barbaric" harmonic system, containing no good approximation of harmonics 3, 5, 7, 11, 13, and 17; even so, it does a good job representing the [[just intonation subgroup]] 2.11/3.13/5, with good intervals of [[13/10]] and an excellent version of [[11/6]]. Stacking the 450-cent interval can result in some semi-consonant chords such as 0-3-6 degrees, although these still are quite dissonant compared to standard root-3rd-P5 triads, which are unavailable in 8edo.


Another way of looking at 8edo is to treat a chord of 0-1-2-3-4 degrees (0-150-300-450-600 cents) as approximating harmonics 10:11:12:13:14 (~0-165-316-454-583 cents), which is not too implausible if you can buy that 12edo is a 5-limit temperament. This interpretation would imply that 121/120, 144/143, 169/168, and hence also 36/35 and 66/65, are tempered out.
Another way of looking at 8edo is to treat a chord of 0-1-2-3-4 degrees (0-150-300-450-600 cents) as approximating harmonics 10:11:12:13:14 (~0-165-316-454-583 cents), which is not too implausible if you can buy that 12edo is a 5-limit temperament. This interpretation would imply that 121/120, 144/143, 169/168, and hence also 36/35 and 66/65, are tempered out. The corresponding subgroup is 2.5/3.7/3.11/3.13/3. However, some intervals in this chord, such as [[14/11]] and [[7/6]], are tuned quite inaccurately (over 30 cents off). Nonetheless, the 8-form serves as an underlying structure in many [[non-over-1 temperament]]s.


=== Relationship with the father comma ===
=== Relationship with the father comma ===
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=== Subsets and supersets ===
=== Subsets and supersets ===
8edo contains [[2edo]] and [[4edo]] as subsets. Among its supersets are [[16edo]], [[24edo]], [[32edo]], ….
8edo contains [[2edo]] and [[4edo]] as subsets. Among its supersets are [[16edo]], [[24edo]], [[32edo]], … notably including [[72edo]], which expands its 2.11/3.13/5.17/3.19 subgroup into a full 19-limit temperament.


== Intervals ==
== Intervals ==
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=== Temperaments ===
=== Temperaments ===
8edo is fairly composite, so the only step that generates a [[mos]] scale that covers every interval other than the 1 is the 3, producing scales of 332 and [[3L 2s|21212]]. In terms of temperaments, in the 5-limit this is best interpreted as [[father]], as 8edo is the highest edo that tempers out the diatonic semitone in it's [[patent val]], merging 5/4 and 4/3 into a single interval, which is also the generator. This means major and minor chords are rotations of each other, making them inaccurate but very simple, with even the 5 note mos having 3 of both and providing a functional skeleton of 5-limit harmony, albeit with some very strange enharmonic equivalences. In terms of 7-limit extensions things get even more inaccurate, as the patent val supports [[mother]], but the ideal tuning for that is much closer to [[5edo]]. The 8d val supports septimal father and [[pater]], and is much closer to the ideal tuning for both, as the extremely sharp 7 works better with the {{nowrap| 3 & 5 }}. In terms of multi-period temperaments, it makes for a near perfect [[walid]] or a much less accurate [[diminished (temperament)|diminished]] scale.
8edo is fairly composite, so the only step that generates a [[mos]] scale that covers every interval other than the 1 is the 3, producing scales of 332 and [[3L 2s|21212]]. In terms of temperaments, in the 5-limit this is best interpreted as [[father]], as 8edo is the highest edo that tempers out the diatonic semitone in it's [[patent val]], merging 5/4 and 4/3 into a single interval, which is also the generator. This means major and minor chords are rotations of each other, making them inaccurate but very simple, with even the 5 note mos having 3 of both and providing a functional skeleton of 5-limit harmony, albeit with some very strange enharmonic equivalences. In terms of 7-limit extensions things get even more inaccurate, as the patent val supports [[mother]], but the ideal tuning for that is much closer to [[5edo]]. The 8d val supports septimal father and [[pater]], and is much closer to the ideal tuning for both, as the extremely sharp 7 works better with the 3 and 5. In terms of multi-period temperaments, it makes for a near perfect [[walid]] or a much less accurate [[diminished (temperament)|diminished]] scale.


== Instruments ==
== Instruments ==
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; [[City of the Asleep]]
; [[City of the Asleep]]
* [http://ia600607.us.archive.org/3/items/Transcendissonance/10Malebolge-CityOfTheAsleep.mp3 "Malebolge"], from [https://cityoftheasleep.bandcamp.com/album/transcendissonance ''Transcendissonance''] (2011)
* [http://ia600607.us.archive.org/3/items/Transcendissonance/10Malebolge-CityOfTheAsleep.mp3 "Malebolge"], from [https://cityoftheasleep.bandcamp.com/album/transcendissonance ''Transcendissonance''] (2011)
; [[Bryan Deister]]
* [https://www.youtube.com/shorts/qk_kMCCXpss ''microtonal improvisation in 8edo''] (2024)


; [[Milan Guštar]]
; [[Milan Guštar]]