User:Lucius Chiaraviglio/Keyboard Layout Lab: Difference between revisions

(80 intermediate revisions by 2 users not shown)

Line 7:

=== 39edo (demonstrated to work) ===

[[Bryan Deister]] has used a [[Porcupine]]-inspired layout for [[39edo]], as demonstrated in [https://www.youtube.com/watch?v=XLRaG_pBN7k&lc=UgwfjZwncsryQjeNUg14AaABAg.AHVkw8aNSEGAHZU_J2qOPM ''39edo jam''] (2025). To take advantage of the fact that 39edo is at the intersection of [[Augmented]] and [[Immunity]], the rightward generator is 5\39, half of a [[6/5]] minor third as [[12/11]] ~ [[11/10]] (but much closer to 12/11). This enables a MODMOS derived from [[1L 6s]] by shrinking the large step from 9\39 to 8\39 and expanding one of the small steps from 5\39 to 6\39, to enable chords such as 12/11 (somewhat sharp, at 5\39) - 6/5 (slightly flat, at 10\39) - [[11/8]] (near-just, at 18\39) - [[3/2]] (mildly sharp, 23\39) - [[18/11]] (moderately sharp, at 28\39) - [[9/5]] (near-just, at 33\39). Playing this chord uses almost the same geometry of depressed keys as that for playing a diatonic scale in a diatonic mapping (but has a very different sound effect), save when proceeding to the next octave. The range is slightly over 6 octaves overall (which slant moderately downwards), but with the first and last octaves missing some notes due to clipping in the upper left and lower right corners of the layout.

[[Bryan Deister]] has used a [[Porcupine]]-inspired layout for [[39edo]], as demonstrated in [https://www.youtube.com/watch?v=XLRaG_pBN7k&lc=UgwfjZwncsryQjeNUg14AaABAg.AHVkw8aNSEGAHZU_J2qOPM ''39edo jam''] (2025). To take advantage of the fact that 39edo is at the intersection of [[Augmented]] and [[Immunity]], the rightward generator is 5\39, half of a [[6/5]] minor third as [[12/11]] ~ [[11/10]] (but much closer to 12/11). This enables a MODMOS derived from [[1L 6s]] by shrinking the large step from 9\39 to 8\39 and expanding one of the small steps from 5\39 to 6\39, to enable chords such as 12/11 (somewhat sharp, at 5\39) - 6/5 (slightly flat, at 10\39) - [[11/8]] (near-just, at 18\39) - [[3/2]] (mildly sharp, 23\39) - [[18/11]] (moderately sharp, at 28\39) - [[9/5]] (near-just, at 33\39). Playing this chord uses almost the same geometry of depressed keys as that for playing a diatonic scale in a diatonic mapping (but has a very different sound effect), save when proceeding to the next octave. The range is slightly over 6 octaves overall (which slant moderately downwards), but with the first and last octaves missing some notes due to clipping in the upper left and lower right corners of the layout. The range is just under four octaves (which slant upwards mildly), with no missed notes and one repeated note in each octave.

Line 14:

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:30, 2 May 2025 (UTC)

== ~~Miracle + Ripple~~ (~~off-beat~~) Lumatone mappings ==

== Augmented (Triforce) + Bohpier Lumatone mappings ==

=== ~~83edo~~ (demonstrated to work) ===

=== 33edo (demonstrated to work) ===

[[Bryan Deister]] has ~~used~~ the [[~~10L~~ 1s]] ~~layout for~~ [[~~83edo~~]], ~~as demonstrated in~~ [~~https~~:~~//www.youtube.com/shorts/vYhK-A74Kpg ''microtonal improvisation in 83edo''] (2025~~). The ~~octaves slant downwards~~ (~~with a wraparound in the first full octave~~) ~~while moving to higher pitches, and the contiguous range~~ (~~with all notes represented at least once, not counting non-contiguous notes in the upper left and lower right corners~~) is ~~slightly over three octaves (although due~~ to ~~the Lumatone only being set up for a single MIDI channel in this video~~, ~~the video only demonstrates approximately one and~~ a ~~half octaves). The generator is the semi~~-~~flat version of~~ [[27/25]], ~~as in~~ [[~~ripple~~]] ~~temperament~~, ~~although it~~ is ~~necessary to constitute it~~ as (~~3♭×3♯×3♭~~)~~/25~~ (~~using both the flat and sharp fifths in alternation~~) ~~in order to map it correctly~~. ~~Alternatively, since 83edo is at the intersection~~ of ~~ripple and~~ [[~~miracle~~]] ~~temperaments~~, ~~the generator can be constituted as a flat~~ [[~~secor~~]] ([[16/15]] ~ [[15/14]]), ~~using~~ the ~~83b~~ val ~~&mdash~~; ~~not~~ in ~~the optimal tuning spectrum of miracle~~, ~~but only needing to use~~ the ~~flat fifth~~.

[[Bryan Deister]] has demonstrated two mappings for [[33edo]] that function for the temperaments [[Augmented]] ([[Augmented family#Triforce|Triforce]], 33d val, [[3L 3s]] scale with 7:4 step ratio) and [[Bohpier]] (33cd val, [[8L 1s]] scale with 4:1 step ratio). The down-right (forward chroma version) or rightward (reverse chroma version) generator is a somewhat flat Alpharabian tendoneutral second ~[[12/11]] which can be stacked to get several consonant intervals; however, some of them map inconsistently. Two of these generators make a near-just neogothic minor third ~[[13/11]], mapped consistently. Three of these generators make a near-just septimal major third ~[[9/7]] by sound, but the mapping only works if 9/7 is constituted as (3♭ × 3♯) ÷ 7 or as 9 ÷ 7♭ (33d val). Four of these generators make a near-just lesser septimal tritone ~[[7/5]], mapped consistently ([[patent val]] or 33cd val). Six of these generators make a flat classic major sixth ~[[5/3]] by sound, but the mapping only works if 5/3 is constituted as 5♭ ÷ 3 (33c val). Seven of these generators make a near-just classic minor seventh ~[[9/5]] by sound, but the mapping only works if 9/5 is constituted as (3♭ × 3♯) ÷ 5 or as 9 ÷ 5♭ (33c val). The range is a bit over six octaves in the forward chroma version or five octaves in the reverse chroma version; in both cases, the octaves slope moderately downwards resulting in a vertical wraparound.

~~{{Lumatone EDO mapping|n=83|start=59|xstep=8|ystep=-1}}~~

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:21, 21 ~~March~~ 2025 (UTC)

==== Forward chroma ====

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:43, 29 ~~March~~ 2025 (UTC)

Demonstrated in [https://www.youtube.com/shorts/mkaaAJEyGFU ''33edo riff''] (2025).

==== Reverse chroma ====

Demonstrated in [https://www.youtube.com/watch?v=GypR6x_Ih1I ''33edo jam''] (2025).

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:09, 2 August 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 09:24, 6 August 2025 (UTC)

== Bidia + Diminished + Charismic + Semitonismic Lumatone mappings ==

=== 56edo (demonstrated to work) ===

[[Bryan Deister]] has demonstrated a [[4L 4s]] (9:5 step ratio) mapping for [[56edo]], in [https://www.youtube.com/watch?v=xkfao6yGKGE ''Curious Light - DOORS (microtonal cover in 56edo)''] (2025). Right + down-right divides the octave into slices of 14\56; as an interval in its own right, this is the same as the minor third of [[12edo]], which functions as ~[[19/16]] and ~[[25/21]] (both being near-just). Down-right alone is 5\56, which is the [[Normal forms#Minimal_form|minimal form]] generator for [[Bidia]]; it functions as the classic diatonic semitone ~[[16/15]], the large septendecimal semitone ~[[17/16]], and the small septendecimal semitone ~[[18/17]], meaning that the charisma [[256/255]] and the semitonisma [[289/288]] are both tempered out; two of them make a rather sharp whole tone ~[[9/8]]; three of them (passing the quarter-octave) make a mildly sharp classic minor third ~[[6/5]], although the afore-mentioned quarter-octave (12edo-style) minor third is easier to reach; in contrast, the near-just classic major third ~[[5/4]] is very easy to reach with just two moves rightwards, and a down-right move from this reaches the moderately flat fourth ~[[4/3]]; two more down-right moves reaches the rather sharp fifth ~[[3/2]]. The efficiency is almost as good as that of the diatonic mapping, with no missed notes and one repeated note per octave; the overall range is somewhat under five octaves, with no notes chopped off by the left and right edges before reaching the end of overall range. The cost of this is that octaves slant downwards.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:38, 21 August 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 10:00, 21 August 2025 (UTC)

== Biyatismic Lumatone mappings ==

=== 68edo (demonstrated to work) ===

[[Bryan Deister]] has used a [[Biyatismic clan#Zeus|Biyatismic (Zeus)]] layout with a [[7L 1s]] scale (9:5 step ratio) for [[68edo]], as demonstrated in [https://www.youtube.com/shorts/CO1AslAu9E0 ''microtonal improvisation in 68edo''] (2025). The rightward generator 9\68 is a combination of the Alpharabian tendoneutral second ~[[12/11]] and the undecimal submajor second ~[[11/10]], and two of these make a near-just classic minor third ~[[6/5]], with the biyatisma ([[121/120]]) being tempered out. The chroma of the scale (4\68, upwards on this layout) is the near-just diptolemaic chromatic semitone ~[[25/24]], and is convenient to use as a second generator (even though such is not required to avoid [[contorsion]]) to access other consonant intervals quickly, although sometimes with strange preferences built in — for instance, the septimal whole tone ~[[8/7]] is much easier to reach (at 13\68) than the Pythagorean whole tone ~[[9/8]] (which requires a substantial vertical reach at 12\68), while the septimal minor third ~[[7/6]] (at 15\18) is a much longer vertical reach than the classic minor third ~6/5 (at 18\68), and the septimal major third ~[[9/7]] is a much longer vertical reach (at 25\68) than the classic major third ~[[5/4]] (at 22\68). Fortunately the fourth (~[[4/3]], at 28\68), the Axirabian paramajor fourth (~[[11/8]], at 31\68), the Axirabian paraminor fifth (~[[16/11]], at 37\68) and fifth (~[[3/2]], at 40\68) are all easy to reach as long as they do not go through a vertical wraparound (as happens to the fourth in the bass octave). The range is four octaves plus two notes, and octaves slope upwards — not severely, but a vertical wraparound is unavoidable if note 0 is placed to get complete octaves as defined to reach from note 0 to note 0.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:33, 30 July 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 12:18, 4 August 2025 (UTC)

== Blackwood + Diminished Lumatone mappings ==

=== 20edo (demonstrated to work) ===

[[Bryan Deister]] has used a [[Diminished]] [[4L 4s]] (4:1 step ratio) mapping for [[20edo]] that also functions as a [[Blackwood]] mapping, as demonstrated in [https://www.youtube.com/shorts/bqYA9flwL_g ''20edo prelude''] (2025). In this mapping, the octave can be interpreted as being divided into five parts (Blackwood temperament) or 4\20 or four parts of 5\20 (Diminished temperament). Octaves slope, as expected for a Blackwood mapping, but with plenty of repeated vertical notes, and the range is a bit over 5½ octaves.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:34, 11 August 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 23:18, 11 August 2025 (UTC)

== Compressed Skwares (Fibotonic) Lumatone mappings ==

=== 20edo (demonstrated to work) ===

[[Bryan Deister]] has used a compressed [[Skwares]]) [[2L 1s]] (7:6 step ratio) mapping for [[20edo]], as demonstrated in [https://www.youtube.com/watch?v=BFUTeFs7Ycg ''20edo groove''] (2025). In the version of Skwares used for this, instead of substantially sharpening the undecimal major third ~[[14/11]] (or even a septimal major third ~[[9/7]]) to get a diatonic fourth ~[[4/3]] (by stacking and octave-reducing four generators), the undecimal major third (7\20) is near-just, and the fourth is very flat at 480{{c}} (corresponding to the Blackwood sharp fifth at 720{{c}}). Octaves are nearly level (sloping down very gradually), and the range is a bit over 11 octaves, which suggests dividing the keyboard into zones for different instruments.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 23:13, 11 August 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:00, 13 August 2025 (UTC)

== Cantonismic Lumatone mappings ==

=== 64edo (demonstrated to work) ===

[[Bryan Deister]] has demonstrated a [[Cantonismic]] (flipped and rotated diatonic) mapping of [[64edo]] in [https://www.youtube.com/shorts/ag1FbgAuR6I ''microtonal improvisation in 64edo''] (2025). In this mapping, the rightward generator 7\64 is mapped as a slightly sharp tridecimal supraminor second ~[[14/13]], and the [[cantonisma]] (10985/10976) is tempered out, so that three of them make a fairly sharp classic major third ~[[5/4]], and eight of them make a near-just undecimal neutral seventh ~[[11/6]]; note that apart from ~5/4, these ratios depending upon partial cancellation of errors in the harmonics as represented by 64edo. The rightward generator is actually the short step of the easiest scale to play on this layout (provided that the scale is positioned not to go through a vertical wraparound), with the down-right step being 10\64, which corresponds to the [[Patent val|patent]] (not [[direct approximation]]) whole tone ~[[9/8]], thus enabling a rotated diatonic scale. Octaves alternate between far and near superimposed on an overall slant away over the range of three whole octaves (having no missing notes) plus a fourth octave that has some notes chopped off by the right edge, and some fragmented note sequences in the upper left and lower right corners. A side effect of the alternation of octaves is that accessing the fourth and fifth can be easy or hard depending upon not only the root note, but also the octave — for instance, in the middle and mid-right octaves, 27\64 and 37\64 are both easily reached from 0\64, but in the second full octaves, they same interval requires a long finger stretch if the root note is greater than 0, and the rotated diatonic scale goes through a vertical wraparound (and moving note 0 would simply cause other root notes to have the same problem in some of the octaves).

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:51, 26 July 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 10:52, 28 July 2025 (UTC)

== Diaschismic + Charismic + Semitonismic Lumatone mappings ==

=== 58edo (demonstrated to work) ===

[[Bryan Deister]] has demonstrated a [[2L 6s]] (14:5 step ratio) mapping for [[58edo]] in [https://www.youtube.com/shorts/7gkRyld5OU8 ''Waltz in 58edo''] (2025). The rightward generator 5\58 functions as the classic diatonic semitone ~[[16/15]], the large septendecimal semitone ~[[17/16]], and the small septendecimal semitone ~[[18/17]], meaning that the charisma [[256/255]] and the semitonisma [[289/288]] are both tempered out. The rightward generator is also the [[normal forms|minimal form]] of the [[Diaschismic]] generator, and indeed the [[diaschisma]] 2048/2045 is also tempered out. This generator makes a slew of intervals of reasonable prime limit that are not far from just: two of them make a near-just whole tone ~[[9/8]]; three of them make a mildly flat classic minor third ~[[6/5]]; four of them make a mildly flat undecimal major third ~[[14/11]]; five of them make a near-just classic acute fourth ~[[27/20]]; six of them pass the [[semioctave]] to make a slightly flat greater septimal tritone ~[[10/7]]; seven of them make a slightly flat septimal superfifth ~[[32/21]]; eight of them make a slightly flat tridecimal supraminor sixth ~[[21/13]]; nine of them make a near-just septimal major sixth ~[[12/7]]; and ten of them make an extremely accurate undecimal supraminor seventh ~[[20/11]]. Other common intervals such as the moderately sharp (although high in relative error) classic major third ~[[5/4]], the near-just perfect fourth ~[[4/3]], and the near-just perfect fifth ~[[3/2]] are in very easy reach of the chain of rightward generators, and not very distant from the root note. This may be sufficient compensation for the reverse chroma and the range of only three full octaves (which slope only slightly upward), with large partial octaves being chopped off by the upper left and lower right corners.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 23:11, 17 August 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:40, 21 August 2025 (UTC)

== Compton-related rank 3 temperament Lumatone mappings ==

Due to this page getting too large, moved these to [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Various rank-3 temperament Lumatone mappings|Various rank-3 temperament Lumatone mappings]].

Contents of this section moved to separate page: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:57, 21 June 2025 (UTC)

== Devichromic Lumatone mappings ==

This has proliferated, and thus has been moved to its own [[User:Lucius Chiaraviglio/Keyboard Layout Lab/Devichromic Lumatone mappings|Devichromic Lumatone mappings]] page.

Contents of this section moved to separate page: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:50, 31 May 2025 (UTC)

== Diaschismic Lumatone mappings ==

=== 70edo (demonstrated to work) ===

The [[6L 4s]] mapping is meant to get as many notes as possible onto the space available on existing Lumatones, rather than attempting to fit any particular temperament, although it is a type of mapping supported by Diaschismic. This mapping gets three full octaves and the better part of another octave, with no missed notes and a moderate slope. [[Bryan Deister]] has demonstrated this mapping in [https://www.youtube.com/shorts/I42JQ98WPZI ''microtonal improvisation in 70edo''] (2025).

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 10:55, 22 May 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:00, 24 May 2025 (UTC)

=== 90edo (demonstrated to work) ===

[[Bryan Deister]] has demonstrated the [[Diaschismic]]-[[256/255|Charismic]] [[10L 2s]] mapping for [[90edo]] (with 8:5 step ratio), in [https://www.youtube.com/shorts/0j33e4F-4jY ''microtonal improvisation in 90edo''] (20025). The rightward generator 8\90 is a semitone that functions as both ~[[16/15]] and ~[[17/16]] (the charisma [[256/255]] is tempered out). Splitting the octave in half (the [[diaschisma]] 2048/2025 is tempered out) enables this generator to produce the mapping without [[contorsion]]. The range is about 2⅔ octaves with no missed notes, with a mild upward slope.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 22:10, 26 July 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 11:25, 28 July 2025 (UTC)

== Diatonicized Chromaticism + Kleischismic + Cassandra (Garibaldi) Lumatone mappings ==

=== 94edo (demonstrated to work) ===

[[Bryan Deister]] has demonstrated the [[11L 2s]] mapping of [[94edo]] in [https://www.youtube.com/shorts/Zx4xbJhXmgc ''microtonal improvisation in 94edo''] (2025). In the application of this temperament to this mapping, the rightward step corresponds to a stack of two quite accurate ~[[16/11]] generators (51\94, and the [[octave complement]] is ~[[11/8]], at 43\94) after octave-reduction, making this a mapping closely related to the Diatonicized Chromaticism used extensively by [[Ivan Wyschnegradsky]] in his [[24edo]] compositions. The rightward step can also be made by going down by the octave-complemented generator (39\94, ~11/8) and [[semioctave]]-reducing. This makes it a mapping for 11-limit (or higher) [[Schismatic_family#Kleischismic|Kleischismic]] (substituting the normal generator ~[[35/24]] with the simpler ~11/8, which 94edo represents more accurately), although this yields an extremely soft [[10L 2s]] scale (step ratio 8:7, currently off the right edge of the scale tree) instead of 11L 2s. Similarly, if one uses the highly accurate ~[[4/3]] (39\94, octave complement ~[[3/2]] as 55\94) and stacks two of these, the result is a rightward double step, making this mapping also work for [[Garibaldi]] and its 11-limit (or higher) extension [[Schismatic_family#Cassandra|Cassandra]] (although with some vertical wraparound challenges as noted following). A diatonic scale, or better yet a Ptolemy's intense diatonic (Zarlino) scale appears possible to do using both hands, although the octave slope causes the wraparound point to change with octave. The range is a bit under three octaves, and the octaves slope up, which puts the third note 0 at the far edge (although it does repeat at the near edge). A possibility for addressing this (not shown here) is to set note 0 is set to a point on the left edge half way between its current location and the lower left corner (to get note 0 two octaves higher to be 3/4 of the way up); this results in a skipped note 1 in the lowest note 0 to note 0 octave, but if one is willing to assign one key to a non-isomorphic position, the note 92 in the lower left corner (from the octave below the lowest note 0) could be reassigned to the missing note 1.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:39, 28 May 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:56, 30 May 2025 (UTC)

Moved here from [[User:Lucius Chiaraviglio/Keyboard Layout Lab/Various other Lumatone mappings|Various other Lumatone mappings]] page: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:15, 31 May 2025 (UTC)

== Diatonicized Chromaticism via Rotated Antidiatonic ==

=== 37edo (demonstrated to work) ===

[[Bryan Deister]] has demonstrated a rotated antidiatonic ([[2L 5s]]) mapping in [https://www.youtube.com/shorts/e7dLJTsS3PQ ''37edo''] (2025), using the Mavila (sub-)fifth (21\37) as a generator. This yields a range of over five octaves, although the note 0 positions alternate between middle and near/far. (In the demonstration video, active keys on the Lumatone are cut back at both the left and right edges to yield exactly five octaves.) With this mapping, notes of the [[11L 2s]] scale line up in pairs of row segments (of 6\37 offset from each other by the large MOSstep 3\37, and cut by the small MOSstep 2\37), which may make this mapping attractive for users wishing to play [[Ivan Wyschnegradsky]]'s Diatonicized Chromatic scale in a tuning system different from [[24edo]], while still retaining respectable (though not full piano) range.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:22, 9 July 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 18:30, 9 July 2025 (UTC)

== Godzilla-related rank-3 Lumatone mappings ==

=== 62edo (demonstrated to work) ===

[[Bryan Deister]] has demonstrated a [[Godzilla]] Lumatone mapping for [[62edo]] in [https://www.youtube.com/shorts/UerD0NqBbng ''microtonal improvisation in 62edo''] (2025), with scale [[5L 4s]] with 10:3 step ratio, which also has easy provision for dividing the near-just septimal minor seventh ~[[7/4]] (50\62) into five equal parts each functioning as a meantone whole tone (~[[9/8]], ~[[10/9]], and ~[[19/17]]) (10\62 is right by one key), which is naturally useful in its own right for mixing the common practice sound in with the xenharmonic sounds. A logical implication of splitting the ~7/4 into five meantone whole tones is that the near-just classic major third ~[[5/4]] is very easily accessible as two of these divided generators, and the only slightly flat lesser septimal tritone ~[[7/5]] is easily accessible as three of them. As convenient as this rightward generator is, it would produce a contorted mapping if not for a second generator; the upwards generator 7\62 is convenient for this as a a tridecimal neutral second that functions as both ~[[12/13]] and ~[[13/14]] (the buzurgisma/dhanvantarisma [[169/168]] is tempered out); backing off from ~7/4 by two of these generators gives the fifth (the flat ~[[3/2]] shared with [[31edo]]), while backing off from ~7/5 by two of these generators gives a moderately flat classic minor third ~[[6/5]]. Octaves slant down moderately, and the range is just under 4⅓ octaves with no missed notes and no repeated notes.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:00, 22 July 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:18, 24 July 2025 (UTC)

== Magic (Divination/Soothsaying) related Lumatone mappings ==

=== 82edo (demonstrated to work) ===

[[Bryan Deister]] has demonstrated a [[8L 6s]] mapping of [[82edo]]. Being even 82edo supports a [[semioctave]] period, with the diagassormisma ([[3042/3025]]) being tempered out in the [[patent val]] or the kalisma ([[9801/9800]]) being tempered out in the 82e val; this enables it to use the (somewhat sharp) septimal major third ~[[9/7]] (as 30\82) as a generator (which would be [[contorted]] down to [[41edo]] with a whole octave period), in a temperament like [[Magic family#Soothsaying|Soothsaying]] or [[Magic family#Divination|Divination]], but using the septimal major third as a generator instead of the classic major third ~[[5/4]]. (Since 82edo also supports actual Soothsaying in its patent val and actual Divination in its 82e val, it is also possible to use generator 26\82, the somewhat flat ~[[5/4]], although the resulting [[6L 4s]] scale is a bit more tricky to play using this layout.) The range is about 2¾ octaves with no missed notes, and the octaves slant down.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 11:45, 15 July 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:24, 16 July 2025 (UTC)

== Meantone Lumatone mappings ==

=== m-Chromatic Lumatone mappings ===

==== 81edo (demonstrated to work) ====

[[Bryan Deister]] has demonstrated the m-chromatic ([[7L 5s]] with 8:5 step ratio) mapping for [[81edo]] in [https://www.youtube.com/shorts/5O6Cyawjkd8 ''''microtonal improvisation in 81edo''] (2025). The rightward generator 8\81 functions as ~[[15/14]] and ~[[16/15]]; six of them make the alternate sharp fifth. The down-right generator 5\81 functions as ~[[23/22]] and ~[[24/23]]; two of them make an Alpharabian tendoneutral second (~[[12/11]]); four of them make the near-just octave-reduced 19th harmonic ~[[19/16]]; eleven of them make a near-just classic minor sixth ~[[8/5]]. The patent fifth 47\81 is four rightward generators plus three down-right generators. All that said, the patent fifth itself works perfectly well as a generator of the 7L 5s scale, as well as for the entire layout, as befits (rank-2) [[Meantone]], so that the use of dual generators is a matter of convience rather than a requirement. The range is just over three octaves, with no missed notes, and the octaves slant down moderately.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 13:24, 13 July 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:43, 15 July 2025 (UTC)

Moved here from [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Various rank-3 temperament Lumatone mappings|Various rank-3 temperament Lumatone mappings]]: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:49, 15 July 2025 (UTC)

=== Meantone-related rank-3 Lumatone mappings ===

Due to this page getting too large, moved these to [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Various rank-3 temperament Lumatone mappings|Various rank-3 temperament Lumatone mappings]].

Contents of this section moved to separate page: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:57, 21 June 2025 (UTC)

== Miracle and Miracle-related Lumatone mappings ==

These have proliferated due to the Lumatone wizardry of [[Bryan Deister]], and have gotten their own [[User:Lucius Chiaraviglio/Keyboard Layout Lab/Marvel and Miracle Lumatone mappings|Marvel and Miracle Lumatone mappings]] page.

Contents of this section moved to separate page: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:15, 31 May 2025 (UTC)

== Nessafof (Porwell) mappings ==

=== 54edo (domonstrated to work) ===

[[Bryan Deister]] has used the [[Porwell temperaments#Nessafof|Nessafof (Porwell)]] layout for [[54edo]], as demonstrated in [https://www.youtube.com/shorts/Bi5-YQUQHek ''microtonal improvisation in 54edo''] (2025). At 7\54, the generator is a near-just septimal neutral second (~[[35/32]]), of which 2 make a slightly flat minor third ~[[6/5]] (constituted in 54b), and 11 make a sharp ~[[8/3]] (which corresponds to the 54b flat fifth). The [[7L 1s]] scale (with a step ratio of 7:5) is expanded similar to the expanded [[Lumatone mapping for porcupine]] if represented as 7L 1s, but even more expanded. On the one hand, this makes octaves recede rapidly; but on the other hand, this also means that down and right gives a convenient ascending whole tone scale shared with [[12edo]], although this requires constituting the ~[[9/8]] whole steps as (3♭ × 3♯) / 8. The range is four full octaves.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:25, 8 May 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:35, 12 May 2025 (UTC)

== Orwell mappings ==

=== 53edo Doublethink (demonstrated to work) ===

''(This was copied from [[Lumatone mapping for 53edo]], for comparison with future [[Orwell]] mappings.)''

The [[8L 1s]] mapping has generator 6\53 ([[13/12]] ~ [[14/13]]), and two of them make a fairly accurate ~[[7/6]]; six of them make the very accurate ~[[8/5]]; and fourteen of them make the extremely accurate ~[[3/1]], making this an alternative [[Orwell]] mapping with the generator ~7/6 split in half, or in other words [[Semicomma family#Doublethink|Doublethink]]. [[Bryan Deister]] has demonstrated this mapping in [https://www.youtube.com/shorts/r-Tzq33OGM4 ''microtonal improvisation in 53edo''] (2025). The range is a bit over three and a half octaves (sloping upwards), but in the demonstration video it appears less due to use of only 1 MIDI channel, which cuts off notes at both the left and right margins. If enough MIDI channels are used to accommodate all keys on the Lumatone, no notes are missing until the better part of the way through the top partial (more than half) octave.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 20:12, 24 May 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:52, 25 May 2025 (UTC)

== Passion Lumatone mappings ==

Line 44:

Line 243:

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 23:02, 13 April 2025 (UTC)

== ~~Valentine~~ Lumatone mappings ==

== Ratwolfsmic + Sensi Lumatone mappings ==

=== 73edo (demonstrated to work) ===

[[Bryan Deister]] has demonstrated the [[8L 3s]] mapping of [[73edo]] in [https://www.youtube.com/shorts/meZYE1Yj2pY ''microtonal improvisation in 73edo''] (2025). The rightward generator is an acute minor second that functions as both ~[[14/13]] and ~[[27/25]] (the ratwoflsma ([[351/350]]) is tempered out), and two of them make a mildly flat ~[[7/6]] septimal minor third (the buzzurgisma/dhanvantarisma ([[169/168]]) and the ragisma ([[4375/4374]]) are tempered out), and three of them make a moderately sharp ~[[5/4]] major third (the [[cantonisma]] (10985/10976) and the [[sensipent comma]] (78732/78125) are tempered out). The range is slightly over three full octaves, which are nearly level and have no missing notes.

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 16:18, 9 June 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:21, 11 June 2025 (UTC)

~~Due to the dreaded "template include too large" error, these have been moved to their own [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Valentine~~ Lumatone mappings~~|Valentine Lumatone mappings]] page.~~

== Reversed-Chroma Compressed Tetracot Lumatone mappings ==

~~Contents of this section moved~~ to ~~separate page: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:39, 12 April 2025 (UTC~~)

=== 75edo (demonstrated to work) ===

== ~~Other Kit~~-~~Bashed~~ Lumatone ~~mappings ==~~

[[Bryan Deister]] has demonstrated a compressed [[1L 5s mapping of [[75edo]] in [https://www.youtube.com/watch?v=5-G2KkYfKLs&list=WL&index=343&pp=gAQBiAQB8AUB ''microtonal improvisation in 75edo''] (2025-06-22). This combines the temperament of [[Tetracot]] with the idea of the compressed [[Lumatone mapping for Porcupine]], by reversing the chroma. (This also contains the Tetracot [[6L 1s]] scale, but playing that scale in this layout requires backtracking.) This expands the overall range to more than five octaves, but too much so for anything so large as 75edo, thereby causing missed notes (although it demonstrates how such a mapping could shine for a smaller EDO or a hypothetical XL-sized Lumatone that has room for all of the notes).

=== ~~28edo (demonstrated to work) ==~~=

[[~~Bryan Deister~~]] ~~has used a layout for~~ [[~~28edo~~]] ~~that was inspired by the layout for [[29edo]] (rather than being made for any specific temperament~~), ~~as demonstrated in [https://www.youtube.com/shorts/--BIQKJ9uvI ''minuet in 28edo'']~~ (~~2025~~)~~. The right-moving generator is a somewhat sharp Pythagorean whole tone (~~~[[~~9/8~~]]~~, or near-just~~ [[~~17/15~~]], ~~5\28). The up-moving generator is an almost-just tridecimal supraminor second~~ (~~~[[14/13]], 3\28~~). The range is a bit over five octaves, with octaves alternating near/far and middle with an overall small upwards slant. Although this layout was not designed for any particular temperament, it so happens that the right-moving generator matches [[Machine]].

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:23, 29 June 2025 (UTC)

~~{{Lumatone EDO mapping|n=28|start=4|xstep=5|ystep=-3}}~~

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 00:16, 30 June 2025 (UTC)

~~Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:35, 26 March 2025 (UTC) ~~

== Superlimmal Lumatone mappings ==

~~Last Modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:39, 29 March 2025 (UTC)~~

=== ~~30edo~~ (~~demonstrated to work~~) ===

=== 80edo (proposed and untested) ===

[[~~Bryan Deister~~]] ~~has used a layout for~~ [[~~30edo~~]] ~~that was also inspired by the layout~~ for [[~~29edo~~]] (~~rather than being made for any specific temperament),~~ as ~~demonstrated in~~ [~~https:~~/~~/www.youtube.com/watch?v=NP3HGr3ZD70&lc=UgxFBmbxZa5dF4ZPj0F4AaABAg.AFzcn1LkVZNAG4JYIvXZvZ ''minuet in 30edo''~~] ~~(2025). The right-moving generator is a somewhat flat Pythagorean whole tone (~~~[[9/8]], ~~5\30;~~ and ~~in the video, the row segments that include note 0 are colored solid red). The up-moving generator is a somewhat flat tridecimal supraminor second (~~~[[14/13]]~~, 3\30~~)~~; neither would be able access the full gamut on its own, but together they cover the full gamut~~ with ~~a generous allotment of~~ repeated ~~notes (indicating that if this layout was to represent a particular temperament, that would have to be a rank-3 temperament if having an octave period, or a rank-2 temperament dividing the~~ octave ~~into multiple periods~~)~~. The range is a bit under five octaves~~, ~~with~~ octaves ~~slanting up (while wrapping~~ around~~) at~~ the ~~same angle as the right-moving generator~~.

Proposed and untested [[5L 7s]] [[Canousmic_temperaments#Superlimmal|Superlimmal]] mapping for [[80edo]]. This layout using the generator 9\80 (which functions as ~[[13/12]], ~[[14/13]], and ~[[27/25]]) has very efficient use of keys (with no missed notes and just one repeated note per octave), but octaves slope down severely and wrap around even within the span of less than 3½ octaves.

~~{{Lumatone EDO mapping|n=30|start=4|xstep=5|ystep=-3}}~~

~~Added: [[User:Lucius Chiaraviglio~~|~~Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio~~|~~talk]]) 07:59, 25 March 2025 (UTC) ~~

~~Last modified: [[User:Lucius Chiaraviglio~~|~~Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio~~|~~talk]]) 21:39, 29 March 2025 (UTC)~~

~~== Unnamed Temperaments ==~~

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:03, 11 July 2025 (UTC)

==~~= 51edo~~ (~~demonstrated to work~~) ===

== Tsaharuk (Schismatic) Lumatone mappings ==

[[Bryan Deister]] has used a flipped antidiatonic layout for [[51edo]] in which the generator is a mid major second at 8\51, which maps in between ~[[10/9]] and ~[[9/8]] and is distinct from both, A possible constitution of this interval in 51edo is the septendecimal major second ~[[512/459]] (~~~|9 -3 0 0 0 0 -1⟩), which maps correctly~~ to 8\51 and is very close by direct approximation. Two of these generators make a slightly flat ~[[5/4]] Ptolmeic major third, and nine of these generators make a slightly sharp ~[[8/3]] perfect eleventh. Octaves alternate between near and far, but the range is just one missing note #47 short of being 5 full octaves, which compares favorably with the standard Antidiatonic ([[Mavila]]/[[Undecimation]]) and [[Porky]] mappings, and is competitive with the [[Slendric]] mapping. (Another possibility would be to move the first note 0 up and left, which would instead put the missing note in the first octave.) The most straightforward scale within an octave is [[2L 5s]] with a step ratio of 8:7, but the octave zigzag could be used to support an [[11L 2s (4/1-equivalent)]] scale, again with a step ratio of 8:7. [https://x31eq.com/temper-pyscript/ Graham Breed's x31eq Temperament Finder] gives no name for this temperament; it is 19 & 51 in the 2.3.5.17 subgroup, but if this layout was actually adapted to [[19edo]], L and s steps would exchange size classes to make this a flipped Diatonic layout. This layout is demonstrated in [https://www.youtube.com/shorts/5pM8OC0fV98 ''51edo improv''] (2025), with some additional notes outside the 5 (almost) full octaves cut off in and near the upper left and lower right corners due to the use of only 2 MIDI channels.

=== 77edo (demonstrated to work) ===

~~{{Lumatone EDO~~ mapping|~~n=51|start=32|xstep=8|ystep=-1}}~~

[[Bryan Deister]] has demonstrated a [[7L 2s]] mapping for [[77edo]] in [https://www.youtube.com/shorts/wSZez2KgP2U ''microtonal improvisation in 77edo''] (2025). [[Tsaharuk]] is a member of the [[Schismatic family]] that splits the (highly accurate) fifth (~[[3/2]], as 45\77) into five parts (9\77), which function as lesser tridecimal neutral seconds ~[[13/12]]. Two of them (18\77) make a flat minor third ~[[20/17]]; three of them (27\77) make a sharp major third ~[[14/11]]; and four of them make a near-just tridecimal augmented fourth ~[[18/13]], which serves as the dark generator for the 7L 2s scale in the manner of Mavila, but since it is not mapped as a fourth, it can be stacked to get an actual near-just fourth or fifth (depending upon direction of stacking), needing ten to do so, as in [[Mabila family|Mabila]]. The overall range is approximately three and a half octaves (which slope upwards mildly), but each octave is missing a few notes.

~~Added: [[User:Lucius Chiaraviglio~~|~~Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio~~|~~talk]]) 07:21, 5 May 2025 (UTC) ~~

~~Last modified: [[User:Lucius Chiaraviglio~~|~~Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio~~|~~talk]]) 06:23, 6 May 2025 (UTC)~~

~~=== 52edo~~ (~~demonstrated to work~~) ~~===~~

Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:26, 28 June 2025 (UTC)

Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 09:04, 2 July 2025 (UTC)

[[Bryan Deister]] has used a layout for [[52edo]] in which the generator is 9\52, as ~[[9/8]] but mapped by direct approximation rather than as the version mapped by the patent val or by the 52b val, which means that it has to be constituted as (3♭ × 3♯) / 8 to make use of the dual-fifth feature of 52edo. Two of these map to a ~[[14/11]] major third, as in [[Pentacircle clan|Pentacircle]] but for the direct approximation mapping of ~9/8. The upward generator is ~[[16/15]]. Octaves slant down and then wrap around, but the compass is 5 full octaves, with no missed notes, which is competitive with the Diatonic and Neutral Thirds layouts. This layout is demonstrated in [https://www.youtube.com/shorts/lNJCZz7EjL0 ''microtonal improvisation in 52edo''] (2025); in the video, some notes are cut off at the right edge due to the use of only 2 MIDI channels.

== Valentine Lumatone mappings ==

{{Lumatone ~~EDO mapping~~|~~n=52|start=4|xstep=9|ystep=-5}}~~

Due to the dreaded "template include too large" error, these have been moved to their own [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Valentine Lumatone mappings|Valentine Lumatone mappings]] page.

~~Added~~: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 09:22, ~~5 May 2025 (UTC) ~~

Contents of this section moved to separate page: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:39, 12 April 2025 (UTC)

~~Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:03, 6 May~~ 2025 (UTC)

==~~= 97edo (demonstrated to work) =~~==

== Various other Lumatone mappings ==

~~[[Bryan Deister]] has used~~ the ~~[[16L 1s]] layout for [[97edo]]~~, ~~as demonstrated in [https://www.youtube.com/watch?v=hXDdKO3~~-~~RL4~~ ''~~microtonal improvisation in 97edo~~''~~] (2025). Although 97edo is at the intersection of [[Immunity]] and [[Orson]], this layout does not closely match either temperament, instead using a rightward generator 6\97 which is very close~~ to [[24/~~23]], and an upward generator 5\97 which is very close to [[29~~/28]]. The range is less than 2 octaves, and the octaves slant upwards, but all notes are represented at least once (although getting this within a full 0 to 0 octave requires shifting the 0 point 1 key right from Bryan Deister's usual placement in the lower left corner, to avoid cutting off some notes on the left end).

Due to the dreaded "template include too large" error, ''Other Kit-Bashed Lumatone mappings'' and ''Unnamed Temperaments'' have been moved to their own [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Various other Lumatone mappings|Various other Lumatone mappings]] page.

~~{{Lumatone EDO mapping|n=97|start=10|xstep=6|ystep=-5}}~~

~~Added~~: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 09:09, ~~16 April 2025 (UTC) ~~

Contents of 2 sections moved to separate page: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:01, 12 May 2025 (UTC)

~~Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:52, 18 April~~ 2025 (UTC)

@@ Line 7: / Line 7: @@
 === 39edo (demonstrated to work) ===
-[[Bryan Deister]] has used a [[Porcupine]]-inspired layout for [[39edo]], as demonstrated in [https://www.youtube.com/watch?v=XLRaG_pBN7k&lc=UgwfjZwncsryQjeNUg14AaABAg.AHVkw8aNSEGAHZU_J2qOPM ''39edo jam''] (2025). To take advantage of the fact that 39edo is at the intersection of [[Augmented]] and [[Immunity]], the rightward generator is 5\39, half of a [[6/5]] minor third as [[12/11]] ~ [[11/10]] (but much closer to 12/11).  This enables a MODMOS derived from [[1L&nbsp;6s]] by shrinking the large step from 9\39 to 8\39 and expanding one of the small steps from 5\39 to 6\39, to enable chords such as 12/11 (somewhat sharp, at 5\39) - 6/5 (slightly flat, at 10\39) - [[11/8]] (near-just, at 18\39) - [[3/2]] (mildly sharp, 23\39) - [[18/11]] (moderately sharp, at 28\39) - [[9/5]] (near-just, at 33\39). Playing this chord uses almost the same geometry of depressed keys as that for playing a diatonic scale in a diatonic mapping (but has a very different sound effect), save when proceeding to the next octave. The range is slightly over 6 octaves overall (which slant moderately downwards), but with the first and last octaves missing some notes due to clipping in the upper left and lower right corners of the layout.
+[[Bryan Deister]] has used a [[Porcupine]]-inspired layout for [[39edo]], as demonstrated in [https://www.youtube.com/watch?v=XLRaG_pBN7k&lc=UgwfjZwncsryQjeNUg14AaABAg.AHVkw8aNSEGAHZU_J2qOPM ''39edo jam''] (2025). To take advantage of the fact that 39edo is at the intersection of [[Augmented]] and [[Immunity]], the rightward generator is 5\39, half of a [[6/5]] minor third as [[12/11]] ~ [[11/10]] (but much closer to 12/11).  This enables a MODMOS derived from [[1L&nbsp;6s]] by shrinking the large step from 9\39 to 8\39 and expanding one of the small steps from 5\39 to 6\39, to enable chords such as 12/11 (somewhat sharp, at 5\39) - 6/5 (slightly flat, at 10\39) - [[11/8]] (near-just, at 18\39) - [[3/2]] (mildly sharp, 23\39) - [[18/11]] (moderately sharp, at 28\39) - [[9/5]] (near-just, at 33\39). Playing this chord uses almost the same geometry of depressed keys as that for playing a diatonic scale in a diatonic mapping (but has a very different sound effect), save when proceeding to the next octave. The range is slightly over 6 octaves overall (which slant moderately downwards), but with the first and last octaves missing some notes due to clipping in the upper left and lower right corners of the layout. The range is just under four octaves (which slant upwards mildly), with no missed notes and one repeated note in each octave.
 {{Lumatone EDO mapping|n=39|start=34|xstep=5|ystep=3}}
@@ Line 14: / Line 14: @@
 Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:30, 2 May 2025 (UTC)
-== Miracle + Ripple (off-beat) Lumatone mappings ==
+== Augmented (Triforce) + Bohpier Lumatone mappings ==
-=== 83edo (demonstrated to work) ===
+=== 33edo (demonstrated to work) ===
-[[Bryan Deister]] has used the [[10L&nbsp;1s]] layout for [[83edo]], as demonstrated in [https://www.youtube.com/shorts/vYhK-A74Kpg ''microtonal improvisation in 83edo''] (2025). The octaves slant downwards (with a wraparound in the first full octave) while moving to higher pitches, and the contiguous range (with all notes represented at least once, not counting non-contiguous notes in the upper left and lower right corners) is slightly over three octaves (although due to the Lumatone only being set up for a single MIDI channel in this video, the video only demonstrates approximately one and a half octaves). The generator is the semi-flat version of [[27/25]], as in [[ripple]] temperament, although it is necessary to constitute it as (3♭×3♯×3♭)/25 (using both the flat and sharp fifths in alternation) in order to map it correctly. Alternatively, since 83edo is at the intersection of ripple and [[miracle]] temperaments, the generator can be constituted as a flat [[secor]] ([[16/15]] ~ [[15/14]]), using the 83b val &mdash; not in the optimal tuning spectrum of miracle, but only needing to use the flat fifth.
+[[Bryan Deister]] has demonstrated two mappings for [[33edo]] that function for the temperaments [[Augmented]] ([[Augmented family#Triforce|Triforce]], 33d val, [[3L&nbsp;3s]] scale with 7:4 step ratio) and [[Bohpier]] (33cd val, [[8L&nbsp;1s]] scale with 4:1 step ratio). The down-right (forward chroma version) or rightward (reverse chroma version) generator is a somewhat flat Alpharabian tendoneutral second ~[[12/11]] which can be stacked to get several consonant intervals; however, some of them map inconsistently. Two of these generators make a near-just neogothic minor third ~[[13/11]], mapped consistently. Three of these generators make a near-just septimal major third ~[[9/7]] by sound, but the mapping only works if 9/7 is constituted as (3♭ × 3♯) ÷ 7 or as 9 ÷ 7♭ (33d val). Four of these generators make a near-just lesser septimal tritone ~[[7/5]], mapped consistently ([[patent val]] or 33cd val). Six of these generators make a flat classic major sixth ~[[5/3]] by sound, but the mapping only works if 5/3 is constituted as 5♭ ÷ 3 (33c val). Seven of these generators make a near-just classic minor seventh ~[[9/5]] by sound, but the mapping only works if 9/5 is constituted as (3♭ × 3♯) ÷ 5 or as 9 ÷ 5♭ (33c val). The range is a bit over six octaves in the forward chroma version or five octaves in the reverse chroma version; in both cases, the octaves slope moderately downwards resulting in a vertical wraparound.
-{{Lumatone EDO mapping|n=83|start=59|xstep=8|ystep=-1}}
-Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:21, 21 March 2025 (UTC)<br>
+==== Forward chroma ====
-Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:43, 29 March 2025 (UTC)
+Demonstrated in [https://www.youtube.com/shorts/mkaaAJEyGFU ''33edo riff''] (2025).
+{{Lumatone EDO mapping|n=33|start=0|xstep=7|ystep=-3}}
+==== Reverse chroma ====
+Demonstrated in [https://www.youtube.com/watch?v=GypR6x_Ih1I ''33edo jam''] (2025).
+{{Lumatone EDO mapping|n=33|start=15|xstep=4|ystep=3}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:09, 2 August 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 09:24, 6 August 2025 (UTC)
+== Bidia + Diminished + Charismic + Semitonismic Lumatone mappings ==
+=== 56edo (demonstrated to work) ===
+[[Bryan Deister]] has demonstrated a [[4L&nbsp;4s]] (9:5 step ratio) mapping for [[56edo]], in [https://www.youtube.com/watch?v=xkfao6yGKGE ''Curious Light - DOORS (microtonal cover in 56edo)''] (2025). Right + down-right divides the octave into slices of 14\56; as an interval in its own right, this is the same as the minor third of [[12edo]], which functions as ~[[19/16]] and ~[[25/21]] (both being near-just). Down-right alone is 5\56, which is the [[Normal forms#Minimal_form|minimal form]] generator for [[Bidia]]; it functions as the classic diatonic semitone ~[[16/15]], the large septendecimal semitone ~[[17/16]], and the small septendecimal semitone ~[[18/17]], meaning that the charisma [[256/255]] and the semitonisma [[289/288]] are both tempered out; two of them make a rather sharp whole tone ~[[9/8]]; three of them (passing the quarter-octave) make a mildly sharp classic minor third ~[[6/5]], although the afore-mentioned quarter-octave (12edo-style) minor third is easier to reach; in contrast, the near-just classic major third ~[[5/4]] is very easy to reach with just two moves rightwards, and a down-right move from this reaches the moderately flat fourth ~[[4/3]]; two more down-right moves reaches the rather sharp fifth ~[[3/2]]. The efficiency is almost as good as that of the diatonic mapping, with no missed notes and one repeated note per octave; the overall range is somewhat under five octaves, with no notes chopped off by the left and right edges before reaching the end of overall range. The cost of this is that octaves slant downwards.
+{{Lumatone EDO mapping|n=56|start=0|xstep=9|ystep=-4}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:38, 21 August 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 10:00, 21 August 2025 (UTC)
+== Biyatismic Lumatone mappings ==
+=== 68edo (demonstrated to work) ===
+[[Bryan Deister]] has used a [[Biyatismic clan#Zeus|Biyatismic (Zeus)]] layout with a [[7L&nbsp;1s]] scale (9:5 step ratio) for [[68edo]], as demonstrated in [https://www.youtube.com/shorts/CO1AslAu9E0 ''microtonal improvisation in 68edo''] (2025). The rightward generator 9\68 is a combination of the Alpharabian tendoneutral second ~[[12/11]] and the undecimal submajor second ~[[11/10]], and two of these make a near-just classic minor third ~[[6/5]], with the biyatisma ([[121/120]]) being tempered out. The chroma of the scale (4\68, upwards on this layout) is the near-just diptolemaic chromatic semitone ~[[25/24]], and is convenient to use as a second generator (even though such is not required to avoid [[contorsion]]) to access other consonant intervals quickly, although sometimes with strange preferences built in &mdash; for instance, the septimal whole tone ~[[8/7]] is much easier to reach (at 13\68) than the Pythagorean whole tone ~[[9/8]] (which requires a substantial vertical reach at 12\68), while the septimal minor third ~[[7/6]] (at 15\18) is a much longer vertical reach than the classic minor third ~6/5 (at 18\68), and the septimal major third ~[[9/7]] is a much longer vertical reach (at 25\68) than the classic major third ~[[5/4]] (at 22\68). Fortunately the fourth (~[[4/3]], at 28\68), the Axirabian paramajor fourth (~[[11/8]], at 31\68), the Axirabian paraminor fifth (~[[16/11]], at 37\68) and fifth (~[[3/2]], at 40\68) are all easy to reach as long as they do not go through a vertical wraparound (as happens to the fourth in the bass octave). The range is four octaves plus two notes, and octaves slope upwards &mdash; not severely, but a vertical wraparound is unavoidable if note 0 is placed to get complete octaves as defined to reach from note 0 to note 0.
+{{Lumatone EDO mapping|n=68|start=0|xstep=9|ystep=-4}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:33, 30 July 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 12:18, 4 August 2025 (UTC)
+== Blackwood + Diminished Lumatone mappings ==
+=== 20edo (demonstrated to work) ===
+[[Bryan Deister]] has used a [[Diminished]] [[4L&nbsp;4s]] (4:1 step ratio) mapping for [[20edo]] that also functions as a [[Blackwood]] mapping, as demonstrated in [https://www.youtube.com/shorts/bqYA9flwL_g ''20edo prelude''] (2025). In this mapping, the octave can be interpreted as being divided into five parts (Blackwood temperament) or 4\20 or four parts of 5\20 (Diminished temperament). Octaves slope, as expected for a Blackwood mapping, but with plenty of repeated vertical notes, and the range is a bit over 5½ octaves.
+{{Lumatone EDO mapping|n=20|start=6|xstep=4|ystep=-3}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:34, 11 August 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 23:18, 11 August 2025 (UTC)
+== Compressed Skwares (Fibotonic) Lumatone mappings ==
+=== 20edo (demonstrated to work) ===
+[[Bryan Deister]] has used a compressed [[Skwares]]) [[2L&nbsp;1s]] (7:6 step ratio) mapping for [[20edo]], as demonstrated in [https://www.youtube.com/watch?v=BFUTeFs7Ycg ''20edo groove''] (2025). In the version of Skwares used for this, instead of substantially sharpening the undecimal major third ~[[14/11]] (or even a septimal major third ~[[9/7]]) to get a diatonic fourth ~[[4/3]] (by stacking and octave-reducing four generators), the undecimal major third (7\20) is near-just, and the fourth is very flat at 480{{c}} (corresponding to the Blackwood sharp fifth at 720{{c}}). Octaves are nearly level (sloping down very gradually), and the range is a bit over 11 octaves, which suggests dividing the keyboard into zones for different instruments.
+{{Lumatone EDO mapping|n=20|start=3|xstep=7|ystep=-1}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 23:13, 11 August 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:00, 13 August 2025 (UTC)
+== Cantonismic Lumatone mappings ==
+=== 64edo (demonstrated to work) ===
+[[Bryan Deister]] has demonstrated a [[Cantonismic]] (flipped and rotated diatonic) mapping of [[64edo]] in [https://www.youtube.com/shorts/ag1FbgAuR6I ''microtonal improvisation in 64edo''] (2025). In this mapping, the rightward generator 7\64 is mapped as a slightly sharp tridecimal supraminor second ~[[14/13]], and the [[cantonisma]] (10985/10976) is tempered out, so that three of them make a fairly sharp classic major third ~[[5/4]], and eight of them make a near-just undecimal neutral seventh ~[[11/6]]; note that apart from ~5/4, these ratios depending upon partial cancellation of errors in the harmonics as represented by 64edo. The rightward generator is actually the short step of the easiest scale to play on this layout (provided that the scale is positioned not to go through a vertical wraparound), with the down-right step being 10\64, which corresponds to the [[Patent val|patent]] (not [[direct approximation]]) whole tone ~[[9/8]], thus enabling a rotated diatonic scale. Octaves alternate between far and near superimposed on an overall slant away over the range of three whole octaves (having no missing notes) plus a fourth octave that has some notes chopped off by the right edge, and some fragmented note sequences in the upper left and lower right corners. A side effect of the alternation of octaves is that accessing the fourth and fifth can be easy or hard depending upon not only the root note, but also the octave &mdash; for instance, in the middle and mid-right octaves, 27\64 and 37\64 are both easily reached from 0\64, but in the second full octaves, they same interval requires a long finger stretch if the root note is greater than 0, and the rotated diatonic scale goes through a vertical wraparound (and moving note 0 would simply cause other root notes to have the same problem in some of the octaves).
+{{Lumatone EDO mapping|n=64|start=17|xstep=7|ystep=3}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:51, 26 July 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 10:52, 28 July 2025 (UTC)
+== Diaschismic + Charismic + Semitonismic Lumatone mappings ==
+=== 58edo (demonstrated to work) ===
+[[Bryan Deister]] has demonstrated a [[2L&nbsp;6s]] (14:5 step ratio) mapping for [[58edo]] in [https://www.youtube.com/shorts/7gkRyld5OU8 ''Waltz in 58edo''] (2025). The rightward generator 5\58 functions as the classic diatonic semitone ~[[16/15]], the large septendecimal semitone ~[[17/16]], and the small septendecimal semitone ~[[18/17]], meaning that the charisma [[256/255]] and the semitonisma [[289/288]] are both tempered out. The rightward generator is also the [[normal forms|minimal form]] of the [[Diaschismic]] generator, and indeed the [[diaschisma]] 2048/2045 is also tempered out. This generator makes a slew of intervals of reasonable prime limit that are not far from just: two of them make a near-just whole tone ~[[9/8]]; three of them make a mildly flat classic minor third ~[[6/5]]; four of them make a mildly flat undecimal major third ~[[14/11]]; five of them make a near-just classic acute fourth ~[[27/20]]; six of them pass the [[semioctave]] to make a slightly flat greater septimal tritone ~[[10/7]]; seven of them make a slightly flat septimal superfifth ~[[32/21]]; eight of them make a slightly flat tridecimal supraminor sixth ~[[21/13]]; nine of them make a near-just septimal major sixth ~[[12/7]]; and ten of them make an extremely accurate undecimal supraminor seventh ~[[20/11]]. Other common intervals such as the moderately sharp (although high in relative error) classic major third ~[[5/4]], the near-just perfect fourth ~[[4/3]], and the near-just perfect fifth ~[[3/2]] are in very easy reach of the chain of rightward generators, and not very distant from the root note. This may be sufficient compensation for the reverse chroma and the range of only three full octaves (which slope only slightly upward), with large partial octaves being chopped off by the upper left and lower right corners.
+{{Lumatone EDO mapping|n=58|start=27|xstep=5|ystep=9}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 23:11, 17 August 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:40, 21 August 2025 (UTC)
+== Compton-related rank 3 temperament Lumatone mappings ==
+Due to this page getting too large, moved these to [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Various rank-3 temperament Lumatone mappings|Various rank-3 temperament Lumatone mappings]].
+Contents of this section moved to separate page:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:57, 21 June 2025 (UTC)
+== Devichromic Lumatone mappings ==
+This has proliferated, and thus has been moved to its own [[User:Lucius Chiaraviglio/Keyboard Layout Lab/Devichromic Lumatone mappings|Devichromic Lumatone mappings]] page.
+Contents of this section moved to separate page:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:50, 31 May 2025 (UTC)
+== Diaschismic Lumatone mappings ==
+=== 70edo (demonstrated to work) ===
+The [[6L&nbsp;4s]] mapping is meant to get as many notes as possible onto the space available on existing Lumatones, rather than attempting to fit any particular temperament, although it is a type of mapping supported by Diaschismic. This mapping gets three full octaves and the better part of another octave, with no missed notes and a moderate slope. [[Bryan Deister]] has demonstrated this mapping in [https://www.youtube.com/shorts/I42JQ98WPZI ''microtonal improvisation in 70edo''] (2025).
+{{Lumatone EDO mapping|n=70|start=2|xstep=9|ystep=-5}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 10:55, 22 May 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:00, 24 May 2025 (UTC)
+=== 90edo (demonstrated to work) ===
+[[Bryan Deister]] has demonstrated the [[Diaschismic]]-[[256/255|Charismic]] [[10L&nbsp;2s]] mapping for [[90edo]] (with 8:5 step ratio), in [https://www.youtube.com/shorts/0j33e4F-4jY ''microtonal improvisation in 90edo''] (20025). The rightward generator 8\90 is a semitone that functions as both ~[[16/15]] and ~[[17/16]] (the charisma [[256/255]] is tempered out). Splitting the octave in half (the [[diaschisma]] 2048/2025 is tempered out) enables this generator to produce the mapping without [[contorsion]]. The range is about 2⅔ octaves with no missed notes, with a mild upward slope.
+{{Lumatone EDO mapping|n=90|start=84|xstep=8|ystep=-3}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 22:10, 26 July 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 11:25, 28 July 2025 (UTC)
+== Diatonicized Chromaticism + Kleischismic + Cassandra (Garibaldi) Lumatone mappings ==
+=== 94edo (demonstrated to work) ===
+[[Bryan Deister]] has demonstrated the [[11L&nbsp;2s]] mapping of [[94edo]] in [https://www.youtube.com/shorts/Zx4xbJhXmgc ''microtonal improvisation in 94edo''] (2025). In the application of this temperament to this mapping, the rightward step corresponds to a stack of two quite accurate ~[[16/11]] generators (51\94, and the [[octave complement]] is ~[[11/8]], at 43\94) after octave-reduction, making this a mapping closely related to the Diatonicized Chromaticism used extensively by [[Ivan Wyschnegradsky]] in his [[24edo]] compositions. The rightward step can also be made by going down by the octave-complemented generator (39\94, ~11/8) and [[semioctave]]-reducing. This makes it a mapping for 11-limit (or higher) [[Schismatic_family#Kleischismic|Kleischismic]] (substituting the normal generator ~[[35/24]] with the simpler ~11/8, which 94edo represents more accurately), although this yields an extremely soft [[10L&nbsp;2s]] scale (step ratio 8:7, currently off the right edge of the scale tree) instead of 11L&nbsp;2s. Similarly, if one uses the highly accurate ~[[4/3]] (39\94, octave complement ~[[3/2]] as 55\94) and stacks two of these, the result is a rightward double step, making this mapping also work for [[Garibaldi]] and its 11-limit (or higher) extension [[Schismatic_family#Cassandra|Cassandra]] (although with some vertical wraparound challenges as noted following). A diatonic scale, or better yet a Ptolemy's intense diatonic (Zarlino) scale appears possible to do using both hands, although the octave slope causes the wraparound point to change with octave. The range is a bit under three octaves, and the octaves slope up, which puts the third note 0 at the far edge (although it does repeat at the near edge). A possibility for addressing this (not shown here) is to set note 0 is set to a point on the left edge half way between its current location and the lower left corner (to get note 0 two octaves higher to be 3/4 of the way up); this results in a skipped note 1 in the lowest note 0 to note 0 octave, but if one is willing to assign one key to a non-isomorphic position, the note 92 in the lower left corner (from the octave below the lowest note 0) could be reassigned to the missing note 1.
+{{Lumatone EDO mapping|n=94|start=4|xstep=8|ystep=-5}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:39, 28 May 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:56, 30 May 2025 (UTC)
+Moved here from [[User:Lucius Chiaraviglio/Keyboard Layout Lab/Various other Lumatone mappings|Various other Lumatone mappings]] page:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:15, 31 May 2025 (UTC)
+== Diatonicized Chromaticism via Rotated Antidiatonic ==
+=== 37edo (demonstrated to work) ===
+[[Bryan Deister]] has demonstrated a rotated antidiatonic ([[2L&nbsp;5s]]) mapping in [https://www.youtube.com/shorts/e7dLJTsS3PQ ''37edo''] (2025), using the Mavila (sub-)fifth (21\37) as a generator. This yields a range of over five octaves, although the note 0 positions alternate between middle and near/far. (In the demonstration video, active keys on the Lumatone are cut back at both the left and right edges to yield exactly five octaves.) With this mapping, notes of the [[11L&nbsp;2s]] scale line up in pairs of row segments (of 6\37 offset from each other by the large MOSstep 3\37, and cut by the small MOSstep 2\37), which may make this mapping attractive for users wishing to play [[Ivan Wyschnegradsky]]'s Diatonicized Chromatic scale in a tuning system different from [[24edo]], while still retaining respectable (though not full piano) range.
+{{Lumatone EDO mapping|n=37|start=29|xstep=6|ystep=-1}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:22, 9 July 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 18:30, 9 July 2025 (UTC)
+== Godzilla-related rank-3 Lumatone mappings ==
+=== 62edo (demonstrated to work) ===
+[[Bryan Deister]] has demonstrated a [[Godzilla]] Lumatone mapping for [[62edo]] in [https://www.youtube.com/shorts/UerD0NqBbng ''microtonal improvisation in 62edo''] (2025), with scale [[5L&nbsp;4s]] with 10:3 step ratio, which also has easy provision for dividing the near-just septimal minor seventh ~[[7/4]] (50\62) into five equal parts each functioning as a meantone whole tone (~[[9/8]], ~[[10/9]], and ~[[19/17]]) (10\62 is right by one key), which is naturally useful in its own right for mixing the common practice sound in with the xenharmonic sounds. A logical implication of splitting the ~7/4 into five meantone whole tones is that the near-just classic major third ~[[5/4]] is very easily accessible as two of these divided generators, and the only slightly flat lesser septimal tritone ~[[7/5]] is easily accessible as three of them. As convenient as this rightward generator is, it would produce a contorted mapping if not for a second generator; the upwards generator 7\62 is convenient for this as a a tridecimal neutral second that functions as both ~[[12/13]] and ~[[13/14]] (the buzurgisma/dhanvantarisma [[169/168]] is tempered out); backing off from ~7/4 by two of these generators gives the fifth (the flat ~[[3/2]] shared with [[31edo]]), while backing off from ~7/5 by two of these generators gives a moderately flat classic minor third ~[[6/5]]. Octaves slant down moderately, and the range is just under 4⅓ octaves with no missed notes and no repeated notes.
+{{Lumatone EDO mapping|n=62|start=4|xstep=10|ystep=-7}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:00, 22 July 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:18, 24 July 2025 (UTC)
+== Magic (Divination/Soothsaying) related Lumatone mappings ==
+=== 82edo (demonstrated to work) ===
+[[Bryan Deister]] has demonstrated a [[8L&nbsp;6s]] mapping of [[82edo]]. Being even 82edo supports a [[semioctave]] period, with the diagassormisma ([[3042/3025]]) being tempered out in the [[patent val]] or the kalisma ([[9801/9800]]) being tempered out in the 82e val; this enables it to use the (somewhat sharp) septimal major third ~[[9/7]] (as 30\82) as a generator (which would be [[contorted]] down to [[41edo]] with a whole octave period), in a temperament like [[Magic family#Soothsaying|Soothsaying]] or [[Magic family#Divination|Divination]], but using the septimal major third as a generator instead of the classic major third ~[[5/4]].  (Since 82edo also supports actual Soothsaying in its patent val and actual Divination in its 82e val, it is also possible to use generator 26\82, the somewhat flat ~[[5/4]], although the resulting [[6L&nbsp;4s]] scale is a bit more tricky to play using this layout.) The range is about 2¾ octaves with no missed notes, and the octaves slant down.
+{{Lumatone EDO mapping|n=82|start=4|xstep=8|ystep=-5}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 11:45, 15 July 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:24, 16 July 2025 (UTC)
+== Meantone Lumatone mappings ==
+=== m-Chromatic Lumatone mappings ===
+==== 81edo (demonstrated to work) ====
+[[Bryan Deister]] has demonstrated the m-chromatic ([[7L&nbsp;5s]] with 8:5 step ratio) mapping for [[81edo]] in [https://www.youtube.com/shorts/5O6Cyawjkd8 ''''microtonal improvisation in 81edo''] (2025). The rightward generator 8\81 functions as ~[[15/14]] and ~[[16/15]]; six of them make the alternate sharp fifth. The down-right generator 5\81 functions as ~[[23/22]] and ~[[24/23]]; two of them make an Alpharabian tendoneutral second (~[[12/11]]); four of them make the near-just octave-reduced 19th harmonic ~[[19/16]]; eleven of them make a near-just classic minor sixth ~[[8/5]]. The patent fifth 47\81 is four rightward generators plus three down-right generators. All that said, the patent fifth itself works perfectly well as a generator of the 7L&nbsp;5s scale, as well as for the entire layout, as befits (rank-2) [[Meantone]], so that the use of dual generators is a matter of convience rather than a requirement. The range is just over three octaves, with no missed notes, and the octaves slant down moderately.
+{{Lumatone EDO mapping|n=81|start=76|xstep=8|ystep=-3}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 13:24, 13 July 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:43, 15 July 2025 (UTC)
+Moved here from [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Various rank-3 temperament Lumatone mappings|Various rank-3 temperament Lumatone mappings]]:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:49, 15 July 2025 (UTC)
+=== Meantone-related rank-3 Lumatone mappings ===
+Due to this page getting too large, moved these to [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Various rank-3 temperament Lumatone mappings|Various rank-3 temperament Lumatone mappings]].
+Contents of this section moved to separate page:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:57, 21 June 2025 (UTC)
+== Miracle and Miracle-related Lumatone mappings ==
+These have proliferated due to the Lumatone wizardry of [[Bryan Deister]], and have gotten their own [[User:Lucius Chiaraviglio/Keyboard Layout Lab/Marvel and Miracle Lumatone mappings|Marvel and Miracle Lumatone mappings]] page.
+Contents of this section moved to separate page:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:15, 31 May 2025 (UTC)
+== Nessafof (Porwell) mappings ==
+=== 54edo (domonstrated to work) ===
+[[Bryan Deister]] has used the [[Porwell temperaments#Nessafof|Nessafof (Porwell)]] layout for [[54edo]], as demonstrated in [https://www.youtube.com/shorts/Bi5-YQUQHek ''microtonal improvisation in 54edo''] (2025). At 7\54, the generator is a near-just septimal neutral second (~[[35/32]]), of which 2 make a slightly flat minor third ~[[6/5]] (constituted in 54b), and 11 make a sharp ~[[8/3]] (which corresponds to the 54b flat fifth). The [[7L&nbsp;1s]] scale (with a step ratio of 7:5) is expanded similar to the expanded [[Lumatone mapping for porcupine]] if represented as 7L&nbsp;1s, but even more expanded. On the one hand, this makes octaves recede rapidly; but on the other hand, this also means that down and right gives a convenient ascending whole tone scale shared with [[12edo]], although this requires constituting the ~[[9/8]] whole steps as (3♭&nbsp;×&nbsp;3♯)&nbsp;/&nbsp;8. The range is four full octaves.
+{{Lumatone EDO mapping|n=54|start=10|xstep=7|ystep=2}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:25, 8 May 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:35, 12 May 2025 (UTC)
+== Orwell mappings ==
+=== 53edo Doublethink (demonstrated to work) ===
+''(This was copied from [[Lumatone mapping for 53edo]], for comparison with future [[Orwell]] mappings.)''
+The [[8L&nbsp;1s]] mapping has generator 6\53 ([[13/12]] ~ [[14/13]]), and two of them make a fairly accurate ~[[7/6]]; six of them make the very accurate ~[[8/5]]; and fourteen of them make the extremely accurate ~[[3/1]], making this an alternative [[Orwell]] mapping with the generator ~7/6 split in half, or in other words [[Semicomma family#Doublethink|Doublethink]]. [[Bryan Deister]] has demonstrated this mapping in [https://www.youtube.com/shorts/r-Tzq33OGM4 ''microtonal improvisation in 53edo''] (2025). The range is a bit over three and a half octaves (sloping upwards), but in the demonstration video it appears less due to use of only 1 MIDI channel, which cuts off notes at both the left and right margins. If enough MIDI channels are used to accommodate all keys on the Lumatone, no notes are missing until the better part of the way through the top partial (more than half) octave.
+{{Lumatone EDO mapping|n=53|start=37|xstep=6|ystep=-1}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 20:12, 24 May 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:52, 25 May 2025 (UTC)
 == Passion Lumatone mappings ==
@@ Line 44: / Line 243: @@
 Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 23:02, 13 April 2025 (UTC)
-== Valentine Lumatone mappings ==
+== Ratwolfsmic + Sensi Lumatone mappings ==
+=== 73edo (demonstrated to work) ===
+[[Bryan Deister]] has demonstrated the [[8L&nbsp;3s]] mapping of [[73edo]] in [https://www.youtube.com/shorts/meZYE1Yj2pY ''microtonal improvisation in 73edo''] (2025). The rightward generator is an acute minor second that functions as both ~[[14/13]] and ~[[27/25]] (the ratwoflsma ([[351/350]]) is tempered out), and two of them make a mildly flat ~[[7/6]] septimal minor third (the buzzurgisma/dhanvantarisma ([[169/168]]) and the ragisma ([[4375/4374]]) are tempered out), and three of them make a moderately sharp ~[[5/4]] major third (the [[cantonisma]] (10985/10976) and the [[sensipent&nbsp;comma]] (78732/78125) are tempered out). The range is slightly over three full octaves, which are nearly level and have no missing notes.
+{{Lumatone EDO mapping|n=73|start=4|xstep=8|ystep=-5}}
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 16:18, 9 June 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:21, 11 June 2025 (UTC)
-Due to the dreaded "template include too large" error, these have been moved to their own [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Valentine Lumatone mappings|Valentine Lumatone mappings]] page.
+== Reversed-Chroma Compressed Tetracot Lumatone mappings ==
-Contents of this section moved to separate page:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:39, 12 April 2025 (UTC)
+=== 75edo (demonstrated to work) ===
-== Other Kit-Bashed Lumatone mappings ==
+[[Bryan Deister]] has demonstrated a compressed [[1L&nbsp;5s mapping of [[75edo]] in [https://www.youtube.com/watch?v=5-G2KkYfKLs&list=WL&index=343&pp=gAQBiAQB8AUB ''microtonal improvisation in 75edo''] (2025-06-22). This combines the temperament of [[Tetracot]] with the idea of the compressed [[Lumatone mapping for Porcupine]], by reversing the chroma. (This also contains the Tetracot [[6L&nbsp;1s]] scale, but playing that scale in this layout requires backtracking.) This expands the overall range to more than five octaves, but too much so for anything so large as 75edo, thereby causing missed notes (although it demonstrates how such a mapping could shine for a smaller EDO or a hypothetical XL-sized Lumatone that has room for all of the notes).
-=== 28edo (demonstrated to work) ===
+{{Lumatone EDO mapping|n=75|start=17|xstep=11|ystep=9}}
-[[Bryan Deister]] has used a layout for [[28edo]] that was inspired by the layout for [[29edo]] (rather than being made for any specific temperament), as demonstrated in [https://www.youtube.com/shorts/--BIQKJ9uvI ''minuet in 28edo''] (2025). The right-moving generator is a somewhat sharp Pythagorean whole tone (~[[9/8]], or near-just [[17/15]], 5\28). The up-moving generator is an almost-just tridecimal supraminor second (~[[14/13]], 3\28).  The range is a bit over five octaves, with octaves alternating near/far and middle with an overall small upwards slant. Although this layout was not designed for any particular temperament, it so happens that the right-moving generator matches [[Machine]].
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:23, 29 June 2025 (UTC)<br>
-{{Lumatone EDO mapping|n=28|start=4|xstep=5|ystep=-3}}
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 00:16, 30 June 2025 (UTC)
-Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:35, 26 March 2025 (UTC)<br>
+== Superlimmal Lumatone mappings ==
-Last Modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:39, 29 March 2025 (UTC)
-=== 30edo (demonstrated to work) ===
+=== 80edo (proposed and untested) ===
-[[Bryan Deister]] has used a layout for [[30edo]] that was also inspired by the layout for [[29edo]] (rather than being made for any specific temperament), as demonstrated in [https://www.youtube.com/watch?v=NP3HGr3ZD70&lc=UgxFBmbxZa5dF4ZPj0F4AaABAg.AFzcn1LkVZNAG4JYIvXZvZ ''minuet in 30edo''] (2025). The right-moving generator is a somewhat flat Pythagorean whole tone (~[[9/8]], 5\30; and in the video, the row segments that include note 0 are colored solid red).  The up-moving generator is a somewhat flat tridecimal supraminor second (~[[14/13]], 3\30); neither would be able access the full gamut on its own, but together they cover the full gamut with a generous allotment of repeated notes (indicating that if this layout was to represent a particular temperament, that would have to be a rank-3 temperament if having an octave period, or a rank-2 temperament dividing the octave into multiple periods). The range is a bit under five octaves, with octaves slanting up (while wrapping around) at the same angle as the right-moving generator.
+Proposed and untested [[5L&nbsp;7s]] [[Canousmic_temperaments#Superlimmal|Superlimmal]] mapping for [[80edo]]. This layout using the generator 9\80 (which functions as ~[[13/12]], ~[[14/13]], and ~[[27/25]]) has very efficient use of keys (with no missed notes and just one repeated note per octave), but octaves slope down severely and wrap around even within the span of less than 3½ octaves.
-{{Lumatone EDO mapping|n=30|start=4|xstep=5|ystep=-3}}
-Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:59, 25 March 2025 (UTC)<br>
+{{Lumatone EDO mapping|n=80|start=0|xstep=9|ystep=-4}}
-Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:39, 29 March 2025 (UTC)
-== Unnamed Temperaments ==
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:03, 11 July 2025 (UTC)
-=== 51edo (demonstrated to work) ===
+== Tsaharuk (Schismatic) Lumatone mappings ==
-[[Bryan Deister]] has used a flipped antidiatonic layout for [[51edo]] in which the generator is a mid major second at 8\51, which maps in between ~[[10/9]] and ~[[9/8]] and is distinct from both, A possible constitution of this interval in 51edo is the septendecimal major second ~[[512/459]] (~|9 -3 0 0 0 0 -1⟩), which maps correctly to 8\51 and is very close by direct approximation. Two of these generators make a slightly flat ~[[5/4]] Ptolmeic major third, and nine of these generators make a slightly sharp ~[[8/3]] perfect eleventh. Octaves alternate between near and far, but the range is just one missing note #47 short of being 5 full octaves, which compares favorably with the standard Antidiatonic ([[Mavila]]/[[Undecimation]]) and [[Porky]] mappings, and is competitive with the [[Slendric]] mapping. (Another possibility would be to move the first note 0 up and left, which would instead put the missing note in the first octave.) The most straightforward scale within an octave is [[2L&nbsp;5s]] with a step ratio of 8:7, but the octave zigzag could be used to support an [[11L&nbsp;2s (4/1-equivalent)]] scale, again with a step ratio of 8:7. [https://x31eq.com/temper-pyscript/ Graham Breed's x31eq Temperament Finder] gives no name for this temperament; it is 19 & 51 in the 2.3.5.17 subgroup, but if this layout was actually adapted to [[19edo]], L and s steps would exchange size classes to make this a flipped Diatonic layout. This layout is demonstrated in [https://www.youtube.com/shorts/5pM8OC0fV98 ''51edo improv''] (2025), with some additional notes outside the 5 (almost) full octaves cut off in and near the upper left and lower right corners due to the use of only 2 MIDI channels.
+=== 77edo (demonstrated to work) ===
-{{Lumatone EDO mapping|n=51|start=32|xstep=8|ystep=-1}}
+[[Bryan Deister]] has demonstrated a [[7L&nbsp;2s]] mapping for [[77edo]] in [https://www.youtube.com/shorts/wSZez2KgP2U ''microtonal improvisation in 77edo''] (2025). [[Tsaharuk]] is a member of the [[Schismatic family]] that splits the (highly accurate) fifth (~[[3/2]], as 45\77) into five parts (9\77), which function as lesser tridecimal neutral seconds ~[[13/12]]. Two of them (18\77) make a flat minor third ~[[20/17]]; three of them (27\77) make a sharp major third ~[[14/11]]; and four of them make a near-just tridecimal augmented fourth ~[[18/13]], which serves as the dark generator for the 7L&nbsp;2s scale in the manner of Mavila, but since it is not mapped as a fourth, it can be stacked to get an actual near-just fourth or fifth (depending upon direction of stacking), needing ten to do so, as in [[Mabila family|Mabila]]. The overall range is approximately three and a half octaves (which slope upwards mildly), but each octave is missing a few notes.
-Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:21, 5 May 2025 (UTC)<br>
+{{Lumatone EDO mapping|n=77|start=58|xstep=9|ystep=-2}}
-Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:23, 6 May 2025 (UTC)
-=== 52edo (demonstrated to work) ===
+Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:26, 28 June 2025 (UTC)<br>
+Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 09:04, 2 July 2025 (UTC)
-[[Bryan Deister]] has used a layout for [[52edo]] in which the generator is 9\52, as ~[[9/8]] but mapped by direct approximation rather than as the version mapped by the patent val or by the 52b val, which means that it  has to be constituted as (3♭&nbsp;×&nbsp;3♯)&nbsp;/&nbsp;8 to make use of the dual-fifth feature of 52edo. Two of these map to a ~[[14/11]] major third, as in [[Pentacircle clan|Pentacircle]] but for the direct approximation mapping of ~9/8. The upward generator is ~[[16/15]]. Octaves slant down and then wrap around, but the compass is 5 full octaves, with no missed notes, which is competitive with the Diatonic and Neutral Thirds layouts. This layout is demonstrated in [https://www.youtube.com/shorts/lNJCZz7EjL0 ''microtonal improvisation in 52edo''] (2025); in the video, some notes are cut off at the right edge due to the use of only 2 MIDI channels.
+== Valentine Lumatone mappings ==
-{{Lumatone EDO mapping|n=52|start=4|xstep=9|ystep=-5}}
+Due to the dreaded "template include too large" error, these have been moved to their own [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Valentine Lumatone mappings|Valentine Lumatone mappings]] page.
-Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 09:22, 5 May 2025 (UTC)<br>
+Contents of this section moved to separate page:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:39, 12 April 2025 (UTC)
-Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:03, 6 May 2025 (UTC)
-=== 97edo (demonstrated to work) ===
+== Various other Lumatone mappings ==
-[[Bryan Deister]] has used the [[16L&nbsp;1s]] layout for [[97edo]], as demonstrated in [https://www.youtube.com/watch?v=hXDdKO3-RL4 ''microtonal improvisation in 97edo''] (2025). Although 97edo is at the intersection of [[Immunity]] and [[Orson]], this layout does not closely match either temperament, instead using a rightward generator 6\97 which is very close to [[24/23]], and an upward generator 5\97 which is very close to [[29/28]]. The range is less than 2 octaves, and the octaves slant upwards, but all notes are represented at least once (although getting this within a full 0 to 0 octave requires shifting the 0 point 1 key right from Bryan Deister's usual placement in the lower left corner, to avoid cutting off some notes on the left end).
+Due to the dreaded "template include too large" error, ''Other Kit-Bashed Lumatone mappings'' and ''Unnamed Temperaments'' have been moved to their own [[User:Lucius_Chiaraviglio/Keyboard_Layout_Lab/Various other Lumatone mappings|Various other Lumatone mappings]] page.
-{{Lumatone EDO mapping|n=97|start=10|xstep=6|ystep=-5}}
-Added:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 09:09, 16 April 2025 (UTC)<br>
+Contents of 2 sections moved to separate page:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:01, 12 May 2025 (UTC)
-Last modified:  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:52, 18 April 2025 (UTC)