African music: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
Each of these traditions deserves its own page, but until an editor with expertise in these traditions arrives to give them the coverage they deserve, they will be briefly discussed here with external sources given for further reading.
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-03-06 06:23:37 UTC</tt>.<br>
: The original revision id was <tt>608165993</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Africa is, of course, a big continent... An essential musical culture (or family of musical cultures) of Africa is the [[Arabic, Turkish, Persian|arabic]] one, for which there is a separate page. A brief overview of non-arabic African musical cultures:


The Wagogo people of central Tanzania use a pentatonic scale 1/1 - 9/8 - 5/4 - 3/2 - 7/4 (harmonics 5 through 10) in all their songs and all their instruments. Instruments: kalimba, harp, fiddle, marimba, hand drum. Vocals tend to have parallel harmonies, singing at a distance of a "penta-third". Hukwe Zawose is a well-known Wagogo musician.
== Equipentatonic tunings ==
Many cultures use an [[equipentatonic]] tuning:


Many cultures use a 5-edo (equipentatonic to ethnomusicologists) or near-5-edo tuning:
*The [[Lobi music|Lobi]], [[Dagarti music|Dagarti]] and [[Senufo music|Senufo]] people of Burkina Faso, northern Ghana and southern Mali. Instruments: gyil (a type of marimba), hand drums and ideophones (bells and scrapers). Vocals tend to be in unison or octaves. Well-known musicians/groups are Neba Solo, Kakraba Lobi, and Farafina.


The Lobi, Dagarti and Senufo people of Burkina Faso, northern Ghana and southern Mali. Instruments: gyil (a type of marimba), hand drums and ideophones (bells and scrapers). Vocals tend to be in unison or octaves. Well-known musicians/groups are Neba Solo, Kakraba Lobi, and Farafina.
*[[Ugandan|Uganda]] also has equipentatonic music. Their marimba is called the amadinda. They also play harps.


Uganda also has equipentatonic music. Their marimba is called the amadinda. They also play harps.
== Equiheptatonic tunings ==
Many cultures use an [[equiheptatonic]] tuning:


Some cultures use a 7-edo (equiheptatonic) or near-7-edo tuning:
*The [[Mande music|Mande]] peoples of West Africa (Guinea, Senegal, Gambia, Mali and neighboring countries) play [[balafon]], [[kora]], djembe, dundun and other instruments. Vocals traditionally tend to be in unison or octaves. The balafon is traditionally tuned near [[7edo]]. The kora is <em>not</em> tuned near 7edo, even though the balafon and the kora share the same repertoire and even play together sometimes. The kora is traditionally tuned to one of several [[kora tunings]], which are mostly in [[5-limit]] [[JI]]. In modern times, the balafon and kora are often tuned to [[12edo]], to be in tune with western instruments. Well-known pop musicians are Baba Maal, Salif Keita, and Oumou Sangare. Well-known kora players are Jali Musa Jawara and Toumani Diabate.


The Mande peoples of West Africa (Guinea, Senegal, Gambia and Mali, also neighboring countries) play balafon, kora, djembe, dundun and other instruments. Vocals traditionally tend to be in unison or octaves. The balafon is traditionally tuned to 7-edo. The kora is __not__ tuned to 7-edo, even though the balafon and the kora share the same repertoire and even play together sometimes. The kora is traditionally tuned to 5-limit JI. In modern times, the balafon and kora are often tuned to 12-edo, to be in tune with western instruments. Well-known pop musicians are Baba Maal, Salif Keita, and. Oumou Sangare. Well-known kora players are Jali Musa Jawara and Toumani Diabate.
*The [[Shona music|Shona]] people of Zimbabwe and neighboring countries play the re-tuneable [[mbira]]. Vocals tend to harmonize only in 4ths, 5ths and octaves. The mbira seems to have been traditionally tuned near 7edo. In modern times, it's often tuned to 12edo. Paul Berliner's book "The Soul of the Mbira" is a good resource for tuning information. Well-known Shona musicians that use the mbira include Thomas Mapfumo and Stella Chiweshe.


The Shona people of Zimbabwe and neighboring countries play the mbira. Vocals tend to harmonize only in 4ths, 5ths and octaves. The mbira seems to have been traditionally tuned to near-7-edo. In modern times, it's often tuned to 12-edo. Paul Berliner's book "The Soul of the Mbira" is a good resource for tuning information. Well-known Shona musicians that use the mbira include Thomas Mapfumo and Stella Chiweshe.
* The [[Chopi music|Chopi]] people of Mozambique play large marimba ensembles spanning 4 octaves. Their marimba, called the timbila, is tuned roughly equiheptatonic. The timbila tuning of the Mavila village creates an approximate [[TAMNAMS|soft-of-basic]] [[2L5s]] scale. The [[Mavila]] temperament gets its name from this village.


Madagascar was colonized by Indonesians long ago, and the music is a mixture of African and Indonesian. Tarika Sammy is a well-known group.
== Other tunings ==
* The [[Wagogo music|Wagogo]] people of central Tanzania use a [[pentatonic]] scale 1/1 - 9/8 - 5/4 - 3/2 - 7/4 ([[Overtone scale|harmonics 5 through 10]], similar to [[5afdo]]) in all their songs and all their instruments. Instruments include: [[kalimba]], harp, fiddle, [[marimba]], hand drum. Vocals tend to have parallel harmonies, singing at a distance of a [[penta-third]]. Hukwe Zawose is a well-known Wagogo musician.


=Instruments=
* In eastern Uganda, the [[Gwere music|Gwere]] use for their six-string [[harp]] (called tongoli) a [[tetrad|tetratonic]] scale in which all the intervals are [[Quasi-equal|nearly equal]], which to Western ears sounds like a chain of [[6/5|minor thirds]]. Though not the same thing, this is quite close to both [[4edo]] and [[kleismic]][4].
A notable african instrument category is the [[kalimba (mbira)]] family.


=External links=
* Some [[Xhosa music|Thembu Xhosa]] women of South Africa have a low, rhythmic style of [[timbre|timbrally]] complex throat-singing, incorporating [[overtone singing]] within its technique, that is called ''umngqokolo''. It is often accompanied by call-and-response vocals and complicated polyrhythms.
[[http://infohost.nmt.edu/%7Ejstarret/pygmies.html|Baka Pygmies vocal polyphony]]</pre></div>
 
<h4>Original HTML content:</h4>
* In South Africa, the [[San music|San]] use a tetratonic scale which could be approximated by [[1L 3s]] (a [[MOS scale]]).<ref>Wikipedia contributors. (2022, November 21). Tetratonic scale. In Wikipedia, The Free Encyclopedia. Retrieved 09:40, August 13, 2024, from https://en.wikipedia.org/w/index.php?title=Tetratonic_scale&oldid=1123114247</ref>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;African&lt;/title&gt;&lt;/head&gt;&lt;body&gt;Africa is, of course, a big continent... An essential musical culture (or family of musical cultures) of Africa is the &lt;a class="wiki_link" href="/Arabic%2C%20Turkish%2C%20Persian"&gt;arabic&lt;/a&gt; one, for which there is a separate page. A brief overview of non-arabic African musical cultures:&lt;br /&gt;
 
&lt;br /&gt;
* [[Malagasy music|Madagascar]] was colonized by Indonesians long ago, and the music is a mixture of African and [[Indonesian]]. Tarika Sammy is a well-known group.
The Wagogo people of central Tanzania use a pentatonic scale 1/1 - 9/8 - 5/4 - 3/2 - 7/4 (harmonics 5 through 10) in all their songs and all their instruments. Instruments: kalimba, harp, fiddle, marimba, hand drum. Vocals tend to have parallel harmonies, singing at a distance of a &amp;quot;penta-third&amp;quot;. Hukwe Zawose is a well-known Wagogo musician.&lt;br /&gt;
 
&lt;br /&gt;
* An essential family of musical cultures of Africa is the [[Arabic,_Turkish,_Persian|Arabic]] one, for which there is a separate page.
Many cultures use a 5-edo (equipentatonic to ethnomusicologists) or near-5-edo tuning:&lt;br /&gt;
 
&lt;br /&gt;
== External links ==
The Lobi, Dagarti and Senufo people of Burkina Faso, northern Ghana and southern Mali. Instruments: gyil (a type of marimba), hand drums and ideophones (bells and scrapers). Vocals tend to be in unison or octaves. Well-known musicians/groups are Neba Solo, Kakraba Lobi, and Farafina.&lt;br /&gt;
* [http://infohost.nmt.edu/%7Ejstarret/pygmies.html Baka Pygmies vocal polyphony]
&lt;br /&gt;
 
Uganda also has equipentatonic music. Their marimba is called the amadinda. They also play harps.&lt;br /&gt;
* [https://www.facebook.com/groups/497105067092502/posts/930794453723559/?comment_id=930798123723192 Facebook thread in the MMTT group about wagogo music, includes pre-Hukwe-Zawose recordings]
&lt;br /&gt;
 
Some cultures use a 7-edo (equiheptatonic) or near-7-edo tuning:&lt;br /&gt;
== See also ==
&lt;br /&gt;
* [[Rick Tagawa]]
The Mande peoples of West Africa (Guinea, Senegal, Gambia and Mali, also neighboring countries) play balafon, kora, djembe, dundun and other instruments. Vocals traditionally tend to be in unison or octaves. The balafon is traditionally tuned to 7-edo. The kora is &lt;u&gt;not&lt;/u&gt; tuned to 7-edo, even though the balafon and the kora share the same repertoire and even play together sometimes. The kora is traditionally tuned to 5-limit JI. In modern times, the balafon and kora are often tuned to 12-edo, to be in tune with western instruments. Well-known pop musicians are Baba Maal, Salif Keita, and. Oumou Sangare. Well-known kora players are Jali Musa Jawara and Toumani Diabate.&lt;br /&gt;
 
&lt;br /&gt;
== Notes ==
The Shona people of Zimbabwe and neighboring countries play the mbira. Vocals tend to harmonize only in 4ths, 5ths and octaves. The mbira seems to have been traditionally tuned to near-7-edo. In modern times, it's often tuned to 12-edo. Paul Berliner's book &amp;quot;The Soul of the Mbira&amp;quot; is a good resource for tuning information. Well-known Shona musicians that use the mbira include Thomas Mapfumo and Stella Chiweshe.&lt;br /&gt;
 
&lt;br /&gt;
[[Category:African music| ]] <!-- main article -->
Madagascar was colonized by Indonesians long ago, and the music is a mixture of African and Indonesian. Tarika Sammy is a well-known group.&lt;br /&gt;
{{todo|Cultural expertise}}
&lt;br /&gt;
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A notable african instrument category is the &lt;a class="wiki_link" href="/kalimba%20%28mbira%29"&gt;kalimba (mbira)&lt;/a&gt; family.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;External links&lt;/h1&gt;
&lt;a class="wiki_link_ext" href="http://infohost.nmt.edu/%7Ejstarret/pygmies.html" rel="nofollow"&gt;Baka Pygmies vocal polyphony&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>