|
|
| (20 intermediate revisions by 9 users not shown) |
| Line 1: |
Line 1: |
| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | #redirect [[Equal-step tuning#Edonoi]] |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| |
| : This revision was by author [[User:guest|guest]] and made on <tt>2011-04-23 19:43:41 UTC</tt>.<br>
| |
| : The original revision id was <tt>222454504</tt>.<br>
| |
| : The revision comment was: <tt></tt><br>
| |
| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
| |
| <h4>Original Wikitext content:</h4>
| |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">EDONOI is short for "equal divisions of a non-octave interval".
| |
|
| |
|
| Examples include the equal-tempered [[BP|Bohlen-Pierce scale]] (a.k.a. the 13th root of 3), [[Carlos Alpha]], [[Carlos Beta]], [[Carlos Gamma]], the [[19ED3|19th root of 3]], the [[6edf|6th root of 3:2]] , [[88cET]] and the [[square root of 13 over 10|square root of 13:10]] .
| | [[Category:Terms]] |
| | | [[Category:Edonoi| ]] <!-- main article --> |
| Some EDONOI contain an interval close to a 2:1 that might function like a stretched or squashed octave. They can thus be considered variations on [[edo]]s.
| | [[Category:Acronyms]] |
| | |
| Other EDONOI contain no approximation of an octave or a compound octave (at least, not for a while), and continue generating new tones as they continue upward or downward. Such scales lack a very familiar compositional [[redundancy]], that of octave equivalence, and thus require special attention.</pre></div>
| |
| <h4>Original HTML content:</h4>
| |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>edonoi</title></head><body>EDONOI is short for &quot;equal divisions of a non-octave interval&quot;.<br />
| |
| <br />
| |
| Examples include the equal-tempered <a class="wiki_link" href="/BP">Bohlen-Pierce scale</a> (a.k.a. the 13th root of 3), <a class="wiki_link" href="/Carlos%20Alpha">Carlos Alpha</a>, <a class="wiki_link" href="/Carlos%20Beta">Carlos Beta</a>, <a class="wiki_link" href="/Carlos%20Gamma">Carlos Gamma</a>, the <a class="wiki_link" href="/19ED3">19th root of 3</a>, the <a class="wiki_link" href="/6edf">6th root of 3:2</a> , <a class="wiki_link" href="/88cET">88cET</a> and the <a class="wiki_link" href="/square%20root%20of%2013%20over%2010">square root of 13:10</a> .<br />
| |
| <br />
| |
| Some EDONOI contain an interval close to a 2:1 that might function like a stretched or squashed octave. They can thus be considered variations on <a class="wiki_link" href="/edo">edo</a>s.<br />
| |
| <br />
| |
| Other EDONOI contain no approximation of an octave or a compound octave (at least, not for a while), and continue generating new tones as they continue upward or downward. Such scales lack a very familiar compositional <a class="wiki_link" href="/redundancy">redundancy</a>, that of octave equivalence, and thus require special attention.</body></html></pre></div>
| |