Ed7/3: Difference between revisions

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== Applications ==

Division of 7/3 into equal parts does not necessarily imply directly using this interval as an [[equivalence]]. Many, though not all, ed7/3 scales have a perceptually important [[Pseudo-octave|false octave]], with various degrees of accuracy.

~~Division of 7/3 into equal parts does not necessarily imply directly using this interval as an [[equivalence]]. The question of equivalence has not even been posed yet.~~

The structural utility of 7/3 (or another tenth) is apparent by being the absolute widest range most generally used in popular songs{{citation needed}} (and even the range of a {{w|Dastg%C4%81h-e_M%C4%81hur|dastgah}}{{citation needed}}).

The utility of 7/3 (or another tenth) ~~as a base though,~~ is apparent by being the absolute widest range most generally used in popular songs{{citation needed}} (and even the range of a {{w|Dastg%C4%81h-e_M%C4%81hur|dastgah}}{{citation needed}}).

== Chords and harmonies ==

{{main|Pseudo-traditional harmonic functions of enneatonic ~~scale_degrees~~}}

{{main|Pseudo-traditional harmonic functions of enneatonic scale degrees}}

[[:Category:9-tone scales|Enneatonic scale]]s, especially those equivalent at 7/3, can sensibly take [[tetrad]]s as the fundamental complete sonorities of a pseudo-traditional functional harmony due to their seventh degree being as structurally important as it is. Many, though not all, of these scales have a perceptually important [[Pseudo-octave|pseudo (false) octave]], with various degrees of accuracy.

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== Middletown ==

7/3 provides a fairly trivial point to split the difference between the [[octave]] and the [[tritave]], which is why Ruhf has named the region of intervals between 6 and 7 degrees of [[5edo]] the "[[Middletown valley]]".

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|}

[[Category:Ed7/3| ]]

[[Category:Ed7/3's| ]]

~~[[Category:Edonoi]]~~

[[Category:Lists of scales]]

{{todo|inline=1|cleanup|explain edonoi|text=Most people do not think 7/3 sounds like an equivalence, so there must be some other reason why people are dividing it — some property ''other than'' equivalence that makes people want to divide it. Please add to this page an explanation of what that reason is... The page also needs a general overall cleanup.}}

@@ Line 2: / Line 2: @@
 == Applications ==
+Division of 7/3 into equal parts does not necessarily imply directly using this interval as an [[equivalence]]. Many, though not all, ed7/3 scales have a perceptually important [[Pseudo-octave|false octave]], with various degrees of accuracy.
-Division of 7/3 into equal parts does not necessarily imply directly using this interval as an [[equivalence]]. The question of equivalence has not even been posed yet.
+The structural utility of 7/3 (or another tenth) is apparent by being the absolute widest range most generally used in popular songs{{citation needed}} (and even the range of a {{w|Dastg%C4%81h-e_M%C4%81hur|dastgah}}{{citation needed}}).
-The utility of 7/3 (or another tenth) as a base though, is apparent by being the absolute widest range most generally used in popular songs{{citation needed}} (and even the range of a {{w|Dastg%C4%81h-e_M%C4%81hur|dastgah}}{{citation needed}}).
 == Chords and harmonies ==
-{{main|Pseudo-traditional harmonic functions of enneatonic scale_degrees}}
+{{main|Pseudo-traditional harmonic functions of enneatonic scale degrees}}
 [[:Category:9-tone scales|Enneatonic scale]]s, especially those equivalent at 7/3, can sensibly take [[tetrad]]s as the fundamental complete sonorities of a pseudo-traditional functional harmony due to their seventh degree being as structurally important as it is. Many, though not all, of these scales have a perceptually important [[Pseudo-octave|pseudo (false) octave]], with various degrees of accuracy.
@@ Line 14: / Line 13: @@
 == Middletown ==
+{{idiosyncratic terms}}
 /3 provides a fairly trivial point to split the difference between the [[octave]] and the [[tritave]], which is why Ruhf has named the region of intervals between 6 and 7 degrees of [[5edo]] the "[[Middletown valley]]".
@@ Line 260: / Line 260: @@
 |}
-[[Category:Ed7/3| ]] <!-- main article -->
+[[Category:Ed7/3's| ]]
-[[Category:Edonoi]]
+<!-- main article -->
 [[Category:Lists of scales]]
+{{todo|inline=1|cleanup|explain edonoi|text=Most people do not think 7/3 sounds like an equivalence, so there must be some other reason why people are dividing it — some property ''other than'' equivalence that makes people want to divide it. Please add to this page an explanation of what that reason is... The page also needs a general overall cleanup.}}