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{{Infobox ET}}
{{Infobox ET}}
'''16ed5/3''' (or less accurately '''16edVI''') is the [[EdVI|equal division of the just major sixth]] into sixteen parts of 55.2724 [[cent|cents]] each, corresponding to 21.7106 [[edo]]. It is very closely related to the [[Escapade family|escapade temperament]]. It is vaguely equivalent to [[22edo]].
'''16ed5/3''' is the [[Ed5/3|equal division of the just major sixth]] into sixteen parts of 55.2724 [[cent]]s each, corresponding to 21.7106[[edo]]. It is very closely related to the [[Escapade family|escapade temperament]]. It is vaguely equivalent to [[22edo]].


It very accurately approximates a number of low complexity just intervals, such as: [[4/3]] (<1¢), [[5/4]] (<1¢), [[11/8]] (<2¢), [[11/10]] (<1¢), [[16/15]] (<2¢), and [[25/16]] (<2¢). It also approximates the [[3/2|just fifth]] and [[2/1|octave]] to within 17¢, making it a flexible non-octave scale.  Notably, having a period of [[5/3]], the diatonic minor third ([[6/5]]) is the period-reduced diatonic octave. This means both are approximated identically (16¢ sharp).
It very accurately approximates a number of low complexity just intervals, such as: [[4/3]] (<1¢), [[5/4]] (<1¢), [[11/8]] (<2¢), [[11/10]] (<1¢), [[16/15]] (<2¢), and [[25/16]] (<2¢). It also approximates the [[3/2|just fifth]] and [[2/1|octave]] to within 17¢, making it a flexible non-octave scale.  Notably, having a period of [[5/3]], the diatonic minor third ([[6/5]]) is the period-reduced diatonic octave. This means both are approximated identically (16¢ sharp).
== Harmonics ==
{{Harmonics in equal|16|5|3}}


== Intervals ==
== Intervals ==
16ed5/3 can be notated using steps 7 (~5/4) and 9 (~4/3) as generators, as these are accurate to within 0.6¢. The resulting scale is a heptatonic 2L 5s (similar to the octave repeating antidiatonic). It can also be notated using the fifth-generated [[Blackcomb]] temperament as discussed in [[#Temperaments]].
16ed5/3 can be notated using steps 7 (~5/4) and 9 (~4/3) as generators, as these are accurate to within 0.6¢. The resulting scale is a heptatonic 2L 5s (similar to the octave repeating antidiatonic). It can also be notated using the fifth-generated [[Blackcomb]] temperament as discussed in [[#Temperaments]], which lines up quite nicely with diatonic notation, aside from the "minor second" being in neutral second range and "perfect fourth" being in superfourth range.
{| class="wikitable center-all right-2"
{| class="wikitable center-all right-2"
! Degree
! Degree
! Cents
! Cents
! Approximate intervals
! 5/3.4/3.11/6.31/18 subgroup interval
! Other interpretations
! 2L 5s<5/3> mos-interval
! 2L 5s<5/3> mos-interval
! Diatonic interval
! 2L 5s<5/3> notation
! 2L 5s<5/3> notation
! 1L 4s<5/3> ([[Blackcomb]][5]) interval
! 1L 4s<5/3> ([[Blackcomb]][5]) interval
! 1L 4s<5/3> ([[Blackcomb]][5]) notation
! 1L 4s<5/3> ([[Blackcomb]][5]) notation
! Diatonic interval
|-
|-
| '''0'''
| '''0'''
| '''0.0000'''
| '''0.0000'''
| '''1'''
| '''1/1'''
| '''unison'''
|  
| '''unison'''
| '''unison'''
| '''E'''
| '''E'''
| '''unison'''
| '''unison'''
| '''C'''
| '''C'''
| '''unison'''
|-
|-
| 1
| 1
| 55.2724
| 55.2724
| 36/35, 33/32, 31/30
| 31/30, 32/31, 33/32
| 36/35
| aug unison
| aug unison
| quartertone
| E#
| E#
| aug unison
| aug unison
| C#
| C#
| quartertone
|-
|-
| 2
| 2
| 110.5448
| 110.5448
| 16/15, (21/20)
| 16/15, 33/31
| 21/20
| min mos2nd
| min mos2nd
| minor second
| Fb
| Fb
| double-aug unison, dim second
| double-aug unison, dim second
| Cx, Dbb
| Cx, Dbb
| minor second
|-
|-
| 3
| 3
| 165.8173
| 165.8173
| 11/10
| 11/10
|
| maj mos2nd
| maj mos2nd
| neutral second
| F
| F
| minor second
| minor second
| Db
| Db
| neutral second
|-
|-
| 4
| 4
| 221.0897
| 221.0897
| 25/22
| 8/7, 17/15
| 8/7, 17/15
| min mos3rd
| min mos3rd
| major second
| F#/Gb
| F#/Gb
| major second
| major second
| D
| D
| major second
|-
|-
| 5
| 5
| 276.3621
| 276.3621
| 75/64, 7/6, 20/17
| 75/64, 88/75
| 7/6, 20/17
| maj mos3rd
| maj mos3rd
| subminor third
| G
| G
| augmented second
| aug second
| D#
| D#
| subminor third
|-
|-
| 6
| 6
| 331.6345
| 331.6345
| 6/5, 40/33, 17/14
| 40/33, 75/62
| 6/5, 17/14
| dim mos4th
| dim mos4th
| minor third
| G#/Ab
| G#/Ab
| minor third
| minor third
| Eb
| Eb
| minor third
|-
|-
| 7
| 7
| ''386.9069''
| ''386.9069''
| ''5/4''
| ''5/4''
|
| ''perf mos4th''
| ''perf mos4th''
| major third
| A
| A
| major third
| major third
| E
| E
| major third
|-
|-
| 8
| 8
| 442.1794
| 442.1794
| 31/24, 40/31
| 9/7, 35/27, 22/17
| 9/7, 35/27, 22/17
| aug mos4th
| aug mos4th
| supermajor third
| A#/Bb
| A#/Bb
| aug third
| aug third
| E#
| E#
| supermajor third
|-
|-
| 9
| 9
| ''497.4517''
| ''497.4517''
| ''4/3''
| ''4/3''
|
| ''perf mos5th''
| ''perf mos5th''
| just fourth
| B
| B
| dim fourth
| dim fourth
| Fb
| Fb
| just fourth
|-
|-
| 10
| 10
| 552.7242
| 552.7242
| 25/18, 11/8, 18/13
| 11/8, 62/45
| 25/18, 18/13
| aug mos5th
| aug mos5th
| wide fourth
| B#
| B#
| perfect fourth
| perfect fourth
| F
| F
| wide fourth
|-
|-
| 11
| 11
| 607.9966
| 607.9966
| 64/45, 10/7, 17/12
| 44/31, 64/45
| 10/7, 17/12
| min mos6th
| min mos6th
| large tritone
| Cb
| Cb
| augmented fourth
| aug fourth
| F#
| F#
| large tritone
|-
|-
| 12
| 12
| 663.2690
| 663.2690
| 72/49, 22/15
| 22/15
| 72/49
| maj mos6th
| maj mos6th
| narrow fifth
| C
| C
| diminished fifth
| dim fifth
| Gb
| Gb
| narrow fifth
|-
|-
| 13
| 13
| 718.5415
| 718.5415
| 3/2, 50/33
| 50/33
| 3/2
| min mos7th
| min mos7th
| acute fifth
| C#/Db
| C#/Db
| perfect fifth
| perfect fifth
| G
| G
| acute fifth
|-
|-
| 14
| 14
| 773.8129
| 773.8129
| 25/16
| 25/16
|
| maj mos7th
| maj mos7th
| subminor sixth
| D
| D
| augmented fifth
| aug fifth
| G#
| G#
| subminor sixth
|-
|-
| 15
| 15
| 829.0863
| 829.0863
| 50/31
| 8/5, 13/8
| 8/5, 13/8
| dim mos8ave
| dim mos8ave
| minor sixth
| D#/Eb
| D#/Eb
| diminished sixth
| dim sixth
| Cb
| Cb
| minor sixth
|-
|-
| '''16'''
| '''16'''
| '''884.3587'''
| '''884.3587'''
| '''5/3'''
| '''5/3'''
|
| '''mosoctave'''
| '''mosoctave'''
| '''major sixth'''
| '''E'''
| '''E'''
| '''perfect sixth'''
| '''perfect sixth'''
| '''C'''
| '''C'''
| '''major sixth'''
|-
|-
| 17
| 17
| 939.6311
| 939.6311
| 31/18, 55/32
| 12/7, 19/11
| 12/7, 19/11
| aug mos8ave
| aug mos8ave
| supermajor sixth
| E#
| E#
| aug sixth
| aug sixth
| C#
| C#
| supermajor sixth
|-
|-
| 18
| 18
| 994.9035
| 994.9035
| 16/9, (7/4)
| 16/9, 55/31
| 7/4
| min mos9th
| min mos9th
| minor seventh
| Fb
| Fb
| double-aug sixth, dim seventh
| double-aug sixth, dim seventh
|Cx, Dbb
| Cx, Dbb
| minor seventh
|-
|-
| 19
| 19
| 1050.1760
| 1050.1760
| 11/6
| 11/6
|
| maj mos9th
| maj mos9th
| neutral seventh
| F
| F
| minor seventh
| minor seventh
|Db
| Db
| neutral seventh
|-
|-
| 20
| 20
| 1105.4484
| 1105.4484
| 176/93, 125/66, 256/135
| 40/21, (27/14), 17/9
| 40/21, (27/14), 17/9
| min mos10th
| min mos10th
| F#/Gb
| major seventh
| major seventh
| F#/Gb
| D
| major seventh
| major seventh
|D
|-
|-
| 21
| 21
| 1160.7208
| 1160.7208
| 88/45, 125/64
| 35/18, 43/22
| 35/18, 43/22
| maj mos10th
| maj mos10th
| G
| aug seventh
| D#
| narrow octave
| narrow octave
| G
| augmented seventh
|D#
|-
|-
| 22
| 22
| 1215.9932
| 1215.9932
| 200/99, 121/60, 125/62
| 2/1
| 2/1
| dim mos11th
| dim mos11th
| octave
| G#/Ab
| G#/Ab
| minor octave
| minor octave
|Eb
| Eb
| octave
|}
|}


Line 231: Line 258:
!23ed18\17
!23ed18\17
! 16ed5/3
! 16ed5/3
! [[Noleta|9ed4/3]]
! [[9ed4/3]] (Noleta)
! [[43ed4]]
! [[43ed4]]
! [[34edt]]
! [[34edt]]
Line 406: Line 433:
| 1
| 1
| 1\16
| 1\16
| 1L ns (pathological)
| 1L Ns
|-
|-
| 1
| 1
Line 488: Line 515:


== Commas ==
== Commas ==
Depending on your mapping, 16ed5/3 can be said to temper a number of commas, including the '''diaschisma''', the '''marvel comma''', '''Archytas' comma''', and the '''jubilisma''', all discussed in the temperaments section. In addition, being an even division of the 5/3, it tempers the '''sensamagic comma''' ([[245/243]]), as the half mosoctave is midway between [[9/7]] and [[35/27]]. This is analogous to the tritone in 2n edo systems. The '''keema''' ([[875/864]]) is tempered due to the septimal interpretation of the diatonic sevenths, and the '''Motwellsma''' ([[99/98]]) is tempered by two major mos3rds ([[7/6]]) resulting in an augmented mos5th ([[11/8]]).
Depending on your mapping, 16ed5/3 can be said to temper a number of commas, including the [[diaschisma]], the [[marvel comma]], [[64/63|Archytas' comma]], and the [[jubilisma]], all discussed in the temperaments section. In addition, being an even division of the 5/3, it tempers the [[sensamagic comma]], as the half mosoctave is midway between [[9/7]] and [[35/27]]. This is analogous to the tritone in 2n edo systems. The [[keema]] is tempered due to the septimal interpretation of the diatonic sevenths, and the [[mothwellsma]] is tempered by two major mos3rds ([[7/6]]) resulting in an augmented mos5th ([[11/8]]).


== Temperaments ==
== Temperaments ==
Line 495: Line 522:
The diaschisma can also be tempered by taking 5 generators to mean a [[3/2]] ((<sup>4</sup>/<sub>3</sub>)<sup>5</sup>=(<sup>3</sup>/<sub>2</sub>)·(<sup>5</sup>/<sub>3</sub>)<sup>2</sup>), while the marvel comma can also be tempered with a stack of 3 generators, making a [[10/7]] ((<sup>4</sup>/<sub>3</sub>)<sup>3</sup>=(<sup>10</sup>/<sub>7</sub>)·(<sup>5</sup>/<sub>3</sub>)).
The diaschisma can also be tempered by taking 5 generators to mean a [[3/2]] ((<sup>4</sup>/<sub>3</sub>)<sup>5</sup>=(<sup>3</sup>/<sub>2</sub>)·(<sup>5</sup>/<sub>3</sub>)<sup>2</sup>), while the marvel comma can also be tempered with a stack of 3 generators, making a [[10/7]] ((<sup>4</sup>/<sub>3</sub>)<sup>3</sup>=(<sup>10</sup>/<sub>7</sub>)·(<sup>5</sup>/<sub>3</sub>)).


The tempered marvel comma also means that the two large [[Tritone|tritones]] ([[64/45|pental]] and [[10/7|septimal]]) are addressed by the same scale step. The tempered diaschisma, on the other hand, means that both pental tritones are also addressed by the same scale step.
The tempered marvel comma also means that the two large [[tritone]]s ([[64/45|pental]] and [[10/7|septimal]]) are addressed by the same scale step. The tempered diaschisma, on the other hand, means that both pental tritones are also addressed by the same scale step.


Both of the 7-limit approaches also temper Archytas' comma ([[64/63]]) as a result of equating the [[16/9]] with [[7/4]], and the jubilisma ([[50/49]]) due to tritone equivalence. These are relatively large commas, given the step size (about half, and 7/11ths respectively).
Both of the 7-limit approaches also temper Archytas' comma as a result of equating the [[16/9]] with [[7/4]], and the jubilisma ([[50/49]]) due to tritone equivalence. These are relatively large commas, given the step size (about half, and 7/11ths respectively).


This shows the close relationships with [[Srutal]] and [[Pajara]] octave temperaments. In 16ed5/3's case, there is a close equivalence to [[22edo]]'s pajara tuning.
This shows the close relationships with [[srutal]] and [[pajara]] octave temperaments. In 16ed5/3's case, there is a close equivalence to [[22edo]]'s pajara tuning.


As 3 semitones make a period-reduced octave, and it alludes to tritone tempering, [[User:Ayceman|I]] propose the name '''tristone''' for the basic [[Diaschismic family|diaschismic temperament]], based on the 16/15 to 6/5 relationship, as well as the following variants and extensions:
As 3 semitones make a period-reduced octave, and it alludes to tritone tempering, [[User:Ayceman|I]] propose the name '''tristone''' for the basic [[Diaschismic family|diaschismic temperament]], based on the 16/15 to 6/5 relationship, as well as the following variants and extensions:


16ed5/3 also supports [[Blackcomb]] temperament which is built on [[5/4]] and [[3/2]] in a very similar way to octave-repeating [[meantone]] but is less accurate. Blackcomb tempers out the comma [[250/243]], the amount by which 3 [[3/2]]'s exceed [[5/4]] sixth-reduced, in the 5/3.2.3 subgroup (equal to the [[5-limit]]).
=== Tristone ===
=== Tristone ===
[[Subgroup]]: 5/3.20/9.10/3
[[Subgroup]]: 5/3.20/9.10/3
Line 517: Line 543:
[[RMS temperament measures|RMS]] error: 2.228679 cents
[[RMS temperament measures|RMS]] error: 2.228679 cents


[[Vals]]: 9ed5/3, 16ed5/3, 25ed5/3
[[Optimal ET sequence]]: 9ed5/3, 16ed5/3, 25ed5/3


==== Tridistone ====
==== Tridistone ====
Line 532: Line 558:
[[RMS temperament measures|RMS]] error: 8.489179 cents
[[RMS temperament measures|RMS]] error: 8.489179 cents


[[Vals]]: 9ed5/3, 16ed5/3
[[Optimal ET sequence]]: 9ed5/3, 16ed5/3  


=== Metatristone ===
=== Metatristone ===
Line 547: Line 573:
[[RMS temperament measures|RMS]] error: 2.021819 cents
[[RMS temperament measures|RMS]] error: 2.021819 cents


[[Vals]]: 9ed5/3, 16ed5/3, 25ed5/3
[[Optimal ET sequence]]: 9ed5/3, 16ed5/3, 25ed5/3  


==== Metatridistone ====
==== Metatridistone ====
Line 562: Line 588:
[[RMS temperament measures|RMS]] error: 7.910273 cents
[[RMS temperament measures|RMS]] error: 7.910273 cents


[[Vals]]: 9ed5/3, 16ed5/3
[[Optimal ET sequence]]: 9ed5/3, 16ed5/3  
[[Category:EdVI]]
 
'''16ed5/3''' also supports [[Blackcomb]] temperament which is built on [[5/4]] and [[3/2]] in a very similar way to octave-repeating [[meantone]] but is less accurate. Blackcomb tempers out the comma [[250/243]], the amount by which 3 [[3/2]]'s exceed [[5/4]] sixth-reduced, in the 5/3.2.3 subgroup (equal to the [[5-limit]]).
 
[[Category:Nonoctave]]
[[Category:Nonoctave]]
[[Category:Edonoi]]
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