22edt: Difference between revisions
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{{Infobox ET}} | |||
{{ED intro}} It supports [[mintaka]] temperament. | |||
Like [[11edt]], both the [[octave]] and [[small whole tone]] ([[10/9]]) are about 10c off (sharp and flat respectively) dissonant but recognizable. Akin to [[16edt]] with [[Blackwood]], admitting the octave induces an interpretation into a tritave-based version of [[Whitewood]] temperament, therefore allowing the system to function as an octave stretch of [[14edo]]. However, it can just as well be treated as a pure no-twos system, which is the main interpretation used in the below article. | |||
22edt has good approximations of the 7th, 11th, 19th and 20th harmonics, being better for its size in the 3.7.11 subgroup than even [[13edt]] is in 3.5.7. In this subgroup, it tempers out the commas [[1331/1323]] and [[387420489/386683451]], with the former comma allowing a hard [[5L 2s (3/1-equivalent)|5L 2s]] (macrodiatonic) scale generated by [[11/7]], two of which are equated to [[27/11]] and three of which are equated to [[9/7]] up a tritave. This [[9/7]] can also serve as the generator for a [[4L 5s (3/1-equivalent)|4L 5s]] (BPS Lambda) scale, supporting [[Bohlen-Pierce-Stearns]] harmony by tempering out [[245/243]], although its representation of the 3.5.7 subgroup is less accurate than that of 13edt, and tempered in the wrong direction relative to 13edt for ideal BPS. | |||
{{Harmonics in equal|22|3|1|intervals=prime|columns=15}} | |||
22edt has good approximations of the 7th, 11th, 19th and 20th harmonics, | |||
== Intervals == | |||
The notation schemes below are based on the BPS-Lambda enneatonic scale presented in the symmetric (sLsLsLsLs, Cassiopeian) mode in J, and the Mintaka macrodiatonic scale presented in the macro-Phrygian (sLLLsLL) mode in E. | |||
{| class="wikitable" | |||
|- | |||
! | Degree | |||
! | Note ([[4L 5s (3/1-equivalent)#Notation|BPS-Lambda notation]]) | |||
! | Note (Macrodiatonic notation) | |||
! | Approximate 3.7.11 subgroup interval | |||
! | cents value | |||
! | hekts | |||
|- | |||
| | 0 | |||
| | J | |||
| | E | |||
| | 1/1 | |||
| | 0 | |||
| | 0 | |||
|- | |||
| | 1 | |||
| | J# = Kb | |||
| | F | |||
| | 81/77, 363/343 | |||
| | 86.453 | |||
| | 59.091 | |||
|- | |||
| | 2 | |||
| | K | |||
| | Gb = Dx | |||
| | 2673/2401, 6561/5929 | |||
| | 172.905 | |||
| | 118.182 | |||
|- | |||
| | 3 | |||
| | K# | |||
| | E# = Abb | |||
| | 343/297, 847/729 | |||
| | 259.358 | |||
| | 177.273 | |||
|- | |||
| | 4 | |||
| | Lb | |||
| | F# | |||
| | 11/9, 147/121 | |||
| | 345.810 | |||
| | 236.364 | |||
|- | |||
| | 5 | |||
| | L | |||
| | G | |||
| | 9/7 | |||
| | 432.263 | |||
| | 295.455 | |||
|- | |||
| | 6 | |||
| | L# = Mb | |||
| | Ab = Ex | |||
| | 729/539 | |||
| | 518.715 | |||
| | 354.545 | |||
|- | |||
| | 7 | |||
| | M | |||
| | Fx = Bbb | |||
| | 343/243 | |||
| | 605.168 | |||
| | 413.636 | |||
|- | |||
| | 8 | |||
| | M# | |||
| | G# | |||
| | 49/33, 121/81 | |||
| | 691.620 | |||
| | 472.727 | |||
|- | |||
| | 9 | |||
| | Nb | |||
| | A | |||
| | 11/7 | |||
| | 778.073 | |||
| | 531.818 | |||
|- | |||
| | 10 | |||
| | N | |||
| | Bb | |||
| | 81/49 | |||
| | 864.525 | |||
| | 590.909 | |||
|- | |||
| | 11 | |||
| | N# = Ob | |||
| | Cb = Gx | |||
| | 3773/2187, 6561/3773 | |||
| | 950.978 | |||
| | 650. | |||
|- | |||
| | 12 | |||
| | O | |||
| | A# = Dbb | |||
| | 49/27 | |||
| | 1037.430 | |||
| | 709.091 | |||
|- | |||
| | 13 | |||
| | O# | |||
| | B | |||
| | 21/11 | |||
| | 1123.883 | |||
| | 768.182 | |||
|- | |||
| | 14 | |||
| | Pb | |||
| | C | |||
| | 99/49, 243/121 | |||
| | 1210.335 | |||
| | 827.273 | |||
|- | |||
| | 15 | |||
| | P | |||
| | Db = Ax | |||
| | 729/343 | |||
| | 1296.788 | |||
| | 886.364 | |||
|- | |||
| | 16 | |||
| | P# = Qb | |||
| | B# = Ebb | |||
| | 539/243 | |||
| | 1383.240 | |||
| | 945.455 | |||
|- | |||
| | 17 | |||
| | Q | |||
| | C# | |||
| | 7/3 | |||
| | 1469.693 | |||
| | 1004.545 | |||
|- | |||
| | 18 | |||
| | Q# | |||
| | D | |||
| | 27/11, 121/49 | |||
| | 1556.145 | |||
| | 1063.636 | |||
|- | |||
| | 19 | |||
| | Rb | |||
| | Eb | |||
| | 891/343, 2187/847 | |||
| | 1642.598 | |||
| | 1122.727 | |||
|- | |||
| | 20 | |||
| | R | |||
| | Fb = Cx | |||
| | 2401/891, 5929/2187 | |||
| | 1729.050 | |||
| | 1181.818 | |||
|- | |||
| | 21 | |||
| | R# = Jb | |||
| | D# = Gbb | |||
| | 77/27, 343/121 | |||
| | 1815.503 | |||
| | 1240.909 | |||
|- | |||
| | 22 | |||
| | J | |||
| | E | |||
| | 3/1 | |||
| | 1901.955 | |||
| | 1300. | |||
|} | |||
== Audio examples == | |||
[[File:22ed3-1.mp3]] | |||
A short composition by [[Wensik]], based on the 7:9:11 chord and its inversion, 63:77:99. | |||
== Music == | |||
; [[Peter Kosmorsky]] | |||
* [http://www.archive.org/details/TuneIn22Edt Tune in 22edt] (2011) | |||
; [[Ray Perlner]] | |||
* [https://www.youtube.com/watch?v=EWy0y_WsVNk ''Fugue in 22EDT Mintaka[7] sLLLsLL "Macro-Phrygian"''] (2025) | |||
; [[Chris Vaisvil]] | |||
* [http://micro.soonlabel.com/22-edt/daily20111206-22edt-improv.mp3 22 edt piano improvisation] {{dead link}} | |||
[[Category:Nonoctave]] | |||
[[Category:Listen]] |