62edo: Difference between revisions
m →Theory: (''See regular temperament for more about what all this means and how to use it.'') |
→Instruments: Insert music section after this, starting with Bryan Deister's ''microtonal improvisation in 62edo'' (2025) |
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{{Nowrap| 62 {{=}} 2 × 31 }} and the [[patent val]] of 62edo is a [[contorsion|contorted]] [[31edo]] through the [[11-limit]], but it makes for a good tuning in the higher limits. In the 13-limit it [[tempering out|tempers out]] [[169/168]], [[1188/1183]], [[847/845]] and [[676/675]]; in the [[17-limit]] [[221/220]], [[273/272]], and [[289/288]]; in the [[19-limit]] [[153/152]], [[171/170]], [[209/208]], [[286/285]], and [[361/360]]. Unlike 31edo, which has a sharp profile for primes [[13/1|13]], [[17/1|17]], [[19/1|19]] and [[23/1|23]], 62edo has a flat profile for these, as it removes the distinction of otonal and utonal [[superparticular]] pairs of the primes (e.g. 13/12 vs 14/13 for prime 13) by tempering out the corresponding [[square-particular]]s. This flat tendency extends to higher primes too, as the first prime harmonic that is tuned sharper than its [[5/4]] is its [[59/32]]. Interestingly, the size differences between consecutive harmonics are monotonically decreasing for all first 24 harmonics, and 62edo is one of the few [[meantone]] edos that achieve this, great for those who seek higher-limit meantone harmony. | {{Nowrap| 62 {{=}} 2 × 31 }} and the [[patent val]] of 62edo is a [[contorsion|contorted]] [[31edo]] through the [[11-limit]], but it makes for a good tuning in the higher limits. In the 13-limit it [[tempering out|tempers out]] [[169/168]], [[1188/1183]], [[847/845]] and [[676/675]]; in the [[17-limit]] [[221/220]], [[273/272]], and [[289/288]]; in the [[19-limit]] [[153/152]], [[171/170]], [[209/208]], [[286/285]], and [[361/360]]. Unlike 31edo, which has a sharp profile for primes [[13/1|13]], [[17/1|17]], [[19/1|19]] and [[23/1|23]], 62edo has a flat profile for these, as it removes the distinction of otonal and utonal [[superparticular]] pairs of the primes (e.g. 13/12 vs 14/13 for prime 13) by tempering out the corresponding [[square-particular]]s. This flat tendency extends to higher primes too, as the first prime harmonic that is tuned sharper than its [[5/4]] is its [[59/32]]. Interestingly, the size differences between consecutive harmonics are monotonically decreasing for all first 24 harmonics, and 62edo is one of the few [[meantone]] edos that achieve this, great for those who seek higher-limit meantone harmony. | ||
It provides the [[optimal patent val]] for [[gallium]], [[semivalentine]] and [[hemimeantone]] temperaments. | It provides the [[optimal patent val]] for [[gallium]], [[semivalentine]] and [[hemimeantone]] temperaments. | ||
Using the 35\62 generator, which leads to the {{val| 62 97 143 173 }} val, 62edo is also an excellent tuning for septimal [[mavila]] temperament; alternatively {{val| 62 97 143 172 }} [[support]]s [[hornbostel]]. | |||
=== Odd harmonics === | === Odd harmonics === | ||
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Since 62 factors into 2 × 31, 62edo does not contain nontrivial subset edos other than [[2edo]] and 31edo. [[186edo]] and [[248edo]] are notable supersets. | Since 62 factors into 2 × 31, 62edo does not contain nontrivial subset edos other than [[2edo]] and 31edo. [[186edo]] and [[248edo]] are notable supersets. | ||
=== | === Miscellany === | ||
62 years is the amount of years in a leap week calendar cycle which corresponds to a year of 365 days 5 hours 48 minutes 23 seconds, meaning it is both a simple cycle for a calendar, and 62 being a multiple of 31 makes it a harmonically useful and playable cycle. The corresponding maximal evenness scales are 15 & 62 and 11 & 62. | 62 years is the amount of years in a leap week calendar cycle which corresponds to a year of 365 days 5 hours 48 minutes 23 seconds, meaning it is both a simple cycle for a calendar, and 62 being a multiple of 31 makes it a harmonically useful and playable cycle. The corresponding maximal evenness scales are 15 & 62 and 11 & 62. | ||
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== Instruments == | == Instruments == | ||
* [[Skip fretting system 62 6 11 | === Lumatone === | ||
* [[Lumatone mapping for 62edo]] | |||
=== Skip fretting === | |||
'''[[Skip fretting]] system 62 6 11''' has strings tuned 11\62 apart, while frets are 6\62. | |||
On a 4-string bass, here are your open strings: | |||
0 11 22 33 | |||
A good supraminor 3rd is found on the 2nd string, 1st fret. A supermajor third is found on the open 3rd string. The major 6th can be found on the 4th string, 2nd fret. | |||
5-string bass | |||
51 0 11 22 33 | |||
This adds an interval of a major 7th (minus an 8ve) at the first string, 1st fret. | |||
6-string guitar | |||
0 11 22 33 44 55 | |||
”Major” 020131 | |||
7-string guitar | |||
0 11 22 33 44 55 4 | |||
'''Skip fretting system 62 9 11''' is another 62edo skip fretting system. The 5th is on the 5th string. The major 3rd is on the 2nd string, 1st fret. | |||
{{todo|add illustration|text=Base it off of the diagram from [[User:MisterShafXen/Skip fretting system 62 9 11]]}} | |||
== Music == | |||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/UerD0NqBbng ''microtonal improvisation in 62edo''] (2025) |