Lumatone mapping for 37edo: Difference between revisions
ArrowHead294 (talk | contribs) mNo edit summary |
Add Bryan Deister's Rotated Antidiatonic Lumatone mapping for 37edo, which also may be useful for Ivan Wyschnegradsky's Diatonicized Chromaticism |
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== Diatonic == | == Diatonic == | ||
{{Lumatone EDO mapping|n=37|start=10|xstep=7|ystep=-6}} | {{Lumatone EDO mapping|n=37|start=10|xstep=7|ystep=-6}} | ||
== Diatonicized Chromaticism via Rotated Antidiatonic == | |||
[[Bryan Deister]] has demonstrated a rotated antidiatonic ([[7L 2s]]) mapping in [https://www.youtube.com/shorts/e7dLJTsS3PQ ''37edo''] (2025), using the Mavila (sub-)fifth (21\37) as a generator. This yields a range of over five octaves, although the note 0 positions alternate between middle and near/far. (In the demonstration video, active keys on the Lumatone are cut back at both the left and right edges to yield exactly five octaves.) With this mapping, notes of the [[11L 2s]] scale line up in pairs of row segments (of 6\37 offset from each other by the large MOSstep 3\37, and cut by the small MOSstep 2\37), which may make this mapping attractive for users wishing to play [[Ivan Wyschnegradsky]]'s Diatonicized Chromatic scale in a tuning system different from [[24edo]], while still retaining respectable (though not full piano) range. | |||
{{Lumatone EDO mapping|n=37|start=29|xstep=6|ystep=-1}} | |||
== Porcupine == | == Porcupine == | ||