Microtonal Design Unconference 2011: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

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: This revision was by author [[User:guest|guest]] and made on <tt>2011-04-~~14 22~~:40:04 UTC</tt>.

: This revision was by author [[User:guest|guest]] and made on <tt>2011-04-15 03:26:47 UTC</tt>.

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@Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.

I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. [[user:xjscott|1301207436]]

I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like [[http://www.youtube.com/watch?v=o8dIJmpt8IY|Carlo's ribbon controller]] as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. [[user:xjscott|1301207436]]

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@Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.

I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. - <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;"><img src="http://www.wikispaces.com/user/pic/xjscott-lg.jpg" width="16" height="16" alt="xjscott" class="userPicture" /></a> <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;">xjscott</a> Mar 27, 2011

I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like <a class="wiki_link_ext" href="http://www.youtube.com/watch?v=o8dIJmpt8IY" rel="nofollow">Carlo's ribbon controller</a> as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. - <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;"><img src="http://www.wikispaces.com/user/pic/xjscott-lg.jpg" width="16" height="16" alt="xjscott" class="userPicture" /></a> <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;">xjscott</a> Mar 27, 2011

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 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:guest|guest]] and made on <tt>2011-04-14 22:40:04 UTC</tt>.<br>
+: This revision was by author [[User:guest|guest]] and made on <tt>2011-04-15 03:26:47 UTC</tt>.<br>
-: The original revision id was <tt>220461830</tt>.<br>
+: The original revision id was <tt>220495880</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 31: / Line 31: @@
 @Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.
-I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. [[user:xjscott|1301207436]]
+I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like [[http://www.youtube.com/watch?v=o8dIJmpt8IY|Carlo's ribbon controller]] as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. [[user:xjscott|1301207436]]
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 @Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.&lt;br /&gt;
 &lt;br /&gt;
-I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. &lt;!-- ws:start:WikiTextUserlinkRule:00:[[user:xjscott|1301207436]] --&gt;&lt;span class="membersnap"&gt;- &lt;a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;"&gt;&lt;img src="http://www.wikispaces.com/user/pic/xjscott-lg.jpg" width="16" height="16" alt="xjscott" class="userPicture" /&gt;&lt;/a&gt; &lt;a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;"&gt;xjscott&lt;/a&gt; &lt;small&gt;Mar 27, 2011&lt;/small&gt;&lt;/span&gt;&lt;!-- ws:end:WikiTextUserlinkRule:00 --&gt;&lt;br /&gt;
+I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like &lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=o8dIJmpt8IY" rel="nofollow"&gt;Carlo's ribbon controller&lt;/a&gt; as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. &lt;!-- ws:start:WikiTextUserlinkRule:00:[[user:xjscott|1301207436]] --&gt;&lt;span class="membersnap"&gt;- &lt;a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;"&gt;&lt;img src="http://www.wikispaces.com/user/pic/xjscott-lg.jpg" width="16" height="16" alt="xjscott" class="userPicture" /&gt;&lt;/a&gt; &lt;a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;"&gt;xjscott&lt;/a&gt; &lt;small&gt;Mar 27, 2011&lt;/small&gt;&lt;/span&gt;&lt;!-- ws:end:WikiTextUserlinkRule:00 --&gt;&lt;br /&gt;
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