47edo: Difference between revisions
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== Theory == | == Theory == | ||
47edo has | 47edo is the first edo that has two [[5L 2s|diatonic]] perfect fifths, as both fall between {{nowrap|4\7 {{=}} 686{{c}}}} and {{nowrap|3\5 {{=}} 720{{c}}}}. The fifth closest to [[3/2]] is 12.593-cent flat, unless you use the alternative fifth which is 12.939-cent sharp, similar to [[35edo]]. The soft diatonic scale generated from its flat fifth is so soft, with {{nowrap|L:s {{=}} 7:6}}, that it stops sounding like [[meantone]] or even a [[flattone]] system like [[26edo]] or [[40edo]], but just sounds like a [[circulating temperament]] of [[7edo]]. The hard diatonic scale generated from its sharp fifth is extremely hard, with {{nowrap|L:s {{=}} 9:1}}. It has therefore not aroused much interest, but its best approximation to [[9/8]] is actually quite good, one-third-of-a-cent sharp. | ||
47edo is one of the most difficult diatonic edos to notate in [[native fifth notation|native fifths]], because no other diatonic edo's fifth is as extreme. | |||
=== Odd harmonics === | === Odd harmonics === | ||
{{Harmonics in equal|47}} | |||
47edo does a good job of approximating the 2.9.5.7.33.13.17.57.69 23-limit [[k*N subgroups|2*47 subgroup]] of the [[23-limit]], on which it tempers out the same commas as [[94edo]]. It provides a good tuning for [[baldy]] and [[silver]] and their relatives. It also provides a good tuning for the [[baseball]] temperament. | 47edo does a good job of approximating the 2.9.5.7.33.13.17.57.69 23-limit [[k*N subgroups|2*47 subgroup]] of the [[23-limit]], on which it tempers out the same commas as [[94edo]]. It provides a good tuning for [[baldy]] and [[silver]] and their relatives. It also provides a good tuning for the [[baseball]] temperament. | ||
47edo can be treated as a [[dual-fifth system]] in the 2.3+.3-.5.7.13 subgroup, or the 3+.3-.5.7.11+.11-.13 subgroup for those who aren’t intimidated by lots of [[basis element]]s. As a dual-fifth system, it really shines, as both of its fifths have low enough [[harmonic entropy]] to sound [[consonant]] to many listeners, giving two consonant intervals for the price of one. | 47edo can be treated as a [[dual-fifth system]] in the 2.3+.3-.5.7.13 subgroup, or the 3+.3-.5.7.11+.11-.13 subgroup for those who aren’t intimidated by lots of [[basis element]]s. As a dual-fifth system, it really shines, as both of its fifths have low enough [[harmonic entropy]] to sound [[consonant]] to many listeners, giving two consonant intervals for the price of one. | ||
=== Subsets and supersets === | === Subsets and supersets === | ||
47edo is the 15th [[prime edo]], following [[43edo]] and preceding [[53edo]]. | 47edo is the 15th [[prime edo]], following [[43edo]] and preceding [[53edo]], so it does not contain any nontrivial subset edos, though it contains [[47ed4]]. [[94edo]], which doubles it, corrects its approximations of harmonics 3 and 11 to near-just qualities. | ||
== Intervals == | == Intervals == | ||
Line 25: | Line 26: | ||
|- | |- | ||
| 0 | | 0 | ||
| 0. | | 0.0 | ||
| perfect unison | | perfect unison | ||
| P1 | | P1 | ||
Line 31: | Line 32: | ||
|- | |- | ||
| 1 | | 1 | ||
| 25. | | 25.5 | ||
| aug 1sn | | aug 1sn | ||
| A1 | | A1 | ||
Line 37: | Line 38: | ||
|- | |- | ||
| 2 | | 2 | ||
| 51. | | 51.1 | ||
| double-aug 1sn | | double-aug 1sn | ||
| AA1 | | AA1 | ||
Line 43: | Line 44: | ||
|- | |- | ||
| 3 | | 3 | ||
| 76. | | 76.6 | ||
| triple-aug 1sn, triple-dim 2nd | | triple-aug 1sn, triple-dim 2nd | ||
| A<sup>3</sup>1, d<sup>3</sup>2 | | A<sup>3</sup>1, d<sup>3</sup>2 | ||
Line 49: | Line 50: | ||
|- | |- | ||
| 4 | | 4 | ||
| 102. | | 102.1 | ||
| double-dim 2nd | | double-dim 2nd | ||
| dd2 | | dd2 | ||
Line 55: | Line 56: | ||
|- | |- | ||
| 5 | | 5 | ||
| 127. | | 127.7 | ||
| dim 2nd | | dim 2nd | ||
| d2 | | d2 | ||
Line 61: | Line 62: | ||
|- | |- | ||
| 6 | | 6 | ||
| 153. | | 153.2 | ||
| minor 2nd | | minor 2nd | ||
| m2 | | m2 | ||
Line 67: | Line 68: | ||
|- | |- | ||
| 7 | | 7 | ||
| 178. | | 178.7 | ||
| major 2nd | | major 2nd | ||
| M2 | | M2 | ||
Line 73: | Line 74: | ||
|- | |- | ||
| 8 | | 8 | ||
| 204. | | 204.3 | ||
| aug 2nd | | aug 2nd | ||
| A2 | | A2 | ||
Line 79: | Line 80: | ||
|- | |- | ||
| 9 | | 9 | ||
| 229. | | 229.8 | ||
| double-aug 2nd | | double-aug 2nd | ||
| AA2 | | AA2 | ||
Line 85: | Line 86: | ||
|- | |- | ||
| 10 | | 10 | ||
| 255. | | 255.3 | ||
| triple-aug 2nd, triple-dim 3rd | | triple-aug 2nd, triple-dim 3rd | ||
| A<sup>3</sup>2, d<sup>3</sup>3 | | A<sup>3</sup>2, d<sup>3</sup>3 | ||
Line 91: | Line 92: | ||
|- | |- | ||
| 11 | | 11 | ||
| 280. | | 280.9 | ||
| double-dim 3rd | | double-dim 3rd | ||
| dd3 | | dd3 | ||
Line 97: | Line 98: | ||
|- | |- | ||
| 12 | | 12 | ||
| 306. | | 306.4 | ||
| dim 3rd | | dim 3rd | ||
| d3 | | d3 | ||
Line 103: | Line 104: | ||
|- | |- | ||
| 13 | | 13 | ||
| 331. | | 331.9 | ||
| minor 3rd | | minor 3rd | ||
| m3 | | m3 | ||
Line 109: | Line 110: | ||
|- | |- | ||
| 14 | | 14 | ||
| 357. | | 357.4 | ||
| major 3rd | | major 3rd | ||
| M3 | | M3 | ||
Line 115: | Line 116: | ||
|- | |- | ||
| 15 | | 15 | ||
| | | 383.0 | ||
| aug 3rd | | aug 3rd | ||
| A3 | | A3 | ||
Line 121: | Line 122: | ||
|- | |- | ||
| 16 | | 16 | ||
| 408. | | 408.5 | ||
| double-aug 3rd | | double-aug 3rd | ||
| AA3 | | AA3 | ||
Line 127: | Line 128: | ||
|- | |- | ||
| 17 | | 17 | ||
| 434. | | 434.0 | ||
| triple-aug 3rd, triple-dim 4th | | triple-aug 3rd, triple-dim 4th | ||
| A<sup>3</sup>3, d<sup>3</sup>4 | | A<sup>3</sup>3, d<sup>3</sup>4 | ||
Line 133: | Line 134: | ||
|- | |- | ||
| 18 | | 18 | ||
| 459. | | 459.6 | ||
| double-dim 4th | | double-dim 4th | ||
| dd4 | | dd4 | ||
Line 139: | Line 140: | ||
|- | |- | ||
| 19 | | 19 | ||
| 485. | | 485.1 | ||
| dim 4th | | dim 4th | ||
| d4 | | d4 | ||
Line 145: | Line 146: | ||
|- | |- | ||
| 20 | | 20 | ||
| 510. | | 510.6 | ||
| perfect 4th | | perfect 4th | ||
| P4 | | P4 | ||
Line 151: | Line 152: | ||
|- | |- | ||
| 21 | | 21 | ||
| 536. | | 536.2 | ||
| aug 4th | | aug 4th | ||
| A4 | | A4 | ||
Line 157: | Line 158: | ||
|- | |- | ||
| 22 | | 22 | ||
| 561. | | 561.7 | ||
| double-aug 4th | | double-aug 4th | ||
| AA4 | | AA4 | ||
Line 163: | Line 164: | ||
|- | |- | ||
| 23 | | 23 | ||
| 587. | | 587.2 | ||
| triple-aug 4th | | triple-aug 4th | ||
| A<sup>3</sup>4 | | A<sup>3</sup>4 | ||
Line 169: | Line 170: | ||
|- | |- | ||
| 24 | | 24 | ||
| 612. | | 612.8 | ||
| triple-dim 5th | | triple-dim 5th | ||
| d<sup>3</sup>5 | | d<sup>3</sup>5 | ||
Line 175: | Line 176: | ||
|- | |- | ||
| 25 | | 25 | ||
| 638. | | 638.3 | ||
| double-dim 5th | | double-dim 5th | ||
| dd5 | | dd5 | ||
Line 181: | Line 182: | ||
|- | |- | ||
| 26 | | 26 | ||
| 663. | | 663.8 | ||
| dim 5th | | dim 5th | ||
| d5 | | d5 | ||
Line 187: | Line 188: | ||
|- | |- | ||
| 27 | | 27 | ||
| 689. | | 689.4 | ||
| perfect 5th | | perfect 5th | ||
| P5 | | P5 | ||
Line 193: | Line 194: | ||
|- | |- | ||
| 28 | | 28 | ||
| 714. | | 714.9 | ||
| aug 5th | | aug 5th | ||
| A5 | | A5 | ||
Line 199: | Line 200: | ||
|- | |- | ||
| 29 | | 29 | ||
| 740. | | 740.4 | ||
| double-aug 5th | | double-aug 5th | ||
| AA5 | | AA5 | ||
Line 205: | Line 206: | ||
|- | |- | ||
| 30 | | 30 | ||
| | | 766.0 | ||
| triple-aug 5th, triple-dim 6th | | triple-aug 5th, triple-dim 6th | ||
| A<sup>3</sup>5, d<sup>3</sup>6 | | A<sup>3</sup>5, d<sup>3</sup>6 | ||
Line 211: | Line 212: | ||
|- | |- | ||
| 31 | | 31 | ||
| 791. | | 791.5 | ||
| double-dim 6th | | double-dim 6th | ||
| dd6 | | dd6 | ||
Line 217: | Line 218: | ||
|- | |- | ||
| 32 | | 32 | ||
| 817. | | 817.0 | ||
| dim 6th | | dim 6th | ||
| d6 | | d6 | ||
Line 223: | Line 224: | ||
|- | |- | ||
| 33 | | 33 | ||
| 842. | | 842.6 | ||
| minor 6th | | minor 6th | ||
| m6 | | m6 | ||
Line 229: | Line 230: | ||
|- | |- | ||
| 34 | | 34 | ||
| 868. | | 868.1 | ||
| major 6th | | major 6th | ||
| M6 | | M6 | ||
Line 235: | Line 236: | ||
|- | |- | ||
| 35 | | 35 | ||
| 893. | | 893.6 | ||
| aug 6th | | aug 6th | ||
| A6 | | A6 | ||
Line 241: | Line 242: | ||
|- | |- | ||
| 36 | | 36 | ||
| 919. | | 919.1 | ||
| double-aug 6th | | double-aug 6th | ||
| AA6 | | AA6 | ||
Line 247: | Line 248: | ||
|- | |- | ||
| 37 | | 37 | ||
| 944. | | 944.7 | ||
| triple-aug 6th, triple-dim 7th | | triple-aug 6th, triple-dim 7th | ||
| A<sup>3</sup>6, d<sup>3</sup>7 | | A<sup>3</sup>6, d<sup>3</sup>7 | ||
Line 253: | Line 254: | ||
|- | |- | ||
| 38 | | 38 | ||
| 970. | | 970.2 | ||
| double-dim 7th | | double-dim 7th | ||
| dd7 | | dd7 | ||
Line 259: | Line 260: | ||
|- | |- | ||
| 39 | | 39 | ||
| 995. | | 995.7 | ||
| dim 7th | | dim 7th | ||
| d7 | | d7 | ||
Line 265: | Line 266: | ||
|- | |- | ||
| 40 | | 40 | ||
| 1021. | | 1021.3 | ||
| minor 7th | | minor 7th | ||
| m7 | | m7 | ||
Line 271: | Line 272: | ||
|- | |- | ||
| 41 | | 41 | ||
| 1046. | | 1046.8 | ||
| major 7th | | major 7th | ||
| M7 | | M7 | ||
Line 277: | Line 278: | ||
|- | |- | ||
| 42 | | 42 | ||
| 1072. | | 1072.3 | ||
| aug 7th | | aug 7th | ||
| A7 | | A7 | ||
Line 283: | Line 284: | ||
|- | |- | ||
| 43 | | 43 | ||
| 1097. | | 1097.9 | ||
| double-aug 7th | | double-aug 7th | ||
| AA7 | | AA7 | ||
Line 289: | Line 290: | ||
|- | |- | ||
| 44 | | 44 | ||
| 1123. | | 1123.4 | ||
| triple-aug 7th, triple-dim 8ve | | triple-aug 7th, triple-dim 8ve | ||
| A<sup>3</sup>7, d<sup>3</sup>8 | | A<sup>3</sup>7, d<sup>3</sup>8 | ||
Line 295: | Line 296: | ||
|- | |- | ||
| 45 | | 45 | ||
| 1148. | | 1148.9 | ||
| double-dim 8ve | | double-dim 8ve | ||
| dd8 | | dd8 | ||
Line 301: | Line 302: | ||
|- | |- | ||
| 46 | | 46 | ||
| 1174. | | 1174.5 | ||
| dim 8ve | | dim 8ve | ||
| d8 | | d8 | ||
Line 307: | Line 308: | ||
|- | |- | ||
| 47 | | 47 | ||
| 1200. | | 1200.0 | ||
| perfect 8ve | | perfect 8ve | ||
| P8 | | P8 | ||
Line 379: | Line 380: | ||
== Scales == | == Scales == | ||
* [[Negri in zeta-stretched 47edo]] | * [[Negri in zeta-stretched 47edo]] | ||
* Quasi-equal [[equiheptatonic]]: 7 6 7 7 7 6 7 | * Quasi-equal [[equiheptatonic]] (Dorian): 7 6 7 7 7 6 7 | ||
** Quasi-equiheptatonic minor pentatonic: 13 7 7 13 7 | ** Quasi-equiheptatonic minor pentatonic: 13 7 7 13 7 | ||
* Quasi-equal [[equiheptatonic]] (Mixolydian): 7 7 6 7 7 6 7 | |||
* Quasi-equal [[equipentatonic]]: 9 10 9 10 9 | * Quasi-equal [[equipentatonic]]: 9 10 9 10 9 | ||
* Sabertooth hexatonic: 3 9 3 13 12 7 (this is the original/default tuning) | * Sabertooth hexatonic: 3 9 3 13 12 7 (this is the original/default tuning; [[scalesmith|designed]] for the "gold" and "platinum" timbres in [[Scale Workshop]]) | ||
** Sabertooth pentatonic: 3 9 3 13 19 (this is the original/default tuning) | ** Sabertooth pentatonic: 3 9 3 13 19 (this is the original/default tuning) | ||
** Sabertooth neutral: 3 11 14 11 8 (this is the original/default tuning | ** Sabertooth neutral: 3 11 14 11 8 (this is the original/default tuning) | ||
== | == Instruments == | ||
=== Lumatone === | |||
* [[Lumatone mapping for 47edo]] | * [[Lumatone mapping for 47edo]] | ||
=== Skip fretting === | |||
'''Skip fretting system 47 3 11''' is a [[skip-fretting]] system for [[47edo]] where strings are 11\47 and frets are 3\47. This is effectively 15.6666...-edo. All examples of this system on this page are for 5-string bass. | |||
; Chords | |||
Neutral-dominant 7th: 1 0 1 2 2 | |||
== Music == | == Music == |