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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | [[Lou Harrison]] invented the term '''free style JI''' from a technique he applied first in the middle section of his piece "[https://soundcloud.com/center-21stcentury-music/lou-harrison-at-the-tomb-iof-charles-ives At The Tomb of Charles Ives]" (see also [http://web.archive.org/web/20190408152307/https://store.cdbaby.com/cd/pitchrecs3 Archived page on CD Baby]); Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. [[David Doty]] realized a midi version of a Symphony in Free Style That Mr. Harrison wrote. |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2007-10-10 06:00:34 UTC</tt>.<br>
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| : The original revision id was <tt>9237157</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Lou Harrison used this term; it means that you compose music such that each pitch you choose is chosen from the infinitely large pool of rational numbers.
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| In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.
| | Free style JI is also sometimes referred to as '''rational intonation''' or '''RI'''. |
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| Toby Twining's //Chrysalid Requiem// makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.
| | In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there. Another consideration is that unless an effort is made to restrict the range of tonalities, the numerators and denominators grow with time and become unwieldy and eventually impossible to manage. If no such effort is made, they grow linearly. One possible solution is nanotempering--using an equal temperament so high it cannot be distinguished from JI. |
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| Chuckk Hubbard's [[http://www.badmuthahubbard.com/jisequencer.html|No-scale JI Sequencer]] is offered as a tool, with which Chuckk himself composed //Big Giant Worms// in 2006.
| | [[Toby Twining]]'s ''Chrysalid Requiem'' makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with. |
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| Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]].</pre></div>
| | [[Chuckk Hubbard]]'s [http://rationale.sourceforge.net/ Rationale] is offered as a tool, with which Chuckk himself has composed several works. |
| <h4>Original HTML content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>FreeStyleJI</title></head><body>Lou Harrison used this term; it means that you compose music such that each pitch you choose is chosen from the infinitely large pool of rational numbers.<br />
| | Two pitch calculators which could also be helpful: [http://jjicalc.sourceforge.net/ JJICalc] and [[jim altieri]]'s [https://web.archive.org/web/20120728192437/http://tweeg.net/software.html interval calculator]. |
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| In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.<br />
| | <ul><li>[https://web.archive.org/web/20111104013325/http://www.justintonation.net:80/ Just Intonation network]</li></ul> |
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| Toby Twining's <em>Chrysalid Requiem</em> makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.<br />
| | Notations which are capable of notating the whole of free-JI: |
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| Chuckk Hubbard's <a class="wiki_link_ext" href="http://www.badmuthahubbard.com/jisequencer.html" rel="nofollow">No-scale JI Sequencer</a> is offered as a tool, with which Chuckk himself composed <em>Big Giant Worms</em> in 2006.<br />
| | * [[Rational Comma Notation (RCN)]] |
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| | * [[Color notation]] |
| Two pitch calculators which could also be helpful: <a class="wiki_link_ext" href="http://jjicalc.sourceforge.net/" rel="nofollow">JJICalc</a> and jim altieri's <a class="wiki_link_ext" href="http://tweeg.net/software.html" rel="nofollow">interval calculator</a>.</body></html></pre></div> | | * [[Sagittal notation]] |
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| | {{todo|inline=1|improve synopsis|improve layout}} |
| | [[Category:Just intonation]] |
| | [[Category:Terms]] |