Nicetone: Difference between revisions

ArrowHead294 (talk | contribs)
mNo edit summary
Sintel (talk | contribs)
Tunings: fix broken latex
 
(17 intermediate revisions by 6 users not shown)
Line 1: Line 1:
'''Nicetone''' (also known as the '''Zarlino pattern''' or '''Ptolemaic diatonic''') is a 7-note [[Maximum variety|maximum-variety-3]] scale with the [[step signature]] {{nowrap|3L 2M 2s}}. Nicetone is a [[chiral]] scale with left-handed (LH, step pattern LMLsMLs) and right-handed (RH, step pattern LMLsLMs) variants that are rotationally non-equivalent. [[15edo]] is the first equal division that supports nicetone.
'''Nicetone''' (also known as the '''Zarlino pattern''', simply '''Zarlino''', or '''Ptolemaic diatonic''') is a 7-note [[Maximum variety|maximum-variety-3]] scale with the [[step signature]] {{nowrap|3L 2M 2s}}. Nicetone is a [[chiral]] scale with left-handed (LH, step pattern LMLsMLs) and right-handed (RH, step pattern LMLsLMs) variants that are rotationally non-equivalent. [[15edo]] is the first equal division that supports nicetone. This pattern is a variety of diatonic, distinct from the [[mos]] pattern [[5L 2s]] officially called diatonic and found as such in fifth-generated tunings.


Nicetone has the same pattern of the [[5-limit]] [[Zarlino]] scale, though it encompasses the whole range of {{nowrap|3L 2M 2s}}. It's also a subset of the {{nowrap|5L 2m 3s}} [[blackdye]] scale.
Nicetone has the same pattern of the [[#5-limit Zarlino scale|5-limit Zarlino]] scale, where L represents [[9/8]], M represents [[10/9]], and s represents [[16/15]], though it encompasses the whole range of {{nowrap|3L 2M 2s}}. It's also a subset of the {{nowrap|5L 2m 3s}} [[blackdye]] scale. Note that "Zarlino" by itself can refer to both the JI scale and the scale pattern.


Nicetone is intermediate between the [[5L 2s]] diatonic scale and the [[3L 4s]] neutral scale.
Nicetone is intermediate between the [[5L 2s]] diatonic scale and the [[3L 4s]] neutral scale.


Nicetone can be tuned as a [[5-limit]] JI scale or a tempered version thereof, where L represents [[9/8]], M represents [[10/9]], and s represents [[16/15]].
[[File:Nicetone.svg|900px|thumb|center|Comparison of diatonic scales in JI, Pythagorean tuning, and meantone]]
 
 
[[File:Nicetone.svg|800px|thumb|center|Comparison of diatonic scales in JI, Pythagorean tuning, and meantone]]


{| class="wikitable" style="margin-left: auto; margin-right: auto;"
{| class="wikitable" style="margin-left: auto; margin-right: auto;"
Line 21: Line 18:
| Antipentic || {{nowrap|3L 2s}} || 7\33, 6\33 || {{step vis| 6 7 7 6 7 }}
| Antipentic || {{nowrap|3L 2s}} || 7\33, 6\33 || {{step vis| 6 7 7 6 7 }}
|}
|}
== 5-limit Zarlino scale ==
'''[[Ptolemy's intense diatonic]]''', '''5-limit Zarlino''' or sometimes '''Zarlino''' for short is a [[heptatonic]] [[5-limit]] [[JI]] [[scale]] with the [[nicetone]] step pattern. It consists of the intervals [[1/1]]–9/8–[[5/4]]–[[4/3]]–[[3/2]]–[[5/3]]–[[15/8]]–[[2/1]]. It corresponds to the case where L represents [[9/8]], M represents [[10/9]], and s represents [[16/15]]. See the [[Ptolemy's intense diatonic|dedicated page]] for Scala files and Fokker blocks information.


== Intervals ==
== Intervals ==
Line 27: Line 27:
{| class="wikitable right-2 right-3 right-4 right-5 right-6 right-7"
{| class="wikitable right-2 right-3 right-4 right-5 right-6 right-7"
|+ style="font-size: 105%;" | Interval sizes in nicetone
|+ style="font-size: 105%;" | Interval sizes in nicetone
|-
|- style="white-space: nowrap;"
! colspan="2" | Interval class
! colspan="2" | Interval class
! Sizes
! Sizes
! 5-limit JI
! 5-limit JI
! [[15edo]]<br />({{nowrap|L:M:s {{=}} 3:2:1}})
! [[15edo]]<br />(L:M:s = 3:2:1)
! [[41edo]]<br />({{nowrap|L:M:s {{=}} 7:6:4}})
! [[41edo]]<br />(L:M:s = 7:6:4)
|- style="background-color: #eaeaff;"
|- style="background-color: #eaeaff;"
! rowspan="3" | Second<br />([[TAMNAMS|1-step]])
! rowspan="3" | Second<br />([[TAMNAMS|1-step]])
Line 55: Line 55:
! rowspan="3" | Third<br />([[TAMNAMS|2-step]])
! rowspan="3" | Third<br />([[TAMNAMS|2-step]])
! style="font-size: 0.75em;" | Small
! style="font-size: 0.75em;" | Small
| M + s
| {{nowrap|M + s}}
| 32/27, 294.13¢
| 32/27, 294.13¢
| 3\15, 240.00¢
| 3\15, 240.00¢
Line 61: Line 61:
|-
|-
! style="font-size: 0.75em;" | Medium
! style="font-size: 0.75em;" | Medium
| L + s
| {{nowrap|L + s}}
| 6/5, 315.64¢
| 6/5, 315.64¢
| 4\15, 320.00¢
| 4\15, 320.00¢
Line 67: Line 67:
|-
|-
! style="font-size: 0.75em;" | Large
! style="font-size: 0.75em;" | Large
| L + M
| {{nowrap|L + M}}
| 5/4, 386.31¢
| 5/4, 386.31¢
| 5\15, 400.00¢
| 5\15, 400.00¢
Line 74: Line 74:
! rowspan="3" | Fourth<br />([[TAMNAMS|3-step]])
! rowspan="3" | Fourth<br />([[TAMNAMS|3-step]])
! style="font-size: 0.75em;" | Small
! style="font-size: 0.75em;" | Small
| L + M + s
| {{nowrap|L + M + s}}
| 4/3, 498.04¢
| 4/3, 498.04¢
| 6\15, 480.00¢
| 6\15, 480.00¢
Line 80: Line 80:
|- style="background-color: "#eaeaff;"
|- style="background-color: "#eaeaff;"
! style="font-size: 0.75em;" | Medium
! style="font-size: 0.75em;" | Medium
| 2L + s
| {{nowrap|2L + s}}
| 27/20, 519.55¢
| 27/20, 519.55¢
| 7\15, 560.00¢
| 7\15, 560.00¢
Line 86: Line 86:
|- style="background-color: "#eaeaff;"
|- style="background-color: "#eaeaff;"
! style="font-size: 0.75em;" | Large
! style="font-size: 0.75em;" | Large
| 2L + M
| {{nowrap|2L + M}}
| 45/32, 590.22¢
| 45/32, 590.22¢
| 8\15, 640.00¢
| 8\15, 640.00¢
Line 93: Line 93:
! rowspan="3" | Fifth<br />([[TAMNAMS|4-step]])
! rowspan="3" | Fifth<br />([[TAMNAMS|4-step]])
! style="font-size: 0.75em;" | Small
! style="font-size: 0.75em;" | Small
| L + M + 2s
| {{nowrap|L + M + 2s}}
| 64/45, 609.78¢
| 64/45, 609.78¢
| 7\15, 560.00¢
| 7\15, 560.00¢
Line 99: Line 99:
|-
|-
! style="font-size: 0.75em;" | Medium
! style="font-size: 0.75em;" | Medium
| L + 2M + s
| {{nowrap|L + 2M + s}}
| 40/27, 680.45¢
| 40/27, 680.45¢
| 8\15, 640.00¢
| 8\15, 640.00¢
Line 105: Line 105:
|-
|-
! style="font-size: 0.75em;" | Large
! style="font-size: 0.75em;" | Large
| 2L + M + s
| {{nowrap|2L + M + s}}
| 3/2, 701.96¢
| 3/2, 701.96¢
| 9\15, 720.00¢
| 9\15, 720.00¢
Line 112: Line 112:
! rowspan="3" | Sixth<br />([[TAMNAMS|5-step]])
! rowspan="3" | Sixth<br />([[TAMNAMS|5-step]])
! style="font-size: 0.75em;" | Small
! style="font-size: 0.75em;" | Small
| 2L + M + 2s
| {{nowrap|2L + M + 2s}}
| 8/5, 813.69¢
| 8/5, 813.69¢
| 10\15, 800.00¢
| 10\15, 800.00¢
Line 118: Line 118:
|- style="background-color: "#eaeaff;"
|- style="background-color: "#eaeaff;"
! style="font-size: 0.75em;" | Medium
! style="font-size: 0.75em;" | Medium
| 2L + 2M + s
| {{nowrap|2L + 2M + s}}
| 5/3, 884.36¢
| 5/3, 884.36¢
| 11\15, 880.00¢
| 11\15, 880.00¢
Line 124: Line 124:
|- style="background-color: "#eaeaff;"
|- style="background-color: "#eaeaff;"
! style="font-size: 0.75em;" | Large
! style="font-size: 0.75em;" | Large
| 3L + M + s
| {{nowrap|3L + M + s}}
| 27/16, 905.87¢
| 27/16, 905.87¢
| 12\15, 960.00¢
| 12\15, 960.00¢
Line 131: Line 131:
! rowspan="3" | Seventh<br />([[TAMNAMS|6-step]])
! rowspan="3" | Seventh<br />([[TAMNAMS|6-step]])
! style="font-size: 0.75em;" | Small
! style="font-size: 0.75em;" | Small
| 2L + 2M + 2s
| {{nowrap|2L + 2M + 2s}}
| 16/9, 996.09¢
| 16/9, 996.09¢
| 12\15, 960.00¢
| 12\15, 960.00¢
Line 137: Line 137:
|-
|-
! style="font-size: 0.75em;" | Medium
! style="font-size: 0.75em;" | Medium
| 3L + M + 2s
| {{nowrap|3L + M + 2s}}
| 9/5, 1017.60¢
| 9/5, 1017.60¢
| 13\15, 1040.00¢
| 13\15, 1040.00¢
Line 143: Line 143:
|-
|-
! style="font-size: 0.75em;" | Large
! style="font-size: 0.75em;" | Large
| 3L + 2M + s
| {{nowrap|3L + 2M + s}}
| 15/8, 1088.27¢
| 15/8, 1088.27¢
| 14\15, 1120.00¢
| 14\15, 1120.00¢
Line 190: Line 190:
|-
|-
! Outer generator<br />({{nowrap|''G''<sub>1</sub> {{=}} 2L + M + s}})
! Outer generator<br />({{nowrap|''G''<sub>1</sub> {{=}} 2L + M + s}})
| <math>\displaystyle \frac{4}{7} &lt; G_\text{1} &lt; \frac{2}{3}</math>
| <math>\displaystyle \frac{4}{7} \lt G_\text{1} \lt \frac{2}{3}</math>
|-
|-
! RH inner generator<br />({{nowrap|''G''<sub>2R</sub> {{=}} L + M}})
! RH inner generator<br />({{nowrap|''G''<sub>2R</sub> {{=}} L + M}})
| <math>\displaystyle \frac{1}{2} G_\text{1} &lt; G_\text{2R} &lt; 4 G_\text{1} - 2 \text{ for } \frac{4}{7} &lt; G_\text{1} &le; \frac{3}{5}</math> <br><math>\displaystyle \frac{1}{2} G_\text{1} &lt; G_\text{2R} &lt; 1 - G_\text{1} \text{ for }\frac{3}{5} &le; G_\text{1} &lt; \frac{2}{3}</math>
| <math>\displaystyle \frac{1}{2} G_\text{1} \lt G_\text{2R} \lt 4 G_\text{1} - 2 \,\text{ for }\, \frac{4}{7} \lt G_\text{1} \le \frac{3}{5}</math> <br><math>\displaystyle \frac{1}{2} G_\text{1} \lt G_\text{2R} \lt 1 - G_\text{1} \,\text{ for }\,\frac{3}{5} \le G_\text{1} \lt \frac{2}{3}</math>
|-
|-
! LH inner generator <br />({{nowrap|''G''<sub>2L</sub> {{=}} L + s}})
! LH inner generator<br />({{nowrap|''G''<sub>2L</sub> {{=}} L + s}})
| <math>\displaystyle 2 - 3 G_\text{1} &lt; G_\text{2L} &lt; \frac{1}{2} G_\text{1} \text{ for }\frac{4}{7} &lt; G_\text{1} &le; \frac{3}{5}</math> <br><math>\displaystyle 2 G_\text{1} - 1 &lt; G_\text{2L} &lt; \frac{1}{2} G_\text{1} \text{ for }\frac{3}{5} &le; G_\text{1} &lt; \frac{2}{3}</math>
| <math>\displaystyle 2 - 3 G_\text{1} \lt G_\text{2L} \lt \frac{1}{2} G_\text{1} \,\text{ for }\,\frac{4}{7} \lt G_\text{1} \le \frac{3}{5}</math> <br><math>\displaystyle 2 G_\text{1} - 1 \lt G_\text{2L} \lt \frac{1}{2} G_\text{1} \,\text{ for }\,\frac{3}{5} \le G_\text{1} \lt \frac{2}{3}</math>
|-
|-
! Large step <br />({{nowrap|L {{=}} 2''G''<sub>1</sub> &minus; 1}})
! Large step<br />({{nowrap|L {{=}} 2''G''<sub>1</sub> &minus; 1}})
| <math>\displaystyle \frac{1}{7} &lt; L &lt; \frac{1}{3}</math>
| <math>\displaystyle \frac{1}{7} \lt L \lt \frac{1}{3}</math>
|-
|-
! Middle step <br />({{nowrap|M {{=}} 1 &minus; ''G''<sub>1</sub> &minus; ''G''<sub>2L</sub>}})
! Middle step<br />({{nowrap|M {{=}} 1 &minus; ''G''<sub>1</sub> &minus; ''G''<sub>2L</sub>}})
| <math>\displaystyle \frac{1}{4} (1 - 3 L) &lt; M &lt; L \text{ for } \frac{1}{7} &lt; L &le; \frac{1}{5}</math> <br><math>\displaystyle \frac{1}{4} (1 - 3 L) &lt; M &lt; \frac{1}{2} (1 - 3 L) \text{for} \frac{1}{5} &le; L &lt; \frac{1}{3}</math>
| <math>\displaystyle \frac{1}{4} (1 - 3 L) \lt M \lt L \,\text{ for }\, \frac{1}{7} \lt L \le \frac{1}{5}</math> <br><math>\displaystyle \frac{1}{4} (1 - 3 L) \lt M \lt \frac{1}{2} (1 - 3 L) \,\text{ for }\, \frac{1}{5} \le L \lt \frac{1}{3}</math>
|-
|-
! Small step <br />({{nowrap|s {{=}} 1 &minus; ''G''<sub>1</sub> &minus; ''G''<sub>2R</sub>}})
! Small step<br />({{nowrap|s {{=}} 1 &minus; ''G''<sub>1</sub> &minus; ''G''<sub>2R</sub>}})
| <math>\displaystyle \frac{1}{2} (1 - 5 L) &lt; s &lt; \frac{1}{4} (1 - 3 L) \text{ for } \frac{1}{7} &lt; L &le; \frac{1}{5}</math> <br><math>\displaystyle 0 &lt; s &lt; \frac{1}{4} (1 - 3 L) \text{for} \frac{1}{5} &le; L &lt; \frac{1}{3}</math>
| <math>\displaystyle \frac{1}{2} (1 - 5 L) \lt s \lt \frac{1}{4} (1 - 3 L) \,\text{ for }\, \frac{1}{7} \lt L \le \frac{1}{5}</math> <br><math>\displaystyle 0 \lt s \lt \frac{1}{4} (1 - 3 L) \,\text{ for }\, \frac{1}{5} \le L \lt \frac{1}{3}</math>
|}
|}


Line 211: Line 211:
|+ style="font-size: 105%;" | Common Nicetone tunings
|+ style="font-size: 105%;" | Common Nicetone tunings
|-
|-
! rowspan="2" | Tuning !! rowspan="2" | L:M:s !! colspan="3" | Size of step (¢) !! colspan="2" | Inner generator !! rowspan="2" | Outer generator <br />({{nowrap|2L + M + s}}) !! rowspan="2" | Comments
! rowspan="2" | Tuning !! rowspan="2" | L:M:s !! colspan="3" | Size of step (¢) !! colspan="2" | Inner generator !! rowspan="2" | Outer generator<br />({{nowrap|2L + M + s}}) !! rowspan="2" | Comments
|-
|-
! L !! M !! s !! LH ({{nowrap|L + s}}) !! RH ({{nowrap|L + M}})
! L !! M !! s !! LH ({{nowrap|L + s}}) !! RH ({{nowrap|L + M}})
Line 531: Line 531:
== See also ==
== See also ==
* [[Blackdye]] &ndash; A 10-note scale that is an extension to nicetone.
* [[Blackdye]] &ndash; A 10-note scale that is an extension to nicetone.
* [[Zarlino]] &ndash; A 5-limit JI scale with the same pattern.
* [[Omnidiatonic]]­­ ­&ndash; Sister 2L 3M 2s scale
* [[Omnidiatonic]]­­ ­&ndash; Sister 2L 3M 2s scale
* [[Antinicetone]] &ndash; Sister 2L 2M 3s scale
* [[Antinicetone]] &ndash; Sister 2L 2M 3s scale
Line 538: Line 537:
* [[3L 4s]] &ndash; MS-equalized version of nicetone
* [[3L 4s]] &ndash; MS-equalized version of nicetone
* [[3L 2s]] &ndash; Collapsed version of nicetone
* [[3L 2s]] &ndash; Collapsed version of nicetone
* [[Nicepent]] &ndash; The pentatonic predecessor to nicetone.
* [[Nicechrome]] &ndash; A possible chromatic (12-note) extension to nicetone.
* [[Superzarlino]]
* [[Zarlino (Pianoteq)]]


[[Category:Rank-3 scales]]
[[Category:Rank-3 scales]]
[[Category:7-tone scales]]
[[Category:7-tone scales]]
[[Category:GO scales]]
[[Category:GO scales]]