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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | == Microtonal fingerings for normal clarinet == |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | [[Quartertone]] cross fingerings are widespread (and apparently standard technique in French orchestral playing today), but certain pitches right above the break have no fingerings. |
| : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-09-18 07:48:38 UTC</tt>.<br>
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| : The original revision id was <tt>559659227</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[toc]]
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| =Microtonal fingerings for normal clarinet=
| | [[Richard Eldon Barber]] has made available this [http://www.geocities.com/bassooner42/jicl/ fingering chart for a 31-tone JI scale]. |
| Quartertone cross fingerings are widespread (and apparently standard technique in French orchestral playing today), but certain pitches right above the break have no fingerings.
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| Richard Eldon Barber has made available this [[http://www.geocities.com/bassooner42/jicl/|fingering chart for a 31-tone JI scale]].
| | [http://pitch.xentonic.org/ AFMM's Pitch] publication has fingerings up to 72 per octave. |
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| [[http://pitch.xentonic.org/|AFMM's Pitch]] publication has fingerings up to 72 per octave. | | Also worth mentioning is the scheme for making a small xenharmonic clarinet by connecting the mouthpiece directly to the lower joint. This fits only on certain clarinets, and it produces a [[macrotonal]] scale with no high register. |
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| Also worth mentioning is the scheme for making a small xenharmonic clarinet by connecting the mouthpiece directly to the lower joint. This fits only on certain clarinets, and it produces a macrotonal scale with no high register.
| | == Actual microtonal clarinets == |
| | All clarinets are tuned to an inexact [[12EDO]]. It might be more accurate to describe them as [[19ED3|19ED3 (19 equal divisions of 3/1)]], since they overblow at the twelfth. |
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| =Actual microtonal clarinets= | | === Quarter-tone clarinets === |
| All clarinets are tuned to an inexact 12tEDO. It might be more accurate to describe them as [[19ED3|19ED3 (19 equal divisions of 3/1)]], since they overblow at the twelfth.
| | {{Wikipedia|Quarter tone clarinet}} |
| | A quartertone clarinet was designed in 1937 by [[Fritz Schüller]]. It uses two parallel tubes, one slightly longer than the other, with a single key to switch between them. |
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| ==Quarter-tone clarinets== | | === Bohlen–Pierce clarinets === |
| [[http://nl.wikipedia.org/wiki/Kwarttoonklarinet|This quartertone clarinet]] apparently uses parallel tubes of 12, with a single key to switch between them.
| | The [http://www.sfoxclarinets.com/bpclar.html Bohlen–Pierce clarinet project] by [[Stephen Fox]] (instigated by [[Georg Hajdu]]) has so far resulted in the building of a soprano clarinet in the [[Bohlen–Pierce scale]]; the scale seems ideal for clarinet in particular. |
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| ==Bohlen-Pierce clarinets[[#BPClarinets]]==
| | Several compositions have been written for Bohlen–Pierce clarinets: by Canadian composers [[Owen Bloomfield]] and [[Todd Harrop]]; as well as by German composers Georg Hajdu, [[Peter Michael Hamel]], [[Sascha Lino Lemke]], [[Fredrik Schwenk]], and [[Manfred Stahnke]]. Links to the former composers' audio streams can be found on http://www.transpectra.org/audio.html; and links to the latter composers' audio streams can be found on http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008. |
| The [[http://www.sfoxclarinets.com/bpclar.html|Bohlen-Pierce clarinet project]] by Stephen Fox (instigated by Georg Hajdu) has so far resulted in the building of a soprano clarinet in the [[BP|BP scale (13ED3)]]; the scale seems ideal for clarinet in particular.
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| Several compositions have been written for Bohlen-Pierce clarinets: by Canadian composers Owen Bloomfield and Todd Harrop; as well as by German composers Georg Hajdu, Peter Michael Hamel, Sascha Lino Lemke, Fredrik Schwenk and Manfred Stahnke. Links to the former composers' audio streams can be found on http://www.transpectra.org/audio.html; and links to the latter composers' audio streams can be found on http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008.</pre></div>
| | [[Category:Instruments]] |
| <h4>Original HTML content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>microtonal clarinet</title></head><body><!-- ws:start:WikiTextTocRule:8:&lt;img id=&quot;wikitext@@toc@@normal&quot; class=&quot;WikiMedia WikiMediaToc&quot; title=&quot;Table of Contents&quot; src=&quot;/site/embedthumbnail/toc/normal?w=225&amp;h=100&quot;/&gt; --><div id="toc"><h1 class="nopad">Table of Contents</h1><!-- ws:end:WikiTextTocRule:8 --><!-- ws:start:WikiTextTocRule:9: --><div style="margin-left: 1em;"><a href="#Microtonal fingerings for normal clarinet">Microtonal fingerings for normal clarinet</a></div>
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| <!-- ws:end:WikiTextTocRule:9 --><!-- ws:start:WikiTextTocRule:10: --><div style="margin-left: 1em;"><a href="#Actual microtonal clarinets">Actual microtonal clarinets</a></div>
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| <!-- ws:end:WikiTextTocRule:10 --><!-- ws:start:WikiTextTocRule:11: --><div style="margin-left: 2em;"><a href="#Actual microtonal clarinets-Quarter-tone clarinets">Quarter-tone clarinets</a></div>
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| <!-- ws:end:WikiTextTocRule:11 --><!-- ws:start:WikiTextTocRule:12: --><div style="margin-left: 2em;"><a href="#Actual microtonal clarinets-Bohlen-Pierce clarinets">Bohlen-Pierce clarinets</a></div>
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| <!-- ws:end:WikiTextTocRule:12 --><!-- ws:start:WikiTextTocRule:13: --></div>
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| <!-- ws:end:WikiTextTocRule:13 --><br />
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| <!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="Microtonal fingerings for normal clarinet"></a><!-- ws:end:WikiTextHeadingRule:0 -->Microtonal fingerings for normal clarinet</h1>
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| Quartertone cross fingerings are widespread (and apparently standard technique in French orchestral playing today), but certain pitches right above the break have no fingerings.<br />
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| <br />
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| Richard Eldon Barber has made available this <a class="wiki_link_ext" href="http://www.geocities.com/bassooner42/jicl/" rel="nofollow">fingering chart for a 31-tone JI scale</a>.<br />
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| <br />
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| <a class="wiki_link_ext" href="http://pitch.xentonic.org/" rel="nofollow">AFMM's Pitch</a> publication has fingerings up to 72 per octave.<br />
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| <br />
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| Also worth mentioning is the scheme for making a small xenharmonic clarinet by connecting the mouthpiece directly to the lower joint. This fits only on certain clarinets, and it produces a macrotonal scale with no high register.<br />
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| <br />
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| <!-- ws:start:WikiTextHeadingRule:2:&lt;h1&gt; --><h1 id="toc1"><a name="Actual microtonal clarinets"></a><!-- ws:end:WikiTextHeadingRule:2 -->Actual microtonal clarinets</h1>
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| All clarinets are tuned to an inexact 12tEDO. It might be more accurate to describe them as <a class="wiki_link" href="/19ED3">19ED3 (19 equal divisions of 3/1)</a>, since they overblow at the twelfth.<br />
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| <br />
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| <!-- ws:start:WikiTextHeadingRule:4:&lt;h2&gt; --><h2 id="toc2"><a name="Actual microtonal clarinets-Quarter-tone clarinets"></a><!-- ws:end:WikiTextHeadingRule:4 -->Quarter-tone clarinets</h2>
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| <a class="wiki_link_ext" href="http://nl.wikipedia.org/wiki/Kwarttoonklarinet" rel="nofollow">This quartertone clarinet</a> apparently uses parallel tubes of 12, with a single key to switch between them.<br />
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| <br />
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| <!-- ws:start:WikiTextHeadingRule:6:&lt;h2&gt; --><h2 id="toc3"><a name="Actual microtonal clarinets-Bohlen-Pierce clarinets"></a><!-- ws:end:WikiTextHeadingRule:6 -->Bohlen-Pierce clarinets<!-- ws:start:WikiTextAnchorRule:14:&lt;img src=&quot;/i/anchor.gif&quot; class=&quot;WikiAnchor&quot; alt=&quot;Anchor&quot; id=&quot;wikitext@@anchor@@BPClarinets&quot; title=&quot;Anchor: BPClarinets&quot;/&gt; --><a name="BPClarinets"></a><!-- ws:end:WikiTextAnchorRule:14 --></h2>
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| The <a class="wiki_link_ext" href="http://www.sfoxclarinets.com/bpclar.html" rel="nofollow">Bohlen-Pierce clarinet project</a> by Stephen Fox (instigated by Georg Hajdu) has so far resulted in the building of a soprano clarinet in the <a class="wiki_link" href="/BP">BP scale (13ED3)</a>; the scale seems ideal for clarinet in particular.<br />
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| <br />
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| Several compositions have been written for Bohlen-Pierce clarinets: by Canadian composers Owen Bloomfield and Todd Harrop; as well as by German composers Georg Hajdu, Peter Michael Hamel, Sascha Lino Lemke, Fredrik Schwenk and Manfred Stahnke. Links to the former composers' audio streams can be found on <!-- ws:start:WikiTextUrlRule:36:http://www.transpectra.org/audio.html --><a class="wiki_link_ext" href="http://www.transpectra.org/audio.html" rel="nofollow">http://www.transpectra.org/audio.html</a><!-- ws:end:WikiTextUrlRule:36 -->; and links to the latter composers' audio streams can be found on <!-- ws:start:WikiTextUrlRule:37:http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008 --><a class="wiki_link_ext" href="http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008" rel="nofollow">http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008</a><!-- ws:end:WikiTextUrlRule:37 -->.</body></html></pre></div>
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