Lumatone mapping for neutral thirds scales: Difference between revisions
two different systems |
ArrowHead294 (talk | contribs) No edit summary |
||
| (2 intermediate revisions by one other user not shown) | |||
| Line 2: | Line 2: | ||
=="Double-Bosanquet"== | =="Double-Bosanquet"== | ||
This is called '''"Double-Bosanquet"''' since the diatonic scale is the same as in the [[Standard Lumatone mapping for Pythagorean| | This is called '''"Double-Bosanquet"''' since the diatonic scale is the same as in the [[Standard Lumatone mapping for Pythagorean|Bosanquet–Wilson layout]], except with rows of non-diatonic pitches inserted every other row. In other words it has exactly 2x as many pitches as Bosanquet, and if you removed all the half-sharps, half-flats etc. and slid the remaining rows together, it would become Bosanquet. | ||
{{Lumatone mapping| | {{Lumatone mapping| | ||
| Line 51: | Line 51: | ||
{{Lumatone key|x=15|y=4|label=E{{sharp}}}} | {{Lumatone key|x=15|y=4|label=E{{sharp}}}} | ||
{{Lumatone key|x=3|y=5|label=G{{flat}}{{flat}}v|size= | {{Lumatone key|x=3|y=5|label=G{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=4|y=5|label=A{{flat}}{{flat}}v|size= | {{Lumatone key|x=4|y=5|label=A{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=5|y=5|label=B{{flat}}{{flat}}v|size= | {{Lumatone key|x=5|y=5|label=B{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=6|y=5|label=C{{flat}}v|size=10px}} | {{Lumatone key|x=6|y=5|label=C{{flat}}v|size=10px}} | ||
{{Lumatone key|x=7|y=5|label=D{{flat}}v|size=10px}} | {{Lumatone key|x=7|y=5|label=D{{flat}}v|size=10px}} | ||
| Line 90: | Line 90: | ||
{{Lumatone key|x=22|y=6|label=E{{sharp2}}}} | {{Lumatone key|x=22|y=6|label=E{{sharp2}}}} | ||
{{Lumatone key|x=6|y=7|label=C{{flat}}{{flat}}v|size= | {{Lumatone key|x=6|y=7|label=C{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=7|y=7|label=D{{flat}}{{flat}}v|size= | {{Lumatone key|x=7|y=7|label=D{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=8|y=7|label=E{{flat}}{{flat}}v|size= | {{Lumatone key|x=8|y=7|label=E{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=9|y=7|label=F{{flat}}v|size=10px}} | {{Lumatone key|x=9|y=7|label=F{{flat}}v|size=10px}} | ||
{{Lumatone key|x=10|y=7|label=G{{flat}}v|size=10px}} | {{Lumatone key|x=10|y=7|label=G{{flat}}v|size=10px}} | ||
| Line 104: | Line 104: | ||
{{Lumatone key|x=18|y=7|label=A^}} | {{Lumatone key|x=18|y=7|label=A^}} | ||
{{Lumatone key|x=19|y=7|label=B^}} | {{Lumatone key|x=19|y=7|label=B^}} | ||
{{Lumatone key|x=20|y=7|label=C{{sharp}}^}} | {{Lumatone key|x=20|y=7|label=C{{sharp}}^|size=10px}} | ||
{{Lumatone key|x=21|y=7|label=D{{sharp}}^}} | {{Lumatone key|x=21|y=7|label=D{{sharp}}^|size=10px}} | ||
{{Lumatone key|x=22|y=7|label=E{{sharp}}^}} | {{Lumatone key|x=22|y=7|label=E{{sharp}}^|size=10px}} | ||
{{Lumatone key|x=23|y=7|label=F{{sharp2}}^}} | {{Lumatone key|x=23|y=7|label=F{{sharp2}}^|size=10px}} | ||
{{Lumatone key|x=24|y=7|label=G{{sharp2}}^}} | {{Lumatone key|x=24|y=7|label=G{{sharp2}}^|size=10px}} | ||
{{Lumatone key|x=25|y=7|label=A{{sharp2}}^}} | {{Lumatone key|x=25|y=7|label=A{{sharp2}}^|size=10px}} | ||
{{Lumatone key|x=26|y=7|label=B{{sharp2}}^}} | {{Lumatone key|x=26|y=7|label=B{{sharp2}}^|size=10px}} | ||
{{Lumatone key|x=6|y=8|label=C{{flat}}{{flat}}{{flat}}|size=7px}} | {{Lumatone key|x=6|y=8|label=C{{flat}}{{flat}}{{flat}}|size=7px}} | ||
| Line 137: | Line 137: | ||
{{Lumatone key|x=29|y=8|label=E{{sharp2}}{{sharp}}}} | {{Lumatone key|x=29|y=8|label=E{{sharp2}}{{sharp}}}} | ||
{{Lumatone key|x=9|y=9|label=F{{flat}}{{flat}}v|size= | {{Lumatone key|x=9|y=9|label=F{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=10|y=9|label=G{{flat}}{{flat}}v|size= | {{Lumatone key|x=10|y=9|label=G{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=11|y=9|label=A{{flat}}{{flat}}v|size= | {{Lumatone key|x=11|y=9|label=A{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=12|y=9|label=B{{flat}}{{flat}}v|size= | {{Lumatone key|x=12|y=9|label=B{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=13|y=9|label=C{{flat}}v|size=10px}} | {{Lumatone key|x=13|y=9|label=C{{flat}}v|size=10px}} | ||
{{Lumatone key|x=14|y=9|label=D{{flat}}v|size=10px}} | {{Lumatone key|x=14|y=9|label=D{{flat}}v|size=10px}} | ||
| Line 184: | Line 184: | ||
{{Lumatone key|x=31|y=10|label=G{{sharp2}}{{sharp}}}} | {{Lumatone key|x=31|y=10|label=G{{sharp2}}{{sharp}}}} | ||
{{Lumatone key|x=14|y=11|label=D{{flat}}{{flat}}v|size= | {{Lumatone key|x=14|y=11|label=D{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=15|y=11|label=E{{flat}}{{flat}}v|size= | {{Lumatone key|x=15|y=11|label=E{{flat}}{{flat}}v|size=8px}} | ||
{{Lumatone key|x=16|y=11|label=F{{flat}}v|size=10px}} | {{Lumatone key|x=16|y=11|label=F{{flat}}v|size=10px}} | ||
{{Lumatone key|x=17|y=11|label=G{{flat}}v|size=10px}} | {{Lumatone key|x=17|y=11|label=G{{flat}}v|size=10px}} | ||
| Line 610: | Line 610: | ||
Pros: | Pros: | ||
* Over 5 complete octaves. | * Over 5 complete octaves. | ||
* Neutral seconds have good ergonomics, because they have the same shape that major seconds do in | * Neutral seconds have good ergonomics, because they have the same shape that major seconds do in Bosanquet–Wilson. | ||
Cons: | Cons: | ||
* Worse ergonomics for major seconds. | |||
* May be unfamiliar or confusing to people familiar with normal Bosanquet. | * May be unfamiliar or confusing to people familiar with normal Bosanquet. | ||
* In particular the "sharp" direction is now down toward the player (not up away from the player as in normal Bosanquet), which may be confusing. | * In particular the "sharp" direction is now down toward the player (not up away from the player as in normal Bosanquet), which may be confusing. | ||
[[Category:Lumatone mappings]] | [[Category:Lumatone mappings]] | ||