26edt: Difference between revisions

Cmloegcmluin (talk | contribs)
add link for defactoring
ArrowHead294 (talk | contribs)
m Replace {{scale link}} with {{mos scalesig}}
 
(39 intermediate revisions by 6 users not shown)
Line 1: Line 1:
26edt divides the tritave (3/1) into 26 equal parts of 73.152 cents each, corresponding to 16.404[[edo]]. It is [[contorted]] (or [[enfactored]]) in the 7-limit, tempering out the same commas, 245/243 and 3125/3087, as [[13edt]]. In the 11-limit it tempers out 125/121 and 3087/3025, in the 13-limit 175/169, 147/143, and 847/845, and in the 17-limit 119/117. It is the seventh [[The_Riemann_Zeta_Function_and_Tuning#Removing prime|zeta peak tritave division]].
{{Infobox ET}}
{{ED intro}}


A reason to double 13edt to 26edt is to approximate the 8th, 13th, 17th, 20th, and 22nd harmonics particularly well. Moreover, it has an exaggerated diatonic scale with 11:16:21 supermajor triads, though only the 16:11 is particularly just due to its best 16 still being 28.04 cents sharp, or just about as bad as the 25 of 12edo (which is 27.373 cents sharp, an essentially just 100:63).
== Theory ==
26edt corresponds to 16.404…[[edo]]. It is [[contorted]] in the 7-limit, tempering out the same commas, [[245/243]] and [[3125/3087]], as [[13edt]]. In the 11-limit it tempers out 125/121 and 3087/3025, in the 13-limit 175/169, 147/143, and 847/845, and in the 17-limit 119/117. It is the seventh [[The Riemann zeta function and tuning#Removing primes|zeta peak tritave division]].
 
A reason to double 13edt to 26edt is to approximate the [[8/1|8th]], [[13/1|13th]], [[17/1|17th]], [[20/1|20th]], and [[22/1|22nd]] [[harmonic]]s particularly well{{dubious}}. Moreover, it has an exaggerated [[5L 2s (3/1-equivalent)|triatonic]] scale with 11:16:21 supermajor triads, though only the 16:11 is particularly just due to its best 16 still being 28.04 cents sharp, or just about as bad as the 25 of 12edo (which is 27.373 cents sharp, an essentially just 100:63).
 
While retaining 13edt's mapping of primes 3, 5, and 7, 26edt adds an accurate prime 17 to the mix, tempering out [[2025/2023]] to split the [[BPS]] generator of [[9/7]] into two intervals of [[17/15]]. This 17/15 generates [[Dubhe]] temperament and mos scales of {{mos scalesig|8L 1s<3/1>|link=1}} and {{mos scalesig|9L 8s<3/1>|link=1}} that can be used as a simple traversal of 26edt. Among the 3.5.7.17-[[subgroup]] intervals, the accuracy of [[21/17]] should be highlighted, forming a 21-strong [[consistent circle]] that traverses the edt.
 
Additionally, while still far from perfect, 26edt does slightly improve upon 13edt's approximation of harmonics 11 and 13, which turns out to be sufficient to allow 26edt to be [[consistent]] to the no-twos [[21-odd-limit]], and is in fact the first edt to achieve this.
 
=== Harmonics ===
{{Harmonics in equal|26|3|1}}
{{Harmonics in equal|26|3|1|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 26edt (continued)}}


== Intervals ==
== Intervals ==
 
{| class="wikitable center-all right-2 right-3"
{| class="wikitable center-1 right-2 right-3"
|-
|-
! Steps
! Steps
! [[Cent]]s
! [[Cent]]s
! [[Hekt]]s
! [[Hekt]]s
! BP nonatonic degree
! [[4L 5s (3/1-equivalent)|Enneatonic]] degree
! Diatonic degree
! Corresponding<br>3.5.7.17 subgroup intervals
! Corresponding JI intervals
! Dubhe<br>(LLLLLLLLs,<br />J = 1/1)
! Comments
! [[Lambda ups and downs notation|Lambda]]<br>(sLsLsLsLs,<br />E = 1/1)
! Generator for...
|-
| 0
| 0
| 0
| P1
| 1/1
| J
| E
|-
|-
| 1
| 1
Line 20: Line 38:
| 50
| 50
| Sa1/sd2
| Sa1/sd2
| A1/dd2
| [[51/49]] (+3.9¢); [[85/81]] (−10.3¢)
| 25/24
| J#
|  
| ^E, vF
|  
|-
|-
| 2
| 2
Line 29: Line 46:
| 100
| 100
| A1/m2
| A1/m2
| AA1/sm2
| [[49/45]] (−1.1¢); [[27/25]] (+13.1¢)
| 27/25~49/45
| Kb
|  
| F
|  
|-
|-
| 3
| 3
Line 38: Line 54:
| 150
| 150
| N2
| N2
| m2
| [[135/119]] (+1.1¢); [[17/15]] (+2.8¢)
| 9/8~312/275
| K
|  
| ^F, vF#, vGb
|  
|-
|-
| 4
| 4
Line 47: Line 62:
| 200
| 200
| M2/d3
| M2/d3
| M2
| [[25/21]] (−9.2¢)
| 25/21~13/11
| K#
|  
| F#, Gb
|  
|-
|-
| 5
| 5
Line 56: Line 70:
| 250
| 250
| Sa2/sd3
| Sa2/sd3
| SM2/dd3
| [[21/17]] (−0.06¢)
| 5/4~243/196
| Lb
| False 11/9
| vG, ^F#, ^Gb
|  
|-
|-
| 6
| 6
Line 65: Line 78:
| 300
| 300
| A2/P3/d4
| A2/P3/d4
| AA2/sm3
| [[9/7]] (+3.8¢)
| 9/7
| L
|  
| G
|  
|-
|-
| 7
| 7
Line 74: Line 86:
| 350
| 350
| Sa3/sd4
| Sa3/sd4
| m3
| [[85/63]] (−6.5¢)
| 27/20
| L#
| False 21/16
| ^G, vH
|  
|-
|-
| 8
| 8
Line 83: Line 94:
| 400
| 400
| A3/m4/d5
| A3/m4/d5
| M3
| [[7/5]] (+2.7¢)
| 7/5
| Mb
|  
| H
|  
|-
|-
| 9
| 9
Line 92: Line 102:
| 450
| 450
| N4/sd5
| N4/sd5
| SM3/dd4
| [[51/35]] (+6.6¢); [[119/81]] (−7.6¢); [[25/17]] (−9.3¢)
| 16/11
| M
| False 13/9
| ^H, vH#, vJb
|  
|-
|-
| 10
| 10
Line 101: Line 110:
| 500
| 500
| M4/m5
| M4/m5
| AA3/d4
| [[75/49]] (−5.4¢)
| 75/49
| M#
| False 3/2
| H#, Jb
|  
|-
|-
| 11
| 11
Line 110: Line 118:
| 550
| 550
| Sa4/N5
| Sa4/N5
| P4
| [[119/75]] (+5.5¢); [[27/17]] (+3.8¢)
| 8/5
| Nb
| False 11/7
| vJ, ^H#, ^Jb
|  
|-
|-
| 12
| 12
| 877.8
| 877.8
| 600
| 600
| A4/M5/d6
| A4/M5
| A4
| [[5/3]] (−6.5¢)
| 5/3
| N
| False 27/16
| J
|  
|-
|-
| 13
| 13
Line 128: Line 134:
| 650
| 650
| Sa5/sd6
| Sa5/sd6
| AA4/dd5
| [[85/49]] (−2.6¢), [[147/85]] (+2.6¢)
| 125/72
| N#
|  
| ^J, vA
|  
|-
|-
| 14
| 14
Line 137: Line 142:
| 700
| 700
| A5/m6/d7
| A5/m6/d7
| d5
| [[9/5]] (+6.5¢)
| 9/5
| Ob
| False 16/9
| A
|  
|-
|-
| 15
| 15
Line 146: Line 150:
| 750
| 750
| N6/sd7
| N6/sd7
| P5
| [[225/119]] (−5.5¢); [[17/9]] (−3.8¢)
| 15/8
| O
| False 21/11
| ^A, vA#, vBb
|  
|-
|-
| 16
| 16
Line 155: Line 158:
| 800
| 800
| M6/m7
| M6/m7
| A5/dd6
| [[49/25]] (+5.4¢)
| 49/25
| O#
| False 2/1
| A#, Bb
|  
|-
|-
| 17
| 17
Line 164: Line 166:
| 850
| 850
| Sa6/N7
| Sa6/N7
| AA5/sm6
| [[35/17]] (−6.6¢); [[243/119]] (+7.6¢); [[51/25]] (+9.3¢)
| 33/16
| Pb
| False 27/13
| vB, ^A#, ^Bb
|  
|-
|-
| 18
| 18
Line 173: Line 174:
| 900
| 900
| A6/M7/d8
| A6/M7/d8
| m6
| [[15/7]] (−2.7¢)
| 15/7
| P
|  
| B
|  
|-
|-
| 19
| 19
Line 182: Line 182:
| 950
| 950
| Sa7/sd8
| Sa7/sd8
| M6
| [[189/85]] (+6.5¢)
| 20/9
| P#
| False 16/7
| ^B, vC
|  
|-
|-
| 20
| 20
| 1463.0
| 1463.0
| 1000
| 1000
| A7/P8/d9
| P8/d9
| SM6/dd7
| [[7/3]] (−3.8¢)
| 7/3
| Qb
|  
| C
|  
|-
|-
| 21
| 21
Line 200: Line 198:
| 1050
| 1050
| Sa8/sd9
| Sa8/sd9
| AA6/sm7
| [[17/7]] (+0.06¢)
| 12/5~196/81
| Q
| False 27/11
| ^C, vC#, vDb
|  
|-
|-
| 22
| 22
Line 209: Line 206:
| 1100
| 1100
| A8/m9
| A8/m9
| m7
| [[63/25]] (+9.2¢)
| 63/25~33/13
| Q#
|  
| C#, Db
|  
|-
|-
| 23
| 23
Line 218: Line 214:
| 1150
| 1150
| N9
| N9
| M7
| [[119/45]] (−1.1¢); [[45/17]] (−2.8¢)
| 8/3~275/104
| Rb
|  
| vD, ^C#, ^Db
|  
|-
|-
| 24
| 24
Line 227: Line 222:
| 1200
| 1200
| M9/d10
| M9/d10
| SM7/dd8
| [[135/49]] (+1.1¢); [[25/9]] (−13.1¢)
| 25/9~135/49
| R
|  
| D
|  
|-
|-
| 25
| 25
Line 236: Line 230:
| 1250
| 1250
| Sa9/sd10
| Sa9/sd10
| A7/d8
| [[49/17]] (−3.9¢); [[243/85]] (+10.3¢)
| 72/25
| R#, Jb
|  
| ^D, vE
|  
|-
|-
| 26
| 26
Line 245: Line 238:
| 1300
| 1300
| A9/P10
| A9/P10
| P8
| [[3/1]]
| 3/1
| J
| Tritave
| E
|  
|}
|}


It is a weird coincidence how 26edt intones any [[26edo]] intervals within plus or minus 6.5 cents when it is supposed to have nothing to do with this other tuning:
=== Connection to 26edo ===
It is a weird coincidence{{dubious}} how 26edt intones many [[26edo]] intervals within ±6.5{{c}} when it is supposed to have nothing to do with this other tuning:


{| class="wikitable right-all"
{| class="wikitable right-all"
Line 261: Line 254:
| 365.761
| 365.761
| 369.231
| 369.231
| -3.470
| −3.470
|-
|-
| 512.065
| 512.065
Line 273: Line 266:
| 1243.586
| 1243.586
| 1246.154
| 1246.154
| -2.168
| −2.168
|-
|-
| 1389.890
| 1389.890
Line 285: Line 278:
| 2121.411
| 2121.411
| 2123.077
| 2123.077
| -1.666
| −1.666
|-
|-
| 2633.476
| 2633.476
Line 294: Line 287:


== Music ==
== Music ==
 
; [[Omega9]]
*''The Eel And Loach To Attack In Lasciviousness Are Insane'': [https://www.youtube.com/watch?v=AhWJ2yJsODs video] | [http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20The%20Eel%20And%20Loach%20To%20Attack%20In%20Lasciviousness%20Are%20Insane.mp3 MP3] by Omega9
* ''The Eel And Loach To Attack In Lasciviousness Are Insane'' [https://www.youtube.com/watch?v=AhWJ2yJsODs video] | [https://web.archive.org/web/20201127012842/http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20The%20Eel%20And%20Loach%20To%20Attack%20In%20Lasciviousness%20Are%20Insane.mp3 play]
 
[[Category:3/1]]
[[Category:edt]]
[[Category:tritave]]
[[category:nonoctave]]