User:2^67-1/TempClean sandbox/Pythagorean tuning: Difference between revisions
Created page with "{{Wikipedia|Pythagorean tuning}} The '''3-limit''' consists of intervals that are either an integer whose only prime factors are 2 and 3, the reciprocal of such an intege..." |
|||
(2 intermediate revisions by the same user not shown) | |||
Line 2: | Line 2: | ||
The '''3-limit''' consists of [[interval]]s that are either an integer whose only prime factors are 2 and 3, the reciprocal of such an integer, the ratio of a power of 2 to a power of 3, or the ratio of a power of 3 to a power of 2. All 3-limit intervals can be written as <math>2^a \cdot 3^b</math>, where ''a'' and ''b'' can be any (positive, negative or zero) integer. Some examples of 3-limit intervals are [[3/2]], [[4/3]], [[9/8]]. Confining intervals to the 3-limit is known as '''Pythagorean tuning''', and the Pythagorean tuning used in Europe during the Middle Ages is the seed out of which grew the common-practice tradition of Western music, as well as genres derived from it. A 3-limit interval is also known as a Pythagorean interval. | The '''3-limit''' consists of [[interval]]s that are either an integer whose only prime factors are 2 and 3, the reciprocal of such an integer, the ratio of a power of 2 to a power of 3, or the ratio of a power of 3 to a power of 2. All 3-limit intervals can be written as <math>2^a \cdot 3^b</math>, where ''a'' and ''b'' can be any (positive, negative or zero) integer. Some examples of 3-limit intervals are [[3/2]], [[4/3]], [[9/8]]. Confining intervals to the 3-limit is known as '''Pythagorean tuning''', and the Pythagorean tuning used in Europe during the Middle Ages is the seed out of which grew the common-practice tradition of Western music, as well as genres derived from it. A 3-limit interval is also known as a Pythagorean interval. | ||
Pythagorean tuning forms the basis of most systems of diatonic interval categories. | |||
== EDO approximation == | == EDO approximation == | ||
Line 10: | Line 12: | ||
== Approaches == | == Approaches == | ||
There are | There are many possible approaches to Pythagorean tuning, and each approach is associated with a different Pythagorean equave. The two most widely-used are [[octave]]-based and [[tritave]]-based Pythagorean. | ||
[[Octave]]-based Pythagorean tuning is essentially how it is used in the common-practice. This gives MOS sizes of 2, 3, 5 ([[2L 3s]] pentic), 7 ([[5L 2s]] diatonic), 12 ([[5L 7s]] chromatic), 17 ([[12L 5s]] enharmonic), 29, 41, and 53. | [[Octave]]-based Pythagorean tuning is essentially how it is used in the common-practice. This gives MOS sizes of 2, 3, 5 ([[2L 3s]] pentic), 7 ([[5L 2s]] diatonic), 12 ([[5L 7s]] chromatic), 17 ([[12L 5s]] enharmonic), 29, 41, and 53. | ||
[[Tritave]]-based Pythagorean tuning | [[Tritave]]-based Pythagorean tuning is an approach described in [https://arxiv.org/abs/1709.00375 this paper] by M. Schmidmeier. This gives MOS sizes of 2, 3, 5, 8 (3L 5s), 11 (8L 3s), 19 (8L 11s), 27 (19L 8s), 46, and 65. The 11-note scale can be regarded as the diatonic-like scale of tritave-equivalent Pythagorean, and the 19-note scale can be regarded as its respective chromatic-like scale. | ||
== Table of intervals == | == Table of intervals == | ||
Line 32: | Line 34: | ||
| wa unison | | wa unison | ||
| P1 | | P1 | ||
| | | D | ||
|- | |- | ||
| [[2187/2048]] | | [[2187/2048]] | ||
Line 40: | Line 42: | ||
| lawa 1sn | | lawa 1sn | ||
| A1 | | A1 | ||
| | | D# | ||
|- | |- | ||
| [[256/243]] | | [[256/243]] | ||
Line 48: | Line 50: | ||
| sawa 2nd | | sawa 2nd | ||
| m2 | | m2 | ||
| | | Eb | ||
|- | |- | ||
| [[9/8]] | | [[9/8]] | ||
Line 56: | Line 58: | ||
| wa 2nd | | wa 2nd | ||
| M2 | | M2 | ||
| | | E | ||
|- | |- | ||
| [[19683/16384]] | | [[19683/16384]] | ||
Line 64: | Line 66: | ||
| lawa 2nd | | lawa 2nd | ||
| A2 | | A2 | ||
| | | E# | ||
|- | |- | ||
| [[32/27]] | | [[32/27]] | ||
Line 72: | Line 74: | ||
| wa 3rd | | wa 3rd | ||
| m3 | | m3 | ||
| | | F | ||
|- | |- | ||
| [[81/64]] | | [[81/64]] | ||
Line 80: | Line 82: | ||
| lawa 3rd | | lawa 3rd | ||
| M3 | | M3 | ||
| | | F# | ||
|- | |- | ||
| [[8192/6561]] | | [[8192/6561]] | ||
Line 88: | Line 90: | ||
| sawa 4th | | sawa 4th | ||
| d4 | | d4 | ||
| | | Gb | ||
|- | |- | ||
| [[4/3]] | | [[4/3]] | ||
Line 96: | Line 98: | ||
| wa 4th | | wa 4th | ||
| P4 | | P4 | ||
| | | G | ||
|- | |- | ||
| [[729/512]] | | [[729/512]] | ||
Line 104: | Line 106: | ||
| lawa 4th | | lawa 4th | ||
| A4 | | A4 | ||
| | | G# | ||
|- | |- | ||
| [[1024/729]] | | [[1024/729]] | ||
Line 112: | Line 114: | ||
| sawa 5th | | sawa 5th | ||
| d5 | | d5 | ||
| | | Ab | ||
|- | |- | ||
| [[3/2]] | | [[3/2]] | ||
Line 120: | Line 122: | ||
| wa 5th | | wa 5th | ||
| P5 | | P5 | ||
| | | A | ||
|- | |- | ||
| [[6561/4096]] | | [[6561/4096]] | ||
Line 128: | Line 130: | ||
| lawa 5th | | lawa 5th | ||
| A5 | | A5 | ||
| | | A# | ||
|- | |- | ||
| [[128/81]] | | [[128/81]] | ||
Line 136: | Line 138: | ||
| sawa 6th | | sawa 6th | ||
| m6 | | m6 | ||
| | | Bb | ||
|- | |- | ||
| [[27/16]] | | [[27/16]] | ||
Line 144: | Line 146: | ||
| wa 6th | | wa 6th | ||
| M6 | | M6 | ||
| | | B | ||
|- | |- | ||
| [[32768/19683]] | | [[32768/19683]] | ||
Line 152: | Line 154: | ||
| sawa 7th | | sawa 7th | ||
| d7 | | d7 | ||
| | | Cb | ||
|- | |- | ||
| [[16/9]] | | [[16/9]] | ||
Line 160: | Line 162: | ||
| wa 7th | | wa 7th | ||
| m7 | | m7 | ||
| | | C | ||
|- | |- | ||
| [[243/128]] | | [[243/128]] | ||
Line 168: | Line 170: | ||
| lawa 7th | | lawa 7th | ||
| M7 | | M7 | ||
| | | C# | ||
|- | |- | ||
| [[4096/2187]] | | [[4096/2187]] | ||
Line 176: | Line 178: | ||
| sawa 8ve | | sawa 8ve | ||
| d8 | | d8 | ||
| | | Db | ||
|- | |- | ||
| [[2/1]] | | [[2/1]] | ||
Line 184: | Line 186: | ||
| wa 8ve | | wa 8ve | ||
| P8 | | P8 | ||
| | | D | ||
|} | |} |