2L 5s: Difference between revisions
the accuracy of the generator interpretation does not determine the HE minimum |
ArrowHead294 (talk | contribs) mNo edit summary |
||
Line 4: | Line 4: | ||
The most well-known forms of this scale are produced by [[mavila temperament]], with fifths sharp enough to resemble diatonic. Other temperaments that produce this scale include score, casablanca, and triton, whose fifths are so flat that they cannot be interpreted as a diatonic 5th, flattened or otherwise. | The most well-known forms of this scale are produced by [[mavila temperament]], with fifths sharp enough to resemble diatonic. Other temperaments that produce this scale include score, casablanca, and triton, whose fifths are so flat that they cannot be interpreted as a diatonic 5th, flattened or otherwise. | ||
==Name== | == Name == | ||
[[TAMNAMS]] suggests the temperament-agnostic name '''antidiatonic''' for this scale, adopted from the common use of the term to refer to diatonic ([[5L 2s]]) but with the large and small steps switched. | [[TAMNAMS]] suggests the temperament-agnostic name '''antidiatonic''' for this scale, adopted from the common use of the term to refer to diatonic ([[5L 2s]]) but with the large and small steps switched. | ||
==Intervals== | |||
== Intervals == | |||
{{TAMNAMS use}} | {{TAMNAMS use}} | ||
{{MOS intervals}} | {{MOS intervals}} | ||
==Notation== | |||
== Notation == | |||
The most common way of notating this scale, particularly when working with mavila temperament, is to use the same note names and accidentals as that of diatonic (CDEFGAB, #, and b), but read as antidiatonic instead. There are, however, two ways of notating accidentals: | The most common way of notating this scale, particularly when working with mavila temperament, is to use the same note names and accidentals as that of diatonic (CDEFGAB, #, and b), but read as antidiatonic instead. There are, however, two ways of notating accidentals: | ||
*Harmonic antidiatonic notation, where the sharps and flats of diatonic switch roles: sharps flatten and flats sharpen. | * Harmonic antidiatonic notation, where the sharps and flats of diatonic switch roles: sharps flatten and flats sharpen. | ||
*Melodic antidiatonic notation, where the meaning of sharps and flats is preserved: sharps sharpen and flats flatten. | * Melodic antidiatonic notation, where the meaning of sharps and flats is preserved: sharps sharpen and flats flatten. | ||
Under harmonic antidiatonic notation, the basic gamut (for D anti-dorian) is the following: {{MOS gamut|Notation=DEFGABC; b; #|Step Ratio=2/1}}. | Under harmonic antidiatonic notation, the basic gamut (for D anti-dorian) is the following: {{MOS gamut|Notation=DEFGABC; b; #|Step Ratio=2/1}}. | ||
Line 19: | Line 21: | ||
Under melodic antidiatonic notation, the basic gamut is the following: {{MOS gamut|Notation=DEFGABC; #; b|Step Ratio=2/1}}. | Under melodic antidiatonic notation, the basic gamut is the following: {{MOS gamut|Notation=DEFGABC; #; b|Step Ratio=2/1}}. | ||
==Theory== | == Theory == | ||
===Low harmonic entropy scales=== | === Low harmonic entropy scales === | ||
There is one notable harmonic entropy minimum: [[Liese]]/triton, in which the generator is [[10/7]] (632.5{{cent}}) and three of them make a [[3/1]] (1897.6{{cent}}). | There is one notable harmonic entropy minimum: [[Liese]]/triton, in which the generator is [[10/7]] (632.5{{cent}}) and three of them make a [[3/1]] (1897.6{{cent}}). | ||
===Temperament interpretations=== | === Temperament interpretations === | ||
2L 5s has several rank-2 temperament interpretations, such as: | 2L 5s has several rank-2 temperament interpretations, such as: | ||
Line 30: | Line 32: | ||
*[[Liese]], with generators around 632.4¢. | *[[Liese]], with generators around 632.4¢. | ||
==Tuning ranges == | == Tuning ranges == | ||
=== Simple tunings === | |||
===Simple tunings=== | |||
The simplest tunings are those with step ratios 2:1, 3:1, and 3:2, producing [[9edo]], [[11edo]], and [[16edo]]. | The simplest tunings are those with step ratios 2:1, 3:1, and 3:2, producing [[9edo]], [[11edo]], and [[16edo]]. | ||
{{MOS tunings}} | {{MOS tunings}} | ||
===Soft-of-basic tunings=== | === Soft-of-basic tunings === | ||
{{Main|Mavila}} | {{Main|Mavila}} | ||
Much of the range for soft-of-basic antidiatonic tunings (1:1 to 2:1) corresponds to mavila temperament. Edos include 9edo (not shown), [[16edo]], and [[23edo]]. | Much of the range for soft-of-basic antidiatonic tunings (1:1 to 2:1) corresponds to mavila temperament. Edos include 9edo (not shown), [[16edo]], and [[23edo]]. | ||
Line 53: | Line 54: | ||
{{MOS tunings|Step Ratios=4/1; 5/1; 6/1; 7/1}} | {{MOS tunings|Step Ratios=4/1; 5/1; 6/1; 7/1}} | ||
==Modes== | == Modes == | ||
{{MOS mode degrees}} | {{MOS mode degrees}} | ||
===Proposed | |||
=== Proposed names === | |||
Modes of antidiatonic are usually named as "anti-" combined with the corresponding mode of the diatonic scale, where anti-locrian is the brightest mode and anti-lydian is the darkest mode. [[User:CompactStar|CompactStar]] also gave original names based on regions of France to mirror how modes of the diatonic scale are named on regions of Greece and Turkey. | Modes of antidiatonic are usually named as "anti-" combined with the corresponding mode of the diatonic scale, where anti-locrian is the brightest mode and anti-lydian is the darkest mode. [[User:CompactStar|CompactStar]] also gave original names based on regions of France to mirror how modes of the diatonic scale are named on regions of Greece and Turkey. | ||
{{MOS modes|Mode Names=Anti-locrian; Anti-phrygian; Anti-aeolian; Anti-dorian; Anti-mixolydian; Anti-ionian; Anti-lydian|Table Headers=CompactStar's names|Table Entries=Corsican; Breton; Burgundian; Picardian; Norman; Provencal; Alsatian}} | {{MOS modes|Mode Names=Anti-locrian; Anti-phrygian; Anti-aeolian; Anti-dorian; Anti-mixolydian; Anti-ionian; Anti-lydian|Table Headers=CompactStar's names|Table Entries=Corsican; Breton; Burgundian; Picardian; Norman; Provencal; Alsatian}} | ||
==Scale tree== | == Scale tree == | ||
{{Scale tree|Comments=6/5: [[Gravity]]↑; | {{Scale tree|Comments=6/5: [[Gravity]]↑; | ||
3/2: [[Mavila]]; | 3/2: [[Mavila]]; | ||
Line 70: | Line 72: | ||
7/15: [[Thuja]]; | 7/15: [[Thuja]]; | ||
6/1: [[Liese]]↓, [[triton]]↓}} | 6/1: [[Liese]]↓, [[triton]]↓}} | ||
[[Category:7-tone scales]] | [[Category:7-tone scales]] | ||
[[Category:Antidiatonic| ]] <!-- main article --> | [[Category:Antidiatonic| ]] <!-- main article --> |