135/128: Difference between revisions
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{{Infobox Interval | |||
| | | Name = ptolemaic chromatic semitone, major limma, major chroma, mavila comma | ||
| Color name = Ly1, layo unison,<br>Layobi comma | |||
| Sound = jid_135_128_pluck_adu_dr220.mp3 | |||
| Comma = yes | |||
}} | |||
92. | The [[5-limit]] interval '''135/128''', about 92.2 [[cent]]s in size, is called the '''ptolemaic chromatic semitone''', the '''major limma''' or the '''major chroma'''. It is a [[syntonic comma]] away from the Pythagorean chromatic semitone [[2187/2048]], and so is tuned justly in [[1/7-comma meantone]]. Flattening by another syntonic comma reaches the even simpler [[25/24]]. In regular 5-limit diatonic systems, it is the chromatic semitone that compliments [[16/15]], as the two semitones add up to [[9/8]]. | ||
[[ | == Temperaments == | ||
If 135/128 is treated as a comma to be [[tempering out|tempered out]], it may be called the '''mavila comma'''. It represents the difference between three [[4/3|perfect fourth]]s and a [[5/4|just major third]] (plus an [[octave]]). Tempering it out results in the [[mavila]] temperament. | |||
135/128 is very close to one step of [[13edo]], in fact being a {{w|Continued fraction|semiconvergent}}. [[Aluminium]] temperament realizes this through a regular temperament lens. | |||
== See also == | |||
* [[256/135]] – its [[octave complement]] | |||
* [[Aluminium comma]] - the difference between a stack of 13 instances of this interval and [[2/1]] | |||
* [[Gallery of just intervals]] | |||
* [[Medium comma]] | |||
* [[:File:Ji-135-128-csound-foscil-220hz.mp3]] – another sound example | |||
[[Category:Semitone]] | |||
[[Category: | [[Category:Chroma]] | ||
[[Category: | [[Category:Mavila]] | ||
[[Category: | [[Category:Meantone]] | ||
[[Category: | [[Category:Commas named after musical traditions]] |