Mason Green's New Common Practice Notation: Difference between revisions

@@ Line 67: / Line 67: @@
 | 5/4, 16/13, 26/21
 | Major mediant
-| <span style="text-decoration: overline;">3</span>
+| {{overline|3}}
-| <span style="text-decoration: overline;">III</span>
+| {{overline|III}}
 |-
 | 7
@@ Line 123: / Line 123: @@
 | 5/3
 | Major submediant
-| <span style="text-decoration: overline;">6</span>
+| {{overline|6}}
-| <span style="text-decoration: overline;">VI</span>
+| {{overline|VI}}
 |-
 | 15
@@ Line 261: / Line 261: @@
 * All progressions using only I, IV, and V.
-* The circle progression (<span style="text-decoration: overline;">vi</span> - ii- V - I).
+* The circle progression ({{overline|vi}} - ii- V - I).
-* The 50s progression (I – <span style="text-decoration: overline;">vi</span> - IV - V)
+* The 50s progression (I – {{overline|vi}} - IV - V)
-* "Axis of Awesome" (I - V - <span style="text-decoration: overline;">vi </span>- IV).
+* "Axis of Awesome" (I - V - {{overline|vi }}- IV).
-* Pachelbel's Canon (I - V - <span style="text-decoration: overline;">vi </span>- <span style="text-decoration: overline;">iii </span>- IV - I - IV - V)
+* Pachelbel's Canon (I - V - {{overline|vi }}- {{overline|iii }}- IV - I - IV - V)
 There are also many new possibilities that don't have any close analogues in 12edo. In general, enneadecimal scales offer more flexibility as well as orders of magnitude more possibilities for chord progressions, due to the greater diversity of both chords and scale degrees.