128/125: Difference between revisions
Wikispaces>FREEZE No edit summary |
mNo edit summary |
||
(28 intermediate revisions by 12 users not shown) | |||
Line 1: | Line 1: | ||
{{Interwiki | |||
| en = 128/125 | |||
| de = 128/125 | |||
}} | |||
{{Infobox Interval | |||
| Name = diesis, augmented comma, enharmonic diesis, enharmonic comma | |||
| Color name = g<sup>3</sup>2, trigu 2nd,<br>Trigu comma | |||
| Comma = yes | |||
}} | |||
The 41.059-[[cent]] interval of '''128/125''' is called the '''diesis''' or '''augmented comma'''; it represents the gap between a stack of three [[5/4]] just major thirds and the [[octave]], or in other words 2/(5/4)<sup>3</sup>. | |||
[[Category: | |||
[[Category: | == Approximations == | ||
This interval is fairly accurately represented by a single step in [[28edo|28-]], [[31edo|31-]] or [[34edo]], and by two steps of [[53edo|53-]], [[59edo|59-]] or [[65edo]]. In any tuning with pure octaves and just major thirds, such as [[quarter-comma meantone]], it will be exact. Furthermore, in meantone it appears as the difference between sharps and flats, e.g. between D# and Eb. It is also called '''enharmonic diesis''' or '''enharmonic comma''' for this reason. | |||
== Temperaments == | |||
=== As a comma === | |||
[[Tempering out]] this comma leads to [[augmented]] temperament. See [[augmented family]] for the family where it is tempered out. | |||
=== As an interval === | |||
If the diesis is treated as a musical interval in its own right as opposed to tempering it out, it is approximately a quarter-tone and so can be used to introduce [[7-limit]] and [[11-limit]] harmony into 5-limit scales. | |||
== Trivia == | |||
This interval represents the amount by which the binary definition of kilobyte, 1024 bytes, exceeds the nominal definition of "kilo" prefix, 1000. | |||
== See also == | |||
* [[Diesis]] (disambiguation page) | |||
[[Category:Augmented]] | |||
[[Category:Sonifications]] | |||
[[Category:Commas named after their interval size]] |