John Moriarty's Thoughts On Solfege: Difference between revisions

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Initial Inspiration: What notes are diatonic to C as a tonic? Should it depend on your choice of mode? I don’t think so. I think that the six fifths above and below C are all equally “diatonically related" to C, which I think lines up with how we already think about “mode mixture”.

Initial Inspiration: What notes are [[diatonic]] to C as a [[tonic]]? Should it depend on your choice of mode? I don’t think so. I think that the six fifths above and below C are all equally “diatonically related" to C, which I think lines up with how we already think about “mode mixture”.

With a Tonic C, then, the “diatonic” notes are:

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Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti

Where single-sized generic intervals (~~unisons~~ and ~~octaves~~) and their chroma shifts are named diminished, perfect, or augmented and have the endings -e, -o, and -u, respectively, and then two sized generic intervals and their chroma shifts are named diminished, minor, major, or augmented and have the endings -e, -a, -i, and -u, respectively.

Where single-sized generic intervals ([[unison]]s and [[octave]]s) and their [[chroma]] shifts are named diminished, perfect, or augmented and have the endings -e, -o, and -u, respectively, and then two sized generic intervals and their chroma shifts are named diminished, minor, major, or augmented and have the endings -e, -a, -i, and -u, respectively.

Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all large steps above the tonic.)

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Dorian- Do Ri Ma Fa Si Li Ta Do

~~Aolean~~- Do Ri Ma Fa Si La Ta Do

Aeolian- Do Ri Ma Fa Si La Ta Do

Phrygian- Do Ra Ma Fa Si La Ta Do

~~Locrain~~- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all small steps above the tonic.)

Locrian- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all small steps above the tonic.)

Harmonic Minor- Do Ri Ma Fa Si La Ti Do

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Lydian aug2- Do Ru Mi Fi Si Li Ti Do

~~Aolean~~ dim6- Do Ra Ma Fa Sa La Te

Aeolean dim6- Do Ra Ma Fa Sa La Te

[[Category:Impression]]

[[Category:Solfege]]

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-Initial Inspiration: What notes are diatonic to C as a tonic? Should it depend on your choice of mode? I don’t think so. I think that the six fifths above and below C are all equally “diatonically related" to C, which I think lines up with how we already think about “mode mixture”.
+Initial Inspiration: What notes are [[diatonic]] to C as a [[tonic]]? Should it depend on your choice of mode? I don’t think so. I think that the six fifths above and below C are all equally “diatonically related" to C, which I think lines up with how we already think about “mode mixture”.
 With a Tonic C, then, the “diatonic” notes are:
@@ Line 11: / Line 11: @@
 Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti
-Where single-sized generic intervals (unisons and octaves) and their chroma shifts are named diminished, perfect, or augmented and have the endings -e, -o, and -u, respectively, and then two sized generic intervals and their chroma shifts are named diminished, minor, major, or augmented and have the endings -e, -a, -i, and -u, respectively.
+Where single-sized generic intervals ([[unison]]s and [[octave]]s) and their [[chroma]] shifts are named diminished, perfect, or augmented and have the endings -e, -o, and -u, respectively, and then two sized generic intervals and their chroma shifts are named diminished, minor, major, or augmented and have the endings -e, -a, -i, and -u, respectively.
 Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all large steps above the tonic.)
@@ Line 21: / Line 21: @@
 Dorian- Do Ri Ma Fa Si Li Ta Do
-Aolean- Do Ri Ma Fa Si La Ta Do
+Aeolian- Do Ri Ma Fa Si La Ta Do
 Phrygian- Do Ra Ma Fa Si La Ta Do
-Locrain- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all small steps above the tonic.)
+Locrian- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all small steps above the tonic.)
 Harmonic Minor- Do Ri Ma Fa Si La Ti Do
@@ Line 37: / Line 37: @@
 Lydian aug2- Do Ru Mi Fi Si Li Ti Do
-Aolean dim6- Do Ra Ma Fa Sa La Te
+Aeolean dim6- Do Ra Ma Fa Sa La Te
+[[Category:Impression]]
+[[Category:Solfege]]