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| {{Mbox|text=This page is a work-in-progress, '''proposed rewrite''' of the following page: [[TAMNAMS]]}} | | {{User:Ganaram inukshuk/Template:Rewrite draft|TAMNAMS|compare=https://en.xen.wiki/w/Special:ComparePages?page1=TAMNAMS&rev1=&page2=User%3AGanaram+inukshuk%2FTAMNAMS&rev2=&action=&diffonly=&unhide=|changes=* Base TAMNAMS applies to mosses with 6-10 notes. |
| | * Simplify A LOT of wording!}}'''TAMNAMS''' (read "tame names"; from '''''T'''emperament-'''A'''gnostic '''M'''os '''NAM'''ing '''S'''ystem''), devised by the XA Discord in 2021, is a system of temperament-agnostic names for scales – primarily [[Octave equivalence|octave-equivalent]] [[moment of symmetry]] scales – as well as their their intervals, their associated generator ranges, and the ratios describing the proportions of large and small steps. |
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| '''TAMNAMS''' (read "tame names", from '''''T'''emperament-'''A'''gnostic '''M'''os '''NAM'''ing '''S'''ystem''; also pronounced /tæmnæms/), devised by the XA Discord in 2021, is a system of temperament-agnostic names for scales – primarily [[Octave equivalence|octave-equivalent]] [[moment of symmetry]] scales – as well as their their intervals, their associated generator ranges, and the ratios describing the proportions of large and small steps.
| | The goal of TAMNAMS is to allow musicians and theorists to discuss moment-of-symmetry scales, or mosses, independent of the language of [[regular temperament theory]]. For example, the names ''flattone[7]'', ''meantone[7]'', ''pythagorean[7]'', and ''superpyth[7]'' all describe the same step pattern of 5L 2s, with different proportions of large and small steps. Under TAMNAMS parlance, these names can be described broadly as ''soft 5L 2s'' (for flattone and meantone) and ''hard 5L 2s'' (for pythagorean and superpyth). For discussions of the step pattern itself, the name ''5L 2s'' or, in this example, ''diatonic'', is used. |
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| ''No other changes to lead section''.
| | This article outlines TAMNAMS conventions as it applies to octave-equivalent moment of symmetry scales, or such scales with tempered octaves. |
| | | ==Credits== |
| == Credits == | | This page and its associated pages were mainly written by [[User:Godtone]], [[User:SupahstarSaga]], [[User:Inthar]], and [[User:Ganaram inukshuk]]. |
| ''No changes.''
| | == Step ratio spectrum== |
| ==Step ratio spectrum== | | ===Simple step ratios=== |
| ''No changes''.
| | TAMNAMS provides names for nine specific simple [[Blackwood's R|step ratios]]. These correspond to the simplest edos that have the mos scale, and can be used in place of their respective step ratio. |
| ==Naming mos intervals==
| | {| class="wikitable" |
| ''No changes.''
| |
| ==Naming mos degrees== | |
| ''No changes''.
| |
| ==Naming mos modes==
| |
| ''Move section to before the names section.''
| |
| ==Mos pattern names ==
| |
| ''This section contains unapproved namechanges. They are provided for reference/completeness and, unless approved, should not be included in the main-namespace rewrite.''
| |
| | |
| TAMNAMS uses the following names for octave-equivalent (or tempered-octave) mosses with step counts between 6 and 10, called the ''named range''. These names are optional, and conventional ''xL ys'' names can be used instead in discussions regarding mosses, its intervals, scale degrees, and modes.
| |
| | |
| Prefixes and abbreviations for each name are also provided, and can used in place of the prefix ''mos-'' and its abbreviation of ''m-'', as seen in mos-related terms, such as ''mosstep'' and ''mosdegree'', and their abbreviations of ''ms'' and ''md'', respectively. For example, discussion of the intervals and scale degrees of ''oneirotonic'' uses the terms ''oneirosteps'' and ''oneirodegrees'', abbreviated as ''oneis'' and ''oneid'', respectively.
| |
| | |
| This list is maintained by [[User:Inthar]] and [[User:Godtone]].
| |
| {| class="wikitable center-all" | |
| |+TAMNAMS mos names
| |
| |- | | |- |
| ! colspan="5" |6-note mosses
| | |+Simple step ratio names |
| |- | | |- |
| !Pattern!!Name !!Prefix!!Abbr.!!Etymology | | !TAMNAMS Name |
| | !Ratio |
| | ! Hardness |
| | !Diatonic example |
| |- | | |- |
| |[[1L 5s]]||selenite?????||sel-||sel||References [[luna]] temperament (selenite is named after the moon); also called ''antimachinoid<ref name="anti-name">Alternate name based on the name of its sister mos, with anti- prefix added.</ref>''. | | |Equalized |
| (TODO: change ''selenite'' to something else since ''luna'' is not an exotemperament)
| | |L:s = 1:1 |
| | |1.000 |
| | |[[7edo]] |
| |- | | |- |
| |[[2L 4s]]||malic||mal-||mal||Sister mos of 4L 2s; apples have concave ends, whereas lemons/limes have convex ends. | | |Supersoft |
| | |L:s = 4:3 |
| | |1.333 |
| | |[[26edo]] |
| |- | | |- |
| |[[3L 3s]]||triwood||triwd- ||tw||[[Blackwood]][10] and [[whitewood]][14] generalized to 3 periods. | | |Soft (or monosoft) |
| | |L:s = 3:2 |
| | |1.500 |
| | |[[19edo]] |
| |- | | |- |
| |[[4L 2s]]||citric||citro-||cit||Parent (or subset) mos of 4L 6s and 6L 4s. | | |Semisoft |
| | |L:s = 5:3 |
| | |1.667 |
| | |[[31edo]] |
| |- | | |- |
| |[[5L 1s]]||machinoid || mech-||mech||From [[machine]] temperament. | | | Basic |
| | |L:s = 2:1 |
| | |2.000 |
| | |[[12edo]] |
| |- | | |- |
| ! colspan="5" | 7-note mosses
| | |Semihard |
| | |L:s = 5:2 |
| | |2.500 |
| | |[[29edo]] |
| |- | | |- |
| !Pattern!!Name !!Prefix!!Abbr.!!Etymology
| | |Hard (or monohard) |
| | |L:s = 3:1 |
| | |3.000 |
| | |[[17edo]] |
| |- | | |- |
| |[[1L 6s]]||onyx||on-||on||Sounds like "one-six" depending on one's pronunciation; also called ''anti-archeotonic<ref name="anti-name" />''. | | |Superhard |
| | |L:s = 4:1 |
| | |4.000 |
| | |[[22edo]] |
| |- | | |- |
| |[[2L 5s]]||pelotonic||pel-||pel ||From pelog; also called ''antidiatonic<ref name="anti-name" />'', a common name. | | | Collapsed |
| | |L:s = 1:0 |
| | |∞ (infinity) |
| | |[[5edo]] |
| | |}For example, the 5L 2s (diatonic) scale of 19edo has a step ratio of 3:2, which is ''soft'', and is thus called ''soft diatonic''. Tunings of a mos with L:s larger than that ratio are ''harder'', and tunings with L:s smaller than that are ''softer''. |
| | |
| | The two extremes, equalized and collapsed, are degenerate cases and define the boundaries for valid tuning ranges. An equalized mos has large and small steps be the same size (L=s), so the mos pattern is no longer apparent. A collapsed mos has small steps shrunken down to zero (s=0), merging adjacent tones s apart into a single tone. In both cases, the mos structure is no longer valid. |
| | ===Step ratio ranges=== |
| | In between the nine specific ratios there are eight named intermediate ranges of step ratios. These terms are used for classifying mos tunings which don't match any of the nine simple step ratios. |
| | |
| | There are also two additional terms for broader ranges: the term ''hyposoft'' describes step ratios that are ''soft-of-basic'' but not as soft as 3:2; similarly, the term ''hypohard'' describes step ratios that are ''hard-of-basic'' but not as hard as 3:1. |
| | |
| | By default, all ranges include their endpoints. For example, a hard tuning is considered a quasihard tuning. To exclude endpoints, the modifier ''strict'' can be used, for example ''strict hyposoft''. |
| | {| class="wikitable" |
| | |+Step ratio range names |
| | !TAMNAMS Name |
| | !Ratio range |
| | !Hardness |
| |- | | |- |
| |[[3L 4s]]||mosh||mosh-||mosh|| From "mohajira-ish", a name from [[Graham Breed's MOS naming scheme|Graham Breed's naming scheme]]. | | |Hyposoft |
| | |3:2 ≤ L:s ≤ 2:1 |
| | |1.500 ≤ L/s ≤ 2.000 |
| |- | | |- |
| |[[4L 3s]]||smitonic||smi-||smi ||From "sharp minor third". | | |Ultrasoft |
| | |1:1 ≤ L:s ≤ 4:3 |
| | |1.000 ≤ L/s ≤ 1.333 |
| |- | | |- |
| |[[5L 2s]]||diatonic ||dia-||dia|| | | |Parasoft |
| | |4:3 ≤ L:s ≤ 3:2 |
| | | 1.333 ≤ L/s ≤ 1.500 |
| |- | | |- |
| |[[6L 1s]]|| archaeotonic||arch-||arch||Originally a name for 13edo's 6L 1s scale; also called ''archæotonic/archeotonic<ref name="spelling">Spelling variant.</ref>''. | | |Quasisoft |
| | |3:2 ≤ L:s ≤ 5:3 |
| | |1.500 ≤ L/s ≤ 1.667 |
| |- | | |- |
| ! colspan="5" |8-note mosses
| | |Minisoft |
| | |5:3 ≤ L:s ≤ 2:1 |
| | |1.667 ≤ L/s ≤ 2.000 |
| |- | | |- |
| !Pattern!!Name !!Prefix!!Abbr.!!Etymology
| | |Minihard |
| | |2:1 ≤ L:s ≤ 5:2 |
| | |2.000 ≤ L/s ≤ 2.500 |
| |- | | |- |
| |[[1L 7s]]||spinel||spin-||sp||Contains the string "pine", referencing its sister mos; also called ''antipine<ref name="anti-name" />.'' | | |Quasihard |
| | |5:2 ≤ L:s ≤ 3:1 |
| | |2.500 ≤ L/s ≤ 3.000 |
| |- | | |- |
| |[[2L 6s]]||subaric||subar-||sb|| Parent (or subset) mos of 2L 8s and 8L 2s. | | |Parahard |
| | |3:1 ≤ L:s ≤ 4:1 |
| | |3.000 ≤ L/s ≤ 4.000 |
| |- | | |- |
| |[[3L 5s]]||checkertonic || check-||chk||From the [[Kite Giedraitis's Categorizations of 41edo Scales|Kite guitar checkerboard scale]]. | | |Ultrahard |
| | |4:1 ≤ L:s ≤ 1:0 |
| | |4.000 ≤ L/s ≤ ∞ |
| |- | | |- |
| |[[4L 4s]]||tetrawood||tetrawd-||ttw||Blackwood[10] and whitewood[14] generalized to 4 periods; also called ''diminished<ref name="unofficial">Common name no longer recommend by TAMNAMS due to risk of ambiguity. Provided for reference.</ref>.'' | | |Hypohard |
| | |2:1 ≤ L:s ≤ 3:1 |
| | |2.000 ≤ L/s ≤ 3.000 |
| | |} |
| | ===Central spectrum=== |
| | {| class="wikitable center-all" |
| | |+Central spectrum of step ratio ranges and specific step ratios |
| |- | | |- |
| |[[5L 3s]]||oneirotonic||oneiro-||onei||Originally a name for 13edo's 5L 3s scale; also called ''oneiro''<ref>Shortened form of name.</ref>. | | ! colspan="3" |Step ratio ranges |
| | !Specific step ratios |
| | !Notes |
| |- | | |- |
| |[[6L 2s]]||ekic||ek-||ek || From [[echidna]] and [[hedgehog]] temperaments. | | | |
| | | |
| | | |
| | |'''1:1 (equalized)''' |
| | |Trivial/pathological |
| |- | | |- |
| |[[7L 1s]]||pine||pine-|| pine||From [[porcupine]] temperament. | | | rowspan="7" |1:1 to 2:1 (soft-of-basic) |
| | | colspan="2" |1:1 to 4:3 (ultrasoft) |
| | | |
| | |Step ratios especially close to 1:1 may be called pseudoequalized |
| |- | | |- |
| ! colspan="5" |9-note mosses
| | | |
| | | |
| | |'''4:3 (supersoft)''' |
| | | |
| |- | | |- |
| !Pattern!!Name!!Prefix!! Abbr.!!Etymology
| | | colspan="2" |4:3 to 3:2 (parasoft) |
| | | |
| | | |
| |- | | |- |
| |[[1L 8s]]||agate||ag-||ag||Rhymes with "eight", depending on one's pronunciation; also called ''antisubneutralic<ref name="anti-name" />.'' | | | |
| | | |
| | |'''3:2 (soft)''' |
| | |Also called monosoft |
| |- | | |- |
| |[[2L 7s]]||balzano||bal-||bal||Originally a name for 20edo's 2L 7s (and 2L 11) scales; bal- is pronounced /bæl/. | | | rowspan="3" |3:2 to 2:1 (hyposoft) |
| | |3:2 to 5:3 (quasisoft) |
| | | |
| | | |
| |- | | |- |
| |[[3L 6s]]||tcheretonic ||cher-||ch ||In reference to Tcherepnin's 9-note scale in 12edo. Also called ''cheretonic<ref name="spelling" />''. | | | |
| | |'''5:3 (semisoft)''' |
| | | |
| |- | | |- |
| |[[4L 5s]]||gramitonic||gram-||gram||From "grave minor third". | | |5:3 to 2:1 (minisoft) |
| | | |
| | | |
| |- | | |- |
| |[[5L 4s]]||semiquartal||cthon-||cth||From "half fourth"; cthon- is from "chthonic". | | | |
| | | |
| | | |
| | |'''2:1 (basic)''' |
| | | |
| |- | | |- |
| |[[6L 3s]]||hyrulic||hyru-|| hy||References [[triforce]] temperament. | | | rowspan="7" |2:1 to 1:0 (hard-of-basic) |
| | | rowspan="3" |2:1 to 3:1 (hypohard) |
| | |2:1 to 5:2 (minihard) |
| | | |
| | | |
| |- | | |- |
| |[[7L 2s]]||armotonic||arm-||arm||From [[Armodue]] theory; also called ''superdiatonic<ref name="unofficial" />.'' | | | |
| | |'''5:2 (semihard)''' |
| | | |
| |- | | |- |
| |[[8L 1s]]||subneutralic||blu-||blu||Derived from the generator being between supraminor and neutral quality; blu- is from [[bleu]] temperament. | | |5:2 to 3:1 (quasihard) |
| | | |
| | | |
| |- | | |- |
| ! colspan="5" |10-note mosses
| | | |
| | | |
| | |'''3:1 (hard)''' |
| | |Also called monohard |
| |- | | |- |
| !Pattern!!Name!!Prefix!!Abbr.!!Etymology
| | | colspan="2" |3:1 to 4:1 (parahard) |
| | | |
| | | |
| |- | | |- |
| |[[1L 9s]]||olivnie||oli-||oli||Rhymes with "nine", depending on one's pronunciation; also called ''antisinatonic<ref name="anti-name" />.'' | | | |
| | | |
| | |'''4:1 (superhard)''' |
| | | |
| |- | | |- |
| |[[2L 8s]]||jaric||jara-||jar||From [[pajara]], [[injera]], and [[diaschismic]] temperaments. | | | colspan="2" |4:1 to 1:0 (ultrahard) |
| | | |
| | |Step ratios especially close to 1:0 may be called pseudocollapsed |
| |- | | |- |
| |[[3L 7s]]||sephiroid||seph-||seph||From [[sephiroth]] temperament. | | | |
| |- | | | |
| |[[4L 6s]]||lime||lime-||lim ||Sister mos of 6L 4s; limes are smaller than lemons, as are 4L 6s's step sizes compared to 6L 4s. | | | |
| |-
| | |'''1:0 (collapsed)''' |
| |[[5L 5s]]||pentawood||pentawd- || pw||Blackwood[10] and whitewood[14] generalized to 5 periods.
| | |Trivial/pathological |
| |-
| |
| |[[6L 4s]]||lemon||lem-||lem||From [[lemba]] temperament.
| |
| |-
| |
| |[[7L 3s]]||dicoid ||dico-|| dico||From [[Dicot family#Dichotic|dichotic]] and [[dicot]] (dicoid) exotemperaments; pronounced /'daɪˌkɔɪd/.
| |
| |-
| |
| |[[8L 2s]]|| taric||tara- ||tar||Sister mos of 2L 8s; based off of [[wikipedia:Hindustani_numerals|Hindi]] word for 18 (aṭhārah), since 18edo contains basic 8L 2s.
| |
| |- | |
| |[[9L 1s]]|| sinatonic||sina- ||si||Derived from the generator being within the range of a [[sinaic]].
| |
| |} | | |} |
| <references />
| |
|
| |
|
| ===Extending the named range=== | | === Expanded spectrum and other terminology === |
| For a discussion of names for mosses with fewer than 6 steps, see <link>. For a discussion of names for mosses with more than 10 steps, see <link>. | | For a derivation of these ratio ranges, see <link>. |
| | |
| | ==Naming mos intervals== |
| | Mos intervals, the gap between any two tones in the scale, are named after the number of steps (large or small) between. An interval that spans ''k'' mossteps is called a ''k-mosstep interval'', or simply a ''k-mosstep'' (abbreviated ''kms''). This can be further shortened to ''k-step'' if context allows. |
| | |
| | Mossteps are zero-indexed, counting the number of steps subtended rather than the number of scale degrees, meaning that the unison is called a ''0-mosstep'', since a unison has zero steps. A mosstep that reaches the octave can simply be called the ''octave''. |
| | |
| | Generic mos intervals only denote how many mossteps an interval subtends. Specific mos intervals denote the sizes, or [[Interval variety|varieties]], an interval has. Per the definition of a moment of symmetry scale (that is, [[maximum variety]] 2), every interval, except for the root and multiples of the period, has two sizes: large and small. The terms ''major'', ''minor'', ''augmented'', ''perfect'', and ''diminished'' are added before the phrase ''k-mosstep'' using the following rules: |
| | |
| | * Multiples of the period such as the root and octave are '''perfect''', as they only have one size each. |
| | * The generators use the terms augmented, perfect, and diminished. Note that there are two generators (bright and dark) whose perfect varieties can be used to create the scale. Thus: |
| | ** The large size of the bright generator is '''perfect''', and the small size is '''diminished'''. |
| | **The large size of the dark generator is '''augmented''', and the small size is '''perfect'''. |
| | *For all other intervals, the large size is '''major''' and the small size is '''minor'''. |
| | There is one exception to the above rules: the designations of augmented, perfect, and diminished don't apply for the generators for ''n''L ''n''s mosses. Instead, major and minor is used, so as to prevent ambiguity over calling every interval perfect. |
|
| |
|
| ==Generalization to non-mos scales==
| | Mosstep intervals can exceed the octave as they do in standard music theory (eg, a diatonic 9th is a diatonic 2nd raised one octave). For a single-period mos, any interval that is raised by an octave will be the same interval quality that it was before raising. Likewise, for a multi-period mos, any interval raised by the period, where the period is some fraction of the octave, will be the same interval quality that it was before raising. |
| ''No changes''.
| |
| ==Extending the named range==
| |
|
| |
|
| :''The following text should be added as subsection of Mos pattern names, to the appendix section [[TAMNAMS/Appendix#Reasoning for mos pattern names]].''
| | Examples using 5L 2s and 4L 4s interval names are provided below. Note that 5L 2s interval names are identical to that of standard music theory, apart from the 0-indexed interval names. To differentiate intervals of a specific mos, the mos's corresponding prefix can be used in place of "mos-", outlined <link>. For a detailed derivation of these intervals, see <link>. |
| | <table> |
| | <tr> |
| | <td style="vertical-align:top">{{MOS intervals|Scale Signature=5L 2s}}</td><td style="vertical-align:top">{{MOS intervals|Scale Signature=4L 4s}}</td> |
| | </tr> |
| | </table> |
|
| |
|
| === Extending the named range to smaller mosses === | | ===Alterations by a chroma=== |
| Expanding the named range to include mosses fewer than 6 steps entails naming pentatonic and tetratonic mosses, and smaller.
| | The terms ''augmented'' and ''diminished'' are also used to describe intervals that are further lowered or raised by an interval called a ''moschroma'' (or simply ''chroma'' if context allows), a generalized sharp or flat. The rules for alteration are the same as with conventional music theory. |
|
| |
|
| These mosses require that some small integer multiple of the period is equal to an octave, under the reasoning that such step patterns are common and broad in tuning that their names can be validly reused in non-octave contexts. As a result, these names are chosen to be as general as possible, so as to avoid bias or flavor towards anything other than their step counts or step patterns.
| | * Raising a minor interval by a chroma makes it minor. |
| | * Lowering a major interval by a chroma makes it major. |
| | * Raising a major interval by a chroma makes it augmented. |
| | * Lowering a minor interval by a chroma makes it diminished. |
| | * Raising an augmented interval by a chroma makes it doubly augmented. |
| | * Lowering a diminished interval by a chroma makes it doubly diminished. |
| | * Raising or lowering a perfect interval makes it augmented or diminished, respectively. |
|
| |
|
| The exception to this are the names ''monowood'' and ''biwood'', which must refer to an octave-equivalent mos pattern of 1L 1s or 2L 2s, respectively. Additionally, the name ''monowood'' is advised over ''trivial'' to refer to an octave-equivalent 1L 1s scale. | | The terms augmented and diminished can be abbreviated using the letters ''A'' (capitalized A) and ''d'' (lowercase d). Repetition of "A" or "d" is used to denote repeatedly augmented/diminished intervals, and is sufficient in most cases. It's typically uncommon to alter an interval more than three times, and superscript numbers or alternate notation is advised for such cases. The table below shows how such intervals can be notated. |
| {| class="wikitable center-all" | | {| class="wikitable" |
| ! colspan="6" | 2-note mosses
| | |+Table of alterations, with abbreviations |
| |- | | |- |
| !Pattern!!Name!!Prefix!!Abbr. | | ! rowspan="2" |Chromas |
| !Must be octave-equivalent?!!Etymology | | ! colspan="2" |Perfectable intervals |
| | ! colspan="2" | Non-perfectable intervals |
| |- | | |- |
| | rowspan="2" |[[1L 1s]]|| trivial||triv-|| trv
| | !Interval quality |
| |No ||The simplest valid mos pattern.
| | !Abbrev. |
| | !Interval quality |
| | !Abbrev. |
| |- | | |- |
| |monowood | | | +4 |
| |monowd- | | |Quadruply-augmented |
| |w | | |A<sup>4</sup> or A^4 |
| |Yes | | |Quadruply-augmented |
| | Blackwood[10] and whitewood[14] generalized to 1 period. | | |A<sup>4</sup> or A^4 |
| |- | | |- |
| ! colspan="6" |3-note mosses
| | | +3 |
| | |Triply-augmented |
| | |AAA, A<sup>3</sup>, or A^3 |
| | |Triply-augmented |
| | |AAA, A<sup>3</sup>, or A^3 |
| |- | | |- |
| !Pattern!!Name !!Prefix!!Abbr.
| | | +2 |
| !Must be octave-equivalent?!!Etymology
| | |Doubly-augmented |
| | |AA |
| | |Doubly-augmented |
| | |AA |
| |- | | |- |
| |[[1L 2s]]||antrial||atri- ||atri | | | +1 |
| |No ||Opposite pattern of 2L 1s, with broader range. Shortening of ''anti-trial''. | | |Augmented |
| | |A |
| | |Augmented |
| | |A |
| |- | | |- |
| |[[2L 1s]]||trial||tri-||tri | | | rowspan="2" |0 |
| |No||From tri- for 3. | | | rowspan="2" |Perfect |
| | | rowspan="2" |P |
| | |Major |
| | |M |
| |- | | |- |
| ! colspan="6" |4-note mosses
| | |Minor |
| | |m |
| |- | | |- |
| !Pattern!!Name!!Prefix!!Abbr.
| | | -1 |
| !Must be octave-equivalent? !!Etymology
| | |Diminished |
| | |d |
| | |Diminished |
| | |d |
| |- | | |- |
| |[[1L 3s]]||antetric||atetra-||att | | | -2 |
| | No||Opposite pattern of 3L 1s, with broader range. Shortening of ''anti-tetric''. | | |Doubly-diminished |
| | |dd |
| | |Doubly-diminished |
| | |dd |
| |- | | |- |
| |[[2L 2s]]||biwood||biwd- ||bw | | | -3 |
| |Yes||Blackwood[10] and whitewood[14] generalized to 2 periods. | | |Triply-diminished |
| | |ddd, d<sup>3</sup>, or d^3 |
| | |Triply-diminished |
| | |ddd, d<sup>3</sup>, or d^3 |
| |- | | |- |
| |[[3L 1s]]||tetric||tetra-||tt | | | -4 |
| |No||From tetra- for 4. | | |Quadruply-diminished |
| |- | | |d<sup>4</sup> or d^4 |
| ! colspan="6" |5-note mosses
| | |Quadruply-diminished |
| | |d<sup>4</sup> or d^4 |
| | |} |
| | |
| | === Intervals smaller than a chroma === |
| | {| class="wikitable" |
| | !Interval name |
| | ! Absolute value of a... |
| |- | | |- |
| !Pattern!! Name!!Prefix!!Abbr.
| | |Moschroma (generalized [[chroma]], provided for reference) |
| !Must be octave-equivalent?!!Etymology
| | |Large step minus a small step |
| |-
| |
| |[[1L 4s]]||pedal||ped-||ped | |
| |No ||From Latin ''ped'', for ''foot''; one big toe and four small toes. | |
| |- | | |- |
| |[[2L 3s]]||pentic||pent-||pt | | | Mosdiesis (generalized [[Diesis (scale theory)|diesis]]) |
| |No||Common pentatonic; from penta- for 5. | | |Large step minus two small steps |
| |- | | |- |
| |[[3L 2s]]||antipentic||apent-||apt | | | Moskleisma (generalized [[kleisma]]) |
| |No||Opposite pattern of 2L 3s. | | |Mosdiesis minus a moschroma |
| |- | | |- |
| |[[4L 1s]]||manual||manu-||manu | | | Mosgothma (generalized gothma) |
| |No||From Latin ''manus'', for ''hand''; one thumb and four longer fingers. | | |Mosdiesis minus a small step |
| |} | | |} |
| | ===Other terminology and intervals=== |
| | Intervals that have a perfect variety (the unison, period intervals, and generators) are called ''perfectable intervals'', whereas intervals that do not have a perfect variety are called ''non-perfectable intervals''. Intervals corresponding to the generators may be called ''imperfect intervals'' since, unlike the period and unison, they have two varieties instead of one. |
|
| |
|
| === Extending the named range to larger mosses ===
| | A discussion of neutral and interordinal intervals, which fall between major and minor, can be found at <link>. |
| ???????
| |
|
| |
|
| ==Reasoning for mos pattern names== | | ==Naming mos degrees== |
| ''The following is a rewrite to a section to the TAMNAMS appendix. This section contains unapproved namechanges. They are provided for reference/completeness and, unless approved, should not be included in the main-namespace rewrite.'' | | The pitches of a mos are called '''k-mosdegrees''' (abbreviated ''k''md), and follow the same rules as that with mosstep intervals. Mosdegrees are 0-indexed and are enumerated starting at the 0-mosdegree, representing the root or tonic of the scale. For example, if you go up a major k-mosstep up from the root, then the mos degree reached this way is a major k-mosdegree. |
|
| |
|
| The goal of TAMNAMS mos names is to choose memorable names for the most common octave-equivalent mosses. Generally, names should befit the mos they're describing ''no matter what temperaments support it'', allowing them to be discussed agnostically of any RTT-related contexts. | | The phrase ''k-mosdegree'' may also be shortened to ''k-degree'', if context allows. When the modifiers major, minor, augmented, perfect, and diminished are omitted, they are assumed to be the unmodified degrees of a particular mode. |
| | ===Naming mos chords=== |
| | To denote a chord or a mode on a given degree, write the notes of the chord separated by spaces or commas, or the mode, in parentheses after the degree symbol. The most explicit option is to write out the chord in cents, edosteps or mossteps (e.g. in [[13edo]] [[5L 3s]], the (0 369 646) chord can be written (0 4 7)\13, (P0ms M2ms M4ms) or 7|0 (0 2 4ms) and to write the mode. To save space, you can use whatever names or abbreviations for the chord or mode you have defined for the reader. For example, in the LsLLsLLs mode of 5L 3s, we have m2md(0 369 646), or the chord (0 369 646) on the 2-mosdegree which is a minor 2-mosstep. The LsLLsLLs mode also has m2md(7|0), meaning that we have the 7| (LLsLLsLs) mode on the 2-mosdegree which is a minor 2-mosstep in LsLLsLLs (see [[TAMNAMS#Proposal:%20Naming%20mos%20modes|below]] for the convention we have used to name the mode). |
|
| |
|
| Names are given to mosses that are the most likely to be used by musicians. As such, TAMNAMS primarily provides names for mosses within the range of 6 to 10 steps (or 2 to 10 steps, when including the extended named range for smaller mosses). This range is chosen to avoid naming large mosses for the sake of naming. Additionally, some of these reasonings also serve as justifications for changing earlier names. As such, this section not only provides reasonings for their names but also a record of how those reasonings were developed in the first place.
| | To analyze a chord as an inversion of another chord (i.e. when the bass is not seen as the root), the following strategies can be used: |
| | #One can write the root degree first: (6s, 0s, 2s, 7s). The first degree is assumed to be the tonic unless the following method is used: |
| | #One can write "T" to the left of the tonic: (0s, 2s, T6s, 7s). |
| | #One can use 0 for the root, using negative numbers for notes below the root. For example, to analyze (0s, 2s, 6s, 7s) on the 7-degree of the LsLLsLLs mode as being rooted on its 6s (thus on the 5-degree of LsLLsLLs), we write 5d(0s, -6s, -4s, 1s). The "5d" here is essential for avoiding confusion with the previous notation. |
| | #If clarity is desired as to what the root position chord is, slash notation can be used as in conventional notation. Thus the above chord can be written 5d(0s 1s 2s 4s)/7d. |
| | ==Naming mos modes== |
| | TAMNAMS uses [[Modal UDP notation]] to name modes. For example, the names of modes for 5L 3s are the names of the mos followed by the UDP of that mode. |
|
| |
|
| === General reasonings===
| | For modes with altered scale degrees, the abbreviations for the scale degrees are listed after the UDP for the mode. |
| The following reasonings cover most TAMNAMS names and should be considered the minimum criteria for naming mosses.
| |
|
| |
|
| ==== Established names====
| | Notation, such as [[Diamond-mos notation|diamond-mos]], can be used instead of the abbreviation of a mosdegree. For example, LsLsLLLs can be written "5L 3s 5|2 m4md". "5L 3s 5|2 @4d". |
| Notable non-temperament names are incorporated into TAMNAMS if they do not cause confusion, or are given names that reference notable things. Such names include ''mosh'', ''tcheretonic'', ''archaeotonic'', ''oneirotonic'', ''balzano'', ''armotonic'', ''checkertonic'', and ''diatonic.''
| |
|
| |
|
| ====Names that describe an interval quality==== | | {{MOS mode degrees|Scale Signature=5L 3s|MOS Prefix=mos|Mode Names=Default}} |
| Several mosses are named after an interval or a (diatonic) interval quality. Such names include ''smitonic'', ''gramitonic'', ''semiquartal'', ''subneutralic'', and ''sinatonic'', from "sharp minor third", "grave minor third", "half-fourth", "between supraminor and neutral", and the interval [[sinaic]], respectively.
| | {{MOS mode degrees|Scale Signature=5L 3s|MOS Prefix=mos|MODMOS Step Pattern=LsLsLLLs|Mode Names=Default}} |
| | ==Mos pattern names== |
| | ''This section contains unapproved namechanges. They are provided for reference/completeness and, unless approved, should not be included in the main-namespace rewrite.'' |
|
| |
|
| ====Temperament-based names====
| | TAMNAMS primarily uses the following names for octave-equivalent (or tempered-octave) mosses with step counts between 6 and 10. These names are optional, and conventional ''xL ys'' names can be used instead in discussions regarding mosses, its intervals, scale degrees, and modes. |
| Temperament-based names should be used ''as a last resort'', and should be used to refer to a notable temperament. Most of these names are abstractions of their original temperament names insofar that they refer to a temperament, as some of these names have additional reasonings. Such names include ''pine'', ''hyrulic'', ''jaric'', ''ekic'' and ''lemon''; these reference the temperaments of [[porcupine]], [[triforce]], [[pajara]] (along with [[diaschismic]] and [[injera]]), [[echidna]], and [[lemba]], respectively.
| |
|
| |
|
| Temperament-based names ending in the prefix ''-oid'' refer to [[Exotemperament|exotemperaments]] (low-accuracy temperametns) whose tuning ranges, when including extreme tunings, cover the entirety of their corresponding mosses. Therefore, edos with simple step ratios for that mos will correspond to valid tunings for that temperament (if not by patent val, then with a small number of warts). Such names include ''machinoid'', ''dicoid'', and ''sephiroid'', in reference to [[machine]], [[dichotic]]/[[dicot]], and [[sephiroth]] temperaments, respectively; for more information, see their specific reasonings under Reasoning for specific names.
| | Prefixes and abbreviations for each name are also provided, and can used in place of the prefix ''mos-'' and its abbreviation of ''m-'', as seen in mos-related terms, such as ''mosstep'' and ''mosdegree'', and their abbreviations of ''ms'' and ''md'', respectively. For example, discussion of the intervals and scale degrees of ''oneirotonic'' uses the terms ''oneirosteps'' and ''oneirodegrees'', abbreviated as ''oneis'' and ''oneid'', respectively. |
|
| |
|
| Originally, 3L 5s, 6L 2s, 2L 7s, and 4L 5s were called ''sensoid'', ''echidnoid'', ''joanatonic'', and ''orwelloid'', respectively. These names were dropped since the temperaments [[sensi]], [[echidna]], [[joan]], and [[orwell]] were not suitable as exotemperaments, and the ''-oid'' suffix should be reserved for exotemperaments.
| | This list is maintained by [[User:Inthar]] and [[User:Godtone]]. |
| ===Relationship-based reasonings ===
| | {| class="wikitable center-all" |
| Reasonings that do not fall under any of the general reasonings are likely to have a relationship-based reasoning, where groups of mosses, usually related by sisterhood or parenthood, are given names based on a common theme.
| | |+TAMNAMS mos names |
| | |
| ====Monolarge mosses (if no other gemstone names are adopted)====
| |
| [[Step-generated scale|Monolarge]] mosses (mosses of the form 1L ''n''s) are given names based on their sister mos (''n''L 1s), with the ''anti-'' prefix added. The exception to this is 1L 6s, given the name ''onyx'' for the following reasonings:<blockquote>"1Ln-ic's" and "nL1-ic's (like, the -ic suffix applied to MOSS names, collectivised for 1Lns and nL1s) sounds like "one-el-en-ics" or "en-el-one-ics" which abbreviated sort of sounds like "one-ics" => "onyx". Then "onyx" sounds sort of like "one-six". Furthermore the onyx mineral comes in many colours and types, which seems fitting given this is the parent scale for a wide variety of MOSSes; specifically of interest being 7L 1s (pine), 8L 1s (subneutralic) and 9L 1s (sinatonic). Finally, the name "onyx" is also supposed to be vaguely reminiscent of "anti-archaeotonic" as "chi" (the greek letter) is written like an "x" (this is related to why "christmas" is abbreviated sometimes as "X-mas") and other than that, the letters "o" and "n" and their sounds are also present in "archaeotonic", and "x" is vaguely reminiscent of negation and multiplication. There is also something like a "y" sound in "archaeotonic" in the "aeo" part (depending partially on your pronounciation).</blockquote>Monolarge mosses were originally left unnamed due to the tuning ranges for these mosses being so large that they were unhelpful with knowing how they sound. This position was later amended as it's useful for describing structure in situations where one does not want to use the mathematical name, and especially in such contexts, a specific tuning will likely be specified.
| |
| | |
| ====Monolarge mosses (if all gemstone names are adopted)====
| |
| Names for all monolarge mosses within the named range (6-10 steps) were given unique names following in the spirit of ''onyx'':
| |
| *1L 5s is named ''selenite'', as the mineral called selenite is named after the moon. 1L 6s is supported by luna temperament, thus indirectly referencing it.
| |
| *1L 7s is named ''spinel'', as it contains the substring ''pine'', in reference to its sister mos of 7L 1s (pine).
| |
| *1L 8s is named ''agate'', as it rhymes with "eight", depending on one's pronunciation.
| |
| *1L 9s is named ''olivine'', as it rhymes with "nine", depending on one's pronunciation.
| |
| | |
| {| class="wikitable" | |
| |+Relationship between monolarge mosses | |
| !Pattern
| |
| !Name
| |
| ! . . .
| |
| !Pattern
| |
| !Name
| |
| !Pattern
| |
| !Name
| |
| !Pattern
| |
| !Name
| |
| !Pattern
| |
| !Name
| |
| !Pattern
| |
| !Name
| |
| |- | | |- |
| | rowspan="6" |''1L 1s''
| | ! colspan="5" |6-note mosses |
| | rowspan="6" |''monowood (provided for reference)''
| |
| | rowspan="6" |. . .
| |
| | rowspan="5" |1L 5s
| |
| | rowspan="5" |selenite
| |
| | rowspan="4" |1L 6s
| |
| | rowspan="4" |onyx
| |
| | rowspan="3" | 1L 7s
| |
| | rowspan="3" |spinel
| |
| | rowspan="2" |1L 8s
| |
| | rowspan="2" |agate
| |
| |1L 9s
| |
| |olivine
| |
| |- | | |- |
| |9L 1s
| | !Pattern!!Name!!Prefix!!Abbr.!!Etymology |
| |sinatonic
| |
| |- | | |- |
| |8L 1s | | |[[1L 5s]]|| selenite||sel-||sel||References [[luna]] temperament (selenite is named after the moon); also called ''antimachinoid<ref name="anti-name">Alternate name based on the name of its sister mos, with anti- prefix added.</ref>''. |
| |subneutralic | |
| | colspan="2" rowspan="4" | | |
| |- | | |- |
| |7L 1s | | |[[2L 4s]]||malic||mal-||mal||Sister mos of 4L 2s; apples have concave ends, whereas lemons/limes have convex ends. |
| |pine | |
| | colspan="2" rowspan="3" | | |
| |- | | |- |
| | 6L 1s | | |[[3L 3s]]||triwood||triwd-||tw||[[Blackwood]][10] and [[whitewood]][14] generalized to 3 periods. |
| |archaeotonic | |
| | colspan="2" rowspan="2" | | |
| |- | | |- |
| | 5L 1s | | |[[4L 2s]]||citric||citro-||cit||Parent (or subset) mos of 4L 6s and 6L 4s. |
| |machinoid | |
| | colspan="2" | | |
| |} | |
| =====Malic (2L 4s), citric (4L 2s), lime (4L 6s), and lemon (6L 4s)=====
| |
| The names for 2L 4s and 4L 2s come from Latin ''malus'' and ''citrus'', meaning 'apple' and 'citrus', respectively. Apples have concave ends, whereas lemons and limes – both types of citrus fruits – have convex ends. Both are ubiquitous foods, justifying their use for these fairly small mosses.
| |
| | |
| The name ''citric'' is given to 4L 2s, as it is the parent mos of 6L 4s and 4L 6s, named after the citrus fruits ''lemon'' and ''lime'', respectively, under the reasoning that lemons are larger than limes, as are the step sizes of 6L 4s compared to that of 4L 6s.
| |
| | |
| Originally, the names for 4L 6s and 6L 4s were based on the duplication of the 2L 3s mos and were called ''dipentic'' and ''antidipentic'', respectively. These were changed to their current names as, at the time, the 5-note mosses required an octave period, thus these names required an equivalence interval of 4/1. Although the name ''pentic'' currently refers to a 2L 3s pattern with any size period, the current names were given for completeness, which warranted renaming the related mosses of 2L 4s and 4L 2s to what they are now.
| |
| ====Subaric (2L 6s), jaric (2L 8s), and taric (8L 2s)====
| |
| The name ''jaric'' alludes to a few highly notable temperaments that exist in the tuning range of this mos, which is alluded to through the spelling and pronunciation of '''jaric''': [[Pajara|pa'''jar'''a]], [[Injera|in'''jer'''a]], and [[Diaschismic|diaschism'''ic''']]. These temperaments, except for diaschismic, have generally inaccurate tunings.
| |
| | |
| The name ''taric'' was named based on it being the only named-range mos with a basic tuning (L:s = 2:1) of [[18edo]] and, as it and 2L 8s share the same parent of 2L 6s, was made to rhyme with jaric.
| |
| | |
| The name ''subaric'' alludes to the fact that 2L 6s is the largest proper '''sub'''set mos of both j'''aric''' (2L 8s) and t'''aric''' (8L 2s).
| |
| | |
| Originally, the names for 2L 8s and 8L 2s were based on the duplication of the 3L 2s mos and were called called ''antidimanic'' and ''dimanic'', respectively (note that ''manic'' was since changed to ''manual''). These were changed for the same reasons as with 4L 6s and 6L 4s, and similarly warranted renaming the related mosses of 2L 6s and 6L 2s (formerly ''echidnoid'', now ''ekic'').
| |
| {| class="wikitable"
| |
| |+Two-period mosses and name changes
| |
| !Pattern
| |
| !Name
| |
| !Pattern
| |
| !Name
| |
| !Pattern
| |
| !Name
| |
| !Pattern
| |
| !Name
| |
| |- | | |- |
| | rowspan="5" |''2L 2s'' | | |[[5L 1s]]||machinoid||mech-||mk||From [[machine]] temperament. |
| | rowspan="5" | biwood | |
| ''(formerly unnamed)''
| |
| | rowspan="2" |4L 2s | |
| | rowspan="2" |citric | |
| ''(formerly lemon)''
| |
| |4L 6s
| |
| |lime
| |
| ''(formerly dipentic)''
| |
| |
| |
| | | |
| |- | | |- |
| |6L 4s | | ! colspan="5" |7-note mosses |
| |lemon
| |
| ''(formerly antidipentic)''
| |
| |
| |
| |
| |
| |- | | |- |
| | rowspan="3" |2L 4s
| | !Pattern!!Name!!Prefix!!Abbr.!!Etymology |
| | rowspan="3" |malic
| |
| ''(formerly antilemon)''
| |
| |6L 2s
| |
| |ekic
| |
| ''(formerly echidnoid)''
| |
| |
| |
| |
| |
| |- | | |- |
| | rowspan="2" |2L 6s | | |[[1L 6s]]||onyx|| on-||on|| Sounds like "one-six" depending on one's pronunciation; also called ''anti-archeotonic<ref name="anti-name" />''. |
| | rowspan="2" |subaric | |
| ''(formerly antiechidnoid)'' | |
| |8L 2s
| |
| |taric
| |
| ''(formerly antidimanic)''
| |
| |- | | |- |
| |2L 8s | | |[[2L 5s]]||pelotonic||pel-||pel||From pelog; also called ''antidiatonic<ref name="anti-name" />'', a common name. |
| | jaric
| |
| ''(formerly dimanic)''
| |
| |}
| |
| ===Reasonings for multiperiod mosses===
| |
| Mosses of the form ''n''L ''n''s are given names based on a Greek numeral prefix added to the base name ''wood'', in reference to the temperaments [[blackwood]] and [[whitewood]]. These mosses are special in that all mosses with the same number of periods ''n'' can be traced back to an ''n''L ''n''s mos, representing a mos consisting of only its generators and periods. In other words, these mosses are a 1L 1s pattern repeated ''n'' times in one octave. This also means that, coincidentally, all mosses with ''n'' periods form a binary ''tree'' whose ''root'' is ''n''L ''n''s, lending credence to the wood-based name.
| |
| | |
| The names for all other multiperiod mosses follow the general or relationship-based reasonings as stated previously.
| |
| | |
| ===Reasonings for specific names===
| |
| ====Machinoid (5L 1s)====
| |
| [[Machine]] is the 5&6 temperament in the 2.9.7.11 subgroup with a comma list of 64/63 and 99/98.
| |
| | |
| This temperament is supported by {{Optimal ET sequence| 5, 6, 11, 12, 16, 17, 22, 23, 27, 28 and 33 }} equal divisions, many of which correspond to both simple tunings (L:s = 2:1, 3:1, 3:2, etc) and degenerate tunings (L:s = 1:1 or 1:0) for 5L 1s. Non-patent val tunings include 5+5=10e, 5+10e+12=21be, 5+5+5+5+6=26qe; these are mentioned here for demonstrating virtual completeness of the tuning range, as is 33edo to show 11edo's strength as a tuning.
| |
| ====Sephiroid (3L 7s) ====
| |
| [[Sephiroth]] is the 3&10 temperament in the 2.5.11.13.17.21 subgroup with commas including 65/64, 85/84, 105/104, 169/168, 170/169, 221/220, 273/272, 275/273.
| |
| | |
| This temperament is supported by {{Optimal ET sequence| 3, 10, 13, 16, 23 and 26 }} equal divisions, with non-patent val tunings including 6eg, 7e, 19eg, 20e, 29g, 32egq, 33ce, 36c. Like with that of 5L 1s, these represent both simple and degenerate tunings for 3L 7s. Extreme tunings, such as 7e, may lie outside the mos's step ratio spectrum, although such tunings are generally not considered good tunings.
| |
| ====Dicoid (7L 3s)====
| |
| [[Dicot family#Dichotic|Dichotic]] is the 7&10 temperament in the 11-limit with commas including 25/24, 45/44, 55/54, 56/55, 64/63. This is an extension of the 5-limit exotemperament [[dicot]] which tempers 25/24, equating 5/4 and 6/5 into a neutral third sized interval, which is the generator.
| |
| | |
| This temperament is supported by {{Optimal ET sequence| 7, 10 and 17 }} equal divisions, with non-patent val tunings including (but not limited to) 7+7=14cd, 10+10=20e, 17+7=24cd, and 17+10=27ce.
| |
| | |
| ==== Pelotonic (2L 5s) (if ''antidiatonic'' is dropped) ====
| |
| | |
| ====Armotonic (7L 2s)====
| |
| Originally, the name ''superdiatonic'' was used for 7L 2s, as it has seen some precedent of use on the wiki to refer to an octave-equivalent 7L 2s pattern, although it has had earlier use to refer to the expansion of a smaller mos to a larger one:
| |
| | |
| *From the page [[altered pentad]], where ''superdiatonic'' refers to meantone[12], corresponding to 7L 5s:
| |
| | |
| <blockquote>''One drawback of meantone[12] (the so-called '''superdiatonic''' scale) is that it has only two each of the ordinary (5:6:7:8:9) [[otonal]] and [[utonal]] pentads, just as it has only two of each 7-limit [[tetrad]].''</blockquote>
| |
| | |
| *From the page [[mohajira]], where ''superdiatonic'' refers to mohajira[10], corresponding to 7L 3s.
| |
| *From the page [[Composing Powerstart]], where ''superdiatonic'' is used to refer to porcupine[8], corresponding to 7L 1s:
| |
| | |
| <blockquote>''For starters, you might want to mess around with what's called "[[porcupine]]" temperament in [[22edo|22-EDO]]. The base diatonic-sized scale is (as steps out of 22-EDO) 4 3 3 3 3 3 3, and you can chromatically alter anything in that scale you want by 1 step out of 22. For instance, if you flat the 7, you get the scale 4 3 3 3 3 2 4, which is nice because it has a 4:5:6:7:9:11 chord in it. There's another "'''superdiatonic'''" scale at 1 3 3 3 3 3 3 3 which you can morph the above into if you want, and a 15-note chromatic scale at 1 1 2 1 2 1 2 1 2 1 2 1 2 1 2; feel free to not stick dogmatically to these exact scales but to change them as you desire.''</blockquote>What 7L 2s and 5L 2s ''do'' share in common is 7L 2s has two extra large steps compared to 5L 2s, and that the addition of more large steps, generalized as (5+2''k'')L 2s, produces mosses with increasingly ''flat'' fifth-like intervals for their generators.
| |
| | |
| Due to these concerns, the name ''armotonic'' is normally advised over ''superdiatonic'' as the former is unambiguous as to what it refers to, and the name ''superdiatonic'' is only allowed in situations where it's truly unambiguous if the writer prefers it.
| |
| ====On the term ''diatonic''====
| |
| In TAMNAMS, ''diatonic'' exclusively refers to 5L 2s. This is because while the term ''diatonic'' has accrued a variety of exact meanings over time, both within and outside the contexts of xenharmonic music theory, it has a clear choice of referent when talking about MOS scales: 5L 2s with an octave or tempered-octave period.
| |
| | |
| === Name changes and former names===
| |
| Several names have been changed significantly, as naming principles have evolved to what they are currently, or due to the meaning of certain names being called into question. Former names are provided here for reference. Spelling changes and short-lived names are not included here.
| |
| {| class="wikitable center-all"
| |
| |- | | |- |
| ! colspan="5" |5-note mosses
| | |[[3L 4s]]||mosh ||mosh-|| mosh||From "mohajira-ish", a name from [[Graham Breed's MOS naming scheme|Graham Breed's naming scheme]]. |
| |- | | |- |
| !Pattern!!Former name(s)
| | |[[4L 3s]]||smitonic||smi-||smi||From "sharp minor third". |
| ! Changed to
| |
| !Date of change!!Reasoning
| |
| |- | | |- |
| |[[1L 4s]] | | |[[5L 2s]]|| diatonic||dia-||dia|| |
| |antimanic | |
| |pedal (current) | |
| |August 2022 | |
| | Signifies sisterhood with 4L 1s. | |
| |- | | |- |
| |[[2L 3s]] | | |[[6L 1s]]||archaeotonic ||arch- || arc||Originally a name for 13edo's 6L 1s scale; also called ''archæotonic/archeotonic<ref name="spelling">Spelling variant.</ref>''. |
| | colspan="2" |''No change''. | |
| |
| |
| |
| |
| |- | | |- |
| |[[3L 2s]]
| | ! colspan="5" |8-note mosses |
| | colspan="2" |''No change''.
| |
| |
| |
| |
| |
| |- | | |- |
| |[[4L 1s]]
| | !Pattern!! Name!!Prefix!!Abbr.!!Etymology |
| |manic
| |
| | manual (current)
| |
| |August 2022
| |
| |Signifies sisterhood with 1L 4s.
| |
| |- | | |- |
| ! colspan="5" | 6-note mosses
| | |[[1L 7s]]||spinel||spin-||sp||Contains the string "pine", referencing its sister mos; also called ''antipine<ref name="anti-name" />.'' |
| |- | |
| !Pattern
| |
| !Former name(s)
| |
| !Changed to
| |
| !Date of change
| |
| !Reasoning
| |
| |- | | |- |
| |[[1L 5s]] | | |[[2L 6s]]||subaric || subar-||sb ||Parent (or subset) mos of 2L 8s and 8L 2s. |
| |''unnamed'' | |
| |antimachinoid (current) | |
| |August 2022
| |
| |Inclusion of monolarge names.
| |
| |- | | |- |
| |[[2L 4s]]|| antilemon | | |[[3L 5s]]||checkertonic||check-||chk||From the [[Kite Giedraitis's Categorizations of 41edo Scales|Kite guitar checkerboard scale]]. |
| |malic (current) | |
| |August 2022|| Signifies sisterhood with 4L 2s. | |
| |- | | |- |
| |[[3L 3s]] | | |[[4L 4s]]|| tetrawood||tetrawd- ||ttw||Blackwood[10] and whitewood[14] generalized to 4 periods; also called ''diminished<ref name="unofficial">Common name no longer recommend by TAMNAMS due to risk of ambiguity. Provided for reference.</ref>.'' |
| | colspan="2" |''No change''. | |
| |
| |
| |
| |
| |- | | |- |
| |[[4L 2s]]||lemon | | |[[5L 3s]]||oneirotonic ||oneiro-||or|| Originally a name for 13edo's 5L 3s scale; also called ''oneiro''<ref>Shortened form of name.</ref>. |
| |citric (current) | |
| | August 2022||Signifies parenthood of 4L 6s and 6L 4s, and sisterhood with 2L 4s. Old name now refers to 6L 4s. | |
| |- | | |- |
| |[[5L 1s]] | | |[[6L 2s]]||ekic||ek- ||ek||From [[echidna]] and [[hedgehog]] temperaments. |
| | colspan="2" |''No change''. | |
| | | |
| | | |
| |- | | |- |
| ! colspan="5" | 7-note mosses
| | |[[7L 1s]]||pine||pine-||p||From [[porcupine]] temperament. |
| |- | | |- |
| !Pattern !!Former name(s) | | ! colspan="5" | 9-note mosses |
| !Changed to
| |
| !Date of change!! Reasoning
| |
| |- | | |- |
| |[[1L 6s]]
| | !Pattern!!Name!!Prefix!!Abbr.!!Etymology |
| |''unnamed''
| |
| |onyx (current)
| |
| |August 2022
| |
| |Inclusion of monolarge names, plus ''a lot'' of naming puns.
| |
| |-
| |
| |[[2L 5s]]
| |
| |antidiatonic
| |
| |pelotonic; antidiatonic
| |
| |TBD
| |
| |TBD
| |
| |-
| |
| |[[3L 4s]]
| |
| | colspan="2" |''No change''.
| |
| |
| |
| |
| |
| |-
| |
| |[[4L 3s]]
| |
| | colspan="2" |''No change''.
| |
| |
| |
| |
| |
| |-
| |
| |[[5L 2s]]
| |
| | colspan="2" |''No change''.
| |
| |
| |
| |
| |
| |- | | |- |
| |[[6L 1s]] | | |[[1L 8s]]||agate||ag- ||ag||Rhymes with "eight", depending on one's pronunciation; also called ''antisubneutralic<ref name="anti-name" />.'' |
| | colspan="2" |''No change''. | |
| |
| |
| |
| |
| |- | | |- |
| ! colspan="5" |8-note mosses
| | |[[2L 7s]]||balzano||bal-||bz||Originally a name for 20edo's 2L 7s (and 2L 11) scales; bal- is pronounced /bæl/. |
| |- | | |- |
| !Pattern!!Former name(s)
| | |[[3L 6s]]||tcherepnin||cher-||ch|| In reference to Tcherepnin's 9-note scale in 12edo. |
| !Changed to
| |
| !Date of change!!Reasoning
| |
| |- | | |- |
| |[[1L 7s]] | | |[[4L 5s]]|| gramitonic||gram-||gm||From "grave minor third". |
| |''unnamed'' | |
| |antipine (current) | |
| |August 2022 | |
| |Inclusion of monolarge names. | |
| |- | | |- |
| |[[2L 6s]]||antiechinoid | | |[[5L 4s]]||semiquartal||cthon-||ct||From "half fourth"; cthon- is from "chthonic". |
| |subaric (current) | |
| |August 2022|| Signifies parenthood of 2L 8s and 8L 2s. | |
| |- | | |- |
| |[[3L 5s]]||sensoid | | |[[6L 3s]]||hyrulic||hyru-||hy||References [[triforce]] temperament. |
| |checkertonic (current) | |
| |August 2022||Referenced temperament (sensi) was not suitable as an exotemperament. | |
| |- | | |- |
| |[[4L 4s]]||tetrawood; diminished | | |[[7L 2s]]||armotonic||arm-||am||From [[Armodue]] theory; also called ''superdiatonic<ref name="unofficial" />.'' |
| |tetrawood (current) | |
| |February 2024||The name ''tetrawood'' is advised over ''diminished'', but the latter still sees some use. | |
| |- | | |- |
| |[[5L 3s]] | | |[[8L 1s]]||subneutralic||blu-|| bl||Derived from the generator being between supraminor and neutral quality; blu- is from [[bleu]] temperament. |
| | colspan="2" |''No change''. | |
| | | |
| | | |
| |- | | |- |
| |[[6L 2s]]||echinoid | | ! colspan="5" |10-note mosses |
| |ekic (current)
| |
| |August 2022||Referenced temperament (echidnoid) was not suitable as an exotemperament. Name abstracted.
| |
| |- | | |- |
| |[[7L 1s]]
| | !Pattern!!Name!!Prefix!!Abbr.!!Etymology |
| | colspan="2" |''No change''.
| |
| |
| |
| |
| |
| |- | | |- |
| ! colspan="5" |9-note mosses
| | |[[1L 9s]]||olivnie ||oli- ||ol||Rhymes with "nine", depending on one's pronunciation; also called ''antisinatonic<ref name="anti-name" />.'' |
| |- | | |- |
| !Pattern!!Former name(s)
| | |[[2L 8s]]||jaric||jara-||ja||From [[pajara]], [[injera]], and [[diaschismic]] temperaments. |
| !Changed to
| |
| !Date of change!! Reasoning
| |
| |- | | |- |
| |[[1L 8s]] | | |[[3L 7s]]||sephiroid||seph-|| sp||From [[sephiroth]] temperament. |
| |''unnamed'' | |
| |antisubneutralic (current) | |
| |August 2022 | |
| |Inclusion of monolarge names. | |
| |- | | |- |
| |[[2L 7s]]||joanatonic | | |[[4L 6s]]||lime ||lime-||lm||Sister mos of 6L 4s; limes are smaller than lemons, as are 4L 6s's step sizes compared to 6L 4s. |
| |balzano (current) | |
| |August 2022||Referenced temperament (joan) was not suitable as an exotemperament. | |
| |- | | |- |
| |[[3L 6s]] | | |[[5L 5s]]||pentawood||pentawd-||pw||Blackwood[10] and whitewood[14] generalized to 5 periods. |
| |tcherepnin | |
| |tcheretonic | |
| |TBD | |
| |TBD | |
| |- | | |- |
| |[[4L 5s]]||orwelloid | | |[[6L 4s]]||lemon||lem- ||le||From [[lemba]] temperament. Also sister mos of 4L 6s. |
| | gramitonic (current) | |
| |August 2022 ||Referenced temperament (orwell) was not suitable as an exotemperament. | |
| |- | | |- |
| |[[5L 4s]] | | |[[7L 3s]]||dicoid||dico-||di ||From [[Dicot family#Dichotic|dichotic]] and [[dicot]] (dicoid) exotemperaments; pronounced /'daɪˌkɔɪd/. |
| | colspan="2" |''No change''. | |
| |
| |
| |
| |
| |- | | |- |
| |[[6L 3s]] | | |[[8L 2s]]||taric||tara-||ta||Sister mos of 2L 8s; based off of [[wikipedia:Hindustani_numerals|Hindi]] word for 18 (aṭhārah), since 18edo contains basic 8L 2s. |
| | colspan="2" |''No change''. | |
| | | |
| | | |
| |- | | |- |
| | rowspan="2" |[[7L 2s]]||superdiatonic
| | |[[9L 1s]]|| sinatonic||sina-||si|| Derived from the generator being within the range of a [[sinaic]]. |
| |armotonic; superdiatonic | | |} |
| | December 2022||The name ''armotonic'' was introduced as an alternate name. | | <references /> |
| | |
| | ===Names for smaller mosses=== |
| | In addition to the names listed above are names for smaller mosses, provided for completeness. These names, with the exception of ''monowood'' and ''biwood'', are meant to be as general as possible so as to avoid flavor and to allow for valid reuse for non-octave mosses. |
| | {| class="wikitable center-all" |
| | ! colspan="6" |2-note mosses |
| |- | | |- |
| |armotonic; superdiatonic
| | !Pattern!!Name!!Prefix!!Abbr. |
| |armotonic (current)
| | !Must be 2/1-equivalent?!!Etymology |
| |February 2024
| |
| |The name ''armotonic'' is advised over ''superdiatonic'' due to risk of ambiguity, but the latter still sees some use.
| |
| |- | | |- |
| |[[8L 1s]] | | | rowspan="2" |[[1L 1s]]|| trivial|| triv-||tw |
| | colspan="2" |''No change''. | | |No||The simplest valid mos pattern. |
| | | |
| | | |
| |- | | |- |
| ! colspan="5" |10-note mosses
| | |monowood |
| | | monowd- |
| | | w |
| | |Yes |
| | | Blackwood[10] and whitewood[14] generalized to 1 period. |
| |- | | |- |
| !Pattern!!Former name(s) | | ! colspan="6" |3-note mosses |
| !Changed to
| |
| !Date of change!!Reasoning
| |
| |- | | |- |
| |[[1L 9s]]
| | !Pattern!!Name!! Prefix!!Abbr. |
| |''unnamed''
| | !Must be 2/1-equivalent?!! Etymology |
| |antisinatonic (current)
| |
| |August 2022
| |
| |Inclusion of monolarge names.
| |
| |- | | |- |
| |[[2L 8s]]||antidimanic | | |[[1L 2s]]||antrial|| atri-||at |
| |jaric (current) | | |No ||Opposite pattern of 2L 1s, with broader range. Shortening of ''anti-trial''. |
| |August 2022||New name chosen to be independent of ''manic'', now called ''manual''. Signifies sisterhood with 8L 2s. | |
| |- | | |- |
| |[[3L 7s]] | | |[[2L 1s]]||trial||tri-||t |
| | colspan="2" |''No change''. | | |No ||From tri- for 3. |
| | | |
| | | |
| |- | | |- |
| |[[4L 6s]]||dipentic | | ! colspan="6" |4-note mosses |
| |lime (current)
| |
| |August 2022||New name chosen to be independent of ''pentic''.
| |
| |- | | |- |
| |[[5L 5s]]
| | !Pattern!! Name!!Prefix!! Abbr. |
| | colspan="2" |''No change''.
| | !Must be 2/1-equivalent?!!Etymology |
| |
| |
| |
| |
| |- | | |- |
| |[[6L 4s]]||antidipentic | | |[[1L 3s]]|| antetric|| atetra-||att |
| |lemon (current) | | |No ||Opposite pattern of 3L 1s, with broader range. Shortening of ''anti-tetric''. |
| |August 2022 ||New name chosen to be independent of ''antipentic''. | |
| |- | | |- |
| |[[7L 3s]]||dicotonic | | |[[2L 2s]]||biwood||biwd-||bw |
| |dicoid (current) | | |Yes||Blackwood[10] and whitewood[14] generalized to 2 periods. |
| |August 2022||Altered to signify ''dichotic'' as an exotemperament. | |
| |- | | |- |
| |[[8L 2s]]||dimanic | | |[[3L 1s]]||tetric|| tetra- ||tt |
| |taric (current) | | |No ||From tetra- for 4. |
| |August 2022||New name chosen to be independent of ''manic'', now called ''manual.'' Signifies sisterhood with 2L 8s. | |
| |- | | |- |
| |[[9L 1s]]
| | ! colspan="6" | 5-note mosses |
| | colspan="2" |''No change''.
| |
| |
| |
| |
| |
| |- | | |- |
| ! colspan="5" |Mosses with more than 10 notes | | !Pattern!!Name!!Prefix !! Abbr. |
| | !Must be 2/1-equivalent?!!Etymology |
| |- | | |- |
| !Pattern
| | |[[1L 4s]]||pedal||ped-||pd |
| !Former name(s)
| | |No ||From Latin ''ped'', for ''foot''; one big toe and four small toes. |
| !Changed to
| |
| !Date of change
| |
| !Reasoning
| |
| |- | | |- |
| |[[4L 7s]]||kleistonic | | |[[2L 3s]]||pentic||pent- ||pt |
| |''Not part of named range'' | | |No||Common pentatonic; from penta- for 5. |
| | August 2022 || rowspan="2" |Originally named for parity with 3L 7s and 7L 3s, making 4L 7s and 7L 4s "cousin scales" with them. | |
| Dropped when 10-note limit was established.
| |
| |- | | |- |
| |[[7L 4s]]|| suprasmitonic | | |[[3L 2s]]||antipentic || apent-||apt |
| |''Not part of named range'' | | | No||Opposite pattern of 2L 3s. |
| |August 2022
| |
| |- | | |- |
| |[[5L 7s]]|| p-chromatic | | |[[4L 1s]]||manual ||manu-|| mn |
| |''Not part of named range'' | | |No||From Latin ''manus'', for ''hand''; one thumb and four longer fingers. |
| |August 2022 | |
| | rowspan="2" |Dropped when 10-note limit was established.
| |
| |- | |
| |[[7L 5s]]||m-chromatic | |
| |''Not part of named range''
| |
| |August 2022
| |
| |} | | |} |
| | === Names for larger mosses === |
| | For a discussion of names for mosses with more than 10 steps, see <link>. |
| | |
| | == Generalizations to non-mos scales == |
| | |
| | === Non-octave mosses === |
| | The terminology for intervals and scale degrees can be applied to scales with arbitrary equivalence intervals, replacing the term ''octave'' with the term ''equave''. |
| | |
| | The mos names provided for step counts 6-10 ''do not apply'' for non-octave mos patterns, unless the equave in question is seen as a tempered octave. |
| | |
| | === Intervals for MV3 scales === |
| | Scales with maximum-variety 3, such as diasem, have at most 3 varieties for each interval class, called ''large k-step'', ''medium k-step'', and ''small k-step''. Interval classes with only two varieties are given the phrases ''large k-step'' and ''small k-step'', and interval classes with only one variety are given the phrase ''perfect k-step''. |
| | |
| | === Step ratios for ternary scales === |
| | Ternary scales, i.e. those with three step sizes L > M > S, including [[MV3]] scales, can also be defined by their L:M:S ratios. Here TAMNAMS names the L/M ratio and then the M/S ratio as if these were mos step ratios: for example, [[21edo]] [[diasem]] (5L 2M 2s, LMLSLMLSL or its inverse) has a step ratio of L:M:S = 3:2:1, so we name it ''soft-basic diasem''. If the ratios are the same, repetition may optionally be omitted, so that [[26edo]] diasem, 4:2:1, may optionally be called "basic diasem" instead of "basic-basic diasem". Not to be confused with step ratios where one ratio is unspecified; for that, use: |
| | |
| | * x:y:z (where x:y is known but y:z is not) is called ''(hardness term for x/y)-any''. x:x:1 is called ''equalized-any'' or ''LM-equalized'' (where x >= 1 represents a free variable). |
| | * x:y:z (where y:z is known but x:y is not) is called ''any-(hardness term for y/z)''. x:1:1 is called ''any-equalized'' or ''MS-equalized'' (where x >= 1 represents a free variable). |
| | * x:y:z (where x:z is known but x:y and y:z are not) is called ''outer-(hardness term for x/z)-any''. x:1:x is called ''outer-equalized-any'' or ''LS-equalized''. (where x >= 0 represents a free variable). |
| | |
| | === Arbitrary scales === |
| | Zero-indexed interval and degrees can be used for arbitrary scales. However, instead of using the terms ''k-mosstep'' and ''k-mosdegree'', the terms ''k-scalestep'' and ''k-scaledegree'' are used. As with octave-equivalent mosses, these terms can be further shortened to ''k-step'' and ''k-degree'', if context allows. |
| | |
| | ==Frequently asked questions== |
| | '''Do I need to use this system over temperament names?''' |
| | |
| | '''Why are intervals zero-indexed?''' |
| | |
| | '''What's the difference between mosdegrees and mosintervals?''' |
| | |
| | ===Reasoning for step ratio names=== |
| | {{Main|TAMNAMS/Appendix#Reasoning for step ratio names}} |
| | |
| | ===Reasoning for mos interval names=== |
| | {{Main|TAMNAMS/Appendix#Reasoning for mos interval names}} |
| | ===Reasoning for mos pattern names=== |
| | {{Main|TAMNAMS/Appendix#Reasoning for mos pattern names}} |
| | |
| | [[Category:TAMNAMS]] |