User:ArrowHead294/EDO impressions: Difference between revisions

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== [[12edo]] ==
== [[12edo]] ==
The smallest one that does 5-limit well, and is right on the midpoint of the regular diatonic tuning spectrum, separating meantone from Parapythagorean and Superpythagorean. Has the largest possible contrast between major and minor for a meantone tuning, though since the wide major thirds and narrow minor thirds can sound quite sludgy on certain timbres such as organs I feel like 12 is far from optimal tuning for many areas of Western music. While I do feel that Western music education should cover the mathematics of tuning before college, and talk about Pythagorean tuning and other meantones to encourage Western musicians to explore other tunings and prevent people from thinking that 12 is the only correct way to tune, I do admit that these should come ''after'' people get familiar with the common practice chords and scales, and 12edo is without a doubt the best starting point for introducing stuff.
The smallest one that does 5-limit well, and is right on the midpoint of the regular diatonic tuning spectrum, separating meantone from Parapythagorean and Superpythagorean. Has the largest possible contrast between major and minor for a meantone tuning, though it's far from optimal tuning for many areas of Western music (since the thirds can sound quite sludgy on certain timbres such as organs).
 
I also wish the way common-practice chords and scales were taught involved giving people a more general perspective on how chords and scales work, and didn't use terms like "whole step" and "half step" and others which are specific to 12edo.


== <span style="display: inline-block; height: 35px;">[[19edo|19edo ({{frac|3}}-comma meantone)]]</span> ==
== <span style="display: inline-block; height: 35px;">[[19edo|19edo ({{frac|3}}-comma meantone)]]</span> ==