Metallic intonation: Difference between revisions
CompactStar (talk | contribs) No edit summary |
CompactStar (talk | contribs) No edit summary |
||
Line 4: | Line 4: | ||
== Harmony == | == Harmony == | ||
If reduced with acoustic phi as the period, the chord formed by the silver and bronze ratios above the root is, coincidentally, a fairly conventional major triad (0¢-402.2¢-692.7¢). This makes it so traditional chord types are easily accessible in MTI systems, but not | If reduced with acoustic phi as the period, the chord formed by the silver and bronze ratios above the root is, coincidentally, a fairly conventional major triad (0¢-402.2¢-692.7¢). This makes it so traditional chord types are easily accessible in MTI systems, but not [[2/1|octave]]s, similarly to the [[Carlos Alpha]] tuning. [[6edφ]] offers a basic equal-tempered approximation of the metallic major triad by steps 0-3-5 (0¢-416.5¢-694.2¢), although the sharpness of the major third is more apparent here and it may sound "more xenharmonic". | ||
[[Category:Tuning]] | [[Category:Tuning]] | ||
{{Stub}} | {{Stub}} |