2/9-comma meantone: Difference between revisions

BudjarnLambeth (talk | contribs)
Created page for 2/9 comma. Since it was described in both 1666 and 1852, and since it is so close to the CTE tuning, I think it deserves a page :)
 
BudjarnLambeth (talk | contribs)
mNo edit summary
Line 1: Line 1:
'''2/9-comma meantone''' is a [[meantone]] tuning which flattens the [[perfect fifth]] by 2/9 of a [[syntonic comma]]. This results in a fifth of 697.176 [[cents]].  
'''2/9-comma meantone''' is a [[meantone]] tuning which flattens the [[perfect fifth]] by 4.779 cents (2/9 of a [[syntonic comma]]). This results in a fifth of 697.176 [[cents]].  


2/9-comma meantone was described by [[Lemme Rossi]] in ''Sistema musico ouero Musica speculativa'' (1666), and again by [[Moritz Wilhelm Drobisch]] in ''Über musikalische Tonbestimmung und Temperatur'' (1852). Of all the known [[historical temperaments]], it is the closest to the optimal 5-, 7-, 11- and 13-limit [[CTE]] tunings for meantone.
2/9-comma meantone was described by [[Lemme Rossi]] in ''Sistema musico ouero Musica speculativa'' (1666), and again by [[Moritz Wilhelm Drobisch]] in ''Über musikalische Tonbestimmung und Temperatur'' (1852). Of all the known [[historical temperaments]], it is the closest to the optimal 5-, 7-, 11- and 13-limit [[CTE]] tunings for meantone.