User:KingHyperio: Difference between revisions

Line 170:

|-

!Mothra[11]

|IS9, ~~dVs7sus~~(t4)$, tVIs7

|IS9, dVs7(bb5), tVIs7

|IIs7, tIIS(''add2''), dIVS6, VIs7(bb5), dIs7

|IIs7, tIIS(''add2'')******, dIVS6, VIs7(bb5), dIs7

|VSs7, tVIIs7(bb5)

|tIIIs(''add4'')

|-

!Greeley[8] 8

|IsM6n7$******, Is(vb5), VIm(vb5)

|IsM6n7$*******, Is(vb5), VIm(vb5)

|dbIII+(#3), tIII<sup>o</sup>

|tVm(vb5), dVIIsM6n7$, dVIIs(vb5)

Line 197:

<nowiki>*****:</nowiki> This is a "wolf tonic", with all tonic components but a superfifth in a scale that has mostly perfect fifths, so it prevents tonicization of the sixth, and makes it clear that there's still movement to go to get to the real tonic.

<nowiki>******:</nowiki> $ here signifies a shell voicing. no5 can also be used, though in long chord names like this $ is cleaner. Additionally, in this scale, the b2 acts as a leading tone due to the absence of any remote fifth.

<nowiki>******:</nowiki> The italics are purely instructional, meaning that the added note doesn't affect the role. This applies to many other chords in this scale, with some s7(bb5) chords able to be reduced to Orgone Triads for consistency without affecting anything.

<nowiki>*******:</nowiki> $ here signifies a shell voicing. no5 can also be used, though in long chord names like this $ is cleaner. Additionally, in this scale, the b2 acts as a leading tone due to the absence of any remote fifth.

== 31edo Keyboard Setup ==

@@ Line 170: / Line 170: @@
 |-
 !Mothra[11]
-|IS9, dVs7sus(t4)$, tVIs7
+|IS9, dVs7(bb5), tVIs7
-|IIs7, tIIS(''add2''), dIVS6, VIs7(bb5), dIs7
+|IIs7, tIIS(''add2'')******, dIVS6, VIs7(bb5), dIs7
 |VSs7, tVIIs7(bb5)
 |tIIIs(''add4'')
 |-
 !Greeley[8] 8
-|IsM6n7$******, Is(vb5), VIm(vb5)
+|IsM6n7$*******, Is(vb5), VIm(vb5)
 |dbIII+(#3), tIII<sup>o</sup>
 |tVm(vb5), dVIIsM6n7$, dVIIs(vb5)
@@ Line 197: / Line 197: @@
 <nowiki>*****:</nowiki> This is a "wolf tonic", with all tonic components but a superfifth in a scale that has mostly perfect fifths, so it prevents tonicization of the sixth, and makes it clear that there's still movement to go to get to the real tonic.
-<nowiki>******:</nowiki> $ here signifies a shell voicing. no5 can also be used, though in long chord names like this $ is cleaner. Additionally, in this scale, the b2 acts as a leading tone due to the absence of any remote fifth.
+<nowiki>******:</nowiki> The italics are purely instructional, meaning that the added note doesn't affect the role. This applies to many other chords in this scale, with some s7(bb5) chords able to be reduced to Orgone Triads for consistency without affecting anything.
+<nowiki>*******:</nowiki> $ here signifies a shell voicing. no5 can also be used, though in long chord names like this $ is cleaner. Additionally, in this scale, the b2 acts as a leading tone due to the absence of any remote fifth.
 == 31edo Keyboard Setup ==