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An '''OD''', or '''otonal division''', is a kind of [[Arithmetic tunings|arithmetic]] and [[Monotonic tunings|monotonic]] tuning.
An '''OD''', or '''otonal division''', is a kind of [[Arithmetic tunings|arithmetic]] and [[Harmonotonic tunings|harmonotonic]] tuning.


Its full specification is n-ODp: n otonal divisions of interval p.
== Specification ==


The nth [[Overtone scale|overtone mode, or over-n scale]] is equivalent to n-ODO. So is n-[[ADO]].
Its full specification is n-ODp: n otonal divisions of the rational interval p.


An OD is a specific (rational) type of [[EFD|EFD, or equal frequency division]].
== Formula ==


note there's a kinda tricky aspect which is that if you just want overtones 1-9 you need 8-OD9 because there are only 8 steps from 1 to 9. You could think of it like 9 is the 8th overtone, so you're really dividing 8 by 8. You're dividing the number of overtones.
To find the steps for an n-ODp, begin by recognizing that while the multiplicative interval relating your root position to the end position is <span><math>p</math></span> (or <span><math>\frac p1</math></span>), if you are going to move arithmetically (by repeated addition) from <span><math>1</math></span> to <span><math>p</math></span>, then the difference in frequency space that you are dividing up is not actually <span><math>p</math></span>, but <span><math>p - 1</math></span>. And because you are dividing it into <span><math>n</math></span> parts, each step will have a size of <span><math>\frac{p-1}{n}</math></span>. So, the formula for the frequency of step <span><math>k</math></span> of an n-ODp is:
 
<math>
f(k) = 1 + (\frac kn)(p-1)
</math>
 
This way, when <span><math>k</math></span> is <span><math>0</math></span>, <span><math>f(k)</math></span> is simply <span><math>1</math></span>. And when <span><math>k</math></span> is <span><math>n</math></span>, <span><math>f(k)</math></span> is simply <span><math>1 + (p-1) = p</math></span>.
 
== Tips ==
 
If you want to describe overtones 1-9 as an OD you would need to use 8-OD9, because there are only 8 steps from 1 to 9. You could think of it like 9 is the 8th overtone, so you're really dividing 8 by 8. You're dividing the number of overtones. Alternatively, you could describe this as an [[OS|OS, or overtone sequence]], by simply saying 8-OS.
 
== Relationship to other tunings ==
 
=== Vs. ED ===
 
It is possible to — instead of equally dividing the octave in 12 equal parts by pitch, or 12-EDO — divide it into 12 equal parts by length. You will have 12-UDO.
 
=== Vs. EFD ===
 
The only difference between n-ODp and n-[[EFD]]p (equal frequency division) is that the p for an OD must be rational.
 
=== Vs. ADO ===
 
The nth [[Overtone scale|overtone mode, or over-n scale]] is equivalent to n-ODO. So is n-[[ADO]].
 
=== Vs. OS ===
 
Any ODO will be equivalent to some [[OS|OS (otonal sequence)]]. E.g. 8-OD7 = 8-OS3/4, because to get from 1 to 7 you cover 6 overtones, and 6 divided by 8 is 3/4.
 
=== Vs. UD ===
 
The equivalent utonal version of an OD is a [[UD|UD (utonal sequence)]].
 
== Examples ==


{| class="wikitable"
{| class="wikitable"
Line 13: Line 47:
|-
|-
! quantity
! quantity
! (0)
! 1
! 1
! 2
! 2
! 3
! 3
! 4
! 4
! (5)
|-
|-
! frequency (f)
! frequency (''f'', ratio)
|4/4
|(4/4)
|5/4
|5/4
|6/4
|6/4
|7/4
|7/4
|(8/4)
|8/4
|-
|-
! pitch (log₂f)
! pitch (log₂''f'', octaves)
|0.00
|(0)
|0.32
|0.32
|0.58
|0.58
|0.81
|0.81
|(1.00)
|1
|-
|-
! length (1/f)
! length (1/''f'', ratio)
|4/4
|(4/4)
|4/5
|4/5
|4/6
|4/6
|4/7
|4/7
|(4/8)
|4/8
|}
|}
[[Category:Otonality]]
[[Category:Harmonic]]
[[Category:Harmonic series‏‎]]

Latest revision as of 20:35, 19 October 2023

An OD, or otonal division, is a kind of arithmetic and harmonotonic tuning.

Specification

Its full specification is n-ODp: n otonal divisions of the rational interval p.

Formula

To find the steps for an n-ODp, begin by recognizing that while the multiplicative interval relating your root position to the end position is [math]\displaystyle{ p }[/math] (or [math]\displaystyle{ \frac p1 }[/math]), if you are going to move arithmetically (by repeated addition) from [math]\displaystyle{ 1 }[/math] to [math]\displaystyle{ p }[/math], then the difference in frequency space that you are dividing up is not actually [math]\displaystyle{ p }[/math], but [math]\displaystyle{ p - 1 }[/math]. And because you are dividing it into [math]\displaystyle{ n }[/math] parts, each step will have a size of [math]\displaystyle{ \frac{p-1}{n} }[/math]. So, the formula for the frequency of step [math]\displaystyle{ k }[/math] of an n-ODp is:

[math]\displaystyle{ f(k) = 1 + (\frac kn)(p-1) }[/math]

This way, when [math]\displaystyle{ k }[/math] is [math]\displaystyle{ 0 }[/math], [math]\displaystyle{ f(k) }[/math] is simply [math]\displaystyle{ 1 }[/math]. And when [math]\displaystyle{ k }[/math] is [math]\displaystyle{ n }[/math], [math]\displaystyle{ f(k) }[/math] is simply [math]\displaystyle{ 1 + (p-1) = p }[/math].

Tips

If you want to describe overtones 1-9 as an OD you would need to use 8-OD9, because there are only 8 steps from 1 to 9. You could think of it like 9 is the 8th overtone, so you're really dividing 8 by 8. You're dividing the number of overtones. Alternatively, you could describe this as an OS, or overtone sequence, by simply saying 8-OS.

Relationship to other tunings

Vs. ED

It is possible to — instead of equally dividing the octave in 12 equal parts by pitch, or 12-EDO — divide it into 12 equal parts by length. You will have 12-UDO.

Vs. EFD

The only difference between n-ODp and n-EFDp (equal frequency division) is that the p for an OD must be rational.

Vs. ADO

The nth overtone mode, or over-n scale is equivalent to n-ODO. So is n-ADO.

Vs. OS

Any ODO will be equivalent to some OS (otonal sequence). E.g. 8-OD7 = 8-OS3/4, because to get from 1 to 7 you cover 6 overtones, and 6 divided by 8 is 3/4.

Vs. UD

The equivalent utonal version of an OD is a UD (utonal sequence).

Examples

example: 4-ODO
quantity (0) 1 2 3 4
frequency (f, ratio) (4/4) 5/4 6/4 7/4 8/4
pitch (log₂f, octaves) (0) 0.32 0.58 0.81 1
length (1/f, ratio) (4/4) 4/5 4/6 4/7 4/8