User:PiotrGrochowski/Extended meantone notation: Difference between revisions
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Although mohajira may not be a great tuning to reflect the way maqam music is played in practice, which often uses multiple unequal neutral thirds and exhibits significant regional variations, it is a highly interesting regular temperament of its own merit, and deserves further study. --> | Although mohajira may not be a great tuning to reflect the way maqam music is played in practice, which often uses multiple unequal neutral thirds and exhibits significant regional variations, it is a highly interesting regular temperament of its own merit, and deserves further study. --> | ||
[[Category:Todo:correct notation]] | [[Category:Todo:correct notation]] | ||
Latest revision as of 03:39, 12 July 2023
Do not read this page while it is under construction of notation.
Meanwhile, you can enjoy the meantone classification of commas between superparticular ratios:
Grosstone:
3/2
9/8 — major second
4/3
16/15 — minor second
5/4
25/24 — sharp
6/5
36/35 — diesis
7/6
49/48 — kleisma
8/7
64/63 — diesis
9/8
81/80 — unison
10/9
100/99 — diesis
11/10
121/120 — kleisma, diesis minus
12/11
144/143 — unison
13/12
169/168 — two dieses, kleisma minus
14/13
196/195 — kleisma, diesis minus
15/14
225/224 — unison
16/15
Meanpop:
3/2
9/8 — major second
4/3
16/15 — minor second
5/4
25/24 — sharp
6/5
36/35 — diesis
7/6
49/48 — kleisma
8/7
64/63 — diesis
9/8
81/80 — unison
10/9
100/99 — kleisma
11/10
121/120 — diesis, kleisma minus
12/11
144/143 — unison
13/12
169/168 — kleisma
14/13
196/195 — unison
15/14
225/224 — unison
16/15
Todo: What should the two semisharps and semiflats be called?
- Y, Z, y and z is placeholder notation and should be replaced with better notation. It should be in ASCII, so that it can be easily written on a keyboard, like # and b are.
See Talk:Extended meantone notation to discuss what symbols should be used
Extended meantone notation was created as a way to notate 43edo with only a base letter with one symbol.