Arithmetic tuning: Difference between revisions
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Cmloegcmluin (talk | contribs) address Flora's recent concerns about rationality vs. irrationality in this system |
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Other arithmetic tunings can be found by changing the step size. For example, if you vary the overtone series to have a step size of 3/4 instead of 1, then you get the tuning <math>1, 1\frac 34, 2\frac 24, 3\frac14</math><span>, which is equivalent to <math>\frac 44, \frac 74, \frac{10}{4}, \frac{13}{4}</math>, or in other words, a class iii [[isoharmonic chords|isoharmonic]] tuning with starting position of 4. We call this the otonal sequence of 3 over 4, or OS3/4. | Other arithmetic tunings can be found by changing the step size. For example, if you vary the overtone series to have a step size of 3/4 instead of 1, then you get the tuning <math>1, 1\frac 34, 2\frac 24, 3\frac14</math><span>, which is equivalent to <math>\frac 44, \frac 74, \frac{10}{4}, \frac{13}{4}</math>, or in other words, a class iii [[isoharmonic chords|isoharmonic]] tuning with starting position of 4. We call this the otonal sequence of 3 over 4, or OS3/4. | ||
If the new step size is irrational, the tuning is no longer JI, so we | If the new step size is irrational, the tuning is no longer JI, so we fall back to a more general acronym to distinguish it: AFS, for arithmetic frequency sequence. For example, if we wanted to move by steps of φ, like this: <math>1, 1+φ, 1+2φ, 1+3φ...</math> etc. we could have the AFSφ. Because different acronyms are used to distinguish rational (JI) tunings from general tunings which include irrational (non-JI) tunings, while the acronyms used for general tunings technically include the JI tunings, these general acronyms are more useful when reserved for non-JI tunings, and this is what is typically done. So when "irrational" is used on this page, it more accurately means "probably irrational". | ||
OS and AFS are equivalent to taking an overtone series and adding (or subtracting) a constant amount of frequency. By doing this, the step sizes remain equal in frequency, but their relationship in pitch changes. For a detailed explanation of this, see the later section on the [[OS#Derivation|derivation of OS]]. | OS and AFS are equivalent to taking an overtone series and adding (or subtracting) a constant amount of frequency. By doing this, the step sizes remain equal in frequency, but their relationship in pitch changes. For a detailed explanation of this, see the later section on the [[OS#Derivation|derivation of OS]]. |