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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain. |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2006-09-10 03:13:34 UTC</tt>.<br>
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| : The original revision id was <tt>1166761</tt>.<br>
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| : The revision comment was: <tt>new phase 3!</tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">===**The Seventeen-Tone Piano Project involves tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them.**===
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| Two pianos, located at Rice University's Shepherd School of Music (Houston, Texas), are tuned to 17-EDO. Why? How? I'm a student there, and they're very nice.
| | ===Most recent phase=== |
| | [[17tppp4|Phase Four]] began with a call for MICROTONAL SONGS, vocal music in all kinds of non-12 tunings, culminating in a sing-along session on April 30 and a concert on May 1, 2008. |
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| The music made so far has included some pieces and improvisations by Rice composers, some of which were featured on a concert on April 29 2006. Some recordings from a later session are available [[http://www.archive.org/details/seventeenTPP_01|over here]].
| | ===Past phases=== |
| | [http://www.archive.org/details/seventeenTPP_01 Phase One] of the project centered around pieces and improvisations by Rice composers, some of which were featured on a concert on April 29, 2006. The recording is of a subsequent recording session. |
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| The current phase of the 17-tPP consists of a **CALL FOR SCORES.** This means you (perhaps)! If you have written or would like to write a piece for 17-tone pianos, now is your chance! Pieces can be for between one and four hands on the pianos, and possibly one or two additional instrumentalists that Rice has available (inquire if curious).
| | [[SeventeenTPPPhaseTwo|Phase Two]] of the project had a deadline of Sunday August 27 2006, in preparation for a concert which happened on Tuesday September 26, at 8 PM in Hirsch Orchestra Rehearsal Hall. Fourteen compositions in 17-EDO were premiered and recorded. |
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| This project was created with the intention of encouraging (at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited.
| | [[SeventeenTPPPhaseThree|Phase Three]] happened on Monday, May 7th, 2007. It featured some new 17-EDO chamber music which included the pianos, acoustic and electronic instruments. Music is falling into place by mid-April. |
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| **Phase Two** of the project had a deadline of **Sunday August 27 2006**, in preparation for a concert to happen on **Tuesday September 26**, at 8 PM in Hirsch Orchestra Rehearsal Hall. There were approximately 10 submissions, and we hope to perform them all!
| | ===Contact=== |
| | Current contact info for 17tpp: |
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| | <eptadecaphonic at gmail dot com> |
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| | 17 tone piano project |
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| **Phase Three** is an extension of the call for scores into the winter. **December 1 2006** is set as a tentative deadline. A concert, tentatively late January, would depend on sufficient additional interest.
| | c/o Dan Sedgwick |
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| ===Contact===
| | 1618 Bonnie Brae |
| Send inquiries and PDF scores to Jacob Barton <udderbot at gmail dot com>, or send paper scores to
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| 17 tone piano project
| | Houston, TX 77006 |
| c/o Jacob Barton
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| 9 Sunset Blvd. MS-709
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| Houston, TX 77005 | |
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| ===**Links...**=== | | ==='''Links...'''=== |
| [[http://www.georghajdu.de/Compositions/HeptadecatonicDrops/Heptadeca.html|Remnants of a 17-tone piano and electronics project about 16 years ago]], and recordings of [[http://www.archive.org/details/seventeenTPP_01|phase one]] of this project.
| | [http://www.georghajdu.de/Compositions/HeptadecatonicDrops/Heptadeca.html Remnants of a 17-tone piano and electronics project about 16 years ago], and recordings of [http://www.archive.org/details/seventeenTPP_01 phase one] of this project. |
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| There are a few pieces available on the internet in 17: some 6 MIDI files by [[http://www.angelfire.com/mo/oljare/midicomp.html|Mats Öljare]] (search for "17tet"), [[http://www.io.com/%7Ehmiller/midi/transformation.mid|Herman Miller's "Transformation"]], and three improvisations by [[http://www.soundclick.com/bands/pagemusic.cfm?bandID=122613|Andrew Heathwaite]] (search for "17tet"). And one by [[http://www.soundclick.com/bands/songInfo.cfm?bandID=141776&songID=1342075|XJ Scott]].
| | There are a few pieces available on the internet in 17: some 6 MIDI files by [http://www.angelfire.com/mo/oljare/midicomp.html Mats Öljare] (search for "17tet"), [http://www.io.com/%7Ehmiller/midi/transformation.mid Herman Miller's "Transformation"], and three improvisations by [http://www.soundclick.com/bands/pagemusic.cfm?bandID=122613 Andrew Heathwaite] (search for "17tet"). And one by [http://www.soundclick.com/bands/songInfo.cfm?bandID=141776&songID=1342075 XJ Scott]. |
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| ===**[[SeventeenTheory|Music theory through the eyes of the 17 Tone Piano Project]]**=== | | ==='''[[SeventeenTheory|Music theory through the eyes of the 17 Tone Piano Project]]'''=== |
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| ===**Piano tuning and performable scores.**=== | | ==='''Piano tuning and performable scores.'''=== |
| Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called "flat" has black keys tuned to Db Eb Gb Ab Bb; the one called "sharp" has C# D# F# G# A#. This way we get the 7+5+5 = 17 notes. Remember, C# is HIGHER than Db! | | Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called "flat" has black keys tuned to Db Eb Gb Ab Bb; the one called "sharp" has C# D# F# G# A#. This way we get the 7+5+5 = 17 notes. Remember, C# is HIGHER than Db! |
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| In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C. | | In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C. |
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| The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</pre></div> | | The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards. |
| <h4>Original HTML content:</h4>
| | [[Category:17edo]] |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>SeventeenTonePianoProject</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h3&gt; --><h3 id="toc0"><a name="x--The Seventeen-Tone Piano Project involves tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them."></a><!-- ws:end:WikiTextHeadingRule:0 --><strong>The Seventeen-Tone Piano Project involves tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them.</strong></h3>
| | [[Category:piano]] |
| <br />
| | [[Category:Projects]] |
| Two pianos, located at Rice University's Shepherd School of Music (Houston, Texas), are tuned to 17-EDO. Why? How? I'm a student there, and they're very nice.<br />
| |
| <br />
| |
| The music made so far has included some pieces and improvisations by Rice composers, some of which were featured on a concert on April 29 2006. Some recordings from a later session are available <a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow">over here</a>.<br />
| |
| <br />
| |
| The current phase of the 17-tPP consists of a <strong>CALL FOR SCORES.</strong> This means you (perhaps)! If you have written or would like to write a piece for 17-tone pianos, now is your chance! Pieces can be for between one and four hands on the pianos, and possibly one or two additional instrumentalists that Rice has available (inquire if curious).<br />
| |
| <br />
| |
| This project was created with the intention of encouraging (at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited.<br />
| |
| <br />
| |
| <strong>Phase Two</strong> of the project had a deadline of <strong>Sunday August 27 2006</strong>, in preparation for a concert to happen on <strong>Tuesday September 26</strong>, at 8 PM in Hirsch Orchestra Rehearsal Hall. There were approximately 10 submissions, and we hope to perform them all!<br />
| |
| <br />
| |
| <strong>Phase Three</strong> is an extension of the call for scores into the winter. <strong>December 1 2006</strong> is set as a tentative deadline. A concert, tentatively late January, would depend on sufficient additional interest.<br />
| |
| <br />
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| <!-- ws:start:WikiTextHeadingRule:2:&lt;h3&gt; --><h3 id="toc1"><a name="x--Contact"></a><!-- ws:end:WikiTextHeadingRule:2 -->Contact</h3>
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| Send inquiries and PDF scores to Jacob Barton &lt;udderbot at gmail dot com&gt;, or send paper scores to<br />
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| <br />
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| 17 tone piano project<br />
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| c/o Jacob Barton<br />
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| 9 Sunset Blvd. MS-709<br />
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| Houston, TX 77005<br />
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| <br />
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| <!-- ws:start:WikiTextHeadingRule:4:&lt;h3&gt; --><h3 id="toc2"><a name="x--Links..."></a><!-- ws:end:WikiTextHeadingRule:4 --><strong>Links...</strong></h3>
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| <a class="wiki_link_ext" href="http://www.georghajdu.de/Compositions/HeptadecatonicDrops/Heptadeca.html" rel="nofollow">Remnants of a 17-tone piano and electronics project about 16 years ago</a>, and recordings of <a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow">phase one</a> of this project.<br />
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| <br />
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| There are a few pieces available on the internet in 17: some 6 MIDI files by <a class="wiki_link_ext" href="http://www.angelfire.com/mo/oljare/midicomp.html" rel="nofollow">Mats Öljare</a> (search for &quot;17tet&quot;), <a class="wiki_link_ext" href="http://www.io.com/%7Ehmiller/midi/transformation.mid" rel="nofollow">Herman Miller's &quot;Transformation&quot;</a>, and three improvisations by <a class="wiki_link_ext" href="http://www.soundclick.com/bands/pagemusic.cfm?bandID=122613" rel="nofollow">Andrew Heathwaite</a> (search for &quot;17tet&quot;). And one by <a class="wiki_link_ext" href="http://www.soundclick.com/bands/songInfo.cfm?bandID=141776&amp;songID=1342075" rel="nofollow">XJ Scott</a>.<br />
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| <br />
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| <!-- ws:start:WikiTextHeadingRule:6:&lt;h3&gt; --><h3 id="toc3"><a name="x--Music theory through the eyes of the 17 Tone Piano Project"></a><!-- ws:end:WikiTextHeadingRule:6 --><strong><a class="wiki_link" href="/SeventeenTheory">Music theory through the eyes of the 17 Tone Piano Project</a></strong></h3>
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| <br />
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| <!-- ws:start:WikiTextHeadingRule:8:&lt;h3&gt; --><h3 id="toc4"><a name="x--Piano tuning and performable scores."></a><!-- ws:end:WikiTextHeadingRule:8 --><strong>Piano tuning and performable scores.</strong></h3>
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| Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called &quot;flat&quot; has black keys tuned to Db Eb Gb Ab Bb; the one called &quot;sharp&quot; has C# D# F# G# A#. This way we get the 7+5+5 = 17 notes. Remember, C# is HIGHER than Db!<br />
| |
| <br />
| |
| In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.<br />
| |
| <br />
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| The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</body></html></pre></div>
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