92edo

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← 91edo92edo93edo →
Prime factorization 22 × 23
Step size 13.0435¢
Fifth 54\92 (704.348¢) (→27\46)
Semitones (A1:m2) 10:6 (130.4¢ : 78.26¢)
Consistency limit 5
Distinct consistency limit 5

92 equal divisions of the octave (abbreviated 92edo or 92ed2), also called 92-tone equal temperament (92tet) or 92 equal temperament (92et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 92 equal parts of about 13 ¢ each. Each step represents a frequency ratio of 21/92, or the 92nd root of 2.

The equal temperament is contorted through the 17-limit, with the same tuning and commas as 46edo, and hence attracts little interest. That said, the approximation to the 19th harmonic is much improved. Like 46, the patent fifth (54\92) is about 2.4 cents sharp. The alternate fifth 53\92 is a very flat fifth, flatter even than 26edo, and the 92bcccd val supports flattone. 92edo is the highest in a series of four consecutive edos to temper out the quartisma (117440512/117406179).

Odd harmonics

Approximation of odd harmonics in 92edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error absolute (¢) +2.39 +4.99 -3.61 +4.79 -3.49 -5.75 -5.66 -0.61 +2.49 -1.22 -2.19
relative (%) +18 +38 -28 +37 -27 -44 -43 -5 +19 -9 -17
Steps
(reduced)
146
(54)
214
(30)
258
(74)
292
(16)
318
(42)
340
(64)
359
(83)
376
(8)
391
(23)
404
(36)
416
(48)

Subsets and supersets

Since 92 factors into 22 × 23, 92edo has subset edos 2, 4, 23, and 46.

Intervals

Steps Cents Ups and downs notation Approximate ratios
0 0 D 1/1
1 13.0435 ↑D, ↓5E♭
2 26.087 ↑↑D, ↓4E♭ 56/55, 64/63, 65/64, 66/65, 78/77, 81/80
3 39.1304 3D, ↓3E♭
4 52.1739 4D, ↓↓E♭ 33/32, 36/35, 65/63
5 65.2174 5D, ↓E♭
6 78.2609 6D, E♭ 22/21
7 91.3043 7D, ↓9E
8 104.348 8D, ↓8E 35/33, 52/49
9 117.391 9D, ↓7E
10 130.435 D♯, ↓6E 14/13, 27/25
11 143.478 ↑D♯, ↓5E
12 156.522 ↑↑D♯, ↓4E 35/32
13 169.565 3D♯, ↓3E
14 182.609 4D♯, ↓↓E 10/9, 39/35, 49/44
15 195.652 5D♯, ↓E
16 208.696 E 9/8, 44/39
17 221.739 ↑E, ↓5F
18 234.783 ↑↑E, ↓4F 8/7, 55/48, 63/55
19 247.826 3E, ↓3F
20 260.87 4E, ↓↓F 64/55, 65/56
21 273.913 5E, ↓F
22 286.957 F 13/11, 33/28
23 300 ↑F, ↓5G♭
24 313.043 ↑↑F, ↓4G♭ 6/5
25 326.087 3F, ↓3G♭
26 339.13 4F, ↓↓G♭ 39/32
27 352.174 5F, ↓G♭
28 365.217 6F, G♭ 26/21
29 378.261 7F, ↓9G
30 391.304 8F, ↓8G 5/4, 44/35, 49/39
31 404.348 9F, ↓7G
32 417.391 F♯, ↓6G 14/11, 33/26, 80/63
33 430.435 ↑F♯, ↓5G
34 443.478 ↑↑F♯, ↓4G
35 456.522 3F♯, ↓3G
36 469.565 4F♯, ↓↓G 21/16, 55/42, 72/55
37 482.609 5F♯, ↓G
38 495.652 G 4/3
39 508.696 ↑G, ↓5A♭
40 521.739 ↑↑G, ↓4A♭ 27/20, 65/48
41 534.783 3G, ↓3A♭
42 547.826 4G, ↓↓A♭ 11/8, 48/35
43 560.87 5G, ↓A♭
44 573.913 6G, A♭ 25/18, 39/28
45 586.957 7G, ↓9A
46 600 8G, ↓8A 55/39, 78/55
47 613.043 9G, ↓7A
48 626.087 G♯, ↓6A 36/25, 56/39, 63/44
49 639.13 ↑G♯, ↓5A
50 652.174 ↑↑G♯, ↓4A 16/11, 35/24
51 665.217 3G♯, ↓3A
52 678.261 4G♯, ↓↓A 40/27, 65/44, 77/52
53 691.304 5G♯, ↓A
54 704.348 A 3/2
55 717.391 ↑A, ↓5B♭
56 730.435 ↑↑A, ↓4B♭ 32/21, 55/36
57 743.478 3A, ↓3B♭
58 756.522 4A, ↓↓B♭ 65/42
59 769.565 5A, ↓B♭
60 782.609 6A, B♭ 11/7, 52/33, 63/40
61 795.652 7A, ↓9B
62 808.696 8A, ↓8B 8/5, 35/22, 78/49
63 821.739 9A, ↓7B
64 834.783 A♯, ↓6B 21/13, 81/50
65 847.826 ↑A♯, ↓5B
66 860.87 ↑↑A♯, ↓4B 64/39
67 873.913 3A♯, ↓3B
68 886.957 4A♯, ↓↓B 5/3
69 900 5A♯, ↓B
70 913.043 B 22/13, 56/33
71 926.087 ↑B, ↓5C
72 939.13 ↑↑B, ↓4C 55/32
73 952.174 3B, ↓3C
74 965.217 4B, ↓↓C 7/4
75 978.261 5B, ↓C
76 991.304 C 16/9, 39/22
77 1004.35 ↑C, ↓5D♭
78 1017.39 ↑↑C, ↓4D♭ 9/5, 70/39
79 1030.43 3C, ↓3D♭
80 1043.48 4C, ↓↓D♭ 64/35
81 1056.52 5C, ↓D♭
82 1069.57 6C, D♭ 13/7, 50/27
83 1082.61 7C, ↓9D
84 1095.65 8C, ↓8D 49/26, 66/35
85 1108.7 9C, ↓7D
86 1121.74 C♯, ↓6D 21/11
87 1134.78 ↑C♯, ↓5D
88 1147.83 ↑↑C♯, ↓4D 35/18, 64/33
89 1160.87 3C♯, ↓3D
90 1173.91 4C♯, ↓↓D 55/28, 63/32, 65/33, 77/39
91 1186.96 5C♯, ↓D
92 1200 D 2/1