User:Zhenlige - Revision history

Zhenlige: /* Personal terminology definitions */

2026-02-15T18:49:47Z

Personal terminology definitions

← Older revision		Revision as of 18:49, 15 February 2026
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	== Personal terminology definitions ==		== Personal terminology definitions ==
	* Microtonal: ~~something~~ using finer-than-[[12edo]] tunings		* Microtonal: music using finer-than-[[12edo]] tunings (non-12edo [[meantone]] tuning included)
	* Xenharmonic: ~~something~~ that cannot be interpreted as 5-limit [[12edo\|12et]] without severe damage		* Xenharmonic: music that cannot be interpreted as [[5-limit]] [[12edo\|12et]] without severe damage (12edo music using [[17/1\|17]] or [[19/1\|19]] included, most 5-limit [[meantone]] music excluded)

	== Interval naming (thirds as an example) ==		== Interval naming (thirds as an example) ==

Zhenlige at 18:46, 15 February 2026

2026-02-15T18:46:48Z

← Older revision		Revision as of 18:46, 15 February 2026
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	[https://space.bilibili.com/281369461 Bilibili]		[https://space.bilibili.com/281369461 Bilibili]

			== Personal terminology definitions ==
			* Microtonal: something using finer-than-[[12edo]] tunings
			* Xenharmonic: something that cannot be interpreted as 5-limit [[12edo\|12et]] without severe damage

	== Interval naming (thirds as an example) ==		== Interval naming (thirds as an example) ==

Zhenlige at 09:12, 28 January 2026

2026-01-28T09:12:58Z

← Older revision		Revision as of 09:12, 28 January 2026
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	I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.		I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.

	When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[81/64]]) are more consonant than tempered simple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the ~~parabolic~~ wave~~, which is misnamed as “semisine”~~ in ~~ScaleWorkshop~~), but vise versa for real instrument samples.		When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[81/64]]) are more consonant than tempered simple intervals (e.g. a meantone fifth) for synthetic waves (specifically the semisine wave in Scale Workshop), but vise versa for real instrument samples.

	[https://space.bilibili.com/281369461 Bilibili]		[https://space.bilibili.com/281369461 Bilibili]

Overthink: fix typo

2026-01-26T23:00:58Z

fix typo

← Older revision		Revision as of 23:00, 26 January 2026
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	I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.		I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.

	When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[81/64]]) are more consonant than tempered ~~sinple~~ intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.		When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[81/64]]) are more consonant than tempered simple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.

	[https://space.bilibili.com/281369461 Bilibili]		[https://space.bilibili.com/281369461 Bilibili]

Zhenlige at 14:11, 21 December 2025

2025-12-21T14:11:06Z

@@ Line 6: / Line 6: @@
 [https://space.bilibili.com/281369461 Bilibili]
-[[Category:User zh-N]]
-[[Category:User en-3]]
+== Interval naming (thirds as an example) ==
 == Useful links ==
@@ Line 13: / Line 29: @@
 ----
 {{Special:Prefixindex|prefix=User:Zhenlige/|hideredirects=1|stripprefix=1}}

Zhenlige: /* Useful links */

2025-01-14T13:28:14Z

Useful links

← Older revision		Revision as of 13:28, 14 January 2025
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	[[Category:User zh-N]]		[[Category:User zh-N]]
	[[Category:User en-3]]		[[Category:User en-3]]

			== Useful links ==
			[[Defactoring algorithms]]
	----		----
	{{Special:Prefixindex\|prefix=User:Zhenlige/\|hideredirects=1\|stripprefix=1}}		{{Special:Prefixindex\|prefix=User:Zhenlige/\|hideredirects=1\|stripprefix=1}}

Zhenlige at 15:50, 19 December 2024

2024-12-19T15:50:22Z

← Older revision		Revision as of 15:50, 19 December 2024
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	I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.		I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.

	When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[32/27]]) are more consonant than tempered sinple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.		When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[81/64]]) are more consonant than tempered sinple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.

	[https://space.bilibili.com/281369461 Bilibili]		[https://space.bilibili.com/281369461 Bilibili]

Zhenlige: fix typo

2024-12-16T15:04:02Z

fix typo

← Older revision		Revision as of 15:04, 16 December 2024
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	I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.		I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.

	When acturally work with xen music, I only use softwares, since I cannot play any ~~intruments~~ well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[32/27]]) are more consonant than tempered sinple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.		When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[32/27]]) are more consonant than tempered sinple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.

	[https://space.bilibili.com/281369461 Bilibili]		[https://space.bilibili.com/281369461 Bilibili]

Zhenlige at 10:37, 13 December 2024

2024-12-13T10:37:59Z

← Older revision		Revision as of 10:37, 13 December 2024
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	The author of [https://github.com/zhenlige/xennote XenNote], a game mod for playing xenharmonic music in [https://minecraft.net Minecraft].		The author of [https://github.com/zhenlige/xennote XenNote], a game mod for playing xenharmonic music in [https://minecraft.net Minecraft].

			I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.

			When acturally work with xen music, I only use softwares, since I cannot play any intruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[32/27]]) are more consonant than tempered sinple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.

	[https://space.bilibili.com/281369461 Bilibili]		[https://space.bilibili.com/281369461 Bilibili]

Zhenlige at 13:46, 8 December 2024

2024-12-08T13:46:17Z

← Older revision		Revision as of 13:46, 8 December 2024
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	[[Category:User en-3]]		[[Category:User en-3]]
	----		----
	{{Special:Prefixindex\|prefix=User:~~FloraC~~/\|hideredirects=1\|stripprefix=1}}		{{Special:Prefixindex\|prefix=User:Zhenlige/\|hideredirects=1\|stripprefix=1}}