User:Kaiveran/Scrapbook - Revision history

Kaiveran at 03:10, 21 February 2024

2024-02-21T03:10:32Z

← Older revision		Revision as of 03:10, 21 February 2024
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	* Yathafitwena Hyperenharmonic – 1/1, 79/78, 40/39, 4/3		* Yathafitwena Hyperenharmonic – 1/1, 79/78, 40/39, 4/3
	** 79/78 - 80/79 - '''13/10'''		** 79/78 - 80/79 - '''13/10'''

			== Template Messings ==
			{{JI ratios in ED\|ED=5\|Subgroup=2.3.7\|Tenney Height=8}}

Kaiveran at 06:50, 9 April 2022

2022-04-09T06:50:09Z

← Older revision		Revision as of 06:50, 9 April 2022
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	== On Essentially Tempered Chords ==		== On Essentially Tempered Chords ==
	* "Finding essentially tempered chords in as efficient a manner as possible is topic of value to me, as it is information I want to know as fast as possible when examining prospective tempering or analogy approaches. This depends on how many commas one is juggling for the set of dyadic essentially tempered chords. If one comma, and if 2/1 is the equave, then write all numerators in one row, then write all the ~~denomonators~~ in a a lower row, then do combination permutations of all the dyad ratio combinations that make chords across 2/1. Do these up through whatever odd limit one considers acoustically pertinent."		* "Finding essentially tempered chords in as efficient a manner as possible is topic of value to me, as it is information I want to know as fast as possible when examining prospective tempering or analogy approaches. This depends on how many commas one is juggling for the set of dyadic essentially tempered chords. If one comma, and if 2/1 is the equave, then write all numerators in one row, then write all the denominators in a a lower row, then do combination permutations of all the dyad ratio combinations that make chords across 2/1. Do these up through whatever odd limit one considers acoustically pertinent."
	** Scott Dakota		** Scott Dakota
	[[File:~~Kaigi zones pent~~.png\|thumb\|Ditto for a pentatonic framework.]]		[[File:Choris.png\|alt=\|thumb\|Ditto for a pentatonic framework, using the pseudo-7s of a quarter-fifth genchain.]]

	== Random Tetrachords ==		== Random Tetrachords ==

Kaiveran: restrysc

2022-01-12T17:13:45Z

restrysc

@@ Line 1: / Line 1: @@
 [[File:Kaigi zones.png|thumb|My own takes on heptatonic categories for a future Color-inspired notation, if it is determined to be useful]]
 purrrrrrrrrrrrrrrrrrrrrrrrrrrr
 * "Finding essentially tempered chords in as efficient a manner as possible is topic of value to me, as it is information I want to know as fast as possible when examining prospective tempering or analogy approaches. This depends on how many commas one is juggling for the set of dyadic essentially tempered chords. If one comma, and if 2/1 is the equave, then write all numerators in one row, then write all the denomonators in a a lower row, then do combination permutations of all the dyad ratio combinations that make chords across 2/1. Do these up through whatever odd limit one considers acoustically pertinent."
 ** Scott Dakota
 [[File:Kaigi zones pent.png|thumb|Ditto for a pentatonic framework.]]

Kaiveran at 07:20, 6 January 2022

2022-01-06T07:20:30Z

← Older revision		Revision as of 07:20, 6 January 2022
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	* "Finding essentially tempered chords in as efficient a manner as possible is topic of value to me, as it is information I want to know as fast as possible when examining prospective tempering or analogy approaches. This depends on how many commas one is juggling for the set of dyadic essentially tempered chords. If one comma, and if 2/1 is the equave, then write all numerators in one row, then write all the denomonators in a a lower row, then do combination permutations of all the dyad ratio combinations that make chords across 2/1. Do these up through whatever odd limit one considers acoustically pertinent."		* "Finding essentially tempered chords in as efficient a manner as possible is topic of value to me, as it is information I want to know as fast as possible when examining prospective tempering or analogy approaches. This depends on how many commas one is juggling for the set of dyadic essentially tempered chords. If one comma, and if 2/1 is the equave, then write all numerators in one row, then write all the denomonators in a a lower row, then do combination permutations of all the dyad ratio combinations that make chords across 2/1. Do these up through whatever odd limit one considers acoustically pertinent."
	** Scott Dakota		** Scott Dakota
			[[File:Kaigi zones pent.png\|thumb\|Ditto for a pentatonic framework.]]

Kaiveran at 09:40, 5 January 2022

2022-01-05T09:40:32Z

← Older revision		Revision as of 09:40, 5 January 2022
Line 1:		Line 1:
			[[File:Kaigi zones.png\|thumb\|My own takes on heptatonic categories for a future Color-inspired notation, if it is determined to be useful]]
			purrrrrrrrrrrrrrrrrrrrrrrrrrrr
	* "Finding essentially tempered chords in as efficient a manner as possible is topic of value to me, as it is information I want to know as fast as possible when examining prospective tempering or analogy approaches. This depends on how many commas one is juggling for the set of dyadic essentially tempered chords. If one comma, and if 2/1 is the equave, then write all numerators in one row, then write all the denomonators in a a lower row, then do combination permutations of all the dyad ratio combinations that make chords across 2/1. Do these up through whatever odd limit one considers acoustically pertinent."		* "Finding essentially tempered chords in as efficient a manner as possible is topic of value to me, as it is information I want to know as fast as possible when examining prospective tempering or analogy approaches. This depends on how many commas one is juggling for the set of dyadic essentially tempered chords. If one comma, and if 2/1 is the equave, then write all numerators in one row, then write all the denomonators in a a lower row, then do combination permutations of all the dyad ratio combinations that make chords across 2/1. Do these up through whatever odd limit one considers acoustically pertinent."
	** Scott Dakota		** Scott Dakota

Kaiveran: skool

2021-09-06T07:16:12Z

skool

New page

* "Finding essentially tempered chords in as efficient a manner as possible is topic of value to me, as it is information I want to know as fast as possible when examining prospective tempering or analogy approaches. This depends on how many commas one is juggling for the set of dyadic essentially tempered chords. If one comma, and if 2/1 is the equave, then write all numerators in one row, then write all the denomonators in a a lower row, then do combination permutations of all the dyad ratio combinations that make chords across 2/1. Do these up through whatever odd limit one considers acoustically pertinent."
** Scott Dakota