User:Holger Stoltenberg - Revision history

Holger Stoltenberg: minor update

2026-01-01T11:21:37Z

minor update

← Older revision		Revision as of 11:21, 1 January 2026
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	My family and I ~~are living~~ near Hamburg, Germany. I am an engineer and a an amateur musician. Years ago I started some private research to find out, why the octave has historically been divided into twelve chunks of more or less the same size ~~– so~~ I entered the field of partials, temperament and dynamic intonation.		My family and I live near Hamburg, Germany. I am an engineer and an amateur musician. Years ago I started doing some private research to find out, why the octave has historically been divided into twelve chunks of more or less the same size. That's how I entered the field of partials, temperament and dynamic intonation.

	I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. ~~With regard to~~ my own experiments, certain basic aspects discussed ~~there~~ seemed familiar and I was happy to find that I was not completely ~~on the wrong~~ track. Today my copy of TTSS has been a true companion for almost two decades.		I came across [[Bill Sethares]]’s awesome book, ''Tuning, Timbre, Spectrum, Scale (TTSS)''. Regarding my own experiments, certain basic aspects discussed in the book seemed familiar and I was happy to find that I was not completely off track. Today my copy of TTSS has been a true companion for almost two decades.

	Working with chords built from [[Overtone scales\|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a ~~light weight and~~ MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two prototypical electronic instruments I built: A keyboard-driven setup and a playing console that extends the concept of a pedalsteel guitar.		Working with chords built from [[Overtone scales\|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a lightweight, MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two prototypical electronic instruments I built: A keyboard-driven setup and a playing console that extends the concept of a pedalsteel guitar.

	Holger		Holger

Holger Stoltenberg: Link to Expanding tonal space added

2025-01-08T16:15:03Z

Link to *Expanding tonal space* added

← Older revision		Revision as of 16:15, 8 January 2025
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	My first contribution to this Wiki was an article about [[Just Hammond\|just intervals generated by an ancient Hammond Organ]] - you might read it with a wink...		My first contribution to this Wiki was an article about [[Just Hammond\|just intervals generated by an ancient Hammond Organ]] - you might read it with a wink...

			The title of the second Xenwiki page I created is [[Expanding tonal space\|''Expanding tonal space'']], an article that describes useful visual arrangements of a set of overtone scales.

			If I have used inappropriate terminology somewhere (e.g. mode, tonic, fundamental) or you just like the concept of tonal space please leave a comment.

Holger Stoltenberg: minor edits

2025-01-08T11:34:14Z

minor edits

← Older revision		Revision as of 11:34, 8 January 2025
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	My family and I ~~live~~ near Hamburg, Germany. I am an engineer and a ~~hobby~~ musician. Years ago I started some private research to find out, why the octave has historically been divided into twelve chunks of more or less the same size – so I entered the field of partials, temperament and dynamic intonation.		My family and I are living near Hamburg, Germany. I am an engineer and a an amateur musician. Years ago I started some private research to find out, why the octave has historically been divided into twelve chunks of more or less the same size – so I entered the field of partials, temperament and dynamic intonation.

	I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there ~~appeared~~ familiar and I was happy to find ~~myself~~ not ~~being~~ completely on the wrong track. Today my copy of TTSS has been a true companion for ~~nearly~~ two decades...		I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there seemed familiar and I was happy to find that I was not completely on the wrong track. Today my copy of TTSS has been a true companion for almost two decades.

	~~Handling~~ chords built from [[Overtone scales\|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two prototypical electronic instruments I built: A keyboard driven setup and a playing console that extends the concept of a pedalsteel guitar.		Working with chords built from [[Overtone scales\|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two prototypical electronic instruments I built: A keyboard-driven setup and a playing console that extends the concept of a pedalsteel guitar.

	Holger		Holger
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	<nowiki>----------</nowiki>		<nowiki>----------</nowiki>

	My first contribution to this Wiki is an article about [[Just Hammond\|just intervals generated by an ancient Hammond Organ]] - you might read it with a wink!		My first contribution to this Wiki was an article about [[Just Hammond\|just intervals generated by an ancient Hammond Organ]] - you might read it with a wink...

Holger Stoltenberg: Link to "Just Hammond" amended

2020-01-13T13:18:52Z

Link to "Just Hammond" amended

← Older revision		Revision as of 13:18, 13 January 2020
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	I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there appeared familiar and I was happy to find myself not being completely on the wrong track. Today my copy of TTSS has been a true companion for nearly two decades...		I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there appeared familiar and I was happy to find myself not being completely on the wrong track. Today my copy of TTSS has been a true companion for nearly two decades...

	Handling chords built from [[Overtone scales\|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two electronic instruments I built: A keyboard driven setup and a playing console that extends the concept of a pedalsteel guitar.		Handling chords built from [[Overtone scales\|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two prototypical electronic instruments I built: A keyboard driven setup and a playing console that extends the concept of a pedalsteel guitar.

	Holger		Holger

			<nowiki>----------</nowiki>

			My first contribution to this Wiki is an article about [[Just Hammond\|just intervals generated by an ancient Hammond Organ]] - you might read it with a wink!

Holger Stoltenberg: link amended

2019-12-21T13:40:07Z

link amended

← Older revision		Revision as of 13:40, 21 December 2019
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	I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there appeared familiar and I was happy to find myself not being completely on the wrong track. Today my copy of TTSS has been a true companion for nearly two decades...		I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there appeared familiar and I was happy to find myself not being completely on the wrong track. Today my copy of TTSS has been a true companion for nearly two decades...

	Handling chords built from Overtone Scales has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two electronic instruments I built: A keyboard driven setup and a playing console that extends the concept of a pedalsteel guitar.		Handling chords built from [[Overtone scales\|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two electronic instruments I built: A keyboard driven setup and a playing console that extends the concept of a pedalsteel guitar.

	Holger		Holger

Holger Stoltenberg: User page created

2019-12-21T13:28:16Z

User page created

New page

My family and I live near Hamburg, Germany. I am an engineer and a hobby musician. Years ago I started some private research to find out, why the octave has historically been divided into twelve chunks of more or less the same size – so I entered the field of partials, temperament and dynamic intonation.

I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there appeared familiar and I was happy to find myself not being completely on the wrong track. Today my copy of TTSS has been a true companion for nearly two decades...

Handling chords built from Overtone Scales has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two electronic instruments I built: A keyboard driven setup and a playing console that extends the concept of a pedalsteel guitar.

Holger