User:FranklyFlawless - Revision history

FranklyFlawless: Conversation conversion.

2026-03-24T02:54:13Z

Conversation conversion.

← Older revision		Revision as of 02:54, 24 March 2026
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	# Reuse [[Kite's color notation\|Kite's colour notation]] work by keeping 8/7 colour assignment to red, therefore assigning the colour green to 7/4.		# Reuse [[Kite's color notation\|Kite's colour notation]] work by keeping 8/7 colour assignment to red, therefore assigning the colour green to 7/4.

	For colourspeak, strictly use the first letter of each colour from the English language while appending "o" or "u" as a suffix depending on the generator, leading to this ~~conversation~~:		For colourspeak, strictly use the first letter of each colour from the English language while appending "o" or "u" as a suffix depending on the generator, leading to this conversion:

	# Wa = Wa (no conversion)		# Wa = Wa (no conversion)

FranklyFlawless: Add WIP 7-limit colour notation.

2026-03-24T02:27:18Z

Add WIP 7-limit colour notation.

← Older revision		Revision as of 02:27, 24 March 2026
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	== History ==		== History ==
	Self-taught musician of over 20 intermittent years. Mostly learned video game music repertoire by ear during childhood with the Halberstadt layout using the Yamaha PSR-273, then started improvising and creating medleys during adulthood alongside learning jazz theory while still retaining usage of the Yamaha PSR series (up until the PSR-EW425). Increasingly grew frustrated by the Halberstadt layout due to the onerous task of learning multiple fingerings for the same chord and/or scale, so I started searching for isomorphic solutions and encountered the LinnStrument (200) from Roger Linn Design on the Xenharmonic Wiki's [[Keyboard]] page, which I acquired during the pandemic. Invested about 5 years intensely learning it, but the skill ceiling for proficient polyphonic interplay became an exponentially insurmountable challenge, so I continued my isomorphic layout search until I learned about the Seven Limit Mosaichord from Desiderata Systems in the Kite Guitar community (on Matrix), which I acquired during 2025. The Voronoi layout it uses recycled my isomorphic experience from the LinnStrument, so my hand finger shapes became a natural focal transition point, and I eventually decided to fully commit to learning the Mosaichord instead.		Self-taught musician of over 20 intermittent years. Mostly learned video game music repertoire by ear during childhood with the Halberstadt layout using the Yamaha PSR-273, then started improvising and creating medleys during adulthood alongside learning jazz theory while still retaining usage of the Yamaha PSR series (up until the PSR-EW425). Increasingly grew frustrated by the Halberstadt layout due to the onerous task of learning multiple fingerings for the same chord and/or scale, so I started searching for isomorphic solutions and encountered the LinnStrument (200) from Roger Linn Design on the Xenharmonic Wiki's [[Keyboard]] page, which I acquired during the pandemic. Invested about 5 years intensely learning it, but the skill ceiling for proficient polyphonic interplay became an exponentially insurmountable challenge, so I continued my isomorphic layout search until I learned about the Seven Limit Mosaichord from Desiderata Systems in the Kite Guitar community (on Matrix), which I acquired during 2025. The Voronoi layout it uses recycled my isomorphic experience from the LinnStrument, so my hand finger shapes became a natural focal transition point, and I eventually decided to fully commit to learning the Mosaichord instead.

			== 7-limit Colour Notation (WIP) ==
			Based on [[Kite's color notation\|Kite's colour notation]] with multiple modifications:

			# Six equidistant colours (primary and secondary) derived from the RYB colour model (6EDCM?), while reusing white for 3-limit.
			# Split into "cold" and "hot" colours:
			#* Cold: Purple, Blue, and Green
			#* Hot: Yellow, Orange, and Red
			# Cold colours are allocated towards "minor/flat" generators (6/5, 7/5, 7/4) while hot colours are allocated towards "major/sharp" generators (5/4, 8/7, and 10/7).
			#* All opposing generators are assigned opposing colours.
			# Since 7/5 and 10/7 are combinations of other generators within the same group, assign the middle colour of each colour group to them as well:
			#* 7/5 receives blue.
			#* 10/7 receives orange.
			# Reuse [[Kite's color notation\|Kite's colour notation]] work by keeping 5/4's colour assignment to yellow, therefore assigning the colour purple to 8/5.
			# Reuse [[Kite's color notation\|Kite's colour notation]] work by keeping 8/7 colour assignment to red, therefore assigning the colour green to 7/4.

			For colourspeak, strictly use the first letter of each colour from the English language while appending "o" or "u" as a suffix depending on the generator, leading to this conversation:

			# Wa = Wa (no conversion)
			# Ru = Ru (no conversion)
			# Yo = Yo (no conversion)
			# Ruyo = Ou
			# Zo = Go
			# Gu = Pu
			# Zogu = Bo

FranklyFlawless at 05:45, 27 January 2026

2026-01-27T05:45:33Z

← Older revision		Revision as of 05:45, 27 January 2026
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	== History ==		== History ==
	Self-taught musician of over 20 intermittent years. Mostly learned video game music repertoire by ear during childhood with the Halberstadt layout using the Yamaha PSR-273, then started improvising and creating medleys during adulthood alongside learning jazz theory while still retaining usage of the Yamaha PSR series (up until the PSR-EW425). Increasingly grew frustrated by the Halberstadt layout due to the onerous task of learning multiple fingerings for the same chord and/or scale, so I started searching for isomorphic solutions and encountered the LinnStrument (200) from Roger Linn Design on the Xenharmonic Wiki's [[Keyboard]] page, which I acquired during the pandemic. ~~I invested~~ about 5 years intensely learning it, but the skill ceiling for proficient polyphonic interplay became an exponentially insurmountable challenge, so I continued my isomorphic layout search until I learned about the Seven Limit Mosaichord from Desiderata Systems in the Kite Guitar community (on Matrix), which I acquired during 2025. The Voronoi ~~diagram~~ layout it uses recycled my isomorphic experience from the LinnStrument, so my hand finger shapes became a natural focal transition point, and I eventually decided to fully commit to learning the Mosaichord instead.		Self-taught musician of over 20 intermittent years. Mostly learned video game music repertoire by ear during childhood with the Halberstadt layout using the Yamaha PSR-273, then started improvising and creating medleys during adulthood alongside learning jazz theory while still retaining usage of the Yamaha PSR series (up until the PSR-EW425). Increasingly grew frustrated by the Halberstadt layout due to the onerous task of learning multiple fingerings for the same chord and/or scale, so I started searching for isomorphic solutions and encountered the LinnStrument (200) from Roger Linn Design on the Xenharmonic Wiki's [[Keyboard]] page, which I acquired during the pandemic. Invested about 5 years intensely learning it, but the skill ceiling for proficient polyphonic interplay became an exponentially insurmountable challenge, so I continued my isomorphic layout search until I learned about the Seven Limit Mosaichord from Desiderata Systems in the Kite Guitar community (on Matrix), which I acquired during 2025. The Voronoi layout it uses recycled my isomorphic experience from the LinnStrument, so my hand finger shapes became a natural focal transition point, and I eventually decided to fully commit to learning the Mosaichord instead.

FranklyFlawless: Add History header and content.

2026-01-27T04:38:19Z

Add History header and content.

New page

== History ==
Self-taught musician of over 20 intermittent years. Mostly learned video game music repertoire by ear during childhood with the Halberstadt layout using the Yamaha PSR-273, then started improvising and creating medleys during adulthood alongside learning jazz theory while still retaining usage of the Yamaha PSR series (up until the PSR-EW425). Increasingly grew frustrated by the Halberstadt layout due to the onerous task of learning multiple fingerings for the same chord and/or scale, so I started searching for isomorphic solutions and encountered the LinnStrument (200) from Roger Linn Design on the Xenharmonic Wiki's [[Keyboard]] page, which I acquired during the pandemic. I invested about 5 years intensely learning it, but the skill ceiling for proficient polyphonic interplay became an exponentially insurmountable challenge, so I continued my isomorphic layout search until I learned about the Seven Limit Mosaichord from Desiderata Systems in the Kite Guitar community (on Matrix), which I acquired during 2025. The Voronoi diagram layout it uses recycled my isomorphic experience from the LinnStrument, so my hand finger shapes became a natural focal transition point, and I eventually decided to fully commit to learning the Mosaichord instead.